15 Fun Facts About The Baby-sitters Club

In 1986, Scholastic published the first Baby-sitters Club book, Kristy’s Big Idea. Before long, the books were hitting bestsellers lists, and what started as a four-part miniseries would eventually grow to 218 books, including 131 regular series novels, 15 super specials, 36 mystery books, four super mysteries, a series of portrait collection books, and spin-off series including California Diaries (15 books) and Baby-sitters Little Sisters (128 books). By the series end in 2000, 176 million copies of Baby-sitters Club books had been sold—which, if stacked on top of each other, would equal 77,203 Empire State Buildings. Here are a few things you might not have known about the hugely popular series, which didn’t just turn kids into readers—it also turned them into babysitters when they created their own real-life clubs.

1. SCHOLASTIC EDITOR JEAN FEIWEL CAME UP WITH THE IDEA AND THE TITLE—AND HIRED ANN M. MARTIN.

When Fiewel joined Scholastic in 1983, she was put in charge of the publisher’s preteen and young adult book clubs. The idea for Baby-sitters Club came when Fiewel noticed that a book called Ginny’s Babysitting Job was a top-seller month after month, despite having “a rotten cover” and being buried on the third or fourth page of the book club's catalog. “I thought, it must be something about baby-sitting because it’s not something about Ginny or the cover,” Fiewel said.

The editor then approached Ann M. Martin—whom she had briefly worked with at Scholastic before Martin left to become a freelance writer—with the idea and the series’ title. “All I gave Ann was just a glimmer of an idea—a series about a babysitters club,” Fiewel told Publisher’s Weekly in 2010. “She came up with everything else.”

2. MARTIN DREW FROM HER OWN FRIENDSHIPS AND EXPERIENCES TO WRITE THE BOOKS.

“First, I had to decide exactly what a babysitters club might be and I decided that it would be a babysitting business,” Martin told Glamour’s Smitten in 2010. “And then I created the four original main characters.” The author, who not long before had been a teacher for a year, said that experience was foremost in her mind: “I was also thinking of the kids in my classroom who came from really different kinds of backgrounds. I remember at the time being struck by how many came from families in which the parents were divorced or a lot of blended families. And this was just a pretty typical classroom in Connecticut.”

Princeton, New Jersey, where Martin grew up, was the inspiration for BSC’s Stoneybrook, Connecticut, and when it came time to create her characters, Martin drew on her own friendships: Mary Anne and Kristy were based on the author and her best friend Beth, respectively, when they were growing up. “We started a number of clubs and they were all her idea,” Martin told The Washington Post in 1995. “They lasted for about two days, but it was like the old Judy Garland-Mickey Rooney movies: ‘Hey, let’s start a club.’ We’d meet in Beth’s bedroom, eat cookies and then go home.”

Claudia, meanwhile, was named after Martin’s friend Claudia Werner. She also wrote her goddaughters into the books—you might know them as the Perkins girls, frequent charges of the BSC: “As adults, they tell me that it's a lot of fun for them to look back and read about the characters that were inspired by them,” Martin said in an interview with Scholastic.

Martin spent a lot of time babysitting in her youth, but that wasn’t the only thing she used for inspiration: Her childhood desire to find a secret passageway in her house (which was designed and constructed by her parents just five years before they moved in) inspired The Ghost at Dawn’s House, while summer vacations on the Jersey Shore—and in Surf City, Avalon, Stone Harbor, and Cape May in particular—inspired Sea City, New Jersey, the fictional town where members of the BSC enjoyed summer adventures in Boy Crazy Stacey.

One thing Martin never used as inspiration: The thousands of ideas that were sent to her by fans, which all tended to be too dramatic for the series.

3. BABY-SITTER’S CLUB WAS INITIALLY SUPPOSED TO BE A FOUR-BOOK MINISERIES.

The idea was that each book would focus on one of the four original characters—Kristy, Mary Anne, Claudia, and Stacey—and have a run of 30,000 copies. The first, Kristy’s Big Idea, debuted in August 1986 in bookstores and in book clubs; it quickly sold out of its initial run, then sold an additional 120,000 copies. The other books also did well—so well that Scholastic requested another two BSC novels with initial runs of 100,000 copies; starting with BSC #7, Kristy Saves the Day, the books were printed in runs of 250,000 (it would one day become the first children’s book to appear on the USA Today Bestseller List) and were soon being published at the rate of one a month.

