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12 Surprising Facts About She’s All That

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The late 1990s saw a resurgence of teen romantic comedies, like 10 Things I Hate About You, Can’t Hardly Wait, and 1999’s She’s All That. The movie opened Super Bowl weekend and was the number one movie at the box office. In fact, at a $16 million weekend gross, it was the biggest opening for a Miramax film at the time. She’s All That went on to gross $103,166,989 worldwide and ranks number nine on the all-time high-grossing teen romance film list, behind the Twilight series. Freddie Prinze Jr. starred as Zack, a high schooler who makes a bet with Dean (Paul Walker) that he will groom the nerdy Laney (Rachael Leigh Cook) into a prom queen. A modern adaptation of Pygmalion and My Fair Lady, the film launched Prinze’s leading man career, and also featured early performances from Kieran Culkin, Gabrielle Union, Usher, and rapper Lil’ Kim. The soundtrack played an important part in the movie, too: Sixpence None the Richer’s “Kiss Me” and Fatboy Slim’s “The Rockafeller Skank” propelled She’s All That into iconic territory. Here are 12 surprising facts about the film.

1. M. NIGHT SHYAMALAN DID AN UNCREDITED REWRITE OF THE SCRIPT.

In 2013, M. Night Shyamalan confessed to Movies.com that he “ghost-wrote the movie,” though the credit solely went to R. Lee Fleming Jr., who stated Shyamalan lied about writing the script. But former Miramax employee Jack Lechner confirmed Shyamalan’s involvement. “He did a solid rewrite,” Lechner told Entertainment Weekly. “He made it deeper, made the characters richer. I can see how Fleming would say it’s his movie, and I can see why M. Night would say it’s his movie. They’re both right.”

One of Shyamalan’s contributions to the rewrite was the ending graduation scene. “He came up with an idea of when he was in high school, somebody streaked across their campus at graduation, which I thought was fun but I didn’t know quite how to do that given the constraints of our rating and also the time that I had to do it,” She’s All That director Robert Iscove told Cosmopolitan. “That’s why I did the graduation with Freddie just getting up and tossing the soccer ball to her.”

2. THE CASTING OF LANEY FOCUSED MORE ON THE ACTRESS’S PERSONALITY THAN LOOKS.

Besides Cook, the producers considered Leelee Sobieski, Mena Suvari, and Jordana Brewster for Laney. “She had to be beautiful, self-deprecating, funny, withdrawn, and all that,” Iscove told The Daily Beast about the role. Yet looks weren’t the only thing that mattered. “Times have changed a lot in Hollywood, but back when we did the movie, it was very much the Hollywood standard [to cast] a beautiful girl,” Iscove told Cosmopolitan. “It was going to be our Clark Kent moment. You’re never going to get the ugly duckling to really transform … certainly [not] back then. [So] it was more the quality of the actor that we wanted to go for, someone who could have the range from being very standoffish and cerebral and in her head, and then open up and be warmer and interact with the people and be more than, ‘How beautiful.’”

3. THE FILM WAS RELEASED ON THE ANNIVERSARY OF PRINZE’S FATHER’S DEATH.

Prinze's famous actor-comedian dad, Freddie Prinze, committed suicide on January 28, 1977 (he was pulled off life support the next day), when Prinze Jr. was just 10 months old. The movie came out on January 29, 1999—22 years after the tragedy. Because of the anniversary, Prinze wasn't feeling up to attending the premiere. “I had crazy visions like something bad was going to happen. But I got there and everyone seemed to enjoy it,” he told The Daily Beast. “I’ve only seen the film once and it was in that weird frame of mind, so I’ve never really gotten the opportunity to properly appreciate it. Hearing Harvey Weinstein go, ‘I don’t care if your father died today! You’re going to the premiere of the movie!’ which was what they were feeding me, was hardcore.”

4. IT HELPED MAKE “KISS ME” A WORLDWIDE HIT.

Sixpence None the Richer recorded the song “Kiss Me” in 1997 for their eponymous album and released it as an official single in 1998. When the song was used in the film, it peaked at number two on the Billboard charts and remained in the top 10 for 16 straight weeks. In 1999, the song was ubiquitous—it also appeared on Dawson’s Creek a couple of times. As lead singer Leigh Nash told Pop Entertainment, a man from Columbia Records came to a showcase they did in L.A. and heard them play “Kiss Me.” “He knew it was the single and I imagine had heard it before, but he thought it would be perfect for a summer movie. Actually, it wasn’t a summer movie, it came out in the end of January, I think. But, he was right. It definitely was a hit with the young folks.”

