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13 Close-Up Facts About Grosse Pointe Blank

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For a generation of moviegoers, John Cusack was a sensitive heartthrob in '80s teen films like Better Off Dead, Say Anything..., and One Crazy Summer. In 1997, after several years in lower-profile roles, Cusack reemerged for the next generation as Martin Q. Blank, a depressed hitman who attends his high school reunion. Grosse Pointe Blank opened in 1997 and was a minor hit, earning $28 million (about twice that at 2017 ticket prices) before going on to become a cult favorite. It reintroduced John Cusack to the world, and it gave Dan Aykroyd his best role in several years, too. Let's relive the '80s for one night and dive deep into Grosse Pointe Blank.

1. THE SCREENWRITER WAS MOTIVATED BY PANIC OVER HIS OWN REUNION.

In 1991, Tom Jankiewicz got a letter about his 10-year reunion back at Bishop Foley Catholic High School in Madison Heights, Michigan. He was in L.A. by now, trying to become a screenwriter, supporting himself by working at Big Lots and as a substitute teacher. But he wasn't ready to see all those old friends again. His brother later said, "When the letter came, he wasn't where he wanted to be yet ... It freaked him out, but it made him productive. He sat down and got serious about [what would become] Grosse Pointe Blank."

2. SOME CHARACTERS ARE NAMED AFTER THE WRITER’S FORMER CLASSMATES.

Jankiewicz didn't actually go to his reunion, but he did use the names of former classmates for some of the characters in his screenplay. Jeremy Piven's character, Paul Spericki, for example, was named after Jankiewicz's best friend, and the movie's reunion announcement was a near-verbatim copy of the real one. He chose Grosse Pointe—"the Beverly Hills of Michigan"—over his own hometown because it sounded better, and he named Marcella (Joan Cusack) after his manager at Big Lots.

3. YOU MAY HAVE HEARD THAT IT'S BASED ON A REAL GROSSE POINTE STUDENT WHO BECAME A HITMAN. IT ISN'T.

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Jankiewicz reportedly loved that urban legend, but there's no truth to it. Jankiewicz just didn't think a movie about a cashier at Big Lots attending his 10-year reunion would be very interesting, and he used his fondness for crime fiction to come up with the hitman idea.

4. KIEFER SUTHERLAND WANTED TO BE IN IT AT ONE POINT.

Though several production companies liked the concept, it took a while for Jankiewicz to sell his script. Kiefer Sutherland wanted to make it (this would have been around 1992 or 1993), but, in the words of one columnist, "the mix of comedy and violence proved to be a tough sell."

5. JOHN CUSACK AND HIS FRIENDS PERSONALIZED IT.

Cusack had a company, New Crime Productions, that he'd formed with old Chicago friends Steve Pink and D.V. DeVincentis, and with which another friend, Piven, was also involved. They found Jankiewicz's screenplay, optioned it, and set to work revising it to match Cusack's specific tastes and talents. Piven, Pink, and DeVincentis all have onscreen roles, as do Cusack's siblings Joan, Ann, and Bill. A journalist who went to high school with Cusack in Evanston, Illinois found allusions to their school in the finished movie, writing, "If I'm not mistaken, the heroine's last name, Newberry, belonged to a pair of cute, artistic Evanston sisters; and the bully is a thinly disguised (and inexplicably cruel) parody of another of my classmates, who I pray hasn't seen this movie."

6. THE DIRECTOR CLAIMS WRITING CREDIT, TOO.

George Armitage was a Roger Corman protégé who had written and/or directed a few blaxploitation films in the 1970s, including Hit Man and Darktown Strutters, plus the well-received 1990 crime film Miami Blues (starring Alec Baldwin). Grosse Pointe Blank was the first movie he directed that he didn't also write, but he said he could have had screenplay credit for this one, too. "I did as much as anyone did in terms of writing," he told an interviewer. "Because the Writers Guild is insane with the way they handle the credits, I decided that if I threw my name into the mix, the percentage would drop for everybody and they'd get screwed out of it."

7. SOMEWHERE THERE'S A TREASURE TROVE OF ALTERNATE TAKES AND DELETED SCENES.

Armitage said they "basically shot three movies simultaneously": one that stuck to the script, one that was "mildly understated," and one that went "completely over-the-top" in terms of improvisation and energy. It was usually the third version that got used, which means there are alternate versions of nearly every scene still out there somewhere. (So far, the film's DVD and Blu-ray releases haven't had any of them.)