Baby-sitter’s Club was a hit, and it was no wonder it resonated with young girls: The books focused on issues and topics they would find relatable. Things like divorce, the death of a pet, sibling rivalry, disabilities, cancer, racism, eating disorders, learning disorders, the death of a friend, and sexism were all fair game. Drugs and sex were not, however. “I think these topics are a little heavy for younger readers,” Martin told Time in 1991. (More mature issues like alcoholism and abusive relationships were explored in the Dawn-centric spin-off California Diaries.)

4. THE COVERS WERE PAINTED BY HODGES SOILEAU—AND ONE FEATURED KIRSTEN DUNST.

Soileau, who now teaches part-time at Ringling College of Art and Design in Sarasota, Florida, painted covers for more than 300 books in various genres, including beloved series like The Boxcar Children as well as Harlequin romance novels. For the BSC covers, he worked from photographs of models—one of whom was a young Kirsten Dunst on her very first job. “My first cover was a book in the Baby-sitters Club series, Claudia Gets a Phantom Phone Calls,” Dunst told Parade in 2008.

5. THE HANDWRITTEN PORTIONS OF THE BSC BOOKS WERE ALL CREATED BY ONE EMPLOYEE.

Each BSC book focuses on a different character and features handwritten passages—and though each may have looked as unique as the BSC member it belonged to, they all actually came from one hand: “The handwriting for the girls—all of them!—was done by one person in Scholastic's art department,” Martin said.

6. AT THE BEGINNING, MARTIN WROTE ALL OF THE BOOKS HERSELF …

When Baby-sitters Club debuted, Martin was writing each of the books herself at the rate of one a month. She had a routine: Each morning she’d wake up early, then write longhand on yellow legal pads from 8 a.m. to 6 p.m. Soon, Scholastic added a spin-off series to her load: Baby-sitters Little Sisters, which she also had to write at the rate of one a month. And her workload continued to grow: In 1995, Martin told The Washington Post that “I’m responsible for 12 Baby-sitters Club books a year. Twelve Little Sisters books, six mysteries, and about four Ms. Coleman books [another BSC spin-off], and two or three other titles. … It totals over 30 books a year. I don’t even think Stephen King could do it.”

7. … BUT A MULTITUDE OF SPIN-OFFS EVENTUALLY MEANT HIRING GHOSTWRITERS.

When the workload became too great for Martin, she and Scholastic opted to hire ghostwriters—a small group of writers that Martin and her editors had worked with before, including Ellen Miles, Peter Lerangis, and Nola Thacker. “I almost didn’t have a choice, because there is no way I could have written all of those books myself!” Martin told CNN in 2014. “Each of the authors had to read all of the books in the series up to the point from which they would be writing so they would have the background.” (It’s easy to tell if a book has been ghostwritten: Look for an acknowledgments page that thanked the ghostwriter for “help in preparing this manuscript” or “help in writing this book.”)

But just because the books were ghostwritten doesn’t mean Martin had stepped away entirely: She outlined the plot for each book (“I am a huge outliner. I outline everything,” she told CNN) and edited them as they came in. “I really enjoyed it,” she said. “I had been an editor before I became a full-time writer, so this was like putting my editorial hat back on.”

To keep consistency, the editorial team created a BSC “bible” full of details like each character's eye color, hobbies, and habits. The bible was overseen by David Levithan, then a 19-year-old intern who would go on to become Scholastic’s editorial director. “I was the guy on the subway not only reading BSC, I was reading it with a highlighter to keep track of who spoke French, who had green eyes, and so on,” he told The Wire. The bible would go on to be published as a book of its own: The Complete Guide to the Baby-sitters Club.

8. THE HARDEST BOOK FOR MARTIN TO WRITE WAS CLAUDIA AND THE SAD GOODBYE.

The book, which deals with the death of Claudia’s grandmother, was written shortly after Martin lost her own grandmother. “There was a lot of me in the book,” she told Life in 2002.

Claudia’s uber-fashionable outfits, incidentally, were sourced from clothing catalogs, magazines, and what kids were wearing on TV.

9. READING ABOUT STACEY’S DIABETES HELPED SOME READERS DIAGNOSE THEMSELVES.

Martin, who gave Stacey diabetes after two of her friends were diagnosed with the condition, told Entertainment Weekly in 2012, “It never occurred to me that after I wrote this book [The Truth About Stacey] I would hear from so many readers who actually recognized the warning signs of diabetes and diagnosed themselves based on Stacey’s story.”

The author’s descriptions of diabetes helped in other ways, too. As one commenter wrote on Martin’s Facebook page, “I have to admit that a lot of what you wrote about Stacey's diabetes really helped me tremendously when I took Anatomy and Physiology recently. :) The descriptions you wrote about the disease were very accurate.”

