PBS Screenshot
PBS Screenshot

In Rare 'Antiques Roadshow’ Misfire, High School Art Gets Valued at $50,000

PBS Screenshot
PBS Screenshot

PBS's Antiques Roadshow is a television show where people have their furniture, art, and other collectibles appraised by a panel of experts to the delight of the at-home audience. The experts look over each piece and give their best estimate on its origin and value. Since it's just for entertainment, the appraisals are considered “verbal approximations of value” and not necessarily entirely accurate. Past appraisals will even sometimes get updates on the show's website with more exact values, but for the most part, the panel generally lands somewhere in the ballpark of the actual worth of the item. That is, until they accidentally appraised a high schooler's art project for $50,000.

As Hyperallergic reports, last year, PBS aired an episode of Antiques Roadshow where an Oregon man named Alvin Barr brought in a "grotesque face jug." The jug had six different contorted faces on it along with a variety of scales and patterns. Barr found it covered in feathers and mud at an estate sale in a barn in Eugene, Oregon. He bought it for a mere $300.

Expert appraiser Stephen L. Fletcher examined the piece and estimated that it was from either the late 19th century or early 20th century. He assigned the jug a hefty value of $50,000. Understandably, Barr was floored. It didn't come to light until later that the jug had actually been made in the 1970s by an Oregon high school student named Betsy Soule.

Soule was alerted to her artwork's television premiere by a friend who saw the episode in January. “You’ve got to get on the internet and look up Antiques Roadshow; that weird pot you made is on there,” the friend said, according to The Bulletin.

The artist contacted the show and let them know about their mistake. She accompanied the story with a picture of herself as a student surrounded by the various jugs she created. Roadshow admitted their error and added the correction to their website. They also included a tidbit from Fletcher, who explained that he started to feel doubts after his initial estimate:

"After a couple of decades of Roadshow seasons, I note that each city presents new opportunities for discoveries and learning experiences. The grotesque glazed redware pot I saw and admired in Spokane is unlike any other example I have seen. We have sold at auction several examples from the 19th century — all of which are from the eastern half of the United States, and have a single grotesque face — some for five figures. This example, with its six grotesque faces, was modeled or sculpted with considerable imagination, virtuosity and technical competence. This mysterious piece was reportedly found at an estate sale, covered with dust, straw, and chicken droppings, and purchased for $300. As far as its age is concerned, I was fooled, as were some of my colleagues. Alas, among the millions of people who watch Antiques Roadshow faithfully was a woman who identified herself as being a friend of the maker, a lady named Betsy Soule! She created this in [1973 or ’74], while in high school! The techniques of making pottery, in many ways, haven’t changed for centuries. Obviously, I was mistaken as to its age by 60 to 80 years. I feel the value at auction, based on its quality and artistic merit, is in the $3,000-$5,000 range. Still not bad for a high schooler in Oregon.”

You can watch the whole episode on the PBS website.

[h/t Hyperallergic]

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Christie's
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Art
A Rare Copy of Audubon's Birds of America Could Break Records at Auction
Christie's
Christie's

American artist and naturalist John James Audubon published The Birds of America in the first half of the 19th century, and his massive “double-elephant” folio of life-size bird illustrations remains one of the most ambitious nature books ever produced. On June 14, a rare edition of the four-book set is hitting the auction block, and it's expected to fetch up to $12 million—more than any Audubon book ever sold.

This edition of The Birds of America was owned by the dukes of Portland from around 1839 to 2012. Because it was stored on the shelves of the family's Nottinghamshire, England estate for nearly a century, the set's prints of watercolor drawings have remained remarkably well-preserved.

In 2012, the copy was auctioned off to philanthropist and businessman Carl W. Knobloch, Jr. for nearly $8 million. Knobloch donated the books to the Knobloch Family Foundation (KFF) before his death in 2016. Now, the KFF is sending the books to auction once again. This time, all proceeds of the sale will go to nature conservation.

Set of red leather-bound books.

New York City auction house Christie's describes the set in a listing as "among the finest copies in private hands of this icon of American art, and the finest color-plate book ever produced." Each of the 435 double-elephant folio pages measures 39.5 inches by 26.5 inches, the largest sheets Audubon could get his hands on at the time, and they feature 1037 birds from 500 species. The books are bound in red Moroccan leather with gold detailing on the borders and spines. The four-volume set also comes with the Ornithological Biography, a collection of five books describing the specimens in The Birds of America and their habits.

Christie's estimates the set will sell for $8 million to $12 million when the final bid is placed later this month. To date, the most expensive copy of The Birds of America was a first edition acquired from Sotheby's in London for $11.5 million. That sale also broke the record for the most expensive printed book ever sold at auction, a record held until 2013.

Illustration of American birds.

Illustration of American bird.

Illustration of American birds.

Illustration of American birds.

Illustration of American birds.

All images courtesy of Christie's

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Courtesy of Emi Nakajima
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Artist Makes Incredibly Detailed Drawings of Famous Buildings Around the World
Courtesy of Emi Nakajima
Courtesy of Emi Nakajima

They say patience is a virtue, but for some artists it’s a necessity. Emi Nakajima’s detailed ink drawings of famous architectural sites, which recently appeared on My Modern Met, typically take about a week to complete. However, her most ambitious undertaking yet—a rendering of Thailand’s Wat Rong Khun (White Temple)—was a five-month endeavor.

Emi Nakajima holding up her drawing in front of the White Temple
Courtesy of Emi Nakajima

The Japanese-Thai artist told Mental Floss that the White Temple was particularly difficult to draw. She typically uses A3-sized paper (11.7 by 16.5 inches) for her projects, but she decided to draw the ornate temple on a much larger scale. The paper covered her entire desk—and getting each arch and spiral just right was no small feat. She took her time on the details, chipping away at the drawing after returning home from her day job as an administrative officer in Thailand.

Emi Nakajima drawing
Courtesy of Emi Nakajima

Details of the drawing
Courtesy of Emi Nakajima

Details of the drawing
Courtesy of Emi Nakajima

The completed temple drawing
Courtesy of Emi Nakajima

She’s amassed nearly 39,000 followers on Instagram, where she documents the progression of her projects from start to completion. Although her prints aren’t available for purchase online, she does sell her drawings locally.

European architecture features prominently in her work, with past projects including drawings of London’s Big Ben, Barcelona’s Sagrada Família basilica, and France’s Gothic churches. She occasionally branches out from architecture, creating 3D images of food and drawings of superheroes, movie characters, and animals.

Keep scrolling down to see more of Nakajima's architectural drawings, and check out her Instagram page (@emi_nkjm) here.

A drawing of Big Ben
Courtesy of Emi Nakajima

Drawing of a cathedral
Courtesy of Emi Nakajima

A pagoda drawing
Courtesy of Emi Nakajima

Details of a drawing
Courtesy of Emi Nakajima

A cathedral drawing
Courtesy of Emi Nakajima

[h/t My Modern Met]

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