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Battle of Bazentin Ridge

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 243rd installment in the series. 

July 14-17, 1916: Battle of Bazentin Ridge

The disastrous opening of the Battle of the Somme on July 1, 1916 is still remembered as the bloodiest day in British military history, but it was merely the beginning of five months of horror that resulted in 1.3 million casualties on both sides, including 310,486 killed and missing. The lion’s share of these were inflicted in a series of incremental Allied offensives throughout the summer and fall of 1916, as the British and French pushed forward again and again in search of an ever-elusive breakthrough.

The second big push fell just two weeks after the first assault, during the Battle of Bazentin Ridge from July 14-17, when the British scored a rare victory but then failed to exploit it, giving the Germans a chance to regroup and dig in again – by now a frustratingly familiar result on those rare occasions when either side scored a success. 

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In the wake of the blood-soaked initial assault, which yielded gains in the south but disaster in the north, British Expeditionary Force commander Douglas Haig ordered the Fourth Army under General Henry Rawlinson to push ahead on the southern front, resulting in ineffectual piecemeal attacks that failed to breach the second German defensive line, or “Braune Stellung” (Brown Line), the original objective of the offensive. 

Where the British had succeeded in capturing the German first line, terrible scenes prevailed, as described by brigadier general Alexander Johnston, who visited captured trenches near La Boisselle on July 10: “I have seen some bad places this war but have seen nothing like this place, piles of dead all over the place both German and British, most of them about 10 days old in an awful state black in the face and stinking horribly, the battered communication trenches are full of them, and one has merely to walk over the top of them.” Incredibly, wounded British soldiers were still dragging themselves out of no man’s land as well. One British officer, Lionel Crouch, wrote to his father on July 10: 

One man lay out wounded for five days. He finally crawled into our trenches. He had been unable to tell which were ours and which were German until he saw a bully-beef tin lying outside, which made him guess that they were British… He had subsisted on grass. He had a fractured thigh, but the wound had healed. His arm was badly hit and there were actually maggots in his arm. He was very cheerful and ate a large meal. Old Summerhayes attended him, and says that he will lose his arm but ought to live. 

After the meager gains won by the subsequent British attacks from July 2-13, Rawlinson, still determined to pierce the Braune Stellung and achieve a breakthrough, laid out a new plan for an attack along a low rolling hill, Bazentin Ridge, just south of two villages, Bazentin-le-Petit and Bazentin-le-Grand. Unusually for the First World War, Rawlinson actually drew on recent lessons from the battlefield when formulating his strategy, including the experiences of the Fourth Army during the Somme offensive over the previous two weeks. 

Among the lessons learned, Rawlinson insisted on an overwhelming concentration of artillery against the enemy’s second line positions, which were still vulnerable, as the Germans hadn’t had time to replicate the 40-foot-deep dugouts of their abandoned first line. The plan also called for close air reconnaissance and support to ensure British shelling was hitting the right targets. Finally, Rawlinson’s plan also called for the element of surprise mostly lacking in the original assault: infantry from the 3rd and 9th Divisions of the British XIII Corps would advance deep into no man’s land under cover of dark (a perilous stratagem, to say the least) and then spring their attack on the German second line in the early morning, advancing behind a precisely measured creeping barrage. Meanwhile the 7th and 21st Divisions of XV Corps would attack to the north, where the jumping off trenches were much closer to the enemy’s. In a sign of their confidence, the British also brought up three cavalry divisions, two British and one Indian, to exploit the hoped-for breakthrough.

The plan required considerable preparation, as described by the war correspondent Frederick Palmer, who wrote:  “New roads must be made in order that the transport could move farther forward; medical corps men were establishing more advanced clearing stations; new ammunition dumps were being located; military police were adapting traffic regulations to the new situation. Old trenches had been filled up to give trucks and guns passageway.” 

The huge bombardment that began on July 11 left no doubt of the Allied advantage in artillery on the Somme during this period. For three days straight British and French guns of all sizes pumped shells into the relatively exposed German second defensive line along the Bazentin Ridge (now actually the frontline), wiping out trenches and cutting off communications with the rear. Palmer left the following, somewhat surreal impressions of the bombardment:

The ruins and the sticks of trees of Fricourt and Mametz with their few remaining walls stood out spectral in the flashes of batteries that had found nesting places among the debris. The whole slope had become a volcanic uproar. One might as well have tried to count the number of fireflies over a swamp as the flashes. The limitation of reckoning had been reached. Guns ahead of us and around us and behind us as usual, in a battle of competitive crashes among themselves, and near by we saw the figures of the gunners outlined in instants of weird lightning glow, which might include the horses of a caisson in a flicker of distinct silhouette flashed out of the night and then lost in the night, with the riders sitting as straight as if at drill. 

