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U.S. Mobilizes Troops, Vows to Pacify Border

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 240th installment in the series.

June 18-21, 1916: U.S. Mobilizes Troops, Vows to Pacify Border

Following the murder of dozen of Americans by Pancho Villa’s troops at Santa Ysabel, Mexico in January 1916 and Columbus, New Mexico in March, President Woodrow Wilson dispatched a Punitive Expeditionary Force of around 6,000 U.S. Army troops under General John “Black Jack” Pershing into northern Mexico to hunt down the bandit. The Mexican government, unable to stop Villa itself, reluctantly allowed this violation of its sovereignty with a limited agreement temporarily giving both sides the right of “hot pursuit” across the Mexican border.

By April 8, 1916, elements of the Punitive Expedition had advanced about 300 miles into northern Mexico in pursuit of Villa, killing or capturing a good number of his troops at San Geronimo and Aguascalientes, but never apprehending the elusive bandit leader himself. Meanwhile the Mexican government was having second thoughts, especially following a bloody clash between U.S. cavalry and loyal Mexican forces, perhaps resulting from mistaken identity, at Parral on April 12 (over 500 miles from the U.S. border, Parral marked the furthest advance of the U.S. troops during the Punitive Expedition). 

On April 16, Mexican President Venustiano Carranza, alarmed by the widening scope of the Punitive Expedition, reversed course and demanded that U.S. troops withdraw from the country. The U.S. agreed to withdraw its troops once Villa was captured, but Carranza rejected this idea on May 5, demanding a fixed date for their withdrawal. That same day Villa’s irregulars raided the towns of Glenn Springs and Boquillas, Texas, and on May 9 Villa himself led a raid by around 1,000 rebels on Douglas, Arizona, further inflaming American public opinion. Wilson responded by mobilizing more U.S. Army troops as well as National Guardsmen in Texas, Arizona and New Mexico to guard the border.

The tension between the U.S. and Mexican governments was clearly escalating, but there appeared to be no solution as long as Villa remained at liberty. On May 22, 1916 Carranza repeated his demand that American troops withdraw from northern Mexico, but once again got the brush-off. Then on June 15, 1916, Mexican irregulars (apparently unaffiliated with Villa) ratcheted the tension up a notch with an attack against a border patrol at San Ygnacio, Texas; the following day the Mexican government warned that any further advances by U.S. troops would be resisted by force.

With war looming, on June 18, 1916, Wilson mobilized around 135,000 U.S. Army and National Guard troops from across the U.S. to the Mexican border, to guard the frontier and reinforce Pershing’s hunt for Villa. Two days later, the U.S. stated that the troops in northern Mexico wouldn’t be withdrawn until the border region was pacified, in a clear rebuff to Carranza.

It wasn’t long before U.S. and Mexican forces clashed again: on June 21, 1916, U.S. cavalry searching for Villa at Carrizal, Mexico instead found themselves confronting a larger force of Mexican government cavalry, which forced them into a hasty retreat amid relatively heavy losses on both sides. Additionally dozens of Americans were taken prison (including a number of African-American “Buffalo Soldiers,” below). 

Following Carrizal war seemed very likely, but fortunately reason prevailed, as both national governments realized they had enough on their plates (in Carranza’s case the rebellion, in Wilson’s case diplomatic disputes with the Allies over their naval blockade on one side, and with the Central Powers over mounting evidence of their involvement in sabotage and labor unrest in the U.S. on the other. Wilson also had to prepare for his own reelection campaign). 

On June 28 Carranza ordered the prisoners from Carrizal released as a show of goodwill, and on June 30, 1916 Wilson struck a decidedly moderate tone during a speech to the New York Press Club: 

The easiest thing is to strike. The brutal thing is the impulsive thing. No man has to think before he takes aggressive action… Do you think the glory of America would be enhanced by a war of conquest in Mexico? Do you think that any act of violence by a powerful nation like this against a weak and distracted neighbor would reflect distinction upon the annals of the United States? 

