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16 Damn Fine Facts About Twin Peaks

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More than a quarter-century ago, ABC introduced us to Twin Peaks. The rainy Washington town was home to log ladies, red rooms, and at least one murderer—but if you were only watching to find out “who killed Laura Palmer,” you were missing out. As Showtime prepares to bring us back to Twin Peaks tonight, read on to find out how Mikhail Gorbachev’s favorite show got made in the first place.

1. CREATORS DAVID LYNCH AND MARK FROST WROTE A MARILYN MONROE SCRIPT FIRST.

David Lynch and Mark Frost met while working on an adaptation of Anthony Summers’s Marilyn Monroe biography Goddess. Their script was titled Venus Descending and ultimately suggested that the Kennedys were the true cause of Monroe’s death. Although Lynch and Frost changed the protagonist’s name to Rosilyn Ramsey, studios were wary of bankrolling a movie with that conclusion. The movie never got made, but Lynch and Frost managed to work elements of Goddess and Monroe’s life into Twin Peaks. There’s an implicit connection in the story of Laura Palmer, a blonde homecoming queen who has an affair with a high-powered man and winds up dead. And there’s a much more explicit reference in Dale Cooper’s JFK musings to Diane.

2. THE SHOW WAS ORIGINALLY SET IN (AND CALLED) NORTH DAKOTA.

Twin Peaks takes place in Washington State, but before Lynch and Frost settled on the Pacific Northwest, they considered the Heartland. “The original title for the show was North Dakota,” Frost said in an interview with Inside Twin Peaks. “We were playing with this idea of the plains, a place far away from the world. But what we really lacked was that sense of mystery in the forest, and the darkness that moving it a little further west had.”

3. SHERYL LEE WAS ONLY SUPPOSED TO BE A BODY.

Sheryl Lee, who played both Laura Palmer and her look-alike cousin Maddy Ferguson, was initially hired for a wordless cameo. As Lynch explained in Lynch on Lynch, the plan was to cast a local girl in Seattle, dye her skin gray, and simply use her for the scene where Laura’s body washes up on shore. But once they gave Lee another small scene—a picnic with Donna (Lara Flynn Boyle)—Lynch was impressed with her acting ability, and gave her regular series work as Maddy.

4. THE ONE-ARMED MAN IS A FUGITIVE HOMAGE.

Another actor who was only meant to appear in the pilot? The one-armed man. “Mike” was only required to walk out of an elevator in the original script. All Lynch and Frost wanted was a quick, intriguing “Fugitive homage.” But Lynch was also a fan of actor Al Strobel, so he wrote him into the series's larger mythology.

5. ISABELLA ROSSELLINI ALMOST PLAYED JOSIE PACKER.

Lynch’s Blue Velvet leading lady and then-girlfriend Isabella Rossellini was the first choice for wealthy widow Josie Packard. But according to Rossellini, there was “a little bit of concern about the time [commitment].” (She and Lynch broke up in 1991.) Instead, the part went to Joan Chen, and Josie was rewritten to fit Chen’s Chinese background.

6. SEVERAL CHARACTERS ARE NAMED FOR FILM NOIR FIGURES.

Critics were quick to point out that Maddy (or Madeleine) Ferguson shared a first name with one of Kim Novak’s dual characters in Vertigo, another tale of a dead blonde and her brunette doppelgänger, and a last name with Jimmy Stewart’s Vertigo character, Scottie Ferguson. There’s also an insurance agent on Twin Peaks named Walter Neff (Fred MacMurray’s character in Double Indemnity), a vet named Dr. Lydecker (Clifton Webb’s character in Laura), a myna bird named Waldo (also Clifton Webb’s character in Laura), and an FBI regional bureau chief named Gordon Cole (Bert Moorhouse’s character in Sunset Boulevard). The last one is especially amusing since Twin Peaks’ Gordon Cole was played by Lynch, who has repeatedly cited Sunset Boulevard as one of his favorite movies.

7. “BOB” WAS SPONTANEOUSLY CAST FROM THE CREW.

Frank Silva portrayed the terrifying specter Bob, but he didn’t get the role through traditional means. Silva was already serving as the show’s set decorator when Lynch got an idea. He had noticed Silva moving furniture around Laura Palmer’s bedroom and asked if he would crouch down by her bed. They shot Silva down there, staring directly at the camera. Lynch wasn’t sure how he was going to use that footage, until he discovered that Silva had also accidentally shown up in a mirror during Sarah Palmer’s tormented visions. With that, Bob was officially born.