In the early morning of July 14, the shelling culminated in a five-minute “hurricane” bombardment, described by Major Neil Fraser-Tytler: “The whole world broke into gunfire. It was a stupendous spectacle – the darkness lit up by thousands of gun flashes – the flicker of countless bursting shells along the northern skyline, followed a few minutes later by a succession of frantic SOS rockets and the glare of burning Hun ammunition dumps.”

At 3:25 a.m. the British troops, who had already succeeded in infiltrating no man’s land undetected, began advancing behind the creeping barrage, which protected them from German counterattacks. The British quickly reached the first German trench, which they discovered was already abandoned in many areas, and began rolling up the German defenses with flank attacks down the trenches. As the morning went on, support battalions brought up trench mortars and machine guns to consolidate the British gains, while the first wave of attackers continued on past the ridge and into the woods in front of the villages Bazentin le Petit and Bazentin le Grand. After clearing most of the German defenders from the woods, around dawn they fought their way into Bazentin le Petit, the first major objective, where they fought off fierce German counterattacks. 

By 10 a.m. on July 14, the British 3rd and 7th Divisions had torn a hole in the German defenses, clearing the way for an advance into the High Wood north of Bazentin le Petit, but the divisional commanders were under orders to hold their positions and couldn’t call on reinforcements, which were being held in reserve in case of potential German counterattacks elsewhere. Thus the British 33rd Division was left kicking its heels in nearby Montauban while the Germans rushed to reestablish their defensive line. 

Meanwhile the British attack didn’t succeed everywhere: the 9th Division in particular, attacking the German lines near the village of Longueval, suffered very heavy casualties as it tried to push the Germans out of Delville Wood (Delville Wood would soon earn the baleful nickname “Devil’s Wood”; below, a scene from a trench near Delville, top, survivors of the 9th Division returning). South African troops continued to battle for Longueval and Delville Wood from July 14 to July 17 (and beyond), but the planned cavalry attack was called off after an abortive advance by the Indian cavalry division revealed the Germans were still well entrenched; the Indian cavalry were further hindered by shell holes and debris strewn across the battlefield, and forced to retreat. 

On the two following days, July 15-16, the British occupied most of Delville Wood and held it in the face of intense German bombardment with heavy artillery and gas shells, but the Germans still occupied the northwest corner of the wood, allowing them to hit Allied troops around Bazentin le Petit with machine gun fire. The British next tried to push the Germans out of their positions here with a pincer attack from Bazentin le Petit and the positions already gained in Delville Wood, but the situation remained a stalemate – albeit an extremely violent one, with the wood and village continuously raked by machine guns, heavy artillery, mortars, and gas shells. F.J.G. Gambling, an artillery signaler, remembered being forced to suddenly take shelter by German artillery outside Bazentin le Petit: “Some of us were lucky enough to get there, but two of the chaps were not. One of them was blown to smithereens and the other’s head was completely cut off. That finished our signaling there for that day. The body of the one chap and the few pieces we could find of the other were buried where they fell.” 

By July 17, the arrival of growing numbers of German reinforcements finally spelled the end of the fleeting British success at Bazentin Ridge (below, exhausted British troops resting). 

The British troops were left to consolidate their gains amid conditions that defy comprehension by modern readers. In the aftermath of the Battle of Bazentin Ridge one British soldier, Stanley Spencer, described advancing up a key trench known as Longueval Alley: 

It was full of dead men, both visible – lying about as they had been killed in the trench itself – and invisible – killed and buried with loose earth from the caved-in sides of the trench – and now formed part of the floor in which everyone walked… Some of the bodies under the floor of the trench had swollen and the result was a springy, cushiony feeling when walking along which gave us a rather queer and very unpleasant sensation.

On July 19 the British officer Lionel Crouch described similar conditions in a captured German communication trench:

It was extraordinary to see all these men lying there apparently asleep. About fifty yards of this trench was a veritable charnel-house; the dead were everywhere on the sides, in the floor of the trench. It was like walking through a bivouac of sleeping men. One had to step over and round them. I found one of my men sitting on one; he thought that it was a pile of sandbags! All this sounds very horrible and all that from home and peacetime standards, but isn’t so really. We don’t worry over this kind of thing.

