Elevate Your Spotify Playlists With Recordings of Robert Frost

While you’ve almost certainly read the work of American poet Robert Frost, hearing it is an entirely different experience—particularly if read by the author himself.

Two collections of such readings are now available on Spotify, and they shed new light on those famous verses. Smithsonian reports that one of these anthologies, Robert Frost Reading His Own Poems, is from The National Council of Teachers of English and was created in 1951, while the other, Robert Frost Reads His Poetry, comes from Harper Audio and was recorded in 1956.

Some of the more popular pieces in the compilation include "Fire and Ice," "Birches," “Mending Wall,” “Nothing Gold Can Stay,” “After Apple Picking,” and, perhaps most notably, “The Road Not Taken," which for many readers might just be the best chance to revisit and reconsider a familiar work. In their write-up on the aural anthologies, Open Culture cited a piece by David Orr for The Paris Review on "The Road Not Taken" called “The Most Misread Poem in America.” “The poem isn’t a salute to can-do individualism," Orr writes, "it’s a commentary on the self-deception we practice when constructing the story of our own lives.”

Even if you’re not looking to dissect the works (though it being Frost, that’s worth your time too), hearing the author deliver his poems is a delightful experience. He brings them to life with a songlike gravitas and a forward momentum that belies the contemplative nature of poetry itself. It's well worth a listen.

[h/t Smithsonian]

nextArticle.image_alt|e
Nate D. Sanders Auctions
Sylvia Plath's Pulitzer Prize in Poetry Is Up for Auction
Nate D. Sanders Auctions
Nate D. Sanders Auctions

A Pulitzer Prize in Poetry that was awarded posthumously to Sylvia Plath in 1982 for her book The Collected Poems will be auctioned on June 28. The Los Angeles-based Nate D. Sanders Auctions says bidding for the literary document will start at $40,000.

The complete book of Plath’s poetry was published in 1981—18 years after her death—and was edited by her husband, fellow poet Ted Hughes. The Pulitzer Prize was presented to Hughes on Plath’s behalf, and one of two telegrams sent by Pulitzer President Michael Sovern to Hughes read, “We’ve just heard that the Collected Plath has won the Pulitzer Prize. Congratulations to you for making it possible.” The telegrams will also be included in the lot, in addition to an official congratulatory letter from Sovern.

The Pultizer’s jury report from 1982 called The Collected Poems an “extraordinary literary event.” It went on to write, “Plath won no major prizes in her lifetime, and most of her work has been posthumously published … The combination of metaphorical brilliance with an effortless formal structure makes this a striking volume.”

Ted Hughes penned an introduction to the poetry collection describing how Plath had “never scrapped any of her poetic efforts,” even if they weren’t all masterpieces. He wrote:

“Her attitude to her verse was artisan-like: if she couldn’t get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not so much a successful poem, as something that had temporarily exhausted her ingenuity. So this book contains not merely what verse she saved, but—after 1956—all she wrote.”

Also up for auction is Plath’s Massachusetts driver’s license from 1958, at which time she went by the name Sylvia P. Hughes. Bidding for the license will begin at $8000.

Plath's driver's license
Nate D. Sanders Auctions
nextArticle.image_alt|e
Image: London Stereoscopic Company, Getty Images. Background: iStock. Composite: Lucy Quintanilla, Mental Floss
15 Intriguing Facts About George Eliot
Image: London Stereoscopic Company, Getty Images. Background: iStock. Composite: Lucy Quintanilla, Mental Floss
Image: London Stereoscopic Company, Getty Images. Background: iStock. Composite: Lucy Quintanilla, Mental Floss

Born in England in 1819, novelist and poet George Eliot is best remembered for writing classic books like Middlemarch and Silas Marner. Despite the time period she wrote in, the author—whose real name was Mary Anne (or Marian) Evans—was no stuffy Victorian. She had a famously scandalous love life and, among other linguistic accomplishments, is responsible for the term pop music. Here are 15 things you might not know about the beloved British writer.

