15 Fun Facts About The Baby-Sitters Club

Scholastic
Scholastic

In 1986, Scholastic published the first The Baby-sitters Club book, Kristy’s Big Idea. Before long, the books were hitting bestsellers lists and what started as a four-part miniseries would eventually grow to more than 200 books. By the series' original end in 2000, 176 million copies of Baby-sitters Club books had been sold—which, if stacked on top of each other, would be as tall as 77,203 Empire State Buildings.

In 2006, The Baby-sitters Club got a graphic novel makeover (it, too, kicked off with Kristy's Big Idea). There was also an HBO series in 1990, and a film in 1995. And now Netflix has announced that they'll be bringing the beloved book series back to your nearest streaming device.

Here are a few things you might not have known about the hugely popular books, which didn’t just turn kids into readers—it also turned them into babysitters when they created their own real-life clubs.

1. Scholastic editor Jean Feiwel came up with the idea and the title, then hired Ann M. Martin.

When Jean Feiwel joined Scholastic in 1983, she was put in charge of the publisher’s preteen and young adult book clubs. The idea for Baby-sitters Club came when Feiwel noticed that a book called Ginny’s Babysitting Job was a top-seller month after month, despite having “a rotten cover” and being buried on the third or fourth page of the book club's catalog. “I thought, it must be something about baby-sitting because it’s not something about Ginny or the cover,” Feiwel said.

The editor then approached Ann M. Martin—whom she had briefly worked with at Scholastic before Martin left to become a freelance writer—with the idea and the series’ title. “All I gave Ann was just a glimmer of an idea—a series about a babysitters club,” Feiwel told Publisher’s Weekly in 2010. “She came up with everything else.”

2. Martin drew from her own friendships and experiences to write the books.

“First, I had to decide exactly what a babysitters club might be and I decided that it would be a babysitting business,” Martin told Glamour’s Smitten in 2010. “And then I created the four original main characters.” The author, who not long before had been a teacher for a year, said that experience was foremost in her mind: “I was also thinking of the kids in my classroom who came from really different kinds of backgrounds. I remember at the time being struck by how many came from families in which the parents were divorced or a lot of blended families. And this was just a pretty typical classroom in Connecticut.”

Princeton, New Jersey, where Martin grew up, was the inspiration for BSC’s Stoneybrook, Connecticut, and when it came time to create her characters, Martin drew on her own friendships: Mary Anne and Kristy were based on the author and her best friend Beth, respectively, when they were growing up.

“We started a number of clubs and they were all her idea,” Martin told The Washington Post in 1995. “They lasted for about two days, but it was like the old Judy Garland-Mickey Rooney movies: ‘Hey, let’s start a club.’ We’d meet in Beth’s bedroom, eat cookies, and then go home.”

Claudia, meanwhile, was named after Martin’s friend Claudia Werner. She also wrote her goddaughters into the books, who readers might remember as the Perkins girls, frequent charges of the BSC: “As adults, they tell me that it's a lot of fun for them to look back and read about the characters that were inspired by them,” Martin told Scholastic.

Martin spent a lot of time babysitting in her youth, but that wasn’t the only thing she used for inspiration: Her childhood desire to find a secret passageway in her house (which was designed and constructed by her parents just five years before they moved in) inspired The Ghost at Dawn’s House, while summer vacations on the Jersey Shore—and in Surf City, Avalon, Stone Harbor, and Cape May in particular—inspired Sea City, New Jersey, the fictional town where members of the BSC enjoyed summer adventures in Boy Crazy Stacey.

One thing Martin never used as inspiration: The thousands of ideas that were sent to her by fans, which all tended to be too dramatic for the series.

3. The Baby-sitters Club was intended to be a four-book miniseries.

The idea was that each book would focus on one of the four original characters—Kristy, Mary Anne, Claudia, and Stacey—and have a run of 30,000 copies. The first, Kristy’s Big Idea, debuted in August 1986 in bookstores and in book clubs; it quickly sold out of its initial run, then sold an additional 120,000 copies. The other books also did well—so well that Scholastic requested another two BSC novels with initial runs of 100,000 copies; starting with Mary Anne Saves the Day, the books were printed in runs of 250,000 (it would one day become the first children’s book to appear on the USA Today Bestseller List) and were soon being published at the rate of one a month.

