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12 Fascinating Facts About Charlie Chaplin’s The Gold Rush

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In 1925’s The Gold Rush, Charlie Chaplin transforms his most famous character, the Little Tramp, into a Lone Prospector, wandering the Klondike in search of gold. In the film, Chaplin masterfully finds comedy in tragedy, starvation, and loneliness: The Little Tramp is stalked by bears, plagued by hunger, and narrowly avoids tumbling off the side of a cliff—only to find himself, in the relative safety of an Alaskan frontier town, falling head over heels for a beautiful dance hall girl who wants nothing to do with him.

The film, which Chaplin re-released with sound in 1942, features some of the most famous—and oft-parodied—images in film history: the Little Tramp eating his shoe and making bread rolls dance. After its 1925 premiere, Chaplin told the press, “This is the picture I want to be remembered by.” Here are 12 fascinating facts about The Gold Rush.

1. IT WAS PARTLY INSPIRED BY THE DONNER PARTY.

The Gold Rush has some pretty dark origins. Inspiration first struck Chaplin during a morning brunch with fellow movie stars and United Artists co-founders Mary Pickford and Douglas Fairbanks. After a leisurely breakfast, Chaplin decided to look at some stereoscopic cards, and discovered a particularly striking image of a lengthy line of prospectors during the 1898 Klondike gold rush, struggling to climb the Chilkoot Pass. Later, Chaplin read a book about the Donner Party, the American pioneers who turned to cannibalism after finding themselves snowbound in Sierra Nevada. The book also described members of the Donner Party eating their own moccasins, an image Chaplin would borrow for The Gold Rush.

2. IT WAS BANNED BY THE NAZIS.

Long before Chaplin directly ridiculed Hitler and the Nazi party in The Great Dictator, he was considered an enemy of the Nazis, who believed him to be Jewish (he wasn’t, though his half brother Sydney was). In Chaplin: His Life and Art, biographer David Robinson explains:

The Gold Rush was banned from the early years of the Third Reich, and Chaplin figured in a hideous publication attacking prominent international Jewish intellectuals. Along with Einstein, Mann, Reinhardt, and others, Chaplin’s portrait, crudely retouched to emphasize its ‘Hebraic’ features, was printed with an accompanying caption which dismissed him as ‘a little Jewish acrobat, as disgusting as he is tedious.’ Chaplin’s riposte, in The Great Dictator, was to play an overtly Jewish character, and to say, ‘I did this film for the Jews of the world.’ By this time he was adamant in his refusal ever to contradict any statement that he was a Jew. He explained to Ivor Montagu, ‘Anyone who denies this in respect of himself plays into the hands of the anti-Semites.’”

3. THE BOOT CHAPLIN ATE WAS MADE OF LICORICE.


United Artists, Wikimedia Commons // Public Domain

A notorious perfectionist, Chaplin had 20 pairs of licorice boots made for the scene in which the Lone Prospector and Big Jim McKay feast on a single shoe for their Thanksgiving dinner. The scene took three full days and 63 takes to capture and, according to Robinson, caused both actors to experience some “inconvenient laxative effects.”

4. CHAPLIN HIRED 600 EXTRAS FOR THE OPENING SHOT.

For the opening shot of The Gold Rush, Chaplin decided to faithfully recreate the photo he’d seen of miners crossing the Chilkoot Pass, not with miniature models or special effects, but by hiring hundreds of extras to hike an actual path. He brought his entire crew to Mount Lincoln in Colorado, where they cut a 2300 foot path through the snow. He then, according to writer Jim Tully, hired the Southern Pacific Railway to hire 600 drifters to hike the pass. Chaplin and every other member of the crew not actively engaged in shooting the scene hiked alongside them.

5. THE HIGHEST PAID EXTRA WAS A DOG.

While most of the extras in The Gold Rush were paid a base rate of $7.50 a day, one extra made nearly five times that. The dog who drags The Tramp around in the dance hall after he mistakenly uses its leash as a belt was paid a whopping $35 a day, and was on hire from Hal Roach Studios.

6. THE NEW YEAR’S EVE DREAM SEQUENCE WAS INSPIRED BY AN INCIDENT FROM CHAPLIN’S YOUTH

The scene in which Chaplin is stood up by the dance hall girl and her friends on New Year’s Eve was, according to Robinson, inspired by an incident in Chaplin’s past. When the young Chaplin first began touring with a theater company as a young man, he “invited the members of another juvenile troupe, working another theater, to tea. The manager of the troupe would not let them go, but nobody informed Chaplin, who vainly waited for his guests.”

