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11 Facts About Sgt. Pepper's Lonely Hearts Club Band

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The Beatles' status as the Biggest Music Group in the World was in danger of being taken away from them during the first few months of 1967. The band had announced they were no longer going to perform live because of the growing physical dangers that came with touring, largely thanks to John Lennon's seemingly blasphemous comments on Christianity, which stoked religious fervor in the United States. Guaranteed sellout audiences—crowds so loud that nobody, not even the band, could hear a note of the music—were replaced by half-empty stadiums by the time the Fab Four performed in San Francisco on August 29, 1966 for what would be their final concert (not counting that rooftop performance in 1969).

When they reconvened in November of 1966, they found themselves with as much time as ever to get their next album as perfect as they could. What Lennon, Paul McCartney, George Harrison, Ringo Starr, producer George Martin, and engineer Geoff Emerick came up with was Sgt. Pepper's Lonely Hearts Club Band, a loosely conceptual album that was both a celebration and a piss-take on the psychedelic bands that had been popping up at the time.

Sgt. Pepper's Lonely Hearts Club Band was released to the public on June 1, 1967—50 years ago today—and served as a confirmation that The Beatles were not only alive and well, but still at the forefront of pop music innovation; "The Summer of Love" came shortly after.

1. THE TITLE CAME FROM AIRPLANE SALT AND PEPPER PACKETS.

By the time The Beatles took a three-month vacation in the latter part of 1966, they were all tired of being The Beatles. McCartney and tour manager/assistant Mal Evans ruminated on this problem as the two traveled together, ending their international adventures in Kenya. On their flight back to London, McCartney was developing an alter ego for the band for their next record.

"Me and Mal often bantered words about, which led to the rumor that he thought of the name Sergeant Pepper," McCartney explained to author Barry Miles about how he came up with the name. "But I think it would be much more likely that it was me saying, 'Think of names.' We were having our meal and they had those little packets marked 'S' and 'P.' Mal said, 'What's that mean? Oh, salt and pepper.' We had a joke about that. So I said, 'Sergeant Pepper,' just to vary it, 'Sergeant Pepper, salt and pepper,' an aural pun, not mishearing him but just playing with the words." McCartney then added "Lonely Hearts Club" to "Sergeant Pepper," and figured it would be a "crazy enough" band name, "because why would a Lonely Hearts Club have a band?"

2. THE BAND WAS UNDER A LOT OF PRESSURE.

Because of the perceived fading popularity of the group, Beatles manager Brian Epstein and their label EMI put pressure on Martin and the band to release a "can't-miss" hit single. Caving in to the pressure, two of the first three songs from the Sgt. Pepper sessions were released as a double A-side single: "Strawberry Fields Forever" and "Penny Lane." As was the practice at the time with singles, those two classic songs weren't included on the album. Martin later said that listening to Epstein and EMI in this instance was "the biggest mistake" of his professional life.

3. IT WAS INFLUENCED BY THE BEACH BOYS' PET SOUNDS, AND FRANK ZAPPA.

George Martin was quoted as saying that if Brian Wilson and The Beach Boys had not created and recorded their classic album Pet Sounds, "Sgt. Pepper never would have happened." McCartney repeatedly played the album at Abbey Road during recording sessions. Unbeknownst to The Beatles, they were fulfilling their part in a pop group ouroboros, because Wilson was inspired to write Pet Sounds after hearing The Beatles' Rubber Soul.

In June 1966, Frank Zappa's The Mothers of Invention came out with the double-record Freak Out!, a satirical album that also happened to contain classical music-influenced movements instead of individual tracks; some consider it to be the first rock concept album. "This is our Freak Out!" McCartney supposedly said during the Sgt. Pepper sessions.

4. DOGS MIGHT GO NUTS IF YOU PLAY THEM "A DAY IN THE LIFE" ALL THE WAY THROUGH.

A 15-kilohertz high-frequency tone/whistling noise can be heard—if you have the remastered CD version and not the vinyl repressing anyway—after the iconic final piano chord finishes resonating and before the backwards talking that closes the album. It was Lennon's idea to add the equivalent of a police dog whistle after he had an hours-long conversation with McCartney about frequencies. McCartney admitted to it all in 2013. Some believe the inclusion of the dog whistle was a subtle nod to the influence Pet Sounds had on the album.