5. THE WEINSTEINS CONSIDERED HAVING A SWORD FIGHT IN THE MOVIE.

The brothers apparently had a thing for sword fights, as they wanted to put one in She’s All That and in another Prinze movie, Boys and Girls, apparently for no reason whatsoever. “‘It’ll be from the drama department, and there’ll be this sword fight, and it’ll be great!’ We were like, ‘That’s not even in the script!’ And then his brother, Bob, comes in and goes, ‘Yeah, it’ll be great,’” Prinze told The Daily Beast. “Those were the crazy notes you’d get from the studio back in the day. I don’t understand how Miramax directors didn’t all go insane.”

6. KIERAN CULKIN DIDN’T UNDERSTAND HIS HEARING AIDS.

Kieran Culkin’s character, Simon, wore hearing aids in the movie, which seemed arbitrary to the actor. “It’s one of those movies that always seems to be on—and I only know that because friends are always telling me, and then they’ll ask, ‘Why did you have hearing aids?’ and I’ll be like, ‘I don’t f*cking know!’” he told The Daily Beast.

7. THE “HOOVER” SCENE WAS ADDED TO MITIGATE MALE MOVIEGOERS.

Two bullies try to mess with Simon (Culkin) by putting pubic hairs on a piece of pizza, but Zack intervenes and forces the guys to “hoover” their own creation. Though the pubic hairs were made of corn stalks, the studio bosses wanted to keep the PG-13 rating. “There were hours of conversations about, ‘Well, how many corn stalks do we put on the pizza? Has he torn out all of his pubes, or only a couple of pubes?’ But now it’s one of those great, groan-worthy moments,” Iscove told The Daily Beast.

Iscove explained to Cosmo that the scene was intended to cater to men, who don’t typically like going to see romantic comedies. “So in order for them not to veto it, a certain amount of hot girls and a certain amount of gross-out [were necessary], which is why Laney starts at the beginning hocking the loogie, which is a little bit disgusting—but guys are immediately with her and with the movie. And the pube stuff keeps them going so that they can get to the romance later on. We were careful to tread that line."

8. DULÉ HILL AND PRINZE TAP DANCED TOGETHER.

Dulé Hill wasn’t allowed to tap dance during the prom scene, but he would tap dance on set. “When we were shooting the volleyball sequence at the beach, I heard him sliding and tapping his feet on the wood, and I said, ‘Are you tap dancing?’ And he said, ‘I’m a hoofer, man.’ And that’s how we bonded,” Prinze Jr. told The Daily Beast. “We started going to this dance studio in Hollywood and we’d tap dance. We did it all the time. Eventually, I turned a room in my house into a tap dance studio and we’d put on rap music, tap dance, and drink scotch until like 4 in the morning.” The two friends reunited on Hill’s show Psych in 2010 when Prinze made a guest appearance.

9. JODI LYN O’KEEFE CRUSHED ON PAUL WALKER.

During an interview with Cosmopolitan, Jodi Lyn O’Keefe admitted she had a crush on Paul Walker. “I was like, ‘What is that beautiful human being?’ I think we all felt that way, like, we all walked onto the set and it was like, ‘Who is this Adonis?’ He was a doll baby, that’s what I called him. He was just one of the sweetest men I’d ever met. It’s terrible when anyone passes too soon. I remember it knocked the breath out of me. I felt really heartbroken for his daughter, because that was what we talked about the most when we were at work, we talked about his daughter, and it just felt so tragic and wrong, so early in his life.”

10. PRINZE TRAINED WITH A PROFESSIONAL HACKY SACK PLAYER.

In one of the film’s most memorable scenes, Prinze performs hacky sack at a performance art show, in front of Laney. “I can’t hacky sack like the way you saw that sequence cut together—I have five, six reps in me tops,” he told The Daily Beast. “I had to have an earpiece in my ear that kept this weird, modern art, crappy beat in my head, and do the hacky sack, and even if it fell, I had to continue the sequence: ‘Never let it drop … don’t let it drop … sooner or later, it has to drop.’ To prepare for the scene, the producers brought in a world-class hacky sack player to help Prinze keep the rhythm going, “and in five minutes he had me going from six in a row to 12 in a row,” Prinze said.

