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U.S. Mobilizes Troops, Vows to Pacify Border

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 240th installment in the series.

June 18-21, 1916: U.S. Mobilizes Troops, Vows to Pacify Border

Following the murder of dozen of Americans by Pancho Villa’s troops at Santa Ysabel, Mexico in January 1916 and Columbus, New Mexico in March, President Woodrow Wilson dispatched a Punitive Expeditionary Force of around 6,000 U.S. Army troops under General John “Black Jack” Pershing into northern Mexico to hunt down the bandit. The Mexican government, unable to stop Villa itself, reluctantly allowed this violation of its sovereignty with a limited agreement temporarily giving both sides the right of “hot pursuit” across the Mexican border.

By April 8, 1916, elements of the Punitive Expedition had advanced about 300 miles into northern Mexico in pursuit of Villa, killing or capturing a good number of his troops at San Geronimo and Aguascalientes, but never apprehending the elusive bandit leader himself. Meanwhile the Mexican government was having second thoughts, especially following a bloody clash between U.S. cavalry and loyal Mexican forces, perhaps resulting from mistaken identity, at Parral on April 12 (over 500 miles from the U.S. border, Parral marked the furthest advance of the U.S. troops during the Punitive Expedition). 

On April 16, Mexican President Venustiano Carranza, alarmed by the widening scope of the Punitive Expedition, reversed course and demanded that U.S. troops withdraw from the country. The U.S. agreed to withdraw its troops once Villa was captured, but Carranza rejected this idea on May 5, demanding a fixed date for their withdrawal. That same day Villa’s irregulars raided the towns of Glenn Springs and Boquillas, Texas, and on May 9 Villa himself led a raid by around 1,000 rebels on Douglas, Arizona, further inflaming American public opinion. Wilson responded by mobilizing more U.S. Army troops as well as National Guardsmen in Texas, Arizona and New Mexico to guard the border.

The tension between the U.S. and Mexican governments was clearly escalating, but there appeared to be no solution as long as Villa remained at liberty. On May 22, 1916 Carranza repeated his demand that American troops withdraw from northern Mexico, but once again got the brush-off. Then on June 15, 1916, Mexican irregulars (apparently unaffiliated with Villa) ratcheted the tension up a notch with an attack against a border patrol at San Ygnacio, Texas; the following day the Mexican government warned that any further advances by U.S. troops would be resisted by force.

With war looming, on June 18, 1916, Wilson mobilized around 135,000 U.S. Army and National Guard troops from across the U.S. to the Mexican border, to guard the frontier and reinforce Pershing’s hunt for Villa. Two days later, the U.S. stated that the troops in northern Mexico wouldn’t be withdrawn until the border region was pacified, in a clear rebuff to Carranza.

It wasn’t long before U.S. and Mexican forces clashed again: on June 21, 1916, U.S. cavalry searching for Villa at Carrizal, Mexico instead found themselves confronting a larger force of Mexican government cavalry, which forced them into a hasty retreat amid relatively heavy losses on both sides. Additionally dozens of Americans were taken prison (including a number of African-American “Buffalo Soldiers,” below). 

Following Carrizal war seemed very likely, but fortunately reason prevailed, as both national governments realized they had enough on their plates (in Carranza’s case the rebellion, in Wilson’s case diplomatic disputes with the Allies over their naval blockade on one side, and with the Central Powers over mounting evidence of their involvement in sabotage and labor unrest in the U.S. on the other. Wilson also had to prepare for his own reelection campaign). 

On June 28 Carranza ordered the prisoners from Carrizal released as a show of goodwill, and on June 30, 1916 Wilson struck a decidedly moderate tone during a speech to the New York Press Club: 

The easiest thing is to strike. The brutal thing is the impulsive thing. No man has to think before he takes aggressive action… Do you think the glory of America would be enhanced by a war of conquest in Mexico? Do you think that any act of violence by a powerful nation like this against a weak and distracted neighbor would reflect distinction upon the annals of the United States? 