10. WHEN STACEY WAS WRITTEN OUT OF THE SERIES, FANS FREAKED OUT.

In BCS #13, Good-bye, Stacey, Good-bye, Stacey heads back to New York City. “I thought it was reasonable that in a group of friends the size of the Baby-sitters Club, one member might move away at some point,” Martin told Entertainment Weekly. “Since Stacey hadn’t grown up in Stoneybrook, I thought it made sense that she might have to move back to New York City.”

But at that time, Stacey was BSC’s most popular character, and fans were not pleased: “BIG MISTAKE! Stacey’s huge fan base let it be known that they wanted her back in Stoneybrook asap!” Martin wrote on her Facebook page. Stacey had her homecoming in BSC #28, Welcome Back, Stacey!

11. JOHN GREEN IS A FAN.

Boys were BSC fans, too—including author John Green. He wrote in the September/October addition of The Horn Book Magazine that, when he was around 10, he started to hate the Hardy Boys—not the books, but the characters. “They were vapid and preppy and struck me as entirely too popular,” he wrote. “The Hardy boys were never lonely or inexplicably sad. They got scared sometimes, but only because the cave was dark. Every 10-year-old worth his or her salt knows that caves aren't nearly as terrifying as people.” But Green found what he was looking for in BSC:

“I found the Baby-sitters Club, and I was in love. I was in love with Stacey, of course, because she was awesome and cute and industrious and also vulnerable and prone to getting herself into the kind of trouble that one does not often find in caves. But I was also in love with the books. The BSC offered me characters whose conflicts were like my own, or at least relevant to my own: they experienced interpersonal conflict, and even internal conflict. If I may paraphrase Faulkner when talking about the Baby-sitters Club: for me, at least, Stacey's griefs grieved on universal bones.”

That devotion lasted into his college years. During a fight with a college girlfriend, Green retreated to her family’s guest room, where he found her old BSC books. “I spent an hour reading Claudia and the Sad Goodbye, and by the time I reached its end, I felt much better,” he wrote. “I was nineteen years old. By then, I needed more from books than the BSC could provide—but what they could provide, I still needed.”

12. THERE WAS A BABY-SITTERS CLUB TV SERIES ON HBO …

When Scholastic wanted to create a BSC TV show, they first approached the networks, where the publisher hit an unexpected roadblock: No one thought a TV show aimed at girls would be successful. One network suggested making the show a cartoon, and others discussed adding more boy characters before giving the go-ahead, but Scholastic dismissed those options. Instead, the publisher created two straight-to-VHS specials themselves.

Finding young actors that matched the characters in the books was no easy task. “We saw 500 girls because we were looking for very specific physical characteristics,” Deborah Forte, then VP at Scholastic, told the Philadelphia Enquirer in 1992. “And they had to act, too.”

The videos were a surprise success: A million cassettes were sold for $12.95 each and based on that, HBO picked up the series: Thirteen half-hour episodes ran throughout 1991. The episodes later aired on the Disney Channel, and you can watch them today on Hulu, YouTube, and Amazon.

13. … AND A MOVIE.

Just a few years later, Columbia Pictures released The Baby-sitters Club movie, which starred Schuyler Fisk as Kristy, Rachel Leigh Cook as Mary Anne, Larisa Oleynik as Dawn, and Bre Blair as Stacey. Scholastic co-produced the film and was involved heavily in the production. Jane Startz, executive vice president of Scholastic Productions, helped to hire a screenwriter, took part in script revisions, and hung out on set. “Scholastic wanted to make sure The Baby-sitters Club movie would have the same feel as the books,” director Melanie Mayron told the Los Angeles Times. “[Jane] was like a partner and I was grateful to have her … she’d point to [one of the characters] and say, ‘She wouldn’t do that.’”

Martin, too, worked on the film, helping to create the plot and weighing in on the script when necessary. “I was involved from the very beginning, talking to producers and working on the general idea for the plot,” she told Publisher’s Weekly in 1995. “I saw the script through its many, many stages. I’ve seen the movie twice now and am very pleased with it.” The movie, which had a budget of $6.5 million, made a little under $10 million domestically.