11. LIL’ KIM WAS THE MOST EXTRAVAGANT CAST MEMBER.

When they filmed the movie, the rapper was already famous—but Iscove didn’t realize it until near the end of the shoot. “I thought, ‘Thank God I didn’t know about this before,’ because I only knew her as this sweet young thing that she was presenting in the film,” he told The Daily Beast. Prinze was aware of her status, though. “This movie cost us $6 million to make,” Prinze told The Daily Beast. “It was not a big budget film. Lil’ Kim showed up in a stretch limousine to the set and was wearing almost our budget in diamond earrings, rings, necklaces, sunglasses, high-heeled shoes with diamonds on top. I remember thinking, ‘This girl’s got like $3.5 million on her right now!’ And that’s how she came to the set every day. I remember thinking, ‘I wish I had some rap talent!’”

12. A REMAKE IS IN THE WORKS.

In April 2015, The Wrap reported that Tonya Lewis Lee (Spike Lee’s wife) plans on producing a remake, with Kenny Leon directing it for The Weinstein Company.

But Iscove doesn’t think a remake makes sense. “It’s so quintessential ’90s, so hopefully if they’re going to do it, they’re going to make it whatever a 2016 version is,” he told Cosmopolitan. “But if you’re going to do that, why not just do Pygmalion in high school, why do She’s All That? She’s All That was of the time. It’s like, I could remake Pretty in Pink or Sixteen Candles, but unless I’m going to use it of that period and of that time with those people, why call it Pretty in Pink? It’s not going to be Molly Ringwald. She’s All That is not going to be Freddie and Rachael. I wish them well. I hope they make it a contemporary version.”

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23 Things David Letterman Invented for Our Amusement
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This week, nearly three years after bidding farewell to Late Night, David Letterman is making his triumphant return to the small screen via Netflix with My Next Guest Needs No Introduction with David Letterman (where he'll interview two people who need no introduction: Barack Obama and George Clooney). If the series is anything like Letterman's career thus far, you can expect plenty of innovation.

Here are 23 recurring bits, features, and moments that the former Indiana weatherman (and his writers) invented for our amusement.

1. THE SHORT, NON-TOPICAL MONOLOGUE

Carson Productions, as in Johnny Carson’s production company, co-produced Late Night with David Letterman, and as the upcoming lead-out programming for The Tonight Show, it was important to Carson’s people that Letterman not copy Carson. Letterman’s people were told that among other things, they couldn’t have a sidekick sitting next to the host like Ed McMahon, a band with horns like Doc Severinsen’s, or a monologue. So instead, Letterman opened his show by standing in front of the audience and viewers at home with “opening remarks,” a monologue consisting of just one or two jokes with weird imagery, like tattoos melting in warm weather.

2. POST-INTERVIEW INTERVIEWS

On February 3, 1982—his third-ever broadcast—Late Night conducted two interviews with baseball hall-of-famer Hank Aaron: One was a standard talk show back-and-forth between host and guest. The other occurred after that conversation ended, where NBC Sports reporter Al Albert (son of Marv Albert) asked Aaron how he felt his last few minutes with Letterman went, with the idea that it was the equivalent of a post-game interview.

3. STUPID PET TRICKS

“Stupid Pet Tricks” began on Letterman’s short-lived but Emmy-winning morning show, and was a consistently popular segment on both Late Night and The Late Show. The idea came from original head writer Merrill Markoe, who "remembered how in college my friends and I would be hanging around in the evenings, talking, and drinking. One form of constant entertainment was to put socks on this one dog. Everyone I knew did some version of a silly thing like that with their pets, so we ran an ad to see if we could pull a segment together like that."

4. WORLD’S LARGEST VASE CONTESTS

After questioning people who claimed to have the “world’s largest vase” over the phone in what New York Magazine described as a “longish” segment, the vase was brought into the studio and displayed on Late Night from May 30 through June 2, 1983. On its third night, a 35-inch radio transmitting tower was added to the case when it was discovered that it was shorter than one in Canada. On its final night of national exhibition, Letterman read alleged letters from children addressed to the Vase, and the vase “spoke” to wish for peace for mankind.