7. IT’S BEEN PARODIED AND REFERENCED IN MOVIES AND TV—A LOT.


© Metro-Goldwyn-Mayer Studios Inc.

Chaplin’s instantly iconic dance of bread rolls has been homaged by Johnny Depp in Benny & Joon (1993), Amy Adams in The Muppets (2011), Curly in the Three Stooges film Pardon My Scotch (1935), and even Grandpa Simpson in The Simpsons. The scene in which Chaplin is mistaken for a chicken by his starving companion, meanwhile, was lifted by animator Chuck Jones for several Looney Toons sketches. Perhaps most remarkably, however, after losing a bet to documentarian Errol Morris, director Werner Herzog recreated Chaplin’s boot-eating sequence by eating not a licorice boot, but his own leather shoe.

8. AT THE GERMAN PREMIERE, AUDIENCES CALLED FOR AN ENCORE.

Encores may be a normal occurrence at concerts, but they’re essentially unheard of during movie screenings. Nevertheless, at the Berlin premiere of The Gold Rush, audience members were so enamored with the dance of the rolls, and so vocal in their appreciation, the theater manager raced up to the projection box and replayed the scene to “tumultuous applause.”

9. IT WAS PART OF A BIZARRE BBC RADIO BROADCAST.

Berlin wasn’t the only city to give The Gold Rush a unique reception. In London, the BBC paid strange tribute to Chaplin by broadcasting audio from its premiere at the Tivoli Theater over the radio. But instead of broadcasting audio from the film itself (which was silent with live musical accompaniment), the BBC decided to broadcast the laughter of the audience during “the 10 most uproariously funny minutes of the new Charlie Chaplin film.” The BBC described the event as “a storm of uncontrolled laughter, inspired by the only man in the world who could make people laugh continually.”

10. CHAPLIN RE-RELEASED IT IN 1942.

Chaplin re-released an updated version of The Gold Rush in 1942, adding his own narration and a recorded musical score. In the updated version (which also cuts a few scenes, including the film’s final kiss), Chaplin, himself, provides not only narration, but dialogue for his characters.

11. CHAPLIN LATER PERFORMED THE BREAD ROLL DANCE FOR PABLO PICASSO.

On a visit to France in the 1950s, Chaplin visited Pablo Picasso in his art studio. The two didn’t share a common language, so instead of chatting, Picasso gave Chaplin a tour of his latest works-in-progress, while Chaplin in return performed his famous dance of the rolls for Picasso.

12. THE NEW YORK TIMES CALLED IT A “MASTERPIECE.”

In its 1925 review of The Gold Rush, The New York Times wrote, “Here is a comedy with streaks of poetry, pathos, tenderness, linked with brusqueness and boisterousness. It is the outstanding gem of all Chaplin's pictures, as it has more thought and originality than even such masterpieces of mirth as The Kid and Shoulder Arms.

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The 10 Best Sci-Fi Movies on Netflix Right Now
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Disney/Marvel

If you’re in the mood for some speculative fiction and your pile of Arthur C. Clarke books has been exhausted, you could do worse than to tune in to Netflix. The streaming service is constantly acquiring new films in the sci-fi and fantasy genres that should satisfy most fans of alternative futures. Here are five of the best sci-fi movies on Netflix right now.

1. CUBE (1997)

This low-budget independent film may have helped inspire the current "escape room" attraction fad. Six strangers wake up in a strange room that leads only to other rooms—all of them equipped with increasingly sadistic ways of murdering occupants.

2. METROPOLIS (1927)

Inspiring everything from Star Wars to Lady Gaga, Fritz Lang’s silent epic about a revolt among the oppressed people who help power an upper-class city remains just as visually impressive today as it did nearly 100 years ago.

3. TROLL HUNTER (2010)

A Norwegian fairy tale with bite, Troll Hunter follows college-aged filmmakers who convince a bear trapper to take them along on his exploits. But the trapper fails to disclose one crucial detail: He hunts towering, aggressive trolls.

4. NEXT (2007)

Nic Cage stars a a magician who can see a few minutes into the future. He's looking to profit with the skill: the FBI and others are looking to exploit it.

5. THE HOST (2006)

A slow-burn monster movie from South Korea, The Host has plenty of tense scenes coupled with a message about environmental action: The river-dwelling beast who stalks a waterfront town is the product of chemical dumping.  

