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Wikimedia Commons (1,2)
Wikimedia Commons (1,2)

Britain, France Slice Up Ottoman Empire

Wikimedia Commons (1,2)
Wikimedia Commons (1,2)

By Erik Sass

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 234th installment in the series. 

May 9, 1916: Britain, France Slice Up Ottoman Empire

Of all the First World War’s far-reaching effects, some of the longest-lasting – and arguably most destructive – were felt in a region considered a sideshow during the war itself. Indeed the basic conflict underlying the Middle East’s tortured transition to modernity, pitting the Western concept of the nation-state against much older sectarian, ethnic and tribal loyalties, is still unfolding today, most visibly in the horrific Syrian civil war. 

While the Middle East has always been a violent place, the roots of many of its 20th and 21st century woes trace back to a letter sent by the French ambassador to Britain, Paul Cambon, to British foreign secretary Sir Edward Grey on May 9, 1916. The letter set down in writing the terms of a secret agreement hammered out during negotiations between a British diplomat, Mark Sykes (top, left), and his French counterpart, François Georges-Picot (top, right), in which the two powers basically drew the map of the modern Middle East over the decaying Ottoman Empire. 

At the time the Sykes-Picot Agreement, as it was later called, may have seemed a tad premature; after all, the Allies had been defeated at Gallipoli, and thousands of Anglo-Indian troops had just surrendered following the siege of Kut in southern Mesopotamia, indicating that the Ottoman Empire was far from finished. But the Russians were still advancing in Anatolia, the British were planning new offensives in Mesopotamia and Egypt, and diplomats in London, Paris and Petrograd – far-sighted and acquisitive as always – were looking ahead to the day when the Turks’ medieval realm finally collapsed once and for all. This was only natural, as divvying up the Ottoman Empire had been something of a parlor game for European diplomats long before the war even began.

The final draft of the Sykes-Picot Agreement, drawn up by Cambon on May 9 and agreed by Grey in a reply sent a week later, focused on British and French acquisitions in the Middle East, but with reference to Russian gains further north, where the Tsarist regime was to receive Constantinople, the Turkish straits, and a large chunk of Anatolia. With Russia’s share already dished out, on paper at least, Britain and France wasted no time in outlining their own claims. 

Recognizing the British conquest of southern Mesopotamia and Britain’s designs on the rest, the Agreement apportioned most of what would later become Iraq to Britain, while the Syrian coast and a large part of southern Anatolia, now part of Turkey, went to France (see map below). According to the agreement northern Palestine (later Israel) would become a vaguely-defined “international zone,” although Britain would control the ports of Haifa and Acre, and France would also receive Lebanon. Britain’s pre-war control of Kuwait, Oman and Yemen would continue. 

In addition to designating the areas to be directly administered by Britain and France, the Sykes-Picot Agreement also established two neighboring areas of influence – one stretching across central Mesopotamia and Jordan,  the other in the Syrian interior  which would effectively fall under British and French control but with government left to an Arab state, or more plausibly a “confederation of Arab states.” Significantly, the boundaries of the hypothetical Arab state or states were left undefined, leaving the door open for both Britain and France to begin encroaching on the tribal territories (today the heartland of Sunni Islamist extremists, including ISIS). 

Even before the Sykes-Picot Agreement was finalized, events on the ground were making the situation much more complicated. To the south, in the Hejaz region of Saudi Arabia, Bedouin tribes led by Sherif Hussein bin Ali were preparing a rebellion against Turkish rule with assistance from the British – but with the goal of Arab independence, not simply becoming another British subject state. 

Meanwhile British diplomats were considering ways to bolster their claim to Palestine (in their eyes a buffer zone for the strategic Suez Canal) including an alliance with European Zionists and Zionist settlers already living in Palestine under Ottoman rule, who hoped to establish a Jewish state in the Holy Land. While these negotiations were in their early stages, later British promises to the Zionists would conflict with their commitments to the Arabs, portending another conflict that continues to the present day. 

Accident Kills Hundreds At Verdun

It was one of the awful ironies of war that in the midst of deliberate, state-sanctioned killing on an unprecedented scale, plenty of people still died in trivial accidents – or sometimes not-so-trivial accidents, like the fire which killed hundreds of German soldiers in the recently captured Fort Douaumont outside Verdun on May 8, 1916.

The war undoubtedly helped create the circumstances that led to the accident: as fighting raged across the Verdun front, thousands of German soldiers on reserve duty crowded into the stronghold at Fort Douaumont for protection, gladly enduring squalid conditions for a temporary respite from unrelenting shelling. The fort naturally became a weapons dump as well, with hundreds of tons of shells and crates of grenades stacked in hallways and other “safe” spaces. 

Unfortunately the proximity of exhausted, demoralized soldiers and enormous amounts of high explosives would prove fatal. In the early morning of May 8, 1916, a direct hit ruptured the storage tanks for the fuel used in flame throwers, which then ignited because of nearby cooking fires. Exploding grenades triggered the artillery shell dumps in a series of huge explosions which killed scores, especially where the shock waves were amplified by the fort's narrow, sealed passages. Worse, the explosions led many observers to assume the fort was being attacked and (according to one story) open fire on soot-darkened survivors whom they mistook for French colonial troops from Africa.