On July 4 Carranza offered another olive branch by calling for direct negotiations with no conditions, and a week later Mexican diplomats proposed creation of a commission that would formulate rules to govern cross-border raids. The prospect of war with Mexico was receding – at least for the time being. 

However the Punitive Expedition continued, now augmented by over a hundred thousand troops guarding the U.S. border with Mexico. Young men from all over the United States, many of whom had never been more than a few hundred miles from home, now found themselves stationed in remote, dusty towns strung out along the southern borders of Arizona, New Mexico and Texas. It was a learning experience to say the least.

Their revelations and travails began with the journey to the Southwest aboard trains chartered by the U.S. Army. They soon met their most consistent adversary – boredom – although the trip was livened by the enthusiastic greeting they received in some small towns (probably as much for their novelty as any sense of patriotism among the townsfolk). One soldier, U.S. Army private Kenneth Gow, wrote home about the trip from New York State across Pennsylvania and Ohio: 

The horses and mules are on the first train, combat wagons and trucks on the second and the men on two twenty-six car trains. We have dragged all the way across Ohio, and it is very wearisome. The men have sung, talked, and slept themselves out already, and we are not one-quarter of the way there... I almost forgot to speak of the reception we received at Harrisburg. Half the city population seemed to be there. Any man could have all the cigarettes, cigars or tobacco he wanted. Baskets of fruit and sandwiches were presented to any man who would take the trouble to carry them on the train. Who paid for it all I do not know. 

These fulsome greetings were the rule, not the exception, according to another letter in which Gow noted (sounding almost like an explorer in a foreign country): “We have been given a great reception all along the route. When we pull into a depot, the whole confounded town makes a rush for the train. Everything is different – the people, their dress and their talk. A great many things are cheaper than in New York, but not as good. Silver dollars are more plentiful than bills.”

The border region itself presented an environment that tested even individuals used to physically challenging farm labor or the tedium of factory work. Writing home from McAllen, Texas, on July 3, Gow painted an unpleasant and alarming picture for his family members:

This afternoon we experienced our first sand and wind storm. It was certainly fierce, and was followed by a violent thunderstorm, which is not over yet as I write, and that is why I have time to write this letter. Sand is in everything. When you close your teeth the sand grits between them. I do not exaggerate; it is a fact. At night and during thunderstorms we have visitors in our tents, – namely, rattlesnakes, chameleons, and one hundred and one varieties of lizards, tarantulas, and scorpions. A rattlesnake he would pay a visit to the band tent yesterday, and got killed for his pains… Oh! this sure is a delightful country. Why anyone will live here passes my comprehension. 

The presence of tens of thousands of relatively well-paid Army and National Guard troops was a boon to McAllen and other small towns languishing in the chaparral, according to Gow, who noted:

McAllen is about seven years old, and has lain in a semi-dormant condition until the arrival of the troops, when it awoke and is growing like magic. Restaurants, lunch-rooms, bottling works, photograph studios, ice-cream parlors, fruit stands, shooting-galleries, etc., have sprung up overnight like mushrooms. Someone told me an undertaker has moved in with a supply of one hundred coffins. Rotten, squalid rooms in rickety one-story frame builds have been fumigated and leased as sleeping-rooms for reporters, camera men and their ilk. 

Of course, as in any boomtown there were plenty of shady characters looking to make a quick buck, and some of these “businesses” were hardly salubrious:

The men who have been bothered the most are the ones who have been drinking pop and the rest of the slop that is sold just outside the picket lines and in town. A place set up near our camp laid forty-two men flat on their backs in one day. The physician, upon investigation, found it was bad milk that did it. They made short work of the fellow who ran that joint. 

For all this, Gow found that there were still moments of unexpected beauty, echoing the sentiments of sensitive individuals across a war-torn world: 

We had religious services, conducted by the chaplain, last night. The whole regiment assembled on the parade-grounds in hollow square… The sun was just setting. I mentioned the beauty of the sunsets before. Our colors were in the centre of the square, with the field music. The chaplain read the Episcopal service. The whole regiment stood ad parade rest, every man carefully uniformed and perfectly aligned. The camp was in the background, and on the horizon the sun setting in ablaze of glory, everything about our equipment, tents, combat wagons, etc., dyed in the same glow. It was one of the most impressive scenes I have ever witnessed. 

