11 Facts About Sgt. Pepper's Lonely Hearts Club Band

John Pratt/Keystone/Getty Images
John Pratt/Keystone/Getty Images

The Beatles' status as the Biggest Music Group in the World was in danger of being taken away from them during the first few months of 1967. The band had announced they were no longer going to perform live because of the growing physical dangers that came with touring, largely thanks to John Lennon's seemingly blasphemous comments on Christianity, which stoked religious fervor in the United States. Guaranteed sellout audiences—crowds so loud that nobody, not even the band, could hear a note of the music—were replaced by half-empty stadiums by the time the Fab Four performed in San Francisco on August 29, 1966 for what would be their final concert (not counting that rooftop performance in 1969).

When they reconvened in November of 1966, they found themselves with as much time as ever to get their next album as perfect as they could. What Lennon, Paul McCartney, George Harrison, Ringo Starr, producer George Martin, and engineer Geoff Emerick came up with was Sgt. Pepper's Lonely Hearts Club Band, a loosely conceptual album that was both a celebration and a piss-take on the psychedelic bands that had been popping up at the time.

Sgt. Pepper's Lonely Hearts Club Band was released to the public on June 1, 1967—50 years ago today—and served as a confirmation that The Beatles were not only alive and well, but still at the forefront of pop music innovation; "The Summer of Love" came shortly after.

1. THE TITLE CAME FROM AIRPLANE SALT AND PEPPER PACKETS.

By the time The Beatles took a three-month vacation in the latter part of 1966, they were all tired of being The Beatles. McCartney and tour manager/assistant Mal Evans ruminated on this problem as the two traveled together, ending their international adventures in Kenya. On their flight back to London, McCartney was developing an alter ego for the band for their next record.

"Me and Mal often bantered words about, which led to the rumor that he thought of the name Sergeant Pepper," McCartney explained to author Barry Miles about how he came up with the name. "But I think it would be much more likely that it was me saying, 'Think of names.' We were having our meal and they had those little packets marked 'S' and 'P.' Mal said, 'What's that mean? Oh, salt and pepper.' We had a joke about that. So I said, 'Sergeant Pepper,' just to vary it, 'Sergeant Pepper, salt and pepper,' an aural pun, not mishearing him but just playing with the words." McCartney then added "Lonely Hearts Club" to "Sergeant Pepper," and figured it would be a "crazy enough" band name, "because why would a Lonely Hearts Club have a band?"

2. THE BAND WAS UNDER A LOT OF PRESSURE.

Because of the perceived fading popularity of the group, Beatles manager Brian Epstein and their label EMI put pressure on Martin and the band to release a "can't-miss" hit single. Caving in to the pressure, two of the first three songs from the Sgt. Pepper sessions were released as a double A-side single: "Strawberry Fields Forever" and "Penny Lane." As was the practice at the time with singles, those two classic songs weren't included on the album. Martin later said that listening to Epstein and EMI in this instance was "the biggest mistake" of his professional life.

3. IT WAS INFLUENCED BY THE BEACH BOYS' PET SOUNDS, AND FRANK ZAPPA.

George Martin was quoted as saying that if Brian Wilson and The Beach Boys had not created and recorded their classic album Pet Sounds, "Sgt. Pepper never would have happened." McCartney repeatedly played the album at Abbey Road during recording sessions. Unbeknownst to The Beatles, they were fulfilling their part in a pop group ouroboros, because Wilson was inspired to write Pet Sounds after hearing The Beatles' Rubber Soul.

In June 1966, Frank Zappa's The Mothers of Invention came out with the double-record Freak Out!, a satirical album that also happened to contain classical music-influenced movements instead of individual tracks; some consider it to be the first rock concept album. "This is our Freak Out!" McCartney supposedly said during the Sgt. Pepper sessions.

4. DOGS MIGHT GO NUTS IF YOU PLAY THEM "A DAY IN THE LIFE" ALL THE WAY THROUGH.

A 15-kilohertz high-frequency tone/whistling noise can be heard—if you have the remastered CD version and not the vinyl repressing anyway—after the iconic final piano chord finishes resonating and before the backwards talking that closes the album. It was Lennon's idea to add the equivalent of a police dog whistle after he had an hours-long conversation with McCartney about frequencies. McCartney admitted to it all in 2013. Some believe the inclusion of the dog whistle was a subtle nod to the influence Pet Sounds had on the album.