The Baby-sitters Club was a hit, and it was no wonder it resonated with young girls: The books focused on issues and topics they would find relatable. Things like divorce, the death of a pet, sibling rivalry, disabilities, cancer, racism, eating disorders, learning disorders, the death of a friend, and sexism were all fair game. Drugs and sex were not, however. “I think these topics are a little heavy for younger readers,” Martin told TIME in 1991. (More mature issues like alcoholism and abusive relationships were explored in the Dawn-centric spin-off California Diaries.)

4. The covers were painted by Hodges Soileau—and one featured Kirsten Dunst.

Hodges Soileau, who now teaches part-time at Ringling College of Art and Design in Sarasota, Florida, painted covers for more than 300 books in various genres, including beloved series like The Boxcar Children as well as Harlequin romance novels. For The Baby-sitters Club covers, he worked from photographs of models—one of whom was a young Kirsten Dunst on her very first job. “My first cover was a book in the Baby-sitters Club series, Claudia and the Phantom Phone Calls,” Dunst told Parade in 2008.

5. The handwritten portions of the books were all created by one employee.

Each BSC book focuses on a different character and features handwritten passages—and though each may have looked as unique as the BSC member it belonged to, they all actually came from one hand: “The handwriting for the girls—all of them!—was done by one person in Scholastic's art department,” Martin said .

6. originally, Martin wrote all of the books herselF.

When The Baby-sitters Club debuted, Martin was writing each of the books herself at the rate of one per month. She had a routine: Each morning she’d wake up early, then write longhand on yellow legal pads from 8 a.m. to 6 p.m. Soon, Scholastic added a spin-off series to her load: Baby-sitters Little Sisters, which she also had to write at the rate of one a month. And her workload continued to grow: In 1995, Martin told The Washington Post that “I’m responsible for 12 Baby-sitters Club books a year. Twelve Little Sisters books, six mysteries, and about four Ms. Coleman books [another BSC spin-off], and two or three other titles ... It totals over 30 books a year. I don’t even think Stephen King could do it.”

7. a multitude of spin-offs eventually meant hiring ghostwriters.

When the workload became too great for Martin, she and Scholastic opted to hire ghostwriters—a small group of writers that Martin and her editors had worked with before, including Ellen Miles, Peter Lerangis, and Nola Thacker. “I almost didn’t have a choice, because there is no way I could have written all of those books myself,” Martin told CNN in 2014. “Each of the authors had to read all of the books in the series up to the point from which they would be writing so they would have the background.” (It’s easy to tell if a book has been ghostwritten: Look for an acknowledgments page that thanked the ghostwriter for “help in preparing this manuscript” or “help in writing this book.”)

But just because the books were ghostwritten doesn’t mean Martin had stepped away entirely: She outlined the plot for each book (“I am a huge outliner. I outline everything,” she told CNN) and edited them as they came in. “I really enjoyed it,” she said. “I had been an editor before I became a full-time writer, so this was like putting my editorial hat back on.”

To keep consistency, the editorial team created a BSC “bible” full of details like each character's eye color, hobbies, and habits. The bible was overseen by David Levithan, then a 19-year-old intern who would go on to become Scholastic’s editorial director. “I was the guy on the subway not only reading BSC, I was reading it with a highlighter to keep track of who spoke French, who had green eyes, and so on,” he told The Wire. The bible would go on to be published as a book of its own: The Complete Guide to the Baby-sitters Club.

8. The hardest book for Martin to write was Claudia and the Sad Good-bye.

Claudia and the Sad Good-bye, which deals with the death of Claudia’s grandmother, was written shortly after Martin lost her own grandmother. “There was a lot of me in the book,” Martin told Life in 2002.

Claudia’s uber-fashionable outfits, incidentally, were sourced from clothing catalogs, magazines, and what kids were wearing on TV.

9. Reading about Stacey’s diabetes helped some readers get diagnosed.

Martin, who gave Stacey diabetes after two of her friends were diagnosed with the condition, told Entertainment Weekly in 2012, “It never occurred to me that after I wrote this book [The Truth About Stacey] I would hear from so many readers who actually recognized the warning signs of diabetes and [got] diagnosed themselves based on Stacey’s story.”