See the previous installment or all entries.

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15 Must-Watch Facts About The Ring
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An urban legend about a videotape that kills its viewers seven days after they see it turns out to be true. To her increasing horror, reporter Rachel Keller (then-newcomer Naomi Watts) discovers this after her niece is one of four teenage victims, and is in a race against the clock to uncover the mystery behind the girl in the video before her and her son’s time is up.

Released 15 years ago, on October 18, 2002, The Ring began a trend of both remaking Japanese horror films in a big way, and giving you nightmares about creepy creatures crawling out of your television. Here are some facts about the film that you can feel free to pass along to anybody, guilt-free.

1. DREAMWORKS BOUGHT THE AMERICAN RIGHTS TO RINGU FOR $1 MILLION.

There were conflicting stories over how executive producer Roy Lee came to see the 1998 Japanese horror film Ringu, Hideo Nakata's adaptation of the 1991 novel Ring by Kôji Suzuki. Lee said two different friends gave him a copy of Ringu in January 2001, which he loved and immediately gave to DreamWorks executive Mark Sourian, who agreed to purchase the rights. But Lee’s close friend Mike Macari worked at Fine Line Features, which had an American remake of Ringu in development before January 2001. Macari said he showed Lee Ringu much earlier. Macari and Lee were both listed as executive producers for The Ring.

2. THE DIRECTOR FIRST SAW RINGU ON A POOR QUALITY VHS TAPE, WHICH ADDED TO ITS CREEPINESS.

Gore Verbinski had previously directed MouseHunt. He said the first time he "watched the original Ringu was on a VHS tape that was probably seven generations down. It was really poor quality, but actually that added to the mystique, especially when I realized that this was a movie about a videotape." Naomi Watts struggled to find a VHS copy of Ringu while shooting in the south of Wales. When she finally got a hold of one she watched it on a very small TV alone in her hotel room. "I remember being pretty freaked out," Watts said. "I just saw it the once, and that was enough to get me excited about doing it."

3. THE RING AND RINGU ARE ABOUT 50 PERCENT DIFFERENT.

Naomi Watts in 'The Ring'
© 2002 - DreamWorks LLC - All Rights Reserved

Verbinski estimated that, for the American version, they "changed up to 50 percent of it. The basic premise is intact, the story is intact, the ghost story, the story of Samara, the child." Storylines involving the characters having ESP, a volcano, “dream logic,” and references to “brine and goblins” were taken out.

4. IT RAINED ALMOST EVERY DAY WHEN THEY FILMED IN THE STATE OF WASHINGTON.

The weather added to the “atmosphere of dread,” according to the film's production notes. Verbinski said the setting allowed them to create an “overcast mood” of dampness and isolation.

5. THE PRODUCTION DESIGNER WAS INFLUENCED BY ANDREW WYETH.

Artist Andrew Wyeth tended to use muted, somber earth tones in his work. "In Wyeth's work, the trees are always dormant, and the colors are muted earth tones," explained production designer Tom Duffield. "It's greys, it's browns, it's somber colors; it's ripped fabrics in the windows. His work has a haunting flavor that I felt would add to the mystique of this movie, so I latched on to it."

6. THERE WERE RINGS EVERYWHERE.

The carpeting and wallpaper patterns, the circular kitchen knobs, the doctor’s sweater design, Rachel’s apartment number, and more were purposely designed with the film's title in mind.

7. WATTS AND MARTIN HENDERSON HAD A FRIENDLY INTERNATIONAL RIVALRY.

Martin Henderson and Naomi Watts star in 'The Ring' (1992)
© 2002 - DreamWorks LLC - All Rights Reserved

The New Zealand-born Henderson played Noah, Rachel’s ex-husband. Since Watts is from Australia, Henderson said that, "Between takes, we'd joke around with each other's accents and play into the whole New Zealand-Australia rivalry."