8. THE KISS DEBI PLANTS ON MARTIN WAS IMPROVISED.

In one of those loose "third versions" of the scene where Martin walks into Debi's radio booth for the first time, Minnie Driver decided to let her character put all the cards on the table and just kiss him. Armitage said, "It was just wonderful, completely out of the blue. You should have seen the smile on Johnny's face afterwards."

9. CUSACK FOUGHT A WORLD-CHAMPION KICKBOXER, WHO ALSO HAPPENED TO BE HIS TEACHER.

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Benny "The Jet" Urquidez has nine black belts and was a competitive fighter in the 1960s and '70s before taking on some movie roles. In Grosse Pointe Blank, he plays Felix La PuBelle, the assassin who pursues Martin throughout the film, culminating in a fight to the death in the high school hallway. Urquidez got the job because he was already Cusack's kickboxing instructor; they met when Cusack had to learn "the sport of the future" for Say Anything... Urquidez continued to train Cusack for years afterward.

10. QUENTIN TARANTINO WAS A FAN, AND ALMOST HAD A CAMEO.

Quentin Tarantino, who'd just burst onto the scene with Reservoir Dogs and Pulp Fiction, was a fan of Armitage's work and somehow came to be personally acquainted with him. While filming the 7-Eleven shootout in Grosse Pointe Blank, Armitage added a nod to Tarantino with his help. "I called him and said, 'Could I use your lobby card of the Pulp Fiction cast?' Armitage recalled. "So we wired that with squibs and shot it up too." He said Tarantino wanted to make a cameo—"he wanted to be shot or blown up or something"—but it never materialized.

11. IT WAS FILMED ALMOST ENTIRELY ON LOCATION ... IN LOS ANGELES.

The crew spent only half a day in the real Grosse Pointe, Michigan, and most of that in a helicopter, getting aerial shots of the town. "I would have given anything if we could have made the movie there," Cusack said. "But it was all number crunching, so we spent it on the movie instead of the location." Doubling for Grosse Pointe High School was John Marshall High School, an L.A. institution that's been used in numerous films. Grosse Pointe's main drag was in nearby Monrovia, California.

12. CUSACK SAW IT AS A METAPHOR FOR THE REAGAN/BUSH YEARS.

"I grew up fascinated by people in the Reagan administration, their ethics, their mercenary values," he said in an interview. "People who plan wars and then go home to their wives and their kids ... How do they live? To me, Grosse Pointe Blank was a metaphor for the people in the Bush White House." Elsewhere, he described the movie as "a black comedy about the American Dream, that 'win at all costs' personality you see every day ... A tongue-in-cheek look at the American value system."

13. THE ORIGINAL SCREENWRITER DIED SUDDENLY AFTER A POST-SCREENING Q&A.

There's a sad postscript to Grosse Pointe Blank. The original writer, Tom Jankiewicz, continued to work in Hollywood as an uncredited (but not unpaid) script doctor, and as a journalist and copywriter. He was a shy, kind, tall man—six-foot-nine—who stayed out of the spotlight. In January 2013, on a whim, he accepted an invitation to a college professor's screening of Grosse Pointe Blank and treated the students to a Q&A afterward. During the discussion, Jankiewicz collapsed, and he died at the hospital later that night. It was a shock; he was only 49 and in good health. Family members speculated that his heart had been weakened by a case of bronchitis he'd had a few weeks earlier.

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15 Educational Facts About Old School
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Old School starred Luke Wilson as Mitch Martin, an attorney who—after catching his girlfriend cheating, and through some real estate and bitter dean-related circumstances—becomes the leader of a not-quite-official college fraternity. Along with his fellow thirtysomething friends Bernard (Vince Vaughn) and newlywed Frank (Will Ferrell), they end up having to fight for their right to maintain their status as a party-loving frat on campus.

The film, which was released 15 years ago today, marked Vaughn’s return to major comedies and Ferrell’s first major starring role after seven years on Saturday Night Live. Here are some facts about the movie for everyone, but particularly for my boy, Blue.