1. SHE WAS BORN ON THE ESTATE WHERE HER FATHER WORKED.

Eliot was born on the grounds of Arbury Hall and Estate, a sprawling mansion in Warwickshire, England with hundreds of acres of surrounding gardens and farmland. Her father, Robert Evans, worked for the estate's owners, the Newdigate family, as a manager and agent. His job entailed collecting rents from tenant farmers and overseeing the property's coal mine.

2. HER RURAL UPBRINGING INSPIRED HER LATER NOVELS.

Arbury Hall
Arbury Hall
Elliott Brown, Flickr // CC BY-SA 2.0

Eliot was just an infant when her family moved from Arbury Hall to a home in a nearby town. But Arbury and the Warwickshire countryside left their mark on her. In Scenes of Clerical Life (1858), Eliot's collection of three short stories, she wrote about the area and drew inspiration from real places and people. And some of her stories mirrored reality pretty closely. For instance, she turned Arbury Hall into Cheverel Manor, and Sir Roger Newdigate, Arbury's owner, into Sir Christopher Cheverel.

3. SHE EDITED A JOURNAL FOR PROGRESSIVE THINKERS.

In the early 1850s, Eliot wrote for The Westminster Review, a London-based periodical founded by philosophers Jeremy Bentham and James Mill, contributing essays and reviews using the name Marian Evans. She soon became the de facto editor of the progressive journal, though her role was anonymous. Years later, other writers reviewed Eliot's own pseudonymous works in the journal she once edited.

4. SHE WORKED AS A TRANSLATOR.

Throughout her life, Eliot put her language skills to work translating foreign works into English. She translated books like David Friedrich Strauss's Das Leben Jesu (The Life of Jesus), a highly controversial German treatise that argued that Jesus Christ was a real person, but not divine. (Upon reading her translation, one English nobleman called it "the most pestilential book ever vomited out of the jaws of hell.") Eliot also translated The Essence of Christianity by German philosopher Ludwig Feuerbach and the Latin Ethics by Benedict de Spinoza, incorporating facets of these philosophical and religious ideas into her own writing.

5. SHE WASN'T A FAN OF MOST WOMEN WRITERS OF HER DAY.

Eliot was by no means a misogynist, but she did have some harsh words for fellow women writers. In an anonymous essay titled "Silly Novels by Lady Novelists," Eliot lamented the frivolous characters and unrealistic plots that she argued were nearly ubiquitous features of novels written by women at the time. Published in The Westminster Review in 1856, Eliot's essay asserted that these books, full of cliches and improbable romantic endings, made educated women look foolish. She also criticized the writing style of other women of her time, saying they mistook "vagueness for depth, bombast for eloquence, and affectation for originality." However, she did allow that not every book written by a woman fell into this trap, praising writers like Currer Bell (Charlotte Brontë) and Elizabeth Gaskell.

6. SHE WAS NOT CONSIDERED CONVENTIONALLY ATTRACTIVE …

George Eliot, circa 1868.
George Eliot, circa 1868.
Hulton Archive, Getty Images

Eliot's appearance was a source of avid discussion during her lifetime, and her looks continue to fascinate readers today. Eliot herself joked about her ugliness in letters to friends, and the novelist Henry James once described her in a letter to his father as "magnificently ugly, deliciously hideous." He went on to say that the "horse-faced" writer had a "vast pendulous nose," a low forehead, and bad teeth, among other physical flaws.

7. … BUT MEN LOVED HER.

Despite her plain appearance, men were drawn to Eliot. In the same letter where he called her "deliciously hideous," James explained his counterintuitive attraction towards her like this: "Now in this vast ugliness resides a most powerful beauty which, in a very few minutes, steals forth and charms the mind, so that you end, as I ended, in falling in love with her."

After various dalliances and a marriage proposal that she turned down, she spent more than two decades with the philosopher and critic George Lewes. But Lewes was already married, and as a result, many in Eliot's social circle (including her brother) shunned her. Though Lewes couldn't obtain an official divorce from his estranged wife, he and Eliot lived together as partners until his death in 1878, and she referred to herself as Mrs. Marian Lewes.