14. WHEN MARTIN WROTE A PREQUEL IN 2010, SCHOLASTIC REISSUED THE FIRST SEVEN BOOKS—WITH A FEW CHANGES.

By 2009, all of the Baby-sitters Club titles were out of print. In 2010, Martin released a prequel to the events of BSC called The Summer Before. “It was fun to explore their lives in the prequel,” Martin told Amazon, “and to figure out what led the girls to form the Baby-sitters Club, something that would eventually change their lives. It was like a reunion with friendsfriends who haven’t changed a bit.”

To celebrate the prequel, Scholastic released the first seven books in the series with new covers and important updates: References to outdated technology like Walkmans were removed; Stacey’s perm was replaced by an “expensive haircut.” But they didn’t go all out. “We felt if we set ourselves going down the road of cell phones it would have been crazy, so we didn’t do that, but we updated stuff about Stacey’s diabetes, and we got rid of stuff like VCRs,” Martin told Elle.

15. MARTIN HAS SOME IDEAS ABOUT WHERE THE BSC GIRLS ENDED UP.

The author often gets asked about what her characters are doing now, and though she doesn’t have any hard answers, she is willing to speculate. She told The Washington Post in 2010 that Kristy is likely a politician or a CEO, while Mary Anne decided to become a teacher; Stacey works in fashion and business and Claudia in art (obviously). Jessi is a dancer, and Dawn is a permanent California girl—but Martin isn’t sure what Mallory would be up to. Maybe, she speculated, she would go on to write a series of books for children.

5 Clues Daenerys Targaryen Will Die in the Final Season of Game of Thrones

HBO
HBO

by Mason Segall

The final season of HBO's epic Game of Thrones is hovering on the horizon like a lazy sun and, at the end of the day, fans have only one real question about how it will end: Who will sit the Iron Throne? One of the major contenders is Daenerys of the thousand-and-one names, who not only has one of the most legitimate claims to the throne, but probably deserves it the most.

However, Game of Thrones has a habit of killing off main characters, particularly honorable ones, often in brutal and graphic ways. And unfortunately, there's already been some foreshadowing that writers will paint a target on Daenerys's back.

5. THE PROPHECIES

Carice van Houten in 'Game of Thrones'
Helen Sloan, HBO

What's a good fantasy story without a few prophecies hanging over people's heads? While the books the show is based on have a few more than usual, the main prophecy of Game of Thrones is Melisandre's rants about "the prince that was promised," basically her faith's version of a messiah.

Melisandre currently believes both Daenerys and Jon Snow somehow fulfill the prophecy, but her previous pick for the position died a grisly death, so maybe her endorsement isn't a good sign.

4. TYRION'S DEMANDS FOR A SUCCESSOR

Peter Dinklage and Emilia Clarke in a scene from 'Game of Thrones'
HBO

A particular scene in season seven saw Tyrion advising Daenerys to name a successor before she travels north to help Jon. She challenges him, "You want to know who sits on the Iron Throne after I'm dead. Is that it?" But that's exactly it. Tyrion is more than aware how mortal people are and wants to take precautions. He's seen enough monarchs die that he probably knows what warning signs to look for.

3. A FAMILY LEGACY

David Rintoul as the Mad King in 'Game of Thrones'
HBO

Daenerys is the daughter of the Mad King Aerys II, a paranoid pyromaniac of a monarch. More than once, Daenerys has been compared to her father, particularly in her more ruthless moments. Aerys was killed because of his insanity and arrogance. If Daenerys starts displaying more of his mental illness, she might follow in his footsteps to the grave.

2. HER DRAGONS AREN'T INVINCIBLE

Emilia Clarke in 'Game of Thrones'
HBO

The fall and subsequent resurrection of the dragon Viserion was one of the biggest surprises of season seven. Not only did it destroy one of Daenerys's trump cards, but it proved that her other two dragons were vulnerable as well. Since the three-headed dragon is the sigil of her house, this might be an omen that Daenerys is next on the chopping block.

1. THAT VISION

Emilia Clarke in 'Game of Thrones'
HBO

All the way back in season two, Daenerys received a vision in the House of the Undying of the great hall in King's Landing ransacked and covered in snow. Before she could even touch the iron throne, she was called away by her dragons and was confronted by her deceased husband and son. This is a clear indication that she might never sit the throne, something that would only happen if she were dead.

7 Tips for Winning an Arm Wrestling Match

iStock
iStock

Geoff Hale was playing Division II college baseball in Kansas City, Missouri, when he sat down and started flipping through the channels on his TV. There—probably on TBS—was Over the Top, the 1987 arm wrestling melodrama starring Sylvester Stallone as Lincoln Hawke, a truck driver who aspires to win his estranged son’s affections. And to do that, he has to win a national arm wrestling tournament. Obviously.