5. CATCHPHRASE CONTESTS

Two on-air catchphrase contests, which aired a little over a month apart in the summer of 1984, gave lucky studio audiences the power to make “They pelted us with rocks and garbage” the first rallying cry, before it was displaced by "I do and do and do for you kids, and this is the thanks I get!"

6. A CAMERA FROM THE HOST'S P.O.V.

The February 15, 1982 installment of Late Night began with one continuous five minute and 17 second take through Letterman’s P.O.V. called “Dave Cam.” Cameos included that night’s guest Andy Rooney, Merrill Markoe, and Calvert DeForest, who played Larry “Bud” Melman on Late Night, as “Bert the Human Caboose.”

7. A CAMERA FROM THE GUEST’S P.O.V.

Letterman favorite Tom Hanks was the first wearer of the “Late Night Guest-Cam.” Hanks was on the show the night of December 12, 1985 to promote The Money Pit, which was initially supposed to debut the next day, but would be delayed until the following March. “The Late Night Sky-Cam” makes a cameo.

8. A CAMERA FROM A MONKEY’S P.O.V.

After a false start with a 30-year-old chimp named Bo, who was too small to handle the camera, “Monkey Cam” got its start on March 19, 1986. Zippy, who was on the cover of The Ramones' Animal Boy album, would return on roller skates with the “Late Night Monkey Cam Mobile Unit.”

9. PURPOSELY FUNNY TOP 10 LISTS

The very first Top Ten—“The Top Ten Things That Almost Rhyme With Peas"—aired on September 18, 1985, as a satire of the random lists publications like Good Housekeeping were starting to produce at the time. Credit for who thought up the idea for Late Night is disputed; over the years, head writer Steve O’Donnell, former head writer and longtime SNL scribe Jim Downey, Late Night writer Randy Cohen, and producer Robert Morton have all gotten some or all of the credit. Top Ten made it to the end of Late Show’s run, even though the writers were already tiring of it by the February 6, 1986 show, which had the Top Ten list “Top Ten Reasons to Continue the Top Ten Lists Just a Little Longer.”

10. WEARING SUITS OF VELCRO, ALKA-SELTZER, MAGNETS, SPONGES, SUET, AND FOODS

On February 28, 1984, Letterman slipped into a “Suit of Velcro” and ushered in an era of strange outfits including a magnet get-up, which Letterman wore to attach himself to a huge GE fridge. Lowering himself into a 1000-gallon tank of water, Letterman’s suit of Alka-Seltzer fizzed and vaporized. There were also suits of suet, marshmallows, chips, and Rice Krispies, the latter of which made David “snap, crackle, and pop” in a large tub of milk. An influence was Steve Allen, the original host of The Tonight Show, who threw himself into Jell-O vats on television. Allen’s “Man on the Street” interviews were also something Letterman took to new levels of absurdity.

11. HOSTING A SHOW ABOARD AN AIRPLANE

Late Night’s fourth anniversary was celebrated onboard a flight from New York City to Miami.

12. AN EPISODE THAT ROTATES 360 DEGREES

Writers Randy Cohen and Kevin Curran came up with the unique way to celebrate the 800th episode of Late Night. NBC received “several hundred” phone calls about the December 9, 1986 show from viewers complaining that it was giving them headaches, dizziness, and nausea. Carson Productions executives were apparently not informed of the stunt beforehand and were reportedly “furious.”

13. FEUDING WITH BRYANT GUMBEL

After Letterman interrupted an August 19, 1985 broadcast of Today co-hosted by Bryant Gumbel, Gumbel called out the Late Night host for being “unprofessional” and didn’t publicly forgive him for four years. (Letterman claimed it was a Today producer who invited him to pull the stunt.)

14. FEUDING WITH OPRAH WINFREY

In the 16 years between Oprah's 1989 appearance on Late Night and her December 1, 2005 Late Show interview, rumors swirled about a feud between Winfrey and Letterman. The reasons why—and even if—there was a “feud” at all remain unclear.

15. CO-HOSTING AN EPISODE WITH A CORNY MORNING SHOW THEME

On February 27, 1985, Letterman shared hosting duties with “Tawny Harper Reynolds,” with guests Michael Palin, a Pet Psychic, and an exercise segment with Carol Channing.