5. RINGO REFUSED TO SING ONE LYRIC.

The song originally began with the hypothetical, "What would you do if I sang out of tune? Would you stand up and throw tomatoes at me?" Starr remembered what happened years earlier when fans constantly threw jelly babies on stage, after Harrison mentioned that he liked them. The drummer worried he would just be asking for it and take tomatoes to the face and other parts of his body for the rest of his life, and informed Lennon and McCartney there was "not a chance in hell" he was going to sing the line as written.

6. RINGO NEEDED A LITTLE HELP FROM HIS FRIENDS WITH "A LITTLE HELP FROM MY FRIENDS."

Starr was apprehensive about singing the number, and was more than happy to head home instead after an all-nighter recording the instrumental to the track. But the other Beatles wouldn't let him leave despite it being just before dawn. Emerick, the album's engineer, wrote about what happened when Ringo started to go up the studio stairs to end the session, as he and his boss, Martin, witnessed and listened:

He was at the halfway point when we heard Paul's voice call out.

"Where are you going, Ring?" he said.
 Ringo looked surprised. "Home, to bed."
 "Nah, let's do the vocal now."

Ringo looked to the others for support. "But I'm knackered," he protested. To his dismay, both John and George Harrison were taking Paul's side. "No, come on back here and do some singing for us," John said with a grin. It was always a group decision as to when a session would end, and obviously Ringo had jumped the gun a bit.

Starr groaned and wondered out loud if they were still going to be there at Abbey Road when that night's session was due to start, but he managed to get the vocal right, with his three bandmates gathered around him, silently conducting and cheering him on just inches behind the mic. The drummer still had trouble with the final high note, and after it was determined studio effects weren't an option, Paul, George, and John had to encourage him again to give him the confidence to pull it off. Once he hit the note, they toasted with scotch-and-cokes and finally called it a night/morning.

7. FOR THE MOST PART, RINGO WAS BORED.

While the others consulted with Martin on technical aspects of the songs they wrote and kept Starr—who had not written any material for Sgt. Pepper—waiting around longer than ever to record the percussion overdubs, he learned how to play chess.

8. "SHE'S LEAVING HOME" WAS WRITTEN ABOUT A TEEN WHO REALLY RAN AWAY FROM HOME, AND HAD MET THE BEATLES YEARS EARLIER.

McCartney wrote "She's Leaving Home" after reading in the local newspaper about 17-year-old Melanie Coe, who went missing without her car, checkbook, or any spare clothes. It turned out that Coe was shacked up with a croupier she had met at a nightclub, and ended up coming home 10 days later. What McCartney never realized was that he actually met Coe on October 4, 1963, when she won a miming contest on the TV show Ready Steady Go!. McCartney was the judge.

9. THE PABLO FANQUE IN "BEING FOR THE BENEFIT OF MR.KITE!" WAS GREAT BRITAIN'S FIRST BLACK CIRCUS OWNER.

Lennon was not aware of this. He had taken the lyrics for his song from an 1843 poster for Pablo Fanque's circus, which he had purchased in an antique shop on the day he filmed the music video for "Strawberry Fields Forever." Lennon hung it in his music room, where he played his piano, which lead to the obvious inspiration. Martin aided with the production considerably, based on Lennon's direction to make "Mr. Kite" sound like people can "smell the sawdust".

10. ADOLF HITLER IS HIDING ON THE ALBUM'S COVER.

Lennon had initially asked for Jesus Christ, Adolf Hitler, and Mahatma Gandhi to appear on the cover with the other celebrities and historical figures, but all three of those suggestions were nixed. Yet, Sir Peter Blake—the artist responsible for the design of the picture along with Jann Haworth—revealed in 2007 that wasn't exactly true.

"Hitler and Jesus were the controversial ones, and after what John said about Jesus we decided not to go ahead with him—but we did make up the image of Hitler," Blake told the Independent. "If you look at photographs of the outtakes, you can see the Hitler image in the studio. With the crowd behind there was an element of chance about who you can and cannot see, and we weren't quite sure who would be covered in the final shot. Hitler was in fact covered up behind the band."