6. GUARDIANS OF THE GALAXY VOLUME 2 (2017)

Marvel's tale of a misfit band of space jockeys was a surprise hit in 2014. The sequel offers more Groot, more Rocket Raccoon, and the addition of Kurt Russell as a human manifestation of an entire sentient planet.

7. STARDUST (2007)

Director Matthew Vaughn's adaptation of the Neil Gaiman novel features Michelle Pfeiffer and Robert De Niro as supporting players in the tale of a man (a pre-Daredevil Charlie Cox) in search of a fallen star to gift to his love.

8. KING KONG (2005)

Director Peter Jackson (The Lord of the Rings) set his considerable sights on a remake of the 1933 classic, with the title gorilla pestered and exploited by opportunistic humans.

9. DONNIE DARKO (2001)

What will a teenage mope do when a giant rabbit tells him the world is about to end? The answer comes in this critical and cult hit, which drew attention for its moody cinematography and an arresting performance by a then-unknown Jake Gyllenhaal.  

10. ROGUE ONE: A STAR WARS STORY (2016)

Soon we'll have a movie for every single major or minor incident ever depicted in the Star Wars universe. For now, we'll have to settle for this one-off that explains how the Rebel Alliance got their hands on the plans for the Death Star.

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15 Surprising Facts About Hill Street Blues
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NBC

Until the impressive record was surpassed by The West Wing in 2000, Hill Street Blues held the title of most Emmy-awarded freshman series, with eight trophies for its debut season alone (despite its basement-level ratings). The drama that chronicled the lives of the men and women working the Hill Street police station beat has been credited with changing television ever since its debut in 1981.

Among Hill Street Blues's innovations are the use of handheld cameras, a large ensemble cast, multi-episode story arcs, and a mix of high drama and comedy—elements which still permeate the small screen today. Here are 15 facts about the groundbreaking series.

1. STEVEN BOCHCO AND MICHAEL KOZOLL CREATED IT, DESPITE NOT WANTING TO DO ANOTHER COP SHOW.

MTM Enterprises was specifically hired by NBC to create a cop show, so Steven Bochco (who later co-created L.A. Law and NYPD Blue) and Michael Kozoll (co-writer of First Blood) agreed to do it—as long as the network left them “completely alone to do whatever we want,” according to Bochco. NBC agreed, and the two wrote the pilot script in 10 days.

2. IT WAS INFLUENCED BY A 1977 DOCUMENTARY.

The show's creators looked to The Police Tapes, a 1977 documentary that chronicled a South Bronx police precinct during a particularly hostile time in New York City's history, for inspiration. NBC's then-president Fred Silverman was inspired to create a cop show in the first place after seeing Fort Apache, the Bronx (1981), which stars Paul Newman as a veteran cop in a South Bronx police district.

3. BRUCE WEITZ HAD AN AGGRESSIVE AUDITION.

Bruce Weitz landed the role of undercover officer Mick Belker by playing the part. "I went to the audition dressed as how I thought the character should dress—and loud and pushy," Weitz recalled. "When I got into the room, I jumped up on [MTM co-founder] Grant Tinker's desk and went after his nose. I heard he said afterwards, 'There's no way I can't offer him the job.'"

4. JOE SPANO THOUGHT HE WAS MISCAST.

Joe Spano in 'Hill Street Blues'
NBC

Joe Spano auditioned for the role of Officer Andrew Renko, but ended up playing Lieutenant Henry Goldblume. “I was always disappointed that I didn’t end up playing Renko,” Spano told Playboy in 1983. Spano also wasn't a fan of his character's penchant for bow ties, which he claimed was Michael Kozoll's idea. "I fought it all the way," he said. "I thought it was a stereotypical thing to do. But it actually turned out to be right. You don’t play into the bow tie—you fight against it."

5. BARBARA BOSSON WAS BOCHCO’S WIFE, BUT WASN’T PLANNING ON BEING A SERIES REGULAR.

Barbara Bosson played Fay, Captain Frank Furillo’s ex-wife, who was only supposed to appear in the first episode in order to “contextualize” the captain, according to Bochco. But when Silverman watched the episode, he asked, “She’s going to be a regular, right?”

6. IT TOOK MIKE POST TWO HOURS TO WRITE THE ICONIC THEME SONG.

The composer—who also wrote the themes for The Greatest American Hero, Magnum, P.I., The A-Team, NYPD Blue, and Law & Order—was instructed by Bochco to write something “antithetical” to the visuals. Post wanted to add more orchestration to the piano piece; Bochco disagreed.