8. DALE COOPER AND HARRY TRUMAN SHARE NAMES WITH WASHINGTON LEGENDS.

One of the most enduring figures in Washington state lore is D.B. Cooper, the hijacker who parachuted out of a Seattle-bound plane with stolen cash and vanished into thin air. You could also refer to Twin Peaks’ perky investigator Dale Cooper as D.B. Cooper, considering his middle name is Bartholomew. Then there’s Sheriff Harry Truman. No, he’s not a reference to the Harry Truman who became president; he’s a nod to the Harry Truman who refused to leave his lodge during the 1980 eruption of Mount St. Helens.

9. ACTORS HAD TO SAY THEIR LINES BACKWARDS IN THE RED ROOM.

The “Red Room” sequences were notable for several reasons—the dancing Man from Another Place, alive Laura Palmer, old Dale Cooper—but the bizarre way everyone spoke made the biggest impression. This wasn’t achieved through a simple distortion trick. The actors had to learn and recite all their lines backwards. Then, those lines were played backwards, making them “correct” again. Michael J. Anderson, who played The Man from Another Place, gave a quick demo on the DVDs.

10. THE RED ROOM FLOOR MATCHES THE ONE IN ERASERHEAD.

Lynch referenced his own work through a sly interior decorating decision in the Red Room. The zigzag floor pattern mirrors the one seen in Henry’s apartment lobby in Eraserhead, Lynch’s 1977 horror film. Check out the comparison shots here.

11. PIPER LAURIE MASQUERADED AS A JAPANESE ACTOR ON SET.

In terms of Twin Peaks plotlines, Catherine Martell impersonating a Japanese businessman is actually on the saner end of the spectrum. But Catherine wasn’t the only person pretending. To keep the character’s fate under wraps, Lynch asked actress Piper Laurie if she would herself pose as a Japanese actor on set to keep the rest of the cast in the dark. She posed as “Fumio Yamaguchi,” a well-regarded actor who had worked with Akira Kurosawa and did not speak much English. The cast seemed to buy it at first, though they grew suspicious as they shared more scenes with Mr. Yamaguchi. Peggy Lipton was convinced it was Rossellini in heavy make-up.

12. LARA FLYNN BOYLE PUT AND END TO DALE AND AUDREY'S ROMANCE.

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For many viewers, the biggest question was surprisingly straightforward: what happened with Dale and Audrey? The show seemed to be teasing a romance, only to abruptly introduce new love interests for both characters. Frost delicately suggested that a certain cast member wasn’t happy with the coupling in an interview with WFDU’s That Modern Rock Show. Sherilyn Fenn, who played Audrey, was more blunt about it.

“What happened was that Lara [Flynn Boyle] was dating Kyle [MacLachlan], and she was mad that my character was getting more attention, so then Kyle started saying that his character shouldn’t be with my character because it doesn’t look good, ’cause I’m too young,” Fenn told The A.V. Club. “Literally, because of that, they brought in Heather Graham—who’s younger than I am—for him and Billy Zane for me. I was not happy about it. It was stupid.”

13. STEVEN SPIELBERG NEARLY DIRECTED THE SEASON TWO PREMIERE.

In an interview with Brad D Studios, Twin Peaks writer-producer Harley Peyton said that Steven Spielberg was on board to helm the show’s season two opener. Spielberg was apparently an avid viewer of the first season and mentioned to Peyton that he’d be interested in directing an episode. Peyton and Frost then held a lengthy meeting with Spielberg to discuss the possibility of him tackling the season two premiere. Spielberg wanted to make it “as weird as possible,” but that wasn’t good enough for Lynch, who insisted on handling the episode himself. He suggested Spielberg take a later episode, but it didn’t pan out.

14. LYNCH AND FROST WERE FORCED TO REVEAL LAURA PALMER’S KILLER.

The show’s central murder wasn’t solved until halfway through season two, but if the creators had their way, it would’ve taken even longer. ABC started pressing Lynch and Frost for an answer in season one, and by the time the second season began, they’d stopped asking nicely. They demanded a killer and pegged the episode with the reveal to sweeps week. Lynch in particular was outraged at the decision, declaring the show effectively dead—and he wasn’t too off-base. ABC got the exact opposite of the ratings bonanza they expected. Viewers rapidly dropped off following the episode and the series was canceled soon after.

15. AUDREY HORNE INFORMED MULHOLLAND DRIVE.

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There was once talk of spinning Audrey Horne off into her own movie or series—and the premise should sound familiar to any Lynch fanatic. According to Fenn, the new project was supposed to follow an older Audrey in California and involved an opening scene of her “driving along Mulholland Drive.”

16. MIKHAIL GORBACHEV WAS ALLEGEDLY A SUPERFAN.

When Reflections: An Oral History of Twin Peaks was published in 2014, Twitter latched especially hard onto an anecdote from TV exec Jules Haimovitz. Haimovitz worked for Aaron Spelling Productions, which produced Twin Peaks. One day he got a call from Spelling, demanding to know who killed Laura Palmer. But it wasn’t really Spelling who was asking. He’d gotten a call from financier Carl Lindner, who claimed to be calling on behalf of then-president George H.W. Bush, who was actually asking for Mikhail Gorbachev. The former leader of the USSR was apparently a huge fan of the show, but when he was pressed later, Gorbachev claimed he had no idea what Twin Peaks was. Which all sounds appropriately Lynchian.