1. THE IDEA ORIGINATED WITH AN AD GUY.

Writer-director Todd Phillips was talking to a friend of his from the advertising industry named Court Crandall one day. Crandall had seen and enjoyed Phillips's movie Frat House (1998) and told his director buddy, “You know what would be funny is a movie about older guys who start a fraternity of their own.” After being told by Phillips to write it, he presented Phillips with a “loose version” of the finished product.

2. SOME OF THE FRAT SHENANIGANS WERE REAL.

While Crandall received the story credit for Old School, Phillips and Scot Armstrong received the credit for writing the script. Armstrong put his own college fraternity experiences into the script. “We were in Peoria, Illinois, so it was up to us to entertain ourselves," Armstrong shared in the movie's official production notes. "A lot of ideas for Old School came from things that really happened. When it was cold, everyone would go stir crazy and it inspired some moments of brilliance. Of course, my definition of ‘brilliance' might be different from other people's.”

3. IVAN REITMAN HELPED OUT.

Ivan Reitman, director of Stripes and Ghostbusters, was an executive producer on the film. Phillips and Armstrong wrote and rewrote every day for two months at Reitman’s house, an experience Phillips described as comedy writing “boot camp.”

4. THE STUDIO DIDN’T WANT VINCE VAUGHN.

Vince Vaughn in 'Old School' (2003)
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It didn’t seem to make a difference to DreamWorks that Phillips and Armstrong had written the role of Bernard with Vince Vaughn in mind—the studio didn't want him. After his breakout success in Swingers, Vaughn had taken roles in dramas like the 1998 remake of Psycho. “So when Todd Phillips wanted me for Old School, the studio didn’t want me,” Vaughn told Variety in 2015. “They didn’t think I could do comedy! They said, ‘He’s a dramatic actor from smaller films.’ Todd really had to push for me.”

5. RECYCLED SHOTS OF HARVARD UNIVERSITY WERE USED.

The film was mainly shot on the Westwood campus of UCLA. The aerial shots of the fictitious Harrison University, however, were of Harvard; they had been shot for Road Trip (2000).

6. VINCE VAUGHN FANS MIGHT RECOGNIZE THE CHURCH.

In the film, Frank gets married at Westminster Presbyterian Church in Pasadena, California. Vaughn and Owen Wilson were in that same church two years later for Wedding Crashers (2005).

7. WILL FERRELL SCARED MEMBERS OF A 24-HOUR GYM.

Frank’s streaking scene was shot on a city street. As Ferrell remembered it, one of the storefronts was a 24-hour gym with Stairmasters and treadmills in the window. “I was rehearsing in a robe, and all these people are in the gym, watching me. I asked one of the production assistants, ‘Shouldn’t we tell them I’m going to be naked?’ Sure enough, I dropped my robe and there were shrieks of pure horror. After the first take, nobody was at the window anymore. I took that as a sign of approval.”

8. FERRELL REALLY WAS NAKED.

Ferrell justified it by saying it showed his character falling off the wagon. “The fact that it made sense was the reason I was really into doing it, and why I was able to commit on that level," Ferrell told the BBC. "If it was just for the sake of doing a crazy shot, then I don't think it makes sense.” Still, Ferrell needed some liquid courage, and was intimidated by the presence of Snoop Dogg.

9. ROB CORDDRY WAS NOT NAKED, BUT HE STILL HAD TO SIGN AWAY HIS NUDITY RIGHTS.

Old School marked the first major film role for Rob Corddry, who at the time was best known as a correspondent for The Daily Show. He had a jewel bag around his private parts for his nude scene, but his butt made it into the final cut. He had to sign a nudity clause, which gave the film the right to use his naked image “in any part of the universe, in any form, even that which is not devised.”

10. SNOOP DOGG AGREED TO CAMEO SO HE COULD PLAY HUGGY BEAR IN STARSKY & HUTCH.

Phillips admitted to essentially bribing the hip-hop artist/actor, using Snoop Dogg’s desire to play the street informant in the modern movie adaptation of the classic TV show (which Phillips was also directing) to his advantage. “So when I went to him I said, 'I want you to do Huggy Bear,' he was really excited. And I said, 'Oh yeah, also will you do this little thing for me in Old School a little cameo?' So he kind of had to do it I think."

11. SNOOP WANTED TO HANG OUT WITH VINCE VAUGHN ON SET, BUT NOT LUKE WILSON.

Snoop Dogg in 'Old School' (2003)
Richard Foreman, Dreamworks

Vaughn and his friends accepted an invitation to hang out in Snoop Dogg’s trailer to play video games on the last day of shooting. Vaughn recalled seeing Luke Wilson later watching the news alone in his trailer; he had not been informed of the get-together.