16. AN HOUR-LONG PARODY OF 1970s PRIMETIME VARIETY SHOWS

“Dave Letterman's Summertime Sunshine Happy Hour” graced the NBC airwaves on the night of August 29, 1985. Early in his TV career, Letterman wrote and was a part of the cast of The Starland Vocal Band Show.

17. AN HOUR-LONG PARODY OF CHRISTMAS SPECIALS

December 19, 1984’s "Christmas With the Lettermans," featuring Pat Boone, won Late Night a 1985 Emmy for Outstanding Writing in a Variety, Music or Comedy Program.

18. "CUSTOM-MADE" SHOWS

On November 15, 1983, Late Night relinquished control of the show to the audience, giving them a choice on everything from the furniture to the theme song. On March 27, 1984’s version, the show opened with the theme to Bonanza, the announcer was the New York Lieutenant Governor, and Jane Pauley was interviewed in a dentist's chair.

19. DUBBING A RERUN FROM ENGLISH TO ENGLISH

When the February 17, 1986 episode re-aired on September 25th of that year, 250 confused viewers called the network. After 60 hours and four professional dubbers, everyone on the episode (Raquel Welch was the main guest) magically had different voices. Even Letterman's voice was dubbed (by Speed Racer's Peter Fernandez).

20. 4 A.M. SHOWS

May 14, 2004’s Late Show was taped at four in the morning, on purpose. Amy Sedaris, rat expert Robert Sullivan, and Modest Mouse were the guests. Letterman rode a horse, Sedaris gave an unsafe late night tour of her neighborhood, and Modest Mouse played in their pajamas.

21. DEDICATING MOST OF AN EPISODE TO A DECEASED COMEDIAN AND HIS FAMILY

Letterman invited Bill Hicks’s mother, Mary, to appear on the January 30, 2009 episode to apologize face-to-face for not airing Hicks’s controversial October 1, 1993, stand-up performance. In February of 1994, Hicks passed away from pancreatic cancer at age 32. After talking to Mary, Letterman finally presented Bill’s set.

22. DEDICATING AN ENTIRE EPISODE TO A COMEDY HERO

On the first new Late Show after Johnny Carson's passing, Letterman's monologue was filled with jokes that the retired Carson had anonymously submitted to David over the years. Long-time The Tonight Show executive producer Peter Lassally and bandleader Doc Severinsen were that night's only guests.

23. THE ‘WILL IT FLOAT?’ GAME

The first installment of “Will It Float?” was on February 6, 2002. A brick of Velveeta cheese sank. Dave got it right, whereas Paul got it wrong.

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15 Fun Facts About When Harry Met Sally
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Nora Ephron's most beloved romantic comedy opened in theaters more than 25 years ago. We'll (still) have what she's having.

1. HARRY AND SALLY WERE MODELED AFTER DIRECTOR ROB REINER AND SCREENWRITER NORA EPHRON—EXCEPT FOR THE FALLING IN LOVE PART.

Rob Reiner divorced fellow director Penny Marshall in 1981 after 10 years of marriage. When he met with Nora Ephron in the mid-1980s, he pitched a number of ideas for movies, including a comedy based on his dating experiences. Ephron agreed to write it after extensively interviewing Reiner. The two had many discussions about how men and women view sex, love, and relationships differently.

2. THOSE SWEET "HOW WE MET" INTERLUDES THROUGHOUT THE MOVIE ARE REAL LOVE STORIES.

Reiner interviewed elderly couples about how they fell in love in preparation for the movie. He hired actors to re-tell their stories on the big screen.

3. NORA EPHRON HATED THE TITLE.


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It was extremely difficult for Ephron to settle on a title for her screenplay. She tried several, including Boy Meets Girl, How They Met, and Harry, This Is Sally. Reiner eventually turned the naming process into a contest among the crew members. Whoever picked the title would win a case of champagne. We don't know who came up with When Harry Met Sally, but let's hope he or she shared all that bubbly.

4. IN THE SCRIPT'S FIRST DRAFT, HARRY AND SALLY DIDN'T END UP TOGETHER.

Ephron felt that was the most realistic ending, but hey, this is the movies!

5. REINER ALSO FELL IN LOVE BY THE END OF THE MOVIE.


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During filming, Reiner was introduced to photographer Michelle Singer by the film's director of photography. The two married in 1989, the same year When Harry Met Sally came out. Reiner has said that finding his own happy ending helped make one for Harry and Sally more believable.