On July 4 Carranza offered another olive branch by calling for direct negotiations with no conditions, and a week later Mexican diplomats proposed creation of a commission that would formulate rules to govern cross-border raids. The prospect of war with Mexico was receding – at least for the time being. 

However the Punitive Expedition continued, now augmented by over a hundred thousand troops guarding the U.S. border with Mexico. Young men from all over the United States, many of whom had never been more than a few hundred miles from home, now found themselves stationed in remote, dusty towns strung out along the southern borders of Arizona, New Mexico and Texas. It was a learning experience to say the least.

Their revelations and travails began with the journey to the Southwest aboard trains chartered by the U.S. Army. They soon met their most consistent adversary – boredom – although the trip was livened by the enthusiastic greeting they received in some small towns (probably as much for their novelty as any sense of patriotism among the townsfolk). One soldier, U.S. Army private Kenneth Gow, wrote home about the trip from New York State across Pennsylvania and Ohio: 

The horses and mules are on the first train, combat wagons and trucks on the second and the men on two twenty-six car trains. We have dragged all the way across Ohio, and it is very wearisome. The men have sung, talked, and slept themselves out already, and we are not one-quarter of the way there... I almost forgot to speak of the reception we received at Harrisburg. Half the city population seemed to be there. Any man could have all the cigarettes, cigars or tobacco he wanted. Baskets of fruit and sandwiches were presented to any man who would take the trouble to carry them on the train. Who paid for it all I do not know. 

These fulsome greetings were the rule, not the exception, according to another letter in which Gow noted (sounding almost like an explorer in a foreign country): “We have been given a great reception all along the route. When we pull into a depot, the whole confounded town makes a rush for the train. Everything is different – the people, their dress and their talk. A great many things are cheaper than in New York, but not as good. Silver dollars are more plentiful than bills.”

The border region itself presented an environment that tested even individuals used to physically challenging farm labor or the tedium of factory work. Writing home from McAllen, Texas, on July 3, Gow painted an unpleasant and alarming picture for his family members:

This afternoon we experienced our first sand and wind storm. It was certainly fierce, and was followed by a violent thunderstorm, which is not over yet as I write, and that is why I have time to write this letter. Sand is in everything. When you close your teeth the sand grits between them. I do not exaggerate; it is a fact. At night and during thunderstorms we have visitors in our tents, – namely, rattlesnakes, chameleons, and one hundred and one varieties of lizards, tarantulas, and scorpions. A rattlesnake he would pay a visit to the band tent yesterday, and got killed for his pains… Oh! this sure is a delightful country. Why anyone will live here passes my comprehension. 

The presence of tens of thousands of relatively well-paid Army and National Guard troops was a boon to McAllen and other small towns languishing in the chaparral, according to Gow, who noted:

McAllen is about seven years old, and has lain in a semi-dormant condition until the arrival of the troops, when it awoke and is growing like magic. Restaurants, lunch-rooms, bottling works, photograph studios, ice-cream parlors, fruit stands, shooting-galleries, etc., have sprung up overnight like mushrooms. Someone told me an undertaker has moved in with a supply of one hundred coffins. Rotten, squalid rooms in rickety one-story frame builds have been fumigated and leased as sleeping-rooms for reporters, camera men and their ilk. 

Of course, as in any boomtown there were plenty of shady characters looking to make a quick buck, and some of these “businesses” were hardly salubrious:

The men who have been bothered the most are the ones who have been drinking pop and the rest of the slop that is sold just outside the picket lines and in town. A place set up near our camp laid forty-two men flat on their backs in one day. The physician, upon investigation, found it was bad milk that did it. They made short work of the fellow who ran that joint. 