The author’s descriptions of diabetes helped in other ways, too. As one commenter wrote on Martin’s Facebook page :

“I have to admit that a lot of what you wrote about Stacey's diabetes really helped me tremendously when I took Anatomy and Physiology recently. The descriptions you wrote about the disease were very accurate.”

10. When Stacey was written out of the series, fans freaked out.

In BCS #13, Good-bye, Stacey, Good-bye, Stacey heads back to New York City. “I thought it was reasonable that in a group of friends the size of the Baby-sitters Club, one member might move away at some point,” Martin told Entertainment Weekly. “Since Stacey hadn’t grown up in Stoneybrook, I thought it made sense that she might have to move back to New York City.”

But at that time, Stacey was BSC’s most popular character, and fans were not pleased: “BIG MISTAKE! Stacey’s huge fan base let it be known that they wanted her back in Stoneybrook asap!” Martin wrote on her Facebook page. Stacey had her homecoming in BSC #28, Welcome Back, Stacey!

11. John Green is a fan.

Boys were BSC fans, too—including author John Green. He wrote in the September/October addition of The Horn Book Magazine that, when he was around 10, he started to hate the Hardy Boys—not the books, but the characters. “They were vapid and preppy and struck me as entirely too popular,” he wrote. “The Hardy boys were never lonely or inexplicably sad. They got scared sometimes, but only because the cave was dark. Every 10-year-old worth his or her salt knows that caves aren't nearly as terrifying as people.” But Green found what he was looking for in BSC:

“I found the Baby-sitters Club, and I was in love. I was in love with Stacey, of course, because she was awesome and cute and industrious and also vulnerable and prone to getting herself into the kind of trouble that one does not often find in caves. But I was also in love with the books. The BSC offered me characters whose conflicts were like my own, or at least relevant to my own: they experienced interpersonal conflict, and even internal conflict. If I may paraphrase Faulkner when talking about the Baby-sitters Club: for me, at least, Stacey's griefs grieved on universal bones.”

That devotion lasted into Green's college years. During a fight with a college girlfriend, Green retreated to her family’s guest room, where he found her old BSC books. “I spent an hour reading Claudia and the Sad Good-bye, and by the time I reached its end, I felt much better,” he wrote. “I was 19 years old. By then, I needed more from books than the BSC could provide—but what they could provide, I still needed.”

12. There was a Baby-sitters Club TV series on HBO.

When Scholastic wanted to create a BSC TV show, they first approached the networks, where the publisher hit an unexpected roadblock: No one thought a TV show aimed at girls would be successful. One network suggested making the show a cartoon, and others discussed adding more boy characters before giving the go-ahead, but Scholastic dismissed those options. Instead, the publisher created two straight-to-VHS specials themselves.

Finding young actors that matched the characters in the books was no easy task. “We saw 500 girls because we were looking for very specific physical characteristics,” Deborah Forte, then VP at Scholastic, told the Philadelphia Inquirer in 1992. “And they had to act, too.”

The videos were a surprise success: 1 million cassettes were sold for $12.95 each and based on that, HBO picked up the series: Thirteen half-hour episodes ran throughout 1991. The episodes later aired on the Disney Channel, and you can watch them today on Hulu.

13. There was also a baby-sitters club movie.

Just a few years later, Columbia Pictures released The Baby-sitters Club movie, which starred Schuyler Fisk as Kristy, Rachel Leigh Cook as Mary Anne, Larisa Oleynik as Dawn, and Bre Blair as Stacey. Scholastic co-produced the film and was involved heavily in the production. Jane Startz, executive vice president of Scholastic Productions, helped to hire a screenwriter, took part in script revisions, and hung out on set. “Scholastic wanted to make sure The Baby-sitters Club movie would have the same feel as the books,” director Melanie Mayron told the Los Angeles Times. “[Jane] was like a partner and I was grateful to have her … she’d point to [one of the characters] and say, ‘She wouldn’t do that.’”

Martin, too, worked on the film, helping to create the plot and weighing in on the script when necessary. “I was involved from the very beginning, talking to producers and working on the general idea for the plot,” she told Publisher’s Weekly in 1995. “I saw the script through its many, many stages. I’ve seen the movie twice now and am very pleased with it.” The movie, which had a budget of $6.5 million, made a little under $10 million domestically.

14. When Martin wrote a prequel in 2010, Scholastic reissued the first seven books—with a few changes.

By 2009, all of the Baby-sitters Club titles were out of print. In 2010, Martin released a prequel to the events of BSC called The Summer Before. “It was fun to explore their lives in the prequel,” Martin told Amazon, “and to figure out what led the girls to form the Baby-sitters Club, something that would eventually change their lives. It was like a reunion with friends—friends who haven’t changed a bit.”

To celebrate the prequel, Scholastic released the first seven books in the series with new covers and important updates: References to outdated technology like Walkmans were removed; Stacey’s perm was replaced by an “expensive haircut.” But they didn’t go all out. “We felt if we set ourselves going down the road of cell phones it would have been crazy, so we didn’t do that, but we updated stuff about Stacey’s diabetes, and we got rid of stuff like VCRs,” Martin told Elle.

15. Martin has some ideas about where the BSC girls ended up.

Though The Baby-sitters Club will be reborn via Netflix, Martin is still often asked about what her characters are doing now, and though she doesn’t have any hard answers, she is willing to speculate. In 2010, she told The Washington Post in 2010 that Kristy is likely a politician or a CEO, while Mary Anne decided to become a teacher; Stacey works in fashion and business and Claudia in art (obviously). Jessi is a dancer, and Dawn is a permanent California girl—but Martin isn’t sure what Mallory would be up to. Maybe, she speculated, she would go on to write a series of books for children.

The Tree That Inspired Dr. Seuss's The Lorax Has Fallen Over

Rhododendrites, Wikimedia Commons // CC BY-SA 4.0
Rhododendrites, Wikimedia Commons // CC BY-SA 4.0

The Truffula trees at the center of The Lorax may have been a product of Dr. Seuss's imagination, but it's believed they were inspired by a real-life tree in La Jolla, California. Nearly 50 years after the environmental parable was published, Smithsonian reports that the iconic Monterey cypress has fallen.

The tree had grown for 80 to 100 years in what is today Ellen Browning Scripps Park in Southern California. It was clearly visible from the observation tower where Theodor Geisel, a.k.a. Dr. Seuss, lived in La Jolla following World War II.

While the children's book author and illustrator never stated that the tree inspired his work, locals started referring to it as "The Lorax Tree." The resemblance it bears to Seuss's Truffula is undeniable: Both have skinny trunks with whimsical curves and thick, fluffy canopies of foliage concentrated at the top.

In The Lorax, the Truffula trees are threatened by the Once-ler, who wants to chop them down and turn them into garments called Thneeds. The title character "speaks for the trees" and conveys the book's environmentalist message.

Unlike the Truffula, La Jolla's Monterey cypress appeared to be in no danger until it recently toppled over. Arborists aren't sure what caused the collapse, as they hadn't noticed any prior health issues with the tree except for some termites. The past year's uncharacteristically wet winter and the effect it had on the surrounding soil may have played a role, so experts are looking into that possibility.

Most of the tree has been removed from the area, and the city plans to plant another tree in its place. There are also plans to salvage and repurpose the trunk from the fallen tree, though they haven't been made official.

[h/t Smithsonian]

26 Amazing Books by LGBTQ+ Authors You Should Add to Your Bookshelf

iStock/Mitshu
iStock/Mitshu

With the 50th anniversary of the Stonewall Riots coming up on June 28, it seems like the entire country is celebrating LGBTQ+ Pride. But what happens on July 1, when all the rainbow logos and flags get put away for the year? Don't worry—we've got a list of incredible books by LGBTQ+ authors to keep you occupied all year long. Like the queer community itself, this reading list is diverse and exciting, representing a wide variety of genres, time periods, and identities. Here are 26 great books to add to your bookshelf.

1. Fingersmith // Sarah Waters

The cover of 'Fingersmith'
Riverhead Books

Sarah Waters is the reigning queen of lesbian historical mysteries, and Fingersmith is her answer to Oliver Twist—only with more, well, twists. So-called "genre" stories rarely get recognized for major literary prizes, but Fingersmith not only won the Crime Writers Association's 2002 Historical Dagger award, and it was also shortlisted for the Man Booker Prize that year.

Find it: Amazon

2. Eighty-Sixed // David Feinberg

The cover of 'Eighty-Sixed'
Grove Press

In the last few years, a host of historical novels have delved into the first wave of the AIDS crisis, from Rebecca Makkai's The Great Believers to Joseph Cassara's House of Impossible Beauties. But no retrospective look captures the unknowability of the queer community's sudden descent into the plague years as well as David Feinberg's seminal Eighty-Sixed, which blends humor, fear, loss, and anger into a genuinely fun—if incredibly harrowing and sad—chronicle of the 1980s.

Find it: Amazon

3. Stone Butch Blues // Leslie Feinberg

The cover of 'Stone Butch Blues'
Alyson Books

Winner of the 1994 Stonewall Book Award, Stone Butch Blues is one of the earliest American novels told from the point of view of a genderqueer, trans-masculine person—a “stone butch,” in the parlance of the 1970s (when the majority of the book is set). Leslie Feinberg’s last words were “remember me as a revolutionary Communist,” and in that spirit, the 20th-anniversary edition of the book is free to download on hir website. (Feinberg used the pronouns ze/hir.)

Find it: Amazon

4. [insert] Boy // Danez Smith

The cover of '[insert] Boy'
YesYes Books

This first poetry collection from queer, black, nonbinary Midwesterner Danez Smith shows that the best spoken word poetry can also light up the page. Showing the true breadth of their talent and appeal, in the years since [insert] Boy (2015) was published, Smith has appeared on The Late Show with Stephen Colbert and won a number of awards, including a nomination for the National Book Award for their 2017 collection Don't Call Us Dead.

Find it: Amazon

5. I’ve Got a Time Bomb // Sybil Lamb

The cover of 'I've Got a Time Bomb'
Topside Press

In this whacked-out road novel, Sybil Lamb borrows deeply from her own experiences as an underground, always-on-the-move, crust punk trans artist—including the time she was beaten and left for dead after a gay wedding in New Orleans, causing her permanent brain damage. The result is surreal and disturbing, yet somehow still hopeful.

Find it: Amazon

6. The Color Purple // Alice Walker

The cover of 'The Color Purple'
Open Road Media

The Color Purple is a timeless American classic that has won accolades in print, on film, and on the Broadway stage. Yet it's not often recognized for the queer sexuality and unconventional family structures at its heart. If you haven’t read this book since it was assigned to you in school, come back to it with adult eyes to find a beautiful story of queer resilience.

Find it: Amazon

7. Sketchtasy // Mattilda Bernstein Sycamore

The cover of 'Sketchtasy'
Arsenal Pulp Press

Young queer people might be prone to wax nostalgic about the 1990s (as many of us do). But Mattilda Bernstein Sycamore’s third novel, Sketchtasy, presents a different perspective on the decade, delving into the dangerous and confusing side of being a young queer outsider in Boston, America’s most parochial city, in the mid-1990s.

Find it: Amazon

8. I, the Divine // Rabih Alameddine

The cover of 'I, the Divine'
W. W. Norton & Company

Rabih Alameddine’s sumptuous prose would make a to-do list mesmerizing, but the real delight of I, the Divine is its experimental structure: The book takes the form of a series of attempted first chapters of the memoir of its protagonist. Alameddine is a master of using nonlinear forms to build powerful and unexpected narratives, and I, the Divine is one of his best.

Find it: Amazon

9. Blackwater: The Complete Caskey Family Saga // Michael McDowell

The cover of 'Blackwater'
Valancourt Books

Michael McDowell was only 49 years old when he died of AIDS in 1999, but he was already the “finest writer of paperback originals in America today,” as Stephen King put it. Although you may not know his name, you almost certainly know some of his writing, such as the script for Beetlejuice. Blackwater is McDowell’s six-part serial Southern gothic horror epic, which follows decades of one family’s haunted life along the Perdido River in Alabama.

Find it: Amazon

10. We the Animals // Justin Torres

The cover of 'We the Animals'
Mariner Books

Justin Torres’s loosely autobiographical first novel follows three brothers growing up in upstate New York in the 1980s in a family that is at turns loving and violent. A beautiful coming-of-age story about being queer, brown, and working class, Torres fills his pages with gorgeous sentences that linger in your mouth, like, “We were six snatching hands, six stomping feet; we were brothers, boys, three little kings locked in a feud for more.”

Find it: Amazon

11. Outline of My Lover // Douglas Martin

The cover of 'Outline of My Lover'
Soft Skull Press

Douglas Martin's exquisite, short, experimental roman a clef shines a queer light in an unexpected place: the indie music scene of Athens, Georgia, circa the late 1980s and early 1990s. Following a fey young man's limerent crush on a closeted rock star, Outline of My Lover was published by Soft Skull Press, a New York City underground institution whose earliest books were printed on pirated Kinko's copiers.

Find it: Amazon

12. This Bridge Called My Back // Cherrie Moraga & Gloria Anzaldua

The cover of 'This Bridge Called My Back'
SUNY Press

If you love the concept of intersectionality, This Bridge Called My Back is the throwback read you need. Combining everything from poetry to memoir to theory, this slim anthology is one of the ur-texts that brought an explicitly anti-racist, women-of-color-centered, feminist lens to queer studies—without being so full of academic jargon you’ll want to throw it across the room.

Find it: Amazon

13. Conflict Is Not Abuse // Sarah Schulman

The cover of 'Conflict Is Not Abuse'
Arsenal Pulp

Sarah Schulman is one of the queer community's fiercest public intellectuals, with a critical eye that has tackled topics as diverse as Palestinian liberation and American gentrification. With Conflict Is Not Abuse, she examines the “supremacist thinking” that undergirds everything from our current presidential administration to that Twitter fight you got in last week.

Find it: Amazon

14. I’ll Give You the Sun // Jandy Nelson

The cover of 'I'll Give You the Sun'
Speak

This beautiful young adult novel proves that writing for teens can be as poetic and lyrical as writing for adults—without losing the unputdownable quality that animates the best YA books. In alternating chapters, Nelson’s twin brother-sister narrators slowly circle the devastating secrets that transformed them from best friends into virtual strangers. We dare you not to cry at the end.

Find it: Amazon

15. 7 Miles a Second // David Wojnarowicz

The cover of '7 Miles a Second'
Fantagraphics Books

Following his 2018 retrospective at the Whitney Museum in New York, the late artist and activist David Wojnarowicz has exploded back into cultural relevance. This posthumous graphic novel (illustrated by Wojnarowicz’s friend, James Romberger, and originally published by DC Comics), turns his autobiographical stories of homelessness, sexual abuse, and AIDS into a fever dream of stream-of-consciousness prose and hallucinatory images.

Find it: Amazon

16. Trash // Dorothy Allison

The cover of 'Trash'
Penguin Books

Dorothy Allison is rightly famous for her novel Bastard Out of Carolina, which drew on her experiences growing up poor, Southern, queer, and sexually abused. But the novel’s protagonists, Bone and Shannon, made their debut in this early collection of Allison’s short stories, which won multiple Lambda Literary Awards in 1989.

Find it: Amazon

17. Written on the Body // Jeanette Winterson

The cover of 'Written on the Body'
Vintage International

The unnamed, ungendered protagonist of Jeanette Winterson’s magical novel Written on the Body is both philosopher and seducer, approaching love as a conundrum to be sorted and a prize to be won. The result is a genderless eroticism that is both intellectual and physical. This one is best read with your lover(s).

Find it: Amazon

18. Long Live the Tribe of Fatherless Girls // T Kira Madden

The cover of 'Long Live the Tribe of Fatherless Girls'
Bloomsbury Publishing

T Kira Madden’s lush, wild, and disturbing memoir seems to take every insane “Florida woman” Internet meme and explode it, revealing the tenderness, love, fear, pain, anger, and joy that nestle within stories of crazy nights and lost days. But Madden’s lyric prose and unique voice are what truly make this autobiography shine.

Find it: Amazon

19. Go Tell It on the Mountain // James Baldwin

The cover of 'Go Tell It on the Mountain'
Vintage International

James Baldwin is one of the lions of 20th-century literature, renowned for his gorgeous writing, his gripping narratives, and his ability to grapple with some of the major social issues of his time. Go Tell It On the Mountain is his first book, the one that years later he would call “the book I had to write if I was ever going to write anything else.” Start here, and then read everything Baldwin wrote after.

Find it: Amazon

20. No Ashes in the Fire // Darnell Moore

The cover of 'No Ashes in the Fire'
Bold Type Books

Darnell Moore’s memoir of coming of age queer and black in Camden, New Jersey, is equal parts harrowing and beautiful. His ability to interweave his personal journey with the larger story of the structural racism and disenfranchisement faced by Camden residents makes No Ashes in the Fire fascinating on both a personal and political level.

Find it: Amazon

21. Confessions of the Fox // Jordy Rosenberg

The cover of 'Confessions of the Fox'
One World

Transgender writer Jordy Rosenberg’s stunning debut novel ping-pongs back and forth between a lost 18th-century manuscript that purports to be the true autobiography of Jack Sheppard (an infamous historical figure and thief) and the story of the beleaguered academic who finds the book in a library sale at his second-rate university. Rosenberg himself teaches 18th-century literature as well as gender and sexuality studies at the University of Massachusetts Amherst, and for anyone who’s spent too long in academic circles, the present-day parts of this book will feel all too realistic.

Find it: Amazon

22. Dancer from the Dance // Andrew Holleran

The cover of 'Dancer From the Dance'
Harper Perennial

Nothing can recreate the hothouse nature of post-Stonewall, pre-AIDS urban gay male life, with its heady mix of liberation and oppression all set to a throbbing disco beat—but Dancer from the Dance certainly comes close. It’s a portrait of shallow hedonism filled with unexpected depth and pathos.

Find it: Amazon

23. Leaves of Grass // Walt Whitman

The title page of a 19th-century copy of 'Leaves of Grass'
Rare Book Division, The New York Public Library

If the last time you tried to read Leaves of Grass was in a high school English class, it deserves a second look. Whitman’s poems are queer, erotic, sensual, sexual, and sometimes downright dirty. As the poet himself wrote, “I am for those who believe in loose delights—I share the midnight orgies of young men.”

Find it: Amazon

24. SCUM Manifesto // Valerie Solanas

The cover of 'SCUM Manifesto'
AK Press

If you only know Valerie Solanas from her attempt to shoot Andy Warhol or her recent cameo on American Horror Story, you’re missing out on one of the most outrageous feminist texts of the mid-20th century. Is SCUM Manifesto a Swiftian satire of Freudian misogyny, or actual propaganda for the violent overthrow of the patriarchy? Unclear. But either way, it's hard to put down a book that begins like this:

"'Life' in this 'society' being, at best, an utter bore and no aspect of 'society' being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and eliminate the male sex."

Find it: Amazon

25. The Queen of the Night // Alexander Chee

The cover of 'The Queen of the Night'
Mariner Books

Like the arias sung by Alexander Chee’s protagonist—a 19th-century opera diva with a hidden past—The Queen of the Night is lush, dramatic, passionate, and melodramatic (in the best way). This book is a confection for opera queens and Francophiles, but even tone-deaf readers will revel in its murders, affairs, intrigues, and mysteries. We've previously put Chee on our list of great Asian American authors to read, so suffice it to say we're big fans.

Find it: Amazon

26. Complete Poems // Marianne Moore

The cover of Marianne Moore's 'Complete Poems'
Penguin Classics

We might think of the terms asexual and aromantic as modern identity labels only recently recognized under the queer umbrella, but throughout history, there have been people who have lived queer lives very much in those modes—like the extraordinary poet Marianne Moore, one of the most talented (and longest lasting) of the Modernist poets of the early 20th century. Complete Poems gives readers a broad overview of her work, from her early, dense, Imagist pieces (often drawn from scientific sources, like 1936's "The Pangolin"), to her later, more accessible and popular work (like 1961's "Baseball and Writing").

Find it: Amazon

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