Neither the worst nor the best of Stallone’s efforts, Over the Top made Hale recall his high school years and how the fringe sport had satisfied his athletic interests, which weren't being met by baseball. “I had never lost a match,” Hale tells Mental Floss of his arm wrestling prowess. “The movie reminded me that I was good at it.”

That was 13 years ago. Now a professional competitor known as the Haleraiser, the full-time petroleum geologist has won several major titles. While you may not have the constitution for the surprisingly traumatic sport (more on that later), you might still want to handle yourself in the event of a spontaneous match breaking out. We asked Hale for some tips on what to do when you’re confronted with the opportunity to achieve a modest amount of glory while arm-grappling on a beer-stained table. This is what he told us.

1. KNOW THAT SIZE DOESN'T MATTER.

A child uses books to help in arm-wrestling an adult
iStock

Well, it does. But really only if your opponent knows what they’re doing. Otherwise, having a bowling pin for a forearm isn’t anything to be wary about. If anything, your densely-built foe may have a false sense of confidence. “Everyone has arm-wrestled since they were a kid and thinks they know what it is,” Hale says. “It looks easy, but there’s actually a very complex set of movements. It’s good to check your ego at the door.”

2. PRETEND YOU’RE PART OF THE TABLE.

A man offers to arm wrestle from behind a table
iStock

When you square up with your opposition to lock hands—thumb digging into the fleshy part, fingers wrapped around the back—don’t lean over the table with your butt in the air. And don’t make the common mistake of sitting down for a match, either. “It limits you from a technique standpoint,” Hale says, and could even open you up to injury.

Instead, you want to plant the foot that matches your dominant hand under the table with your hip touching the edge. With your free hand, grip the edge or push down on the top for stability. “Pretend like you’re part of the table,” Hale says. That way, you’ll be able to recruit your shoulders, triceps, and biceps into the competition.

3. REMEMBER TO BREATHE.

Two men engage in an arm wrestling match
iStock

If you’re turning the color of a lobster, you’re probably holding in your breath. “Don’t,” Hale says. Remember to continue taking in air through your nose. There’s no benefit to treating the match like a diving expedition. The lack of oxygen will just tire your muscles out faster.

4. BEAT THE HAND, NOT THE ARM.

Two hands appear in close-up during an arm wrestling contest
iStock

There are three basic techniques in arm wrestling, according to Hale: the shoulder press, the hook, and the top roll. The shoulder press recruits the shoulder right behind the arm, pushing the opposing appendage down as if you were performing a triceps pressdown. The hook is more complex, varying pressure from all sides and incorporating pulling motions to bend the wrist backward. For the best chance of winning, opt for the top roll, which involves sliding your hand up your opponent’s so your grip is attacking the top portion nearest the fingers. That way, he or she is recruiting fewer major muscle groups to resist. “When you beat the hand, the arm follows,” Hale says. Because this is more strategy than strength, you might wind up toppling some formidable-looking opponents.

5. IN A STALEMATE, WAIT FOR AN OPENING.

A man and woman engage in an arm wrestling contest
iStock

While lots of arm wrestling matches end quickly, others become a battle of attrition. When you find yourself locked up in the middle of the table, wait for your opponent to relax. They almost always will. “In a neutral position, it’s good to stay static, keeping your body and arm locked up,” Hale says. “You’re just waiting for your opponent to make a mistake.” The moment you feel their arm lose tension, attack.

6. TRY SCREAMING.

A woman screams while winning an arm wrestling contest
iStock

Arm wrestlers play all kinds of psychological games, and while some might be immune to trash talk, it’s likely your rival will be influenced by some selective insults. “You can make someone lose their focus easily,” Hale says. “In a stalemate, you can give them a hard time, tell them they’re not strong. It’s intimidating to be out of breath and to see someone just talking.”

7. WHEN ALL ELSE FAILS, GO SECOND.

A man struggles while losing an arm wrestling contest
iStock

Arm wrestling exacts a heavy toll on winners and losers alike: The prolonged muscle contractions can easily fatigue people not used to the exertion. If you fear a loss from a bigger, stronger opponent, conspire to have them wrestle someone else first, then take advantage of their fatigue.

If all goes well, you might want to consider pursuing the sport on more competitive levels—but you probably shouldn’t. “It takes a toll on the body,” Hale says. “I’ve got tendonitis and don’t compete as much as I used to. On the amateur level, it’s common to see arm breaks, usually the humerus [upper arm] bone. The body was not really made for arm wrestling.”

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