6. BILLY CRYSTAL AND MEG RYAN WEREN'T THE FIRST CHOICES FOR HARRY AND SALLY.


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Albert Brooks turned down the role of Harry, because he thought the movie was too reminiscent of Woody Allen. (Brooks also turned down the lead role in Big and Pretty Woman. D'oh!) Rob Reiner initially wanted Susan Dey of the TV show L.A. Law to play Sally. He also considered Elizabeth Perkins from Big and Elizabeth McGovern from Ordinary People. John Hughes movie queen Molly Ringwald was nearly cast, but declined due to a scheduling conflict.

7. MOLLY RINGWALD DID EVENTUALLY PLAY SALLY ALBRIGHT, THOUGH.

In 2004, the popular film was adapted into an unpopular stage play on London's West End. Luke Perry (yes, really) and Alyson Hannigan from How I Met Your Mother played Harry and Sally in its first run and were later replaced by Michael Landes from Final Destination 2 and Molly Ringwald.

8. MEG RYAN SORT OF PAVED THE WAY FOR JULIA ROBERTS.


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Ryan's first leading role would've been as Shelby in Steel Magnolias, but she turned down the part to play Sally instead. Another up-and-coming actress named Julia Roberts took her place and later starred in Pretty Woman—another part Meg Ryan turned down.

9. BILLY CRYSTAL AND ROB REINER HAVE BEEN GOOD FRIENDS SINCE 1975.


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Reiner and Crystal met when they played best friends on All in the Family. Many conversations between Harry and his best male friend Jess, played by Bruno Kirby, were inspired by the friendship between Crystal and Reiner. So were the scenes in which Harry and Sally watch the same movie from different apartments. Bromance, anyone?

Meanwhile, Carrie Fisher, who plays Sally's best female friend Marie, was BFFs with Reiner's ex-wife Penny Marshall. Hmmm, wonder if that ever got awkward...

10. THE SPLIT-SCREEN SCENES ARE AN IRONIC HOMAGE TO 1959'S PILLOW TALK.

At the time Pillow Talk was made, the Motion Picture Production Code, also known as the Hays Code, set moral guidelines for all the films released by major studios. Movies weren't allowed to show a couple in bed (or bath or beyond) together, or any sort of sexual relationship between unmarried partners. (The code was abandoned in 1968.) Harry and Sally were kept apart to show how close they were as "just friends.

11. REINER'S MOTHER, ESTELLE, HAD ONE LINE—AND IT WAS PROBABLY THE MOVIE'S MOST MEMORABLE.

She's the older woman who says, "I'll have what she's having" at Katz's Delicatessen. The American Film Institute ranked it #33 in its list of the top 100 movie quotations. The famous line wasn't in the original script. Crystal suggested it after he and Ryan improvised the entire scene. The two were originally supposed to discuss "faking it" without an actual demonstration.

12. KATZ'S IS PROUD OF ITS FAMOUS SCENE.

This sign appears above the table where it was shot:

13. CRYSTAL IMPROVISED THROUGHOUT THE MOVIE.

Watch closely at 0:29; Ryan laughs out of character and looks at Reiner off-camera. The director decided to keep the scene.

Crystal also improvised much of the scene when he admits he loves Sally, including the line, "When you realize you want to spend the rest of your life with someone, you want the rest of your life to start as soon as possible." Swoon.

14. THE REAL-LIFE BOOKSTORE WHERE HARRY AND SALLY MEET FOR THE THIRD TIME INSPIRED ANOTHER EPHRON MOVIE.

Harry and Sally finally become friends when they spot each other at Shakespeare and Co. on Broadway and 79th. When the store closed after a Barnes & Noble opened on the Upper West Side, Ephron was inspired to write a romantic comedy around the David and Goliath struggle between local stores and large national chains. You've Got Mail came out in 1998, nearly a decade after when Harry Met Sally.

15. NO ONE EXPECTED WHEN HARRY MET SALLY TO BE A HIT.

The film was up against the summer blockbusters Batman, Ghostbusters II, Licence to Kill, and Indiana Jones and the Last Crusade. When Harry Met Sally opened in just 41 theaters on July 12, grossing $1 million. It opened nationwide July 21. And the rest is romantic comedy history.

Additional Source: DVD Commentary by Nora Ephron and Rob Reiner

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