Between the explosions, shock waves, fire, smoke inhalation, toxic fumes, stampeding and friendly fire, the death toll for the accident was an appalling 650 men; only around 100 German soldiers made it out of Fort Douaumont alive. In Arnold Zweig’s novel Education Before Verdun, a staff sergeant describes the experience of fleeing the inferno through a subterranean corridor, being knocked unconscious, and coming to in a makeshift morgue: 

Then we started to run; some, who were sensible, in silence, and some yelling with terror… From all the side passages men ran into that tunnel and fought for their lives with their own friends and comrades. The man who tripped or turned round was lost… From the rear came crashes, bursts of smoke and fumes, and the acrid reek of the exploding rockets like a lunatic firework display. It was bound to reach the ammunition, and it did. But first it reached the hand-grenades; from behind us came a thunderous roar, then a shock like an earthquake caught us all and flung us against the walls, myself included… I then sat up, the damp pavement stones eased my burning hands, and, to the right and left of me, before me and behind me, I could see nothing but dead men: blue, congested, blackened faces. Four hundred men in column take up a good deal of space, but here lay many more, and the orderlies were continually carrying in fresh corpses. 

See the previous installment or all entries

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Watch Boris Karloff's 1966 Coffee Commercial
TAKWest, Youtube
TAKWest, Youtube

Horror legend Boris Karloff is famous for playing mummies, mad scientists, and of course, Frankenstein’s creation. In 1930, Karloff cemented the modern image of the monster—with its rectangular forehead, bolted neck, and enormous boots (allegedly weighing in at 11 pounds each)—in the minds of audiences.

But the horror icon, who was born 130 years ago today, also had a sense of humor. The actor appeared in numerous comedies, and even famously played a Boris Karloff look-alike (who’s offended when he’s mistaken for Karloff) in the original Broadway production of Arsenic and Old Lace

In the ’60s, Karloff also put his comedic chops to work in a commercial for Butter-Nut Coffee. The strange commercial, set in a spooky mansion, plays out like a movie scene, in which Karloff and the viewer are co-stars. Subtitles on the bottom of the screen feed the viewer lines, and Karloff responds accordingly. 

Watch the commercial below to see the British star selling coffee—and read your lines aloud to feel like you’re “acting” alongside Karloff. 

[h/t: Retroist]

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15 Must-See Holiday Horror Movies
Echo Bridge Home Entertainment
Echo Bridge Home Entertainment

Families often use the holidays as an excuse to indulge in repeat viewings of Planes, Trains and Automobiles and Elf. But for a certain section of the population, the yuletide is all about horror. Although it didn’t truly emerge until the mid-1970s, “holiday horror” is a thriving subgenre that often combines comedy to tell stories of demented Saint Nicks and lethal gingerbread men. If you’ve never seen Santa slash someone, here are 15 movies to get you started.

1. THANKSKILLING (2009)

Most holiday horror movies concern Christmas, so ThanksKilling is a bit of an anomaly. Another reason it’s an anomaly? It opens in 1621, with an axe-wielding turkey murdering a topless pilgrim woman. The movie continues on to the present-day, where a group of college friends are terrorized by that same demon bird during Thanksgiving break. It’s pretty schlocky, but if Turkey Day-themed terror is your bag, make sure to check out the sequel: ThanksKilling 3. (No one really knows what happened to ThanksKilling 2.)

2. BLACK CHRISTMAS (1974)

Fittingly, the same man who brought us A Christmas Story also brought us its twisted cousin. Before Bob Clark co-wrote and directed the 1983 saga of Ralphie Parker, he helmed Black Christmas. It concerns a group of sorority sisters who are systematically picked off by a man who keeps making threatening phone calls to their house. Oh, and it all happens during the holidays. Black Christmas is often considered the godfather of holiday horror, but it was also pretty early on the slasher scene, too. It opened the same year as The Texas Chainsaw Massacre and beat Halloween by a full four years.

3. SILENT NIGHT, DEADLY NIGHT (1984)

This movie isn’t about Santa Claus himself going berserk and slaughtering a bunch of people. But it is about a troubled teen who does just that in a Santa suit. Billy Chapman starts Silent Night, Deadly Night as a happy little kid, only to witness a man dressed as St. Nick murder his parents in cold blood. Years later, after he has grown up and gotten a job at a toy store, he conducts a killing spree in his own red-and-white suit. The PTA and plenty of critics condemned the film for demonizing a kiddie icon, but it turned into a bona fide franchise with four sequels and a 2012 remake.