8. HER PEN NAME PAID HOMAGE TO HER LOVER.

In 1856, both to avoid the sexism of the publishing industry and distance her literary work from her scandalous romantic situation, she adopted the pen name George Eliot, a male nom de plume that paid homage to Lewes. In addition to adopting his first name, some historians have also suggested that "Eliot" derives from "To L(ewes), I owe it."

9. SHE MARRIED A MAN TWO DECADES HER JUNIOR …

After Lewes's death, Eliot channeled her grief by editing his writing and spending time with her lawyer and accountant, John Cross. Although Eliot was 60 and Cross was just 40, the two friends fell in love and married at London's St. George's Church in the spring of 1880.

10. … BUT THEIR HONEYMOON TOOK A DARK TURN.

After their wedding, the pair traveled to Venice, Italy for their honeymoon. Although Cross wrote a letter to his sister indicating that he was having a delightful time, Eliot knew something was wrong. Her new husband was depressed, agitated, and losing weight. She called a doctor to their hotel room and was speaking with him when Cross jumped off the balcony into the Grand Canal.

Cross was rescued by a hotel worker and the personal gondolier the couple had hired to take them around the waterways. The newlyweds eventually continued on their trip, and they remained married until Eliot's death later that year. Historians continue to speculate about the reason for his jump, and whether it was a suicide attempt—Cross may have had a personal and family history of mental illness—or some kind of heat-induced delirium. The mysterious incident was recently turned into a novel.

11. SHE INVENTED THE TERM POP

You probably don't associate George Eliot with Lady Gaga, but the Oxford English Dictionary credits the Victorian novelist with coining the term pop to refer to popular music. In November 1862, Eliot wrote in a birthday letter to a friend, "We have been to a Monday Pop. this week to hear Beethoven's Septet, and an amazing thing of Bach's played by the amazing Joachim. But there is too much 'Pop.' for the thorough enjoyment of the chamber music they give."

12. … AND A NEW MEANING OF THE WORD BROWSER.

George Eliot statue in Nuneaton, Warwickshire, UK
George Eliot statue in Nuneaton, Warwickshire, UK

Diamond Geezer, Flickr // CC BY-NC-ND 2.0

Eliot coined a number of other now-common terms in her writing. For instance, she was the first to use the word browser in the modern sense of someone who is casually looking around (like a browser in a bookstore). According to the Oxford English Dictionary, in the 16th century, the word browser meant “a person who cuts the leaves and twigs of trees to use as food for animals in winter." Later, it came to mean an animal that searched for leaves and twigs to eat. Eliot's historical novel Romola marked the first recorded time the word was used to mean a person generally surveying something. In it, she describes several friends of Florentine politician Bartolomeo Scala as "amiable browsers in the Medicean park."

13. SHE WAS ALSO A POET.

Although Eliot was most famous for her novels, she also produced two volumes of poetry. Her first published piece of writing was a poem called "Knowing That Shortly I Must Put Off This Tabernacle." Published in The Christian Observer in 1840, the poem refers to the Bible and imagines a person who is about to die saying goodbye to Earth. In a later poem, "O May I Join the Choir Invisible," Eliot argues that improving the world during one's lifetime is the only way to achieve permanence.

14. VIRGINIA WOOLF ADMIRED HER WRITING.

Author Virginia Woolf praised Middlemarch's mature prose, referring to it as "the magnificent book which with all its imperfections is one of the few English novels written for grown-up people." And modern readers seem to agree. In 2015, a BBC poll of 82 book critics from around the world named Middlemarch the greatest British novel of all time. Several authors, including Julian Barnes and Martin Amis, have also listed the book as one of the greatest English novels ever written.

15. HER FORMER HOME IS NOW A STEAKHOUSE.

Griff House, where Eliot lived as an infant until her early twenties, still exists, but it's now home to a steakhouse and hotel. Called the Griff House Beefeater & Nuneaton Premier Travel Inn, the spot also features a pond, gardens, and a play area for kids.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios