Nearly 20 years after Biggie Smalls's infamous death, the rapper's story will continue on the small screen. According to The Hollywood Reporter, TBS is developing a half-hour comedy titled Think B.I.G., after one of the late artist’s unreleased songs from 1995.
A collaboration between Bystorm Films and the rapper's mother, Voletta Wallace, the new series will follow an inner-city teen who is trying to build a better life and future for his young daughter and infant son. Each episode will be loosely based on lyrics from Notorious B.I.G. (born Christopher Wallace).
In the days before widescreen televisions, most of the movies you watched on VHS or on cable looked a little different than their big-screen versions. The sides of the image had to be cropped out so that you could watch a movie made for a rectangular screen on the small screen. Today, those little black bars on the top and bottom of the screen that allow you to watch the same movie scaled to any shape of screen are everywhere. But it turns out, cropping for aspect ratios is alive and well—on HBO, as YouTube film vlogger Patrick Willems explains.
In his latest video, which we spotted on Digg, Willems explains why aspect ratios matter, and how the commonly used aspect ratios can fundamentally change a movie.
Most old-school televisions have 4:3 aspect ratios, meaning movies had to be significantly cropped to fit wide-screen films on the small screen. Now, most computers and televisions use 16:9 aspect ratios, which is approximately the same as the one used for movies, typically 1.85:1, so many movies expand to fit TV screens perfectly. The catch: Some Hollywood movies are shot with even wider angles to show even more of an image at once. And even though viewers are familiar with the sight of those black bars, it seems the streaming sites are determined to limit their use, even for movies that don’t fit on a normal screen. As a result, you may only be seeing the central part of the image, not the whole thing. You could be missing characters, action, and landscape that’s happening on the far sides of the screen.
Since 1993, the Motion Picture Association of America has mandated that any film that’s been altered in a way that changes the original vision of its creators—say, to edit out swear words, adjust the run time, or to make it fit a certain screen—run with a disclaimer that says as much. That’s why before movies run on TV, they usually show a note that says something like “This film has been modified from its original version. It has been formatted to fit this screen.” But this doesn’t seem to apply to streaming.
In 2013, Netflix was accused of cropping films, too, showing wide-angle movies to fit the standard 16:9 screen instead of running the original version with black bars. The streaming giant claimed it was a mistake due to distributors sending them the cropped version, and those films would be replaced with the originals. However, as of 2015, users were still complaining of the problem. According to Willems, it’s a problem that still plagues not just HBO, but Starz and Hulu, too, and there isn’t any clear rationale for it other than that perhaps people don’t like looking at black bars. But frankly, that seems better than seeing a version of a film that the director never intended.
New Documentary Reveals the Surprising Place the Queen's Crown Jewels Were Hidden During WWII
BY Kirstin Fawcett
January 12, 2018
Toby Melville/AFP/Getty Images
Today, the Queen of the United Kingdom's Crown Jewels are safeguarded in the Tower of London’s Jewel House, under the watch of armed guards. But during World War II, select gems from the priceless collection were stored in a biscuit tin and buried on Windsor Castle’s grounds, according to Business Insider.
The unorthodox hiding place was recently revealed in a new BBC documentary, The Coronation, which looks back on Queen Elizabeth II’s rise to the throne in 1953. British news commentator Alastair Bruce, who interviews the Queen in the hour-long special, says he stumbled across the story while perusing once-confidential letters between royal librarian Sir Owen Morshead and Queen Mary, the mother of King George VI and grandmother of Queen Elizabeth.
Fearing that the Nazis would seize the royal jewels, George VI ordered the treasure-filled tin to be buried underneath a secret emergency castle exit. The jewels—including the Black Prince's Ruby and St. Edward's Sapphire, both taken from the Imperial State Crown—were accessible only through a trapdoor.
The freshly tilled earth was a chalky white. To avoid notice from the German Luftwaffe, tarps were used to conceal the dug-up grounds at night. The Nazis weren’t the only ones left in the dark: Princess Elizabeth, then 14 years old, had no idea where the gems were buried, although she did know they’d been hidden at Windsor.
This story—along with other musings on royalty from Queen Elizabeth—is shared in The Coronation, which airs on the Smithsonian Channel on January 14.