11. THE BBC BANNED "A DAY IN THE LIFE."

Sgt. Pepper made its public debut on May 20, 1967 at 4 p.m. on the BBC's Where It's At. Excerpts from every song except "A Day In The Life" were played, as the tune had been officially banned the day before for promoting "a permissive attitude toward drug-taking." BBC believed that McCartney's singing "found my way upstairs and had a smoke" was a drug reference, and that Lennon's line about "Four thousand holes in Blackburn, Lancashire" might be a reference to a heroin junkie's arm.

Because of that ban—and the belief that "With a Little Help from My Friends" and "Lucy in the Sky with Diamonds" also referenced drugs—the three suspicious songs were omitted from Sgt. Pepper's Lonely Hearts Club Band when it was released in South Asia, Malaysia, and Hong Kong.

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10 Surprising Facts About The Babadook
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In 2014, The Babadook came out of nowhere and scared audiences across the globe. Written and directed by Aussie Jennifer Kent, and based on her short film Monster, The Babadook is about a widow named Amelia (played by Kent’s drama schoolmate Essie Davis) who has trouble controlling her young son Samuel (Noah Wiseman), who thinks there’s a monster living in their house. Amelia reads Samuel a pop-up book, Mister Babadook, and Samuel manifests the creature into a real-life monster. The Babadook may be the villain, but the film explores the pitfalls of parenting and grief in an emotional way. 

“I never approached this as a straight horror film,” Kent told Complex. “I always was drawn to the idea of grief, and the suppression of that grief, and the question of, how would that affect a person? ... But at the core of it, it’s about the mother and child, and their relationship.”

Shot on a $2 million budget, the film grossed more than $10.3 million worldwide and gained an even wider audience via streaming networks. Instead of creating Babadook out of CGI, a team generated the images in-camera, inspired by the silent films of Georges Méliès and Lon Chaney. Here are 10 things you might not have known about The Babadook (dook, dook).

1. THE NAME “BABADOOK” WAS EASY FOR A CHILD TO INVENT.

Jennifer Kent told Complex that some people thought the creature’s name sounded “silly,” which she agreed with. “I wanted it to be like something a child could make up, like ‘jabberwocky’ or some other nonsensical name,” she explained. “I wanted to create a new myth that was just solely of this film and didn’t exist anywhere else.”

2. JENNIFER KENT WAS WORRIED PEOPLE WOULD JUDGE THE MOTHER.

Amelia isn’t the best mother in the world—but that’s the point. “I’m not a parent,” Kent told Rolling Stone, “but I’m surrounded by friends and family who are, and I see it from the outside … how parenting seems hard and never-ending.” She thought Amelia would receive “a lot of flak” for her flawed parenting, but the opposite happened. “I think it’s given a lot of women a sense of reassurance to see a real human being up there,” Kent said. “We don’t get to see characters like her that often.”

3. KENT AND ESSIE DAVIS TONED DOWN THE CONTENT FOR THE KID.

Noah Wiseman was six years old when he played Samuel. Kent and Davis made sure he wasn’t present for the more horrific scenes, like when Amelia tells Samuel she wishes he was the one who died, not her husband. “During the reverse shots, where Amelia was abusing Sam verbally, we had Essie yell at an adult stand-in on his knees,” Kent told Film Journal. “I didn’t want to destroy a childhood to make this film—that wouldn’t be fair.”

Kent explained a “kiddie version” of the plot to Wiseman. “I said, ‘Basically, Sam is trying to save his mother and it’s a film about the power of love.’”

4. THE FILM IS ALSO ABOUT “FACING OUR SHADOW SIDE.”

IFC Films

Kent told Film Journal that “The Babadook is a film about a woman waking up from a long, metaphorical sleep and finding that she has the power to protect herself and her son.” She noted that everybody has darkness to face. “Beyond genre and beyond being scary, that’s the most important thing in the film—facing our shadow side.”

5. THE FILM SCARED THE HELL OUT OF THE DIRECTOR OF THE EXORCIST.

In an interview with Uproxx, William Friedkin—director of The Exorcist—said The Babadook was one of the best and scariest horror films he’d ever seen. He especially liked the emotional aspect of the film. “It’s not only the simplicity of the filmmaking and the excellence of the acting not only by the two leads, but it’s the way the film works slowly but inevitably on your emotions,” he said.

6. AN ART DEPARTMENT ASSISTANT SCORED THE ROLE AS THE BABADOOK.

Tim Purcell worked in the film’s art department but then got talked into playing the titular character after he acted as the creature for some camera tests. “They realized they could save some money, and have me just be the Babadook, and hence I became the Babadook,” Purcell told New York Magazine. “In terms of direction, it was ‘be still a lot,’” he said.

7. THE MOVIE BOMBED IN ITS NATIVE AUSTRALIA.

Even though Kent shot the film in Adelaide, Australians didn’t flock to the theaters; it grossed just $258,000 in its native country. “Australians have this [built-in] aversion to seeing Australian films,” Kent told The Cut. “They hardly ever get excited about their own stuff. We only tend to love things once everyone else confirms they’re good … Australian creatives have always had to go overseas to get recognition. I hope one day we can make a film or work of art and Australians can think it’s good regardless of what the rest of the world thinks.”

8. YOU CAN OWN A MISTER BABADOOK BOOK (BUT IT WILL COST YOU). 

IFC Films

In 2015, Insight Editions published 6200 pop-up books of Mister Babadook. Kent worked with the film’s illustrator, Alexander Juhasz, who created the book for the movie. He and paper engineer Simon Arizpe brought the pages to life for the published version. All copies sold out but you can find some Kent-signed ones on eBay, going for as much as $500.

9. THE BABADOOK IS A GAY ICON.

It started at the end of 2016, when a Tumblr user started a jokey thread about how he thought the Babadook was gay. “It started picking up steam within a few weeks,” Ian, the Tumblr user, told New York Magazine, “because individuals who I presume are heterosexual kind of freaked out over the assertion that a horror movie villain would identify as queer—which I think was the actual humor of the post, as opposed to just the outright statement that the Babadook is gay.” In June, the Babadook became a symbol for Gay Pride month. Images of the character appeared everywhere at this year's Gay Pride Parade in Los Angeles.

10. DON'T HOLD YOUR BREATH FOR A SEQUEL.

Kent, who owns the rights to The Babadook, told IGN that, despite the original film's popularity, she's not planning on making any sequels. “The reason for that is I will never allow any sequel to be made, because it’s not that kind of film,” she said. “I don’t care how much I’m offered, it’s just not going to happen.”

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Play the Sneakers Computer Press Kit from 1992
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Internet Archive // Sketch the Cow

In September 1992, the computer hacking movie Sneakers hit theaters. To correspond with its launch, members of the press received a floppy disk containing a mysterious DOS program that, when launched, asked for a password. Once the reporters "hacked" their way in, they found the Sneakers Computer Press Kit. Thanks to the Internet Archive, you can play at being the film press of 1992.

It's hard to characterize exactly what this electronic press kit is. Is it a game? Sort of. It's essentially a very gentle computer hacking simulator, in which the "hacking" consists entirely of guessing passwords (complete with helpful prompts from the program itself), and the payload you discover is silly stuff like mini-biographies of Robert Redford, Dan Aykroyd, and Sidney Poitier. Still, it's a good match for the film itself, which helped set the template for Hollywood depictions of computer hacking.

A paper folder lies open on a wooden floor, with a black floppy disk on top. The folder is labeled SNEAKERS in giant red letters, as is the floppy. Inside the folder is printed material. On the right flap of the folder are instructions on how to load it.
Inside the Sneakers Computer Press Kit's paper folder. (The right flap contains installation instructions, along with a note that the studio will FedEx printed material if the user doesn't have access to a printer.)
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Always remember: "My voice is my passport. Verify me." Now, get cracking on this press kit and don't be flummoxed—if you can't figure out a password right away, just wait a moment.

(Incidentally, Sneakers did also include printed materials for the press, in case they lacked a computer and/or the patience to deal with this approach. But who in the world would look at that, when they could play with this? There's also a method in the Computer Press Kit that allows the user to print out more detailed materials—provided they have a printer, and it's attached to a particular printer port on the computer.)

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