Post also spent four to five hours writing five minutes of new music for each episode of Hill Street Blues.

7. THE PILOT TESTED POORLY.

According to a network memo, among the many problems test audiences noted were that "the main characters were perceived as being not capable and having flawed personalities ... Audiences found the ending unsatisfying. There are too many loose ends ... 'Hill Street' did not come off as a real police station ... There was too much chaos in the station house, again reflecting that the police were incapable of maintaining control even on their home ground." NBC picked it up anyway.

8. RENKO WAS SUPPOSED TO DIE IN THE FIRST EPISODE, AND COFFEY WAS SUPPOSED TO DIE AT THE END OF THE FIRST SEASON.

Charles Haid had other projects lined up, so he agreed to take the part of Renko, a man destined to die almost immediately. But another series Haid was relying on didn’t get picked up, and NBC claimed Renko tested too well for him to meet an early end. Ed Marinaro's Coffey was meant to be shot and killed in “Jungle Madness,” the final episode of the first season. The ending was changed to make it a cliffhanger, and Marinaro’s character survived.

9. THEY HAD HISTORICALLY BAD SEASON ONE RATINGS.

A 'Hill Street Blues' cast photo
NBC Television/Getty Images

In its first season, Hill Street Blues show finished 87th out of 96 shows, making it the lowest-rated drama in television history to get a second season. Bochco credited the show’s renewal to two things: NBC being a last place network at the time, and the NBC sales department noticing that high-end advertisers were buying commercial time during the show.

10. THEY NEVER SPECIFIED WHERE THE SHOW WAS LOCATED, BUT IT’S PROBABLY CHICAGO.

The exterior of the Maxwell Street police station in Chicago filled in for the fictitious Hill Street precinct for the opening credits and background footage. It was added to the National Register of Historical Places in 1996 and is currently the University of Illinois at Chicago police department headquarters.

11. PLENTY OF FUTURE STARS MADE EARLY APPEARANCES.

Don Cheadle, James Cromwell, Laurence Fishburne, Tim Robbins, Andy Garcia, Cuba Gooding Jr., Danny Glover, Frances McDormand, and Michael Richards all found early work on the series.

12. SAMMY DAVIS JR. WANTED ON THE SHOW.

Sammy Davis Jr.
Michael Fresco, Evening Standard, Getty Images

Unfortunately, it never happened. Sometime after Bochco wrote in a reference to the singer, Davis and Bochco ran into each other. Davis said he loved it and started jumping up and down.

13. BOCHCO HAD A WAR WITH THE CENSORS.

Loving to use puns for titles, Bochco wanted to title an episode “Moon Over Uranus,” after Cape Canaveral was just in the news. Standards and Practices said no. Bochco eventually got his way, and proceeded to name the next two season three episodes “Moon Over Uranus: The Sequel” and “Moon Over Uranus: The Final Legacy.”

14. DAVID MILCH AND DICK WOLF’S CAREERS WERE LAUNCHED FROM IT.

David Milch (co-creator of NYPD Blue and creator of Deadwood) went from Yale writing teacher to a TV script writer through his former Yale roommate, Jeff Lewis. His first script for the show was season three's “Trial by Fury” episode, which won an Emmy, a WGA Award, and a Humanitas Prize. He later became an executive producer on the show. The first TV script credited to Dick Wolf (creator of the Law & Order franchise) was the season six episode, "Somewhere Over the Rambow." His first sole credit, for “What Are Friends For?,” earned Wolf an Emmy nomination in 1986.

It’s also worth noting that journalist and author Bob Woodward received a writing credit for season seven's “Der Roachenkavalier” and David Mamet penned the same season's “A Wasted Weekend” for his first television credit.

15. DENNIS FRANZ’S CHARACTER HAD A BRIEF, COMEDIC SPIN-OFF.

Dennis Franz (later Andy Sipowicz on NYPD Blue) first played corrupt cop Sal Benedetto in five episodes, before reappearing for the final two seasons as Lt. Norman Buntz. After Hill Street Blues ended its seven-season run, Franz reprised the latter character in Beverly Hills Buntz, which ran for one season beginning in 1987. In the 30-minute dramedy, Buntz was a private investigator after quitting the police force. Only nine episodes were broadcast by NBC.

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