12. WILSON WAS TEASED BY HIS CO-STARS.

Vaughn, Wilson, and Ferrell dubbed themselves “The Wolfpack”—years before Phillips directed The Hangover—because they would always make fun of each other. A particularly stinging exchange had Ferrell refer to Legally Blonde (which Wilson had starred in) as Legally Bland. Wilson said it didn’t make him feel great. Wilson retorted by telling Ferrell that "the transition from TV to the movies isn't a very easy one, so you might just want to keep one foot back in TV just in case this whole movie thing falls through!"

13. TERRY O’QUINN SCARED HIS SONS INTO THINKING THEY WERE TRIPPING.

Terry O’Quinn (who went on to play John Locke on Lost the following year) agreed to play Goldberg, uncredited, in what was a two-day job for him. He neglected to inform his sons he was in the movie, and when they saw it, one of them called their father. “I got a call from my sons one night, and they said, ‘What were you doing in Old School? We didn’t even know you were in it!’ They said, ‘We’re sitting there, and the first time we see you, it’s, like, in a reflection in a window. And when we saw it, and we both thought we were, like, tripping or something!’”

14. THE EARMUFFS WERE IMPROVISED.

Before filming, Vaughn worked with Ferrell to figure out their characters' backstories and how they knew each other; he credited that with helping him figure out who Bernard was, which led to several ad-libbed moments. “The earmuff scene where he swears in front of the kids, and then I tell the kid to earmuff, that all is off the cuff. But that stuff is a lot easier to do when you know who you are and your circumstances, and who your characters are,” Vaughn explained.

15. FERRELL AND VAUGHN DIDN’T LOVE A SCRIPT FOR A SEQUEL.

Armstrong had written Old School Dos in 2006, which saw the frat going to Spring Break. Ferrell said that he and Vaughn read the script but felt like they would just be “kind of doing the same thing again.” Wilson, on the other hand, was excited over the new script.

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13 Fascinating Facts About Nina Simone
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Nina Simone, who would’ve celebrated her 85th birthday today, was known for using her musical platform to speak out. “I think women play a major part in opening the doors for better understanding around the world,” the “Strange Fruit” songstress once said. Though she chose to keep her personal life shrouded in secrecy, these facts grant VIP access into a life well-lived and the music that still lives on.

1. NINA SIMONE WAS HER STAGE NAME.

The singer was born as Eunice Waymon on February 21, 1933. But by age 21, the North Carolina native was going by a different name at her nightly Atlantic City gig: Nina Simone. She hoped that adopting a different name would keep her mother from finding out about her performances. “Nina” was her boyfriend’s nickname for her at the time. “Simone” was inspired by Simone Signoret, an actress that the singer admired.

2. SHE HAD HUMBLE BEGINNINGS.


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There's a reason that much of the singer's music had gospel-like sounds. Simone—the daughter of a Methodist minister and a handyman—was raised in the church and started playing the piano by ear at age 3. She got her start in her hometown of Tryon, North Carolina, where she played gospel hymns and classical music at Old St. Luke’s CME, the church where her mother ministered. After Simone died on April 21, 2003, she was memorialized at the same sanctuary.

3. SHE WAS BOOK SMART...

Simone, who graduated valedictorian of her high school class, studied at the prestigious Julliard School of Music for a brief period of time before applying to Philadelphia’s Curtis Institute of Music. Unfortunately, Simone was denied admission. For years, she maintained that her race was the reason behind the rejection. But a Curtis faculty member, Vladimir Sokoloff, has gone on record to say that her skin color wasn’t a factor. “It had nothing to do with her…background,” he said in 1992. But Simone ended up getting the last laugh: Two days before her death, the school awarded her an honorary degree.

4. ... WITH DEGREES TO PROVE IT.

Simone—who preferred to be called “doctor Nina Simone”—was also awarded two other honorary degrees, from the University of Massachusetts Amherst and Malcolm X College.

5. HER CAREER WAS ROOTED IN ACTIVISM.

A photo of Nina Simone circa 1969

Gerrit de Bruin

At the age of 12, Simone refused to play at a church revival because her parents had to sit at the back of the hall. From then on, Simone used her art to take a stand. Many of her songs in the '60s, including “Mississippi Goddamn,” “Why (The King of Love Is Dead),” and “Young, Gifted and Black,” addressed the rampant racial injustices of that era.