8. THE TWO WEREN’T SURE IF THE MOVIE WAS GOING TO BE SCARY ENOUGH.

After shooting some of the scenes, and not having the benefit of seeing what they'd look like once any special effects were added, Henderson and Watts worried that the final result would not be scary enough. "There were moments when Naomi and I would look at each other and say, 'This is embarrassing, people are going to laugh,'" Henderson told the BBC." You just hope that somebody makes it scary or you're going to look like an idiot!"

9. CHRIS COOPER WAS CUT FROM THE MOVIE.

Cooper played a child murderer in two scenes which were initially meant to bookend the film. He unconvincingly claimed to Rachel that he found God in the beginning, and in the end she gave him the cursed tape. Audiences at test screenings were distracted that an actor they recognized disappears for most of the film, so he was cut out entirely.

10. THEY TRIED TO GET RID OF ALL OF THE SHADOWS.

Verbinski and cinematographer Bojan Bazelli used the lack of sunlight in Washington to remove the characters’ shadows. The two wanted to keep the characters feeling as if “they’re floating a little bit, in space.”

11. THE TREE WAS NICKNAMED "LUCILLE."

The red Japanese maple tree in the cursed video was named after the famous redheaded actress Lucille Ball. The tree was fake, built out of steel tubing and plaster. The Washington wind blew it over three different times. The night they put up the tree in Los Angeles, the wind blew at 60 miles per hour and knocked Lucille over yet again. "It was very strange," said Duffield.

12. MOESKO ISLAND IS A FUNCTIONING LIGHTHOUSE.

Moesko Island Lighthouse is Yaquina Head Lighthouse, at the mouth of the Yaquina River, a mile west of Agate Beach, Oregon. The website Rachel checks, MoeskoIslandLighthouse.com, used to actually exist as a one-page website, which gave general information on the fictional place. You can read it here.

13. A WEBSITE WAS CREATED BY DREAMWORKS TO PROMOTE THE MOVIE AND ADD TO ITS MYTHOLOGY.

Before and during the theatrical release, if you logged into AnOpenLetter.com, you could read a message in white lettering against a black background warning about what happens if you watch the cursed video (you can read it here). By November 24, 2002, it was a standard official website made for the movie, set up by DreamWorks.

14. VERBINSKI DIDN’T HAVE FUN DIRECTING THE MOVIE.

“It’s no fun making a horror film," admitted Verbinski. "You get into some darker areas of the brain and after a while everything becomes a bit depressing.”

15. DAVEIGH CHASE SCARED HERSELF.

Daveigh Chase in 'The Ring'
© 2002 - DreamWorks LLC - All Rights Reserved

When Daveigh Chase, who played Samara, saw The Ring in theaters, she had to cover her eyes out of fear—of herself. Some people she met after the movie came out were also afraid of her.

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12 Facts About Disney's The Jungle Book
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It may not have followed Rudyard Kipling's book exactly—in fact, Walt Disney preferred that scriptwriters not read the book—but The Jungle Book was a toe-tapping box office success. Here are a few "bare necessities" you should know about the 1967 animated classic, which was released in theaters across America 50 years ago.

1. WALT DISNEY THOUGHT THE FIRST VERSION OF THE SCRIPT WAS TOO DARK.

Writer Bill Peet was brought on to script the first version of the movie, but Disney believed it was too dark. It’s not clear whether Peet left or was booted from the project; either way, a new team was brought in for rewrites. Floyd Norman, one of the new writers, said Walt wanted the film to have more laughs and more personality, and—true to Disney form—he also wanted sign off on every little detail.

2. MOST OF THE SONGS WERE DEEMED TOO DARK AS WELL.

Composer Terry Gilkyson was hired to write songs for the movie, but as with the script, Disney felt they lacked a sense of fun. Though the Sherman brothers (Richard and Robert) were brought in to write a new soundtrack, one of Gilkyson’s songs did remain in the movie: "The Bare Necessities." We'd say he got the last laugh: Not only is “The Bare Necessities” one of the best tunes in Disney history, it was also nominated for an Oscar (the film's sole nomination).