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30 Memorable Quotes from Carrie Fisher
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Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

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12 Admissible Facts About Judge Judy
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Judge Judith Sheindlin was 54 years old when her namesake TV show premiered on September 16, 1996. Two years later the diminutive (5’1”) adjudicator was trouncing the powerhouse Oprah Winfrey Show in the Nielsen ratings. Today, she is one of the highest paid TV celebrities, earning $47 million per year—which she will continue to do through 2020, thanks to a new extended contract.

Fervent fans are familiar with Judge Judy’s more outrageous cases, like The Tupperware Lady and the eBay Cell Phone Scammer, but they might not know some of these fun facts about both the show and the woman behind it, who turns 75 years old today.

1. THAT GRUFF, NO-NONSENSE STYLE OF JURISPRUDENCE IS NOT AN ACT.

Judge Judy spent a little over 20 years in New York City’s family court system, where she earned a reputation early in her career for being blunt, impatient, and tough-talking. “I can’t stand stupid, and I can’t stand slow,” was one of her oft-repeated “Judyisms” at that time. She also frequently warned attorneys appearing before her: "I want first-time offenders to think of their appearance in my courtroom as the second-worst experience of their lives ... circumcision being the first." 60 Minutes filmed her in action as part of a 1993 profile, and while her hair color and eyebrows have softened since then, her impatient rants and verbal smackdowns haven’t changed a bit.

2. SHE BEGAN WEARING HER TRADEMARK LACE COLLAR AS SOON AS SHE WAS APPOINTED AS A JUDGE.

New York City Mayor Ed Koch appointed Judith Sheindlin to the bench in 1982, and to celebrate she and her husband Jerry—both civil servants at the time—took a $399 package trip to Greece for two weeks. While passing by a row of street kiosks with various locally made crafts for sale, she impulsively purchased a white lace collar from a vendor. She explained to her husband that male judges wore stiff-collared white dress shirts and colorful neckties that peeped out of the top of their robes, so that they had a nice colorful “buffer” between the austere black gown and their face. Female judges, however, had nothing but neck peeping out of their robes and the unforgiving black color revealed every minute of sleep deprivation as well as any skin tone irregularities. The white lace collar, she decided, would not only perk up her face but would also be a bit disarming for litigants—she could picture them thinking “That nice little lady with the lace collar sitting behind the bench couldn’t hurt a fly!”

3. DESPITE THOSE NEW YORK CITY SCENES ON THE COMMERCIAL BUMPERS, JUDGE JUDY IS TAPED IN CALIFORNIA.

Sheindlin spends 52 days per year taping her show. She flies to California via private jet every other Monday and hears cases on Tuesday and Wednesday (occasionally Thursday if there are production delays). One full week’s worth of shows are filmed each day. Many viewers, however, are fooled into thinking Judy is holding court in her native New York, thanks to the scenic Manhattan footage in between station breaks and the New York state flag behind her chair. That is, until something oh-so-unique to the west coast—like an earthquake—occurs on-camera. (Note that in the clip below, Judge Judy quickly ducks beneath her bench once the room begins to tremble.)

4. SHE IS BRIEFED ON THE CASES BEFORE SHE ARRIVES ON THE SET.

Judge Sheindlin does not go to the studio unprepared; producers FedEx the sworn statements and relevant information on each upcoming case to her home (Naples, Florida in the winter; Greenwich, Connecticut in the spring and summer) and she familiarizes herself with enough details to have some background, but not enough so that the case doesn’t appear “fresh” when she questions the litigants during filming.

5. THE CASES REALLY ARE REAL.

The production company has a staff of 60-plus researchers across the country who spend their days poring over lawsuits filed in local small claims courts. Thanks to the Freedom of Information Act, they are able to photocopy cases that they think might make for interesting television and those copies are forwarded to the show’s producers. Any cases that make it to the next stage (about three percent) involve contacting the litigants involved and asking them if they’d like to forego their civil court hearing in exchange for a free trip to Los Angeles, an $850 appearance fee, and a per diem of $40 (as of 2012). An added incentive is that any judgments awarded are paid by the show, not by the plaintiff or defendant. The best cases, according to the executive producer, are those that involve litigants with a prior relationship—mother/daughter, father/son, boyfriend/girlfriend, etc. Such cases engage the audience because it’s an emotional tie that’s been broken (the recurring plot on many soap operas).