4. RARE EXPORTS: A CHRISTMAS TALE (2010)

This Finnish flick dismantles Santa lore in truly bizarre fashion, and it’s not easy to explain in a quick plot summary. But Rare Exports involves a small community living at the base of Korvatunturi mountain, a major excavation project, a bunch of dead reindeer, and a creepy old naked dude who may or may not be Santa Claus. Thanks to its snowy backdrop, the movie scored some comparisons to The Thing, but the hero here isn’t some Kurt Russell clone with equally feathered hair. It’s a bunch of earnest kids and their skeptical dads, who all want to survive the holidays in one piece.

5. TO ALL A GOODNIGHT (1980)

To All a Goodnight follows a by-now familiar recipe: Add a bunch of young women to one psycho dressed as Santa Claus and you get a healthy dose of murder and this 1980 slasher flick. Only this one takes place at a finishing school. So it’s fancier.

6. KRAMPUS (2015)

Although many Americans are blissfully unaware of him, Krampus has terrorized German-speaking kids for centuries. According to folklore, he’s a yuletide demon who punishes naughty children. (He’s also part-goat.) That’s some solid horror movie material, so naturally Krampus earned his own feature film. In the movie, he’s summoned because a large suburban family loses its Christmas cheer. That family has an Austrian grandma who had encounters with Krampus as a kid, so he returns to punish her descendants. He also animates one truly awful Jack-in-the-Box.

7. THE GINGERDEAD MAN (2005)

“Eat me, you punk b*tch!” That’s one of the many corny catchphrases spouted by the Gingerdead Man, an evil cookie possessed by the spirit of a convicted killer (played by Gary Busey). The lesson here, obviously, is to never bake.

8. JACK FROST (1997)

No, this isn’t the Michael Keaton snowman movie. It’s actually a holiday horror movie that beat that family film by a year. In this version, Jack Frost is a serial killer on death row who escapes prison and then, through a freak accident, becomes a snowman. He embarks on a murder spree that’s often played for laughs—for instance, the cops threaten him with hairdryers. But the comedy is pretty questionable in the infamous, and quite controversial, Shannon Elizabeth shower scene.

9. ELVES (1989)

Based on the tagline—“They’re not working for Santa anymore”—you’d assume this is your standard evil elves movie. But Elves weaves Nazis, bathtub electrocutions, and a solitary, super grotesque elf into its utterly absurd plot. Watch at your own risk.

10. SINT (2010)

The Dutch have their own take on Santa, and his name is Sinterklaas. Sinterklaas travels to the Netherlands via steamship each year with his racist sidekick Zwarte Piet. But otherwise, he’s pretty similar to Santa. And if Santa can be evil, so can Sinterklaas. According to the backstory in Sint (or Saint), the townspeople burned their malevolent bishop alive on December 5, 1492. But Sinterklaas returns from the grave on that date whenever there’s a full moon to continue dropping bodies. In keeping with his olden origins, he rides around on a white horse wielding a golden staff … that he can use to murder you.

11. SANTA’S SLAY (2005)

Ever wonder where Santa came from? This horror-comedy claims he comes from the worst possible person: Satan. The devil’s kid lost a bet many years ago and had to pretend to be a jolly gift-giver. But now the terms of the bet are up and he’s out to act like a true demon. That includes killing Fran Drescher and James Caan, obviously.

12. ALL THROUGH THE HOUSE (2015)

Another Santa slasher is on the loose in All Through the House, but the big mystery here is who it is. This villain dons a mask during his/her streak through suburbia—and, as the genre dictates, offs a bunch of promiscuous young couples along the way. The riddle is all tied up in the disappearance of a little girl, who vanished several years earlier.

13. CHRISTMAS EVIL (1980)

Several years before Silent Night, Deadly Night garnered protests for its anti-Kringle stance, Christmas Evil put a radicalized Santa at the center of its story. The movie’s protagonist, Harry Stadling, first starts to get weird thoughts in his head as a kid when he sees “Santa” (really his dad in the costume) groping his mom. Then, he becomes unhealthily obsessed with the holiday season, deludes himself into thinking he’s Santa, and goes on a rampage. The movie is mostly notable for its superfan John Waters, who lent commentary to the DVD and gave Christmas Evil some serious cult cred.

14. SANTA CLAWS (1996)

If you thought this was the holiday version of Pet Sematary, guess again. The culprit here isn’t a demon cat in a Santa hat, but a creepy next-door neighbor. Santa Claws stars B-movie icon Debbie Rochon as Raven Quinn, an actress going through a divorce right in the middle of the holidays. She needs some help caring for her two girls, so she seeks out Wayne, her neighbor who has an obsessive crush on her. He eventually snaps and dresses up as Santa Claus in a ski mask. Mayhem ensues.

15. NEW YEAR’S EVIL (1980)

Because the holidays aren’t over until everyone’s sung “Auld Lang Syne,” we can’t count out New Year’s Eve horror. In New Year’s Evil, lady rocker Blaze is hosting a live NYE show. Everything is going well, until a man calls in promising to kill at midnight. The cops write it off as a prank call, but soon, Blaze’s friends start dropping like flies. Just to tie it all together, the mysterious murderer refers to himself as … “EVIL.”

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