Meanwhile the physical landscape of the Somme River basin was being completely transformed, as village after village were simply erased by relentless artillery shelling and counter-shelling, in most places leaving a smudge of masonry dust and little else. Crouch noted of one unnamed village in the same letter home, one of his last before his death on July 21, 1916: 

I had never before realised the power of high explosives. This village must have been once a pretty little place in its cluster of trees on the crest of a rise. According to the map, there was once a church, no doubt with its usual pointed spire showing through the foliage. That village is now completely off the map. I know you will think it an exaggeration, but it is true. There is not a vestige of a brick wall. I never even saw a brick. The place is merely an area of several acres of mounds, craters, and banks of earth and chalk, with a few burnt stumps of trees emerging from heaps of debris; there is not the slightest indication of a house of any sort. 

See the previous installment or all entries.

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15 Heartwarming Facts About Mister Rogers
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Though Mister Rogers' Neighborhood premiered 50 years ago, Fred Rogers remains an icon of kindness for the ages. An innovator of children’s television, his salt-of-the-earth demeanor and genuinely gentle nature taught a generation of kids the value of kindness. In celebration of the groundbreaking children's series' 50th anniversary, here are 15 things you might not have known about everyone’s favorite “neighbor.”

1. HE WAS BULLIED AS A CHILD.

According to Benjamin Wagner, who directed the 2010 documentary Mister Rogers & Me—and was, in fact, Rogers’s neighbor on Nantucket—Rogers was overweight and shy as a child, and often taunted by his classmates when he walked home from school. “I used to cry to myself when I was alone,” Rogers said. “And I would cry through my fingers and make up songs on the piano.” It was this experience that led Rogers to want to look below the surface of everyone he met to what he called the “essential invisible” within them.

2. HE WAS AN ORDAINED MINISTER.

Rogers was an ordained minister and, as such, a man of tremendous faith who preached tolerance wherever he went. When Amy Melder, a six-year-old Christian viewer, sent Rogers a drawing she made for him with a letter that promised “he was going to heaven,” Rogers wrote back to his young fan:

“You told me that you have accepted Jesus as your Savior. It means a lot to me to know that. And, I appreciated the scripture verse that you sent. I am an ordained Presbyterian minister, and I want you to know that Jesus is important to me, too. I hope that God’s love and peace come through my work on Mister Rogers’ Neighborhood.”

3. HE RESPONDED TO ALL HIS FAN MAIL.

Responding to fan mail was part of Rogers’s very regimented daily routine, which began at 5 a.m. with a prayer and included time for studying, writing, making phone calls, swimming, weighing himself, and responding to every fan who had taken the time to reach out to him.

“He respected the kids who wrote [those letters],” Heather Arnet, an assistant on Mister Rogers’ Neighborhood, told the Pittsburgh Post-Gazette in 2005. “He never thought about throwing out a drawing or letter. They were sacred."

According to Arnet, the fan mail he received wasn’t just a bunch of young kids gushing to their idol. Kids would tell Rogers about a pet or family member who died, or other issues with which they were grappling. “No child ever received a form letter from Mister Rogers," Arnet said, noting that he received between 50 and 100 letters per day.

4. ANIMALS LOVED HIM AS MUCH AS PEOPLE DID.

It wasn’t just kids and their parents who loved Mister Rogers. Koko, the Stanford-educated gorilla who understands 2000 English words and can also converse in American Sign Language, was an avid Mister Rogers’ Neighborhood watcher, too. When Rogers visited her, she immediately gave him a hug—and took his shoes off.

5. HE WAS AN ACCOMPLISHED MUSICIAN.

Though Rogers began his education in the Ivy League, at Dartmouth, he transferred to Rollins College following his freshman year in order to pursue a degree in music (he graduated Magna cum laude). In addition to being a talented piano player, he was also a wonderful songwriter and wrote all the songs for Mister Rogers' Neighborhood—plus hundreds more.

6. HIS INTEREST IN TELEVISION WAS BORN OUT OF A DISDAIN FOR THE MEDIUM.

Rogers’s decision to enter into the television world wasn’t out of a passion for the medium—far from it. "When I first saw children's television, I thought it was perfectly horrible," Rogers told Pittsburgh Magazine. "And I thought there was some way of using this fabulous medium to be of nurture to those who would watch and listen."

7. KIDS WHO WATCHED MISTER ROGERS’ NEIGHBORHOOD RETAINED MORE THAN THOSE WHO WATCHED SESAME STREET.

A Yale study pitted fans of Sesame Street against Mister Rogers’ Neighborhood watchers and found that kids who watched Mister Rogers tended to remember more of the story lines, and had a much higher “tolerance of delay,” meaning they were more patient.

8. ROGERS’S MOM KNIT ALL OF HIS SWEATERS.

If watching an episode of Mister Rogers’ Neighborhood gives you sweater envy, we’ve got bad news: You’d never be able to find his sweaters in a store. All of those comfy-looking cardigans were knitted by Fred’s mom, Nancy. In an interview with the Archive of American Television, Rogers explained how his mother would knit sweaters for all of her loved ones every year as Christmas gifts. “And so until she died, those zippered sweaters I wear on the Neighborhood were all made by my mother,” he explained.

9. HE WAS COLORBLIND.

Those brightly colored sweaters were a trademark of Mister Rogers’ Neighborhood, but the colorblind host might not have always noticed. In a 2003 article, just a few days after his passing, the Pittsburgh Post-Gazette wrote that:

Among the forgotten details about Fred Rogers is that he was so colorblind he could not distinguish between tomato soup and pea soup.

He liked both, but at lunch one day 50 years ago, he asked his television partner Josie Carey to taste it for him and tell him which it was.

Why did he need her to do this, Carey asked him. Rogers liked both, so why not just dip in?

"If it's tomato soup, I'll put sugar in it," he told her.

10. HE WORE SNEAKERS AS A PRODUCTION CONSIDERATION.

According to Wagner, Rogers’s decision to change into sneakers for each episode of Mister Rogers’ Neighborhood was about production, not comfort. “His trademark sneakers were born when he found them to be quieter than his dress shoes as he moved about the set,” wrote Wagner.

11. MICHAEL KEATON GOT HIS START ON THE SHOW.

Oscar-nominated actor Michael Keaton's first job was as a stagehand on Mister Rogers' Neighborhood, manning Picture, Picture, and appearing as Purple Panda.

12. ROGERS GAVE GEORGE ROMERO HIS FIRST PAYING GIG, TOO.

It's hard to imagine a gentle, soft-spoken, children's education advocate like Rogers sitting down to enjoy a gory, violent zombie movie like Dawn of the Dead, but it actually aligns perfectly with Rogers's brand of thoughtfulness. He checked out the horror flick to show his support for then-up-and-coming filmmaker George Romero, whose first paying job was with everyone's favorite neighbor.

“Fred was the first guy who trusted me enough to hire me to actually shoot film,” Romero said. As a young man just out of college, Romero honed his filmmaking skills making a series of short segments for Mister Rogers’ Neighborhood, creating a dozen or so titles such as “How Lightbulbs Are Made” and “Mr. Rogers Gets a Tonsillectomy.” The zombie king, who passed away in 2017, considered the latter his first big production, shot in a working hospital: “I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made. What I really mean is that I was scared sh*tless while I was trying to pull it off.”

13. ROGERS HELPED SAVE PUBLIC TELEVISION.

In 1969, Rogers—who was relatively unknown at the time—went before the Senate to plead for a $20 million grant for public broadcasting, which had been proposed by President Johnson but was in danger of being sliced in half by Richard Nixon. His passionate plea about how television had the potential to turn kids into productive citizens worked; instead of cutting the budget, funding for public TV increased from $9 million to $22 million.

14. HE ALSO SAVED THE VCR.

Years later, Rogers also managed to convince the Supreme Court that using VCRs to record TV shows at home shouldn’t be considered a form of copyright infringement (which was the argument of some in this contentious debate). Rogers argued that recording a program like his allowed working parents to sit down with their children and watch shows as a family. Again, he was convincing.

15. ONE OF HIS SWEATERS WAS DONATED TO THE SMITHSONIAN.

In 1984, Rogers donated one of his iconic sweaters to the Smithsonian’s National Museum of American History.

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15 Fun Facts About Army of Darkness
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On February 19, 1993, Army of Darkness—the third installment in Sam Raimi and Bruce Campbell's Evil Dead franchise—made its way into U.S. theaters. You probably know all about Ash’s boomstick, but on the occasion of the hilarious horror comedy's 25th anniversary, it's worth a closer look.

1. ARMY OF DARKNESS ISN'T THE ENTIRE TITLE.

The film’s title is stylized onscreen as Bruce Campbell vs. Army of Darkness. This phrasing was Sam Raimi’s homage to the defunct Hollywood tradition of putting stars’ names in movie titles (like Abbott and Costello Meet Frankenstein)—but the studio feared the long title would confuse moviegoers, so it was shortened for official purposes to just Army of Darkness.

