11 Fast-Talking Facts About His Girl Friday

Sony Pictures Home Entertainment
Sony Pictures Home Entertainment

In His Girl Friday (1940), fast-talking New York City newspaper editor Walter Burns (Cary Grant) will do anything to keep his star reporter, Hildy Johnson (Rosalind Russell), from leaving the paper. But Hildy, who is also Walter’s ex-wife, has other plans: She’s ready to settle down in Albany with goofy insurance salesman Bruce Baldwin (Ralph Bellamy), and nothing will convince her to stay—until Burns offers her the scoop of a lifetime. Directed by Howard Hawks, His Girl Friday is at once a newsroom drama, a crime story, a romantic comedy, and one of the most beloved screwball comedies of all time. Here are some things you might not have known about the fast-talking classic.


Director Howard Hawks adapted His Girl Friday from the hit Broadway play The Front Page. First produced in 1928, The Front Page—written by Ben Hecht and Charles MacArthur—was an instant hit on Broadway, with The New York Times proclaiming it “loud, rapid, coarse, and unfailing entertainment” (though they also noted, with some distaste, that its characters “utter some of the baldest profanity and most slattern jesting that has ever been heard on the public stage”). But Hawks's adaptation of the film wasn't the first; Lewis Milestone directed a big-screen version, also called The Front Page, in 1931. Billy Wilder put his own spin on it in 1974, with Jack Lemmon and Walter Matthau, and CBS even turned it into a television series in 1949. The original play has also been re-staged repeatedly both on and off-Broadway, most recently in October 2016, starring Nathan Lane.


His Girl Friday may be the most famous film adaptation of The Front Page, but it was eccentric aviation magnate Howard Hughes who first brought it to the big screen, in 1931. At the time, Hughes was working as a film producer in Hollywood and had recently directed and produced the costly and controversial Hell’s Angels (1930), a WWI film about combat pilots, on which several stunt pilots lost their lives and on which Hughes himself had been seriously injured while performing an airplane stunt. By contrast, The Front Page was a relatively safe film, since it involved no dangerous stunts and was based on an already-popular play. The film was ultimately nominated for three Oscars, including Best Picture, Best Director, and Best Actor (for Adolphe Menjou, who played Walter Burns).


In the original play, Hildy and Walter were both male reporters, but Hawks had a sudden stroke of inspiration while discussing the play at a dinner party. In an interview, he recalled:

"We were having dinner one night at the house, six or eight people, and we were talking about dialogue. I said that the finest modern dialogue in the world came from Hecht and MacArthur. After dinner we went in, and I had two copies of their play The Front Page. There was a girl there who was pretty good, and I said, "Read the reporter’s part, and I’ll read the editor’s part." And in the middle of it, I said, "My Lord, it’s better with a girl reading it than the way it was!" See, The Front Page was intended as a love affair between two men. I mean, they loved each other. There’s no doubt about it. And it was a lot easier for me to make a love story with a man and a girl and make some better scenes. It required so little change in dialogue that it was just simple."


Hawks didn’t just want His Girl Friday to be a fast-paced film, he wanted it to be the fastest film. “Everybody said that the original Front Page was the fastest picture that was ever made,” Hawks recalled in an interview. “I said, ‘I’d like to show them that the first picture was not as fast.’”


In order to speed up the pace of His Girl Friday, Hawks employed two primary strategies: He wrote overlapping dialogue, then had his actors speak faster than they did in real life. The idea was to write dialogue the way people really speak, so that characters cut off the beginnings and ends of each other’s sentences. In the film, Hildy and Walter are constantly talking over each other, interrupting each other, or cutting each other off. Hawks believed that all that fast dialogue would make the film, as a whole, feel faster paced. “I had noticed that when people talk, they talk over one another, especially people who talk fast or who are arguing or describing something," the director explained. "So we wrote the dialogue in a way that made the beginnings and ends of sentences unnecessary.”


All that overlapping dialogue had a major impact on the length of the screenplay. In most screenplays, one page of dialogue translates to approximately one minute of film. But with all of the overlapping and simultaneous dialogue in His Girl Friday, the film ended up at a fast-paced 92 minutes instead of the lengthy 191 minutes the screenplay seemed to dictate.


Though he worked off of a script, Hawks encouraged his actors to improvise throughout the film. Twice, Cary Grant managed to sneak Hollywood inside jokes into his dialogue. In one scene, Walter makes a passing reference to a man named Archie Leach, saying, “Listen, the last man that said that to me was Archie Leach, just a week before he cut his throat.” (Archibald Leach was Cary Grant’s birth name.) In another scene, Grant, describing Hildy’s fiancé Bruce Baldwin, says, “He looks like that actor ... Ralph Bellamy!" Bruce was, in fact, played by Ralph Bellamy.