For all this, Gow found that there were still moments of unexpected beauty, echoing the sentiments of sensitive individuals across a war-torn world: 

We had religious services, conducted by the chaplain, last night. The whole regiment assembled on the parade-grounds in hollow square… The sun was just setting. I mentioned the beauty of the sunsets before. Our colors were in the centre of the square, with the field music. The chaplain read the Episcopal service. The whole regiment stood ad parade rest, every man carefully uniformed and perfectly aligned. The camp was in the background, and on the horizon the sun setting in ablaze of glory, everything about our equipment, tents, combat wagons, etc., dyed in the same glow. It was one of the most impressive scenes I have ever witnessed. 

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15 Fun Facts About Yo Gabba Gabba!
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Since its debut on August 20, 2007 on Nick Jr., Yo Gabba Gabba!—a kids’ show featuring a red cyclops, a magic robot, a pink flower girl, a green-striped guy, a blue cat-dragon, and a host wearing orange spandex and a fluffy hat—became one of the biggest draws for the preschool crowd. But thanks to the show's hipster-friendly musical performances and celebrity guest stars, Yo Gabba Gabba! managed to transcend its kiddie roots to become a hit with fans of all ages. On the 10th anniversary of its debut, let's go behind the scenes of the beloved series.

1. THE CREATOR OF NAPOLEON DYNAMITE HAD A HAND IN GETTING YO GABBA GABBA! ON THE AIR.

Longtime friends Christian Jacobs and Scott Schultz got the idea for Yo Gabba Gabba! when, as two dads in their mid-30s, they were less-than-enthusiastic about the television shows their kids were watching. It wasn't that the other shows were bad; they were just boring and sanitized.

With their experience as musicians and videographers, Jacobs and Schultz thought they could do something different. So they scraped together about $150,000 and began writing, animating, and shooting demo episodes of Yo Gabba Gabba! in their garage. They posted these videos online and Jared Hess, director of Napoleon Dynamite, happened to see them. Impressed, Hess passed the link onto Brown Johnson, an executive at Nickelodeon, who said, “Lordy. Nothing else looks like this on television.” She quickly contacted the duo and, in a risky move that obviously paid off, gave them complete creative control of their own show on Nick Jr.

2. THE TITLE IS MEANT TO BE MIMIC BABY TALK.

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According to Jacobs, the name of the show is a nonsense phrase meant to be reminiscent of the first words spoken by a baby. However, that doesn't mean Jacobs and Schultz aren't happy the name also pays homage to The Ramones, who used the phrase “Gabba Gabba Hey!” in their song “Pinhead.” But that actually makes it an homage of an homage, as The Ramones were paying tribute to the original source of the phrase, the 1932 cult classic film Freaks. In the film, “Gabba Gabba Hey!” is part of a chant uttered by a group of circus freaks as they welcome a new member into the fold.

3. ITS THEME SONG IS REMINISCENT OF PEE-WEE'S PLAYHOUSE.

The show's intro music seems suspiciously like the intro music from another kinetic kids' show, Pee-wee's Playhouse. Pay close attention to when the trees part on Pee-wee's intro and you'll hear a lot of similarities between the two.

4. THE SHOW BECAME A WORLDWIDE PHENOMENON.

Yo Gabba Gabba! became a worldwide phenomenon, and was broadcast all over the world, including in Italy, France, the UK, the Netherlands, Australia, and Canada.

5. DJ LANCE ROCK REALLY IS A DJ.

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DJ Lance Rock is actually Lance Robertson—and he really is a DJ. Robertson grew up in St. Louis, where he started spinning records in the early '90s before moving to Los Angeles at the age of 29. While in L.A., he played with a band, The Ray Makers, who played a few gigs with a group called Majestic, which counted future Yo Gabba Gabba! co-creator Scott Schultz as a member. When the Yo Gabba Gabba! guys were looking for a host, Schultz thought of Robertson. After Robertson signed on, one of the first things he did was suggest they change DJ Lance's look to the now-iconic orange jumpsuit and fuzzy hat. The original costume included a waistcoat similar to the one worn by Gene Wilder as Willy Wonka.