Unfortunately, her activism wasn't always welcome. Her popularity diminished; venues didn’t invite her to perform, and radio stations didn’t play her songs. But she pressed on—even after the Civil Rights Movement. In 1997, Simone told Interview Magazine that she addressed her songs to the third world. In her own words: “I’m a real rebel with a cause.”

6. ONE OF HER MOST FAMOUS SONGS WAS BANNED.

Mississippi Goddam,” her 1964 anthem, only took her 20 minutes to an hour to write, according to legend—but it made an impact that still stands the test of time. When she wrote it, Simone had been fed up with the country’s racial unrest. Medger Evers, a Mississippi-born civil rights activist, was assassinated in his home state in 1963. That same year, the Ku Klux Klan bombed a Birmingham Baptist church and as a result, four young black girls were killed. Simone took to her notebook and piano to express her sentiments.

“Alabama's gotten me so upset/Tennessee made me lose my rest/And everybody knows about Mississippi Goddam,” she sang.

Some say that the song was banned in Southern radio stations because “goddam” was in the title. But others argue that the subject matter is what caused the stations to return the records cracked in half.

7. SHE NEVER HAD A NUMBER ONE HIT.

Nina Simone released over 40 albums during her decades-spanning career including studio albums, live versions, and compilations, and scored 15 Grammy nominations. But her highest-charting (and her first) hit, “I Loves You, Porgy,” peaked at #2 on the U.S. R&B charts in 1959. Still, her music would go on to influence legendary singers like Roberta Flack and Aretha Franklin.

8. SHE USED HER STYLE TO MAKE A STATEMENT.

Head wraps, bold jewelry, and floor-skimming sheaths were all part of Simone’s stylish rotation. In 1967, she wore the same black crochet fishnet jumpsuit with flesh-colored lining for the entire year. Not only did it give off the illusion of her being naked, but “I wanted people to remember me looking a certain way,” she said. “It made it easier for me.”

9. SHE HAD MANY HOMES.

New York City, Liberia, Barbados, England, Belgium, France, Switzerland, and the Netherlands were all places that Simone called home. She died at her home in Southern France, and her ashes were scattered in several African countries.

10. SHE HAD A FAMOUS INNER CIRCLE.

During the late '60s, Simone and her second husband Andrew Stroud lived next to Malcolm X and his family in Mount Vernon, New York. He wasn't her only famous pal. Simone was very close with playwright Lorraine Hansberry. After Hansberry’s death, Simone penned “To Be Young, Gifted and Black” in her honor, a tribute to Hansberry's play of the same title. Simone even struck up a brief friendship with David Bowie in the mid-1970s, who called her every night for a month to offer his advice and support.

11. YOU CAN STILL VISIT SIMONE IN HER HOMETOWN.

Photo of Nina Simone
Amazing Nina Documentary Film, LLC, CC BY-SA 4.0, Wikimedia Commons

In 2010, an 8-foot sculpture of Eunice Waymon was erected in her hometown of Tryon, North Carolina. Her likeness stands tall in Nina Simone Plaza, where she’s seated and playing an eternal song on a keyboard that floats in midair. Her daughter, Lisa Simone Kelly, gave sculptor Zenos Frudakis some of Simone’s ashes to weld into the sculpture’s bronze heart. "It's not something very often done, but I thought it was part of the idea of bringing her home," Frudakis said.

12. YOU'VE PROBABLY HEARD HER MUSIC IN RECENT HITS.

Rihanna sang a few verses of Simone’s “Do What You Gotta Do” on Kanye West’s The Life of Pablo. He’s clearly a superfan: “Blood on the Leaves” and his duet with Jay Z, “New Day,” feature Simone samples as well, along with Lil’ Wayne’s “Dontgetit,” Common’s “Misunderstood” and a host of other tracks.

13. HER MUSIC IS STILL BEING PERFORMED.

Nina Revisited… A Tribute to Nina Simone was released along with the Netflix documentary in 2015. On the album, Lauryn Hill, Jazmine Sullivan, Usher, Alice Smith, and more paid tribute to the legend by performing covers of 16 of her most famous tracks.

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