3. IT WAS THE LAST ANIMATED FEATURE WALT DISNEY OVERSAW.

When Disney died on December 15, 1966, the studio closed for a single day. Then they got back to business working on the last animated feature Disney had a hand in. It was released on October 18, 1967.

4. A RHINOCEROS CHARACTER GOT CUT.

Rocky the Rhino was intended to be a dim-witted, bumbling, near-blind character that would provide some comic relief. His scenes were completely storyboarded before he got the boot: He was supposed to appear after King Louie’s scene, but Walt didn’t want to put the funny sequences back-to-back.

5. THEY WANTED THE BEATLES TO VOICE THE VULTURES.

The Sherman brothers wrote the vultures’ song “That’s What Friends Are For” with The Beatles in mind, even giving the characters similar accents. But the Fab Four turned them down. “John was running the show at the time, and he said [dismissively] ‘I don’t wanna do an animated film.’ Three years later they did Yellow Submarine, so you can see how things change,” Richard Sherman said.

Here’s what the version of “That’s What Friends Are For” would have sounded like, as well as a glimpse of Rocky the Rhino:

6. THERE ARE MAJOR MISPRONUNCIATIONS IN THE MOVIE.

According to a guide written by Kipling, the main character’s name is pronounced "Mowglee" (accent on the 'Mow,' which rhymes with 'cow'), not “Moe-glee,” which is how Disney chose to say it. In addition, Kaa the snake is supposed to be “Kar,” Baloo the Bear should have been “Barloo,” and Colonel Hathi is really “Huttee.”

7. KING LOUIE WAS BASED ON LOUIS ARMSTRONG.

Although jazz singer and bandleader Louis Prima voiced the fire-obsessed orangutan, he’s not the Louis who the Shermans originally had in mind when they began writing “I Wan’na Be Like You” for the character. "We were thinking about Louis Armstrong when we wrote it, and that's where we got the name, King Louie," Richard Sherman told The New York Times. "Then in a meeting one day, they said, ‘Do you realize what the N.A.A.C.P. would do to us if we had a black man as an ape? They'd say we're making fun of him.' I said: ‘Come on, what are you talking about? I adore Louis Armstrong, I wouldn't hurt him in any way.'” In the end, Louis Prima stepped in.

8. A JUNGLE BOOK DANCE SEQUENCE WAS LATER BORROWED FOR ROBIN HOOD.

King Louie and Baloo’s “I Wan’na Be Like You” dance was later repeated, frame for frame, in Robin Hood, which also borrowed dances from Snow White and the Seven Dwarfs and The Aristocats. This was achieved through an animation technique called “rotoscoping,” where animators trace over the frames of old footage to use it in a different environment.

9. THE SONG "TRUST IN ME" WAS ALSO RECYCLED.

Originally written for Mary Poppins as “Land of Sand,” “Trust In Me” was recycled with new lyrics for Kaa to sing while hypnotizing poor Mowgli. Here’s what it would have sounded like:

10. THE YOUNG ELEPHANT WAS VOICED BY CLINT HOWARD.

Ron Howard’s younger brother also voiced another Disney youngster: Roo in the Winnie the Pooh movies.

11. PHIL HARRIS BROUGHT NEW LIFE TO BALOO.

Allegedly, Walt Disney chose Harris to voice Baloo after meeting him at a party. At the time, Harris was retired and nearly forgotten in Hollywood. His first day of recording didn’t go so well at first: Harris found Baloo’s tone wooden and boring, so asked if he could try a little improvisation. Once given the go-ahead, "I came out with something like, 'You keep foolin' around in the jungle like this, man, you gonna run across some cats that'll knock the roof in,'" Harris recalled. Disney loved Baloo’s new personality and rewrote lines to suit the style.

12. THERE WAS A SEQUEL.

It came out in 2003 (not direct-to-video, surprisingly) and featured Haley Joel Osment as Mowgli and John Goodman as Baloo. By most accounts, you shouldn’t bother seeing it; it currently has a 19 percent fresh rating on Rotten Tomatoes.

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