Hulton Archive/Getty Images

While ad libbing came naturally to Grant, who got his start in the more improvisational world of vaudeville, Russell sometimes struggled to come up with jokes on the spot. Not to be outdone by her co-star, Russell paid a writer from her brother’s advertising firm $200 a week to write jokes for her. Though she tried to keep her joke writer a secret, and never told Hawks about it, Grant somehow caught on and was said to have teased Russell each morning before shooting began by asking her, “What have you got today?”


Just three years before His Girl Friday, Grant and Bellamy appeared in the Leo McCarey-directed screwball comedy The Awful Truth, playing nearly identical roles. In His Girl Friday, Grant plays debonair ex-husband Walter, fighting to steal his ex-wife away from her goofy new fiancé, Bruce (Bellamy); similarly, in The Awful Truth, Grant plays debonair soon-to-be ex-husband Jerry, fighting to steal his wife back from her goofy new fiancé Dan (again, Bellamy) before divorce proceedings are finalized.


Grant didn’t make a penny off of His Girl Friday. Instead, according to biographer Graham McCann, he donated his salary from both His Girl Friday and The Philadelphia Story, which were both released in 1940, as well as part of his salary from 1944's Arsenic and Old Lace, to the War Relief Fund.


While hiding a known murderer in a roll-top desk just to ensure an exclusive newspaper scoop might sound like the kind of far-fetched story only the movies could invent, the plot point actually had its roots in real life. The story of murderer Earl Williams and journalist Hildy Johnson was based, in part, on the real life story of journalist Emile Gavreau of the Hartford Courant, who once hid a murderer in his office then published an exclusive story, featuring the murderer’s firsthand account of his own crimes.

This Damn Fine Twin Peaks Box Set Is the Only One Fans Will Ever Need


Fans of David Lynch’s three-season drama Twin Peaks know there’s quite a lot to excavate. The series, which ran from 1990 to 1991 on ABC and returned for a one-season engagement on Showtime in 2017, has been a perpetual source of ambiguity, red herrings, and the downright inexplicable.

Now there’s a centralized hub of all things Peaks to dwell on. Twin Peaks: From Z to A is a Blu-ray box set containing all episodes of the original series; 1992’s feature film, Twin Peaks: Fire Walk with Me; 2017's Twin Peaks: The Return; an international version of the 1990 pilot with additional footage; as well as an abundance of new and archival material totaling 20 hours in length.

The box for the 'Twin Peaks: From Z to A' Blu-ray DVD set is pictured

Inside the package, which is illustrated with the Douglas firs that are part of the show’s iconography, are mini-figures of Special Agent Dale Cooper and Laura Palmer, played in the show by Kyle MacLachlan and Sheryl Lee, respectively. The box acts as a diorama of sorts and opens to reveal the Red Room, a location where many of the show’s most surreal moments took place. A series of three-by-five index cards provide backdrops of key scenes. The only thing the set doesn’t have is Lynch’s hand-drawn map of the show’s Washington location, but you can find that here.

The set is limited to 25,000 copies. It retails for $139.99 on Amazon and is due for release on December 10.

[h/t Newsweek]

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Unraveling the Many Mysteries of Neil Diamond's 'Sweet Caroline'

Keystone/Getty Images
Keystone/Getty Images

The story of Neil Diamond’s "Sweet Caroline" has it all: love, baseball, Kennedys, Frank Sinatra, Elvis, and the triumph of the human spirit. It’s pop’s answer to the national anthem, and as any karaoke belter or Boston Red Sox fan will tell you, it’s way easier to sing than "The Star-Spangled Banner." As the song celebrates its 50th birthday this year, now’s a good time—so good, so good, so good—to dig into the rich history of a tune people will still be singing in 2069.

"Where it began, I can’t begin to knowing," Diamond sings in the song’s iconic opening lines. Except the "where" part of this story is actually pretty simple: Diamond wrote "Sweet Caroline" in a Memphis hotel room in 1969 on the eve of a recording session at American Sound Studio. By this point in his career, Diamond had established himself as a fairly well-known singer-songwriter with two top-10 hits—"Cherry Cherry" and "Girl, You’ll Be a Woman Soon"—to his name. He’d also written "I’m a Believer," which The Monkees took to #1 in late 1966.