6. MUNO AND BROBEE EXISTED BEFORE YO GABBA GABBA!.

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While the other characters were created exclusively for Yo Gabba Gabba!, Muno and Brobee were already around as part of the live show for Christian Jacobs's kid-friendly ska/punk band, The Aquabats. Since shortly after their founding in 1994, The Aquabats have dressed in matching superhero costumes, fighting evil under aliases like The MC Bat Commander (Jacobs), Crash McLarson, Jimmy the Robot, Ricky Fitness, and Eagle “Bones” Falconhawk. The lineup has changed frequently over the years (Travis Barker of Blink-182 was briefly their drummer under the name “The Baron von Tito”), but the band still performs live and releases the occasional studio album. Naturally, they made a handful of appearances on Yo Gabba Gabba!, as well.

7. THE SHOW HAS A CONNECTION TO DEVO.

While most kids only know him as the kookie art teacher on the show, Mark Mothersbaugh was one of the founding members and lead singer of the New Wave band Devo. Even when he’s not wearing a red terraced “Energy Dome” hat, Mothersbaugh’s career has been prolific as a composer for dozens of TV shows, films, video games, and commercials, including Apple’s famous “I’m a Mac” ads starring Justin Long and John Hodgman.

8. BIZ MARKIE WAS ORIGINALLY SUPPOSED TO DANCE ON THE SHOW.

Yo Gabba Gabba! fans learned how to beatbox thanks to rapper Biz Markie (born Marcel Theo Hall) and his “Beat of the Day” segment. Biz was initially asked to do a Dancey Dance routine for the show, but he has a bad back, so he offered to teach the kids how to do a beat instead. The producers loved it and it became a staple on the show. Parents knew Biz best from his 1989 hit “Just a Friend,” which featured his unique brand of rapping and “singing.” 

9. SUPER MARTIAN ROBOT GIRL IS THE PRODUCT OF TWO GROUNDBREAKING COMIC BOOK ARTISTS.

The comic book the Gabba gang often reads, Super Martian Robot Girl, is the creation of married underground comic book celebrities Sarah Dyer and Evan Dorkin. Dorkin is the genius behind the small press comic Milk and Cheese about “dairy products gone bad”—a milk carton and a wedge of cheese who love to drink gin and beat people up. Dyer was an influential creator in the '90s zine scene, where she was one of the few people giving female zinesters a voice with her Action Girl Newsletter, which later paved the way for the similarly-themed Action Girl Comics.

10. IT WAS NOMINATED FOR SEVEN EMMYS, BUT NEVER WON.

Yo Gabba Gabba!  received numerous Daytime Emmy nominations for Outstanding Achievement in Art Direction and Costume Design, as well as for Outstanding Pre-School Children's Series, but a win eluded the show. In addition, the series was nominated for Outstanding Achievement in Children’s Programming by the Television Critics Association Awards five times (and won twice). Internationally, the show was awarded a BAFTA in 2008. And DJ Lance received two NAACP Image Award nominations.      

11. THE SHOW GOT ITS OWN LINE OF SNEAKERS.

Ever wanted to see Foofa pop a wheelie? How about Toodee ride a surfboard? In 2011, the Gabba gang shot a series of videos to promote their line of Vans shoe, a brand popular among the extreme sports crowd. The characters shared the screen with some of the biggest names in the X Games, including surfers Alex Knost and Jared Mell, skateboarders Bucky Lasek and Christian Hosoi, BMXers Alistair Whitton and Coco Zurita, and motocross stars Dean Wilson and Ryan Villopoto. You can check out the videos at Yo Gabba Gabba's official YouTube channel.

12. THEY PLAYED COACHELLA.

The gang invaded the Coachella Music Festival in 2010, where they performed, hung out with celebrity fans backstage, and even showed up to dance with the audience at other musical performances.

13. THE SHOW HAD A LOT OF CELEBRITY FANS.

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For Halloween 2009, Brad Pitt donned DJ Lance's orange jumpsuit and fuzzy hat when he took his kids trick-or-treating. Lance was later quoted as saying that Pitt looked “Awesome.”

14. IT FEATURED A LOT OF GUEST STARS.

While most celebrities only come on the show to do a Dancey Dance or Cool Tricks segment, there have been a handful of guests that played a bigger role in an episode. The first was Jack Black, who had an entire episode dedicated to his adventures in Gabbaland after his flying motorbike ran out of gas. He got the gig after his wife emailed the show and practically begged them to let Jack come on because he was such a big fan. Other celebrities who popped in: Angela Kinsey from The Office played a teacher, the Tooth Fairy was played by Amy Sedaris, Mos Def saved the day as Super Mr. Superhero, Anthony Bourdain cameoed as a doctor, Jason Bateman played an evil spy, Lost’s Josh Holloway played a helpful farmer, and Weird Al Yankovic guested as a circus ringmaster.

15. A YO GABBA GABBA! DOLL WILL COST YOU A PRETTY PENNY.

The Gabba action figures that DJ Lance brought to life at the beginning of each episode were produced by Kidrobot, one of the leading names in the vinyl toy movement. The figures are no longer produced, so when one pops up on eBay, it often commands a high price. But if you’re not willing to spend that kind of money on an action figure, there are plenty of other Gabba-themed toys, books, DVDs, comics, smartphone apps, and clothes to keep your kids happy.

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10 Witty Facts About The Marx Brothers
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Talented as individuals and magnificent as a team, the Marx Brothers conquered every medium from the vaudeville stage to the silver screen. Today, we’re tipping our hats (and tooting our horns) to Groucho, Harpo, Chico, Zeppo, and Gummo—on the 50th anniversary of Groucho's passing.

1. A RUNAWAY MULE INSPIRED THEM TO TAKE A STAB AT COMEDY.

Julius, Milton, and Arthur Marx originally aspired to be professional singers. In 1907, the boys joined a group called “The Three Nightingales.” Managed by their mother, Minnie, the ensemble performed covers of popular songs in theaters all over the country. As Nightingales, the brothers enjoyed some moderate success, but they might never have found their true calling if it weren’t for an unruly equid. During a 1907 gig at the Nacogdoches Opera House in East Texas, someone interrupted the performance by barging in and shouting “Mule’s loose!” Immediately, the crowd raced out to watch the newly-liberated animal. Back inside, Julius seethed. Furious at having lost the spotlight, he skewered his audience upon their return. “The jackass is the finest flower of Tex-ass!” he shouted, among many other ad-libbed jabs. Rather than boo, the patrons roared with laughter. Word of his wit soon spread and demand for these Marx brothers grew.

2. THEY RECEIVED THEIR STAGE NAMES DURING A POKER GAME.

In May of 1914, the five Marxes were playing cards with standup comedian Art Fisher. Inspired by a popular comic strip character known as “Sherlocko the Monk,” he decided that the boys could use some new nicknames. Leonard’s was a no-brainer. Given his girl-crazy, “chick-chasing” lifestyle, Fisher dubbed him “Chicko” (later, this was shortened to “Chico”). Arthur loved playing the harp and thus became “Harpo.” An affinity for soft gumshoes earned Milton the alias “Gummo.” Finally, Julius was both cynical and often seen wearing a “grouch bag”—wherein he’d store small objects like marbles and candy—around his neck. Thus, “Groucho” was born. For the record, nobody knows how Herbert Marx came to be known as “Zeppo.”

3. GROUCHO WORE HIS TRADEMARK GREASEPAINT MUSTACHE BECAUSE HE HATED MORE REALISTIC MODELS.

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Phony, glue-on facial hair can be a pain to remove and reapply, so Groucho would simply paint a ‘stache and some exaggerated eyebrows onto his face. However, the mustache he later rocked as the host of his famous quiz show You Bet Your Life was 100 percent real.

4. HARPO WAS A SELF-TAUGHT HARPIST.

Without any formal training (or the ability to read sheet music), the second-oldest Marx brother developed a unique style that he never stopped improving upon. “Dad really loved playing the harp, and he did it constantly,” his son, Bill Marx, wrote. “Maybe the first multi-tasker ever, he even had a harp in the bathroom so he could play when he sat on the toilet!”

5. THE VERY FIRST MARX BROTHERS MOVIE WAS NEVER RELEASED.

Financed by Groucho, Chico, Harpo, Zeppo, and a handful of other investors, Humor Risk was filmed in 1921. Accounts differ, but most scholars agree that the silent picture—which would have served as the family’s cinematic debut—never saw completion. Despite this, an early screening of the work-in-progress was reportedly held in the Bronx. When Humor Risk failed to impress there, production halted. By Marx Brothers standards, it would’ve been an unusual flick, with Harpo playing a heroic detective opposite a villainous Groucho character.

6. GUMMO AND ZEPPO BECAME TALENT AGENTS.

World War I forced Gummo to quit the stage. Following his return, the veteran decided that performing was no longer for him and instead started a raincoat business. Zeppo—the youngest brother—then assumed Gummo’s role as the troupe’s straight-talking foil. A brilliant businessman, Zeppo eventually broke away to found the talent agency Zeppo Marx Inc., which grew into Hollywood’s third-largest, representing superstars like Clark Gable, Lucille Ball, and—of course—the other three Marx Brothers. Gummo, who joined the company in 1935, was charged with handling Groucho, Harpo, and Chico’s needs.

7. CHICO ONCE LAUNCHED A BIG BAND GROUP.

Chico took advantage of an extended break between Marx brothers movies to realize a lifelong dream. A few months before The Big Store hit cinemas in 1941, he co-founded the Chico Marx Orchestra: a swinging jazz band that lasted until July of 1943. Short-lived as the group was, however, it still managed to recruit some amazing talent—including singer/composer Mel Tormé, who would go on to help write “The Christmas Song (Chestnuts Roasting on an Open Fire)” in 1945.

8. THEY TESTED OUT NEW MATERIAL FOR A NIGHT AT THE OPERA IN FRONT OF LIVE AUDIENCES.

With the script still being drafted, MGM made the inspired choice to let the brothers perform key scenes in such places as Seattle, Salt Lake City, and San Francisco. Once a given joke was made, the Marxes meticulously timed the ensuing laughter, which let them know exactly how much silence to leave after repeating the gag on film. According to Harpo, this had the added benefit of shortening A Night at the Opera’s production period. “We didn’t have to rehearse,” he explained. “[We just] got onto the set and let the cameras roll.”

9. GROUCHO TEMPORARILY HOSTED THE TONIGHT SHOW.

Jack Paar bid the job farewell on March 29, 1962. Months before their star’s departure, NBC offered Paar’s Tonight Show seat to Groucho, who had established himself as a razor-sharp, well-liked host during You Bet Your Life’s 14-year run. Though Marx turned the network down, he later served as a guest host for two weeks while Johnny Carson prepared to take over the gig. When Carson finally made his Tonight Show debut on October 1, it was Groucho who introduced him.

10. SPY MAGAZINE USED A MARX BROTHERS MOVIE TO PRANK U.S. CONGRESSMEN.

Duck Soup takes place in Freedonia, a fictional country over which the eccentric Rufus T. Firefly (Groucho) presides. In 1993, 60 years after the movie’s release, this imaginary nation made headlines by embarrassing some real-life politicians. Staffers from Spy got in touch with around 20 freshmen in the House of Representatives, asking some variation on the question “Do you approve of what we’re doing to stop ethnic cleansing in Freedonia?” A few lawmakers took the bait. Representative Corrine Brown (D-Florida) professed to approve of America’s presence in Freedonia, saying, “I think all of those situations are very, very sad, and I just think we need to take action to assist the people.” Across the aisle, Steve Buyer (R-Indiana) concurred. “Yeah,” he said, “it’s a different situation than the Middle East.”

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