5. RINGO REFUSED TO SING ONE LYRIC.

The song originally began with the hypothetical, "What would you do if I sang out of tune? Would you stand up and throw tomatoes at me?" Starr remembered what happened years earlier when fans constantly threw jelly babies on stage, after Harrison mentioned that he liked them. The drummer worried he would just be asking for it and take tomatoes to the face and other parts of his body for the rest of his life, and informed Lennon and McCartney there was "not a chance in hell" he was going to sing the line as written.

6. RINGO NEEDED A LITTLE HELP FROM HIS FRIENDS WITH "A LITTLE HELP FROM MY FRIENDS."

Starr was apprehensive about singing the number, and was more than happy to head home instead after an all-nighter recording the instrumental to the track. But the other Beatles wouldn't let him leave despite it being just before dawn. Emerick, the album's engineer, wrote about what happened when Ringo started to go up the studio stairs to end the session, as he and his boss, Martin, witnessed and listened:

He was at the halfway point when we heard Paul's voice call out.

"Where are you going, Ring?" he said.
 Ringo looked surprised. "Home, to bed."
 "Nah, let's do the vocal now."

Ringo looked to the others for support. "But I'm knackered," he protested. To his dismay, both John and George Harrison were taking Paul's side. "No, come on back here and do some singing for us," John said with a grin. It was always a group decision as to when a session would end, and obviously Ringo had jumped the gun a bit.

Starr groaned and wondered out loud if they were still going to be there at Abbey Road when that night's session was due to start, but he managed to get the vocal right, with his three bandmates gathered around him, silently conducting and cheering him on just inches behind the mic. The drummer still had trouble with the final high note, and after it was determined studio effects weren't an option, Paul, George, and John had to encourage him again to give him the confidence to pull it off. Once he hit the note, they toasted with scotch-and-cokes and finally called it a night/morning.

7. FOR THE MOST PART, RINGO WAS BORED.

While the others consulted with Martin on technical aspects of the songs they wrote and kept Starr—who had not written any material for Sgt. Pepper—waiting around longer than ever to record the percussion overdubs, he learned how to play chess.

8. "SHE'S LEAVING HOME" WAS WRITTEN ABOUT A TEEN WHO REALLY RAN AWAY FROM HOME, AND HAD MET THE BEATLES YEARS EARLIER.

McCartney wrote "She's Leaving Home" after reading in the local newspaper about 17-year-old Melanie Coe, who went missing without her car, checkbook, or any spare clothes. It turned out that Coe was shacked up with a croupier she had met at a nightclub, and ended up coming home 10 days later. What McCartney never realized was that he actually met Coe on October 4, 1963, when she won a miming contest on the TV show Ready Steady Go!. McCartney was the judge.

9. THE PABLO FANQUE IN "BEING FOR THE BENEFIT OF MR.KITE!" WAS GREAT BRITAIN'S FIRST BLACK CIRCUS OWNER.

Lennon was not aware of this. He had taken the lyrics for his song from an 1843 poster for Pablo Fanque's circus, which he had purchased in an antique shop on the day he filmed the music video for "Strawberry Fields Forever." Lennon hung it in his music room, where he played his piano, which lead to the obvious inspiration. Martin aided with the production considerably, based on Lennon's direction to make "Mr. Kite" sound like people can "smell the sawdust".

10. ADOLF HITLER IS HIDING ON THE ALBUM'S COVER.

Lennon had initially asked for Jesus Christ, Adolf Hitler, and Mahatma Gandhi to appear on the cover with the other celebrities and historical figures, but all three of those suggestions were nixed. Yet, Sir Peter Blake—the artist responsible for the design of the picture along with Jann Haworth—revealed in 2007 that wasn't exactly true.

"Hitler and Jesus were the controversial ones, and after what John said about Jesus we decided not to go ahead with him—but we did make up the image of Hitler," Blake told the Independent. "If you look at photographs of the outtakes, you can see the Hitler image in the studio. With the crowd behind there was an element of chance about who you can and cannot see, and we weren't quite sure who would be covered in the final shot. Hitler was in fact covered up behind the band."

11. THE BBC BANNED "A DAY IN THE LIFE."

Sgt. Pepper made its public debut on May 20, 1967 at 4 p.m. on the BBC's Where It's At. Excerpts from every song except "A Day In The Life" were played, as the tune had been officially banned the day before for promoting "a permissive attitude toward drug-taking." BBC believed that McCartney's singing "found my way upstairs and had a smoke" was a drug reference, and that Lennon's line about "Four thousand holes in Blackburn, Lancashire" might be a reference to a heroin junkie's arm.