6. THE AUDIENCE, HOWEVER, IS NOT SO REAL.

Regular viewers will note that the same faces seem to pop up in the audience regularly. Those folks in the spectator seats are paid extras (often aspiring actors) who earn $8 per hour to sit and look attentive. Prospective audience members apply for the limited amount of seats by emailing their contact information along with a clear headshot to one of Judge Judy’s production coordinators (sorry, we cannot provide that info). If chosen, the spectator must dress appropriately (business casual or better) and arrive promptly for the 8:30 a.m. call time. Audience members must pass through metal detectors on their way in and are not allowed to bring cell phones or any electronic devices with them, and food, drinks and chewing gum are also verboten. Spectators are rearranged after each case so it’s not as obvious that it’s the same group of people, and the most attractive folks are always seated in the front row (it’s Hollywood, after all). The audience is instructed to talk animatedly amongst themselves in between each case so that Officer Byrd’s “Order in the court!” admonition has more impact. Bad behavior is grounds for immediate expulsion (in front of 10 million viewers, as Judge Judy likes to remind us).

7. JUDGE JUDY DRESSES CASUALLY FOR THE JOB.

Sheindlin has been known to publicly chastise litigants who come to her courtroom in skimpy clothing or “beach attire,” but behind that bench and under that robe she is usually sporting jeans and a tank top or T-shirt.

8. OFFICER BYRD IS A REAL BAILIFF.

Brooklyn native Petri Hawkins Byrd earned his B.Sc. degree from the John Jay College of Criminal Justice in 1989 and started working in the Brooklyn Family Court system. He first worked with Judge Sheindlin when he transferred to the Manhattan Family Court. “We [the court officers] used to call her the Joan Rivers of the judicial system,” he recalled in a 2004 interview. “She was just hilarious.” Byrd relocated to San Mateo, California in 1990 to work as a Special Deputy U.S. Marshal and a few years later he read an item in Liz Smith’s gossip column about Sheindlin’s upcoming TV show. He sent his old colleague a congratulatory letter and added, “If you need a bailiff, I still look good in uniform.”

9. DESPITE HIS SOMETIMES IMPOSING COURTROOM DEMEANOR, OFFICER BYRD IS ALSO A VERY FUNNY GUY.

He is a talented impressionist, but his sense of humor almost cost him his job—or so he thought at the time. Once, back when he was working with the feisty Judge Sheindlin in New York, he donned her robe and reading glasses to entertain his co-workers with a barrage of Judyisms. Of course, as always seems to happen when one mocks the boss in the workplace, he was caught in the act.

10. THE OCCASIONAL CELEBRITY RELIES ON JUDGE JUDY’S BRAND OF JUSTICE.

Depending upon your own definition of “celebrity”, of course. Actress Roz Kelly (Pinky Tuscadero on Happy Days) appeared on the show in 1996 as the plaintiff, suing her plastic surgeon for a leaky breast implant that was impeding her acting career. One year later, former Sex Pistol John Lydon (a.k.a. Johnny Rotten) appeared as a defendant when drummer Robert Williams, who was hired to support Lydon on a solo tour, sued the singer for lost wages and an assault. Despite Lydon’s occasional bad courtroom behavior, the decision was made in his favor.

11. THE STAR ORIGINALLY DIDN’T WANT THE SHOW NAMED AFTER HER.

Sheindlin first envisioned calling her show Hot Bench, a term used frequently in the appellate court, but the producers wisely advised her that the term was meaningless to TV viewers who didn’t work in the legal system. Her next thought was Judy Justice, since she’d overheard her court officers warning deadbeat parents who were delinquent in child support payments that they were in for a load of "Judy Justice" if they weren’t prepared to cough up some money. In retrospect, Sheindlin realized the wisdom in calling the show Judge Judy: She couldn’t be easily replaced, as the various judges had been on The People’s Court. However, after 19 years on the air, she still does not refer to herself by that sobriquet; whether introducing herself to someone or advertising her show in a promotional clip, she is always either “Judge Sheindlin” or “Judge Judy Sheindlin.”

12. JUDGE SHEINDLIN INHERITED HER SENSE OF HUMOR FROM HER FATHER.

Murray Blum, Judy’s beloved father, was a dentist whose office was in the family home. In those days—before sedation dentistry was an option—a dentist’s best tool to distract nervous patients was the gift of gab, and Murray became a master storyteller out of necessity. Years of listening to her father at the dinner table and at family gatherings taught Judy how to deliver a punchline. One evening outside of a hotel in Hollywood, Sheindlin was approached by a woman who introduced herself as Lorna Berle. She told the judge that her husband Milton was a huge fan and asked if she would mind talking to him for a moment. The elderly comic slowly emerged from a limo and Judy greeted him by singing the theme song to Texaco Star Theater, her favorite TV show as a child. Milton Berle complimented her in return, saying “Kid, you’ve got great comic timing.”

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