2. EVEN THE SHORTER TITLE WASN'T RAIMI'S FIRST CHOICE.

Army of Darkness is the third installment of the Evil Dead series and the first to take place during the Middle Ages. Raimi’s original title for Army of Darkness was The Medieval Dead.

3. BRIDGET FONDA FINALLY GOT TO WORK WITH RAIMI.

Bridget Fonda makes a cameoas Ash’s girlfriend Linda during the beginning flashback sequence. She is the third actress in three films to play Linda (following actresses Betsy Baker and Denise Bixler). Fonda—a huge Evil Dead II fan—had originally auditioned to be in Raimi’s previous film, Darkman, but didn’t get the part.

4. ASH'S CAR HAD A LOT OF SCREEN EXPERIENCE.

The 1973 Oldsmobile Delta 88 allegedly appears in all of Sam Raimi’s films.

5. DARKMAN MADE ARMY OF DARKNESS POSSIBLE.

Raimi wanted to make Army of Darkness immediately following 1987’s Evil Dead II, but he struggled to find funding to finish his trilogy. The financial success of Raimi’s 1990 film, Darkman, eventually convinced Universal Studios to split the $12 million budget with executive producer Dino De Laurentiis.

6. A SUBTLE SCIENCE FICTION REFERENCE PLAYS A KEY ROLE.

The words Ash must utter to safely retrieve the Necronomicon (“Klaatu verata nikto”) are actually a variation on a phrase from the original version of The Day the Earth Stood Still. In that film, “Klaatu barada nitko” is the phrase one must say to stop the robot Gort from destroying Earth.

7. THE SKELETON DEADITES WERE AN HOMAGE.

Their design is a tribute to visual effects legend Ray Harryhausen.

8. THE STAY PUFT MARSHMALLOW MAN MAKES AN APPEARANCE.

Billy Bryan, the actor who portrays the second monster in the medieval pit, also portrayed the Stay Puft Marshmallow Man in Ghostbusters.

9. SAM RAIMI'S BROTHER WORE A LOT OF HATS.

Ted Raimi—who makes cameos in all of his brother’s films—appears as three different background characters in Army of Darkness. He is first seen as a sympathetic villager, then as a dying soldier during the final battle, and, finally, as an S-Mart employee in the last scene.

10. RAIMI HAD TO FIGHT FOR AN R-RATING.

In keeping with the gory first two films in the series, Army of Darkness received an NC-17 rating from the MPAA. It was subsequently bumped down to an R rating after the filmmakers pointed out that the ostensible gore in the film was happening to skeletons.

11. PLAYING EVIL ASH WAS TOUGH FOR CAMPBELL.

It took makeup artists three hours to get Campbell ready for shooting.

12. RAIMI STORYBOARDED EVERY SINGLE SHOT IN THE MOVIE HIMSELF.

About 25 shots in the final battle are taken from storyboards originally used in the 1948 Victor Fleming film Joan of Arc, which were brought to Raimi’s attention by visual effects supervisor William Mesa. Mesa got them from a friend, who got them from Fleming himself.

13. THERE'S AN EASTER EGG FOR TREKKIES.

Star Trek fans will recognize the location where Ash learns the “Klaatu verata nikto” incantation. The scene was shot at the iconic Vasquez Rocks in Agua Dulce, California, where the famous “Arena” episode from Star Trek was also shot. The movie also shot in the Bronson Canyon area of Griffith Park in Los Angeles that served as the Batcave for the 1960s Batman television show.

14. THE STUDIO CHANGED THE ENDING.

Bruce Campbell stars in 'Army of Darkness' (1992)
Universal Pictures

The original conclusion of the film—which Universal Studios deemed too negative—featured Ash taking too much potion to get back to the present day and waking up in a future, post-apocalyptic London. The ending can be seen on subsequent director’s cuts of home video versions of Army of Darkness.

15. EVEN AFTER YEARS OF TRYING, A SEQUEL NEVER MATERIALIZED.

Beginning in 2015, Bruce Campbell reprised his role as Ash in the Ash vs Evil Dead TV series. While fans of the Evil Dead franchise love it, Raimi spent years trying to get a sequel to Army of Darkness off the ground. On the commentary track for the first season of Ash vs. Evil Dead, Raimi even shared a few of the discarded ideas he had for the film.

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