Because of that ban—and the belief that "With a Little Help from My Friends" and "Lucy in the Sky with Diamonds" also referenced drugs—the three suspicious songs were omitted from Sgt. Pepper's Lonely Hearts Club Band when it was released in South Asia, Malaysia, and Hong Kong.

Richard Nixon Had a Speech Prepared In the Event That Apollo 11's Mission Failed

Neil Armstrong, Michael Collins, and Buzz Aldrin share a laugh with President Richard Nixon while aboard the USS Hornet on July 24, 1969.
Neil Armstrong, Michael Collins, and Buzz Aldrin share a laugh with President Richard Nixon while aboard the USS Hornet on July 24, 1969.
Richard Nixon Foundation via Getty Images

In July 1969, the world watched as the crew of Apollo 11 successfully entered lunar orbit, landed, then blasted off and returned to Earth. At each step of the way there were dangers and NASA had backup plans in case something went terribly wrong—though there wasn't much NASA could do from 384,403 kilometers away. In 1999, William Safire discussed the speech he wrote for President Richard Nixon just in case the mission failed. From Safire's article:

The most dangerous part of the trip was not landing the little module on the moon, but in launching it back up to the mother ship. If that failed, Neil Armstrong and Buzz Aldrin could not be rescued. Mission Control would have to "close down communications" and, as the world agonized, let the doomed astronauts starve to death or commit suicide.

Nixon aides H. R. Haldeman and Peter Flanigan told me to plan for that tragic contingency. On July 18, 1969, I recommended that "in event of moon disaster . . . the President should telephone each of the widows-to-be" and after NASA cut off contact "a clergyman should adopt the same procedure as a burial at sea, commending their souls to 'the deepest of the deep,' concluding with the Lord's Prayer." A draft Presidential speech was included.

Here's a scan of the speech:

And here's the text:

IN EVENT OF MOON DISASTER:

Fate has ordained that the men who went to the moon to explore in peace will stay on the moon to rest in peace.

These brave men, Neil Armstrong and Edwin Aldrin, know that there is no hope for their recovery. But they also know that there is hope for mankind in their sacrifice.

These two men are laying down their lives in mankind's most noble goal: the search for truth and understanding.

They will be mourned by their families and friends; they will be mourned by their nation; they will be mourned by the people of the world; they will be mourned by a Mother Earth that dared send two of her sons into the unknown.

In their exploration, they stirred the people of the world to feel as one; in their sacrifice, they bind more tightly the brotherhood of man.

In ancient days, men looked at stars and saw their heroes in the constellations. In modern times, we do much the same, but our heroes are epic men of flesh and blood.

Others will follow, and surely find their way home. Man's search will not be denied. But these men were the first, and they will remain the foremost in our hearts.

For every human being who looks up at the moon in the nights to come will know that there is some corner of another world that is forever mankind.

This story has been updated for 2019.

The Office Star Ellie Kemper Wants to Do a Reunion Episode

NBC - NBCUniversal Media
NBC - NBCUniversal Media

While rumors of The Office getting a reboot have been swirling around for years, the outlook on that happening any time soon doesn't look good. But a reunion episode might just be possible.

Ellie Kemper, who played Erin Hannon in the beloved series, recently stopped by Watch What Happens Live With Andy Cohen to dish about the sitcom and her thoughts on whether it might be making a return to the small screen: "I would love there to be a reboot, but I don't think there will be. So, that's a sad answer," Kemper admitted. "But maybe like a reunion episode? That would be fun."

E! News reports that Kemper isn’t the only cast member that wants to get the band back together. Jenna Fischer, who played Pam Beesly, also thinks a reunion episode would be a hit. “I think it's a great idea," Fischer said in 2018. "I would be honored to come back in any way that I'm able to.”

A key player in the series' success, however, is not so enthusiastic about the idea. Steve Carell, who played the infamous Michael Scott, doesn’t think a revival would be well-received. "The climate's different," Carell told Esquire back in 2018. "I mean, the whole idea of that character, Michael Scott, so much of it was predicated on inappropriate behavior. I mean, he's certainly not a model boss. A lot of what is depicted on that show is completely wrong-minded. That's the point, you know? But I just don't know how that would fly now.”

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