The "who," as in the identity of the "Caroline" immortalized in the lyrics, is the much juicier question. In 2007, Diamond revealed that he was inspired to write the song by a photograph of Caroline Kennedy, daughter of John F. Kennedy, that he saw in a magazine in the early ‘60s, when he was a "young, broke songwriter."

"It was a picture of a little girl dressed to the nines in her riding gear, next to her pony," Diamond told the Associated Press. "It was such an innocent, wonderful picture, I immediately felt there was a song in there.” Years later, in that Memphis hotel room, the song was finally born.

Neil Diamond sings the National Anthem prior to Super Bowl XXI between the New York Giants and the Denver Broncos at the Rose Bowl on January 25, 1987 in Pasadena, California
George Rose/Getty Images

Perhaps because it’s a little creepy, Diamond kept that tidbit to himself for years and only broke the news after performing the song at Kennedy’s 50th birthday in 2007. "I’m happy to have gotten it off my chest and to have expressed it to Caroline," Diamond said. "I thought she might be embarrassed, but she seemed to be struck by it and really, really happy."

The plot thickened in 2014, however, as Diamond told the gang at NBC’s TODAY that the song is really about his first wife, Marsha. "I couldn’t get Marsha into the three-syllable name I needed,” Diamond said. "So I had Caroline Kennedy’s name from years ago in one of my books. I tried ‘Sweet Caroline,’ and that worked."

It certainly did. Released in 1969, "Sweet Caroline" rose to #4 on the Billboard Hot 100. In the decade that followed, it was covered by Elvis Presley, soul great Bobby Womack, Roy Orbison, and Frank Sinatra. Diamond rates Ol’ Blue Eyes’ version the best of the bunch.

"He did it his way," Diamond told The Sunday Guardian in 2011. "He didn't cop my record at all. I've heard that song by a lot of people and there are a lot of good versions. But Sinatra's swingin', big-band version tops them all by far."


Another key question in the "Sweet Caroline" saga is "why"—why has the song become a staple at Fenway Park in Boston, a city with no discernible connection to Diamond, a native of Brooklyn?

It’s all because of a woman named Amy Tobey, who worked for the Sox via BCN Productions from 1998 to 2004. During those years, Tobey had the wicked awesome job of picking the music at Sox games. She noticed that "Sweet Caroline" was a crowd-pleaser, and like any good baseball fan, she soon developed a superstition. If the Sox were up, and Tobey thought they were going to win the game, she’d play the song somewhere in between the seventh and ninth innings.

"I actually considered it like a good luck charm," Tobey told The Boston Globe in 2005. "Even if they were just one run [ahead], I might still do it. It was just a feel." It became a regular thing in 2002, when Fenway’s new management asked Tobey to play "Sweet Caroline" during the eighth inning of every home game, regardless of the score.

At first, Tobey was worried that mandatory Diamond would lead to bad luck on the actual diamond. But that wasn’t the case, as the Sox won the World Series in 2004, ending the "Curse of the Bambino" and giving Beantown its first title since 1918. In 2010, Diamond made a surprise appearance at Fenway to perform "Sweet Caroline" during the Red Sox's season opener against the New York Yankees. He wore a Sox cap and a sports coat emblazoned with the message "Keep the Dodgers in Brooklyn."


A different mood greeted Diamond when he returned to Fenway on April 20, 2013, just five days after bombings at the Boston Marathon killed three people and injured nearly 300 others. "What an honor it is for me to be here today," Diamond told the crowd. "I bring love from the whole country." He then sang along with the ‘69 recording of the song, leading the crowd in the "Ba! Ba! Ba!" and "So good! So good! So good!" ad-libs that have essentially become official lyrics. Diamond also donated all the royalties he received from the song that week, as downloads increased by 597 percent.

The Red Sox aren't the only sports team to have basked in the glory of "Sweet Caroline." The song has become popular with both the Penn State Nittany Lions and Iowa State Cyclones football squads and has even crossed the Atlantic to become part of the music rotation for England's Castleford Tigers crew team and Britain's Oxford United Football Club.

Over the last five decades, millions of people have had their lives touched by "Sweet Caroline" in one way or another. The enduring popularity must be a pleasant surprise for Diamond, who had no idea he’d written a classic back in 1969. "Neil didn't like the song at all," Tommy Cogbill, a bass player at American Sound Studio, said in an interview for the 2011 book Memphis Boys. "I actually remember him not liking it and not wanting it to be a single."