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14 Irresistible Facts About New Girl

New Girl was initially—and, ratings-wise, successfully—promoted as a starring vehicle for the "adorkable" Zooey Deschanel as Jess Day, before evolving into a funny ensemble comedy about four roommates in Los Angeles, including the young but consistently grumpy Nick Miller (Jake Johnson), the vulnerable creep with a heart of gold Schmidt (Max Greenfield), and Winston Bishop (Lamorne Morris), a pro basketball player-turned-police officer who is terrible at pranks.

The extended ensemble includes Cece Parekh (Hannah Simone), Jess' longtime friend and Schmidt's on-again/off-again girlfriend, and Coach (Damon Wayans Jr.), a personal trainer who is friends with the group but disappears for seasons at a time (thanks to Wayans' busy schedule.) Here are some facts about the series, which airs its fifth season finale tonight.

1. ITS CREATOR HAD NEVER WORKED ON A TV SHOW BEFORE.

New Girl creator Elizabeth Meriwether was completely new to the world of television when she began developing the series in 2011. The then-29-year-old came to the attention of 20th Century Fox when the mother-in-law of Jonathan Davis, the studio's president of creative affairs, sent him the playbill from one of Meriwether's theatrical productions. Davis read her work, liked what he saw, and gave Meriwether a call. She pitched a sitcom based on her experience of spending four years moving from one Craigslist sublet to another in Los Angeles. It was originally titled Chicks & Dicks.

2. JESS WAS PARTIALLY INSPIRED BY DIANE KEATON.

"She’s so massively, heart-wrenchingly funny, and she is never just playing one thing," Meriwether told The New York Times. "Whenever we get criticized that the Jess character is too this or too that, I think about Diane Keaton." Meriwether was also inspired by Tasmin Greig's character in the British series Green Wing (2004-2006).

3. ELIZABETH MERIWETHER IS BOTH A NICK AND A JESS.

Meriwether's colleagues have said that Nick Miller has a lot of the New Girl creator in his personality; one example is that they both pull their hoodies over their heads. However, Meriwether has said in interviews that Jess—in addition to Keaton and The Green Wing—was based on herself. New York magazine wrote that, like Jess, Meriwether sings to herself when she's uncomfortable. By the end of the first season, she believed Jess Day was a hybrid of herself, Zooey Deschanel, the writers, and the editor.

4. JAKE JOHNSON HAD TO LOSE 15 POUNDS TO PLAY NICK.

After learning that he had booked the New Girl pilot, Johnson and his wife went out for Mexican food to celebrate. "In the car, I was already thinking about what I was going to order," Johnson told The Advocate. "I was going to get chips and guacamole, a blended margarita, a quesadilla for the table, and a chicken burrito for me. I knew she was going to get tacos, so I figured we’d do a little mix and match on that. Then I got a call from my manager, who told me I needed to lose 15 pounds before we started shooting. So when I got to the restaurant I had chicken salad with no dressing."

5. COACH LEFT THE FIRST TIME BECAUSE HAPPY ENDINGS WAS RENEWED.

It was a bit of a "surprise" to the cast and crew of Happy Endings when the ABC series was renewed for another season. It was a particular surprise to Damon Wayans Jr. who, thinking the show was going to be cancelled, took on the role of Coach in the New Girl pilot. When New Girl was ordered to series and Happy Endings was set to continue, Wayans was contractually obligated to return to the latter. Because replacing Wayans with another actor would mean an 80 percent reshoot of the pilot, they kept Wayans in and opted to introduce a new character—Winston—in the second episode. But when Happy Endings was finally cancelled in 2013, Wayans came back to New Girl in its third season.

6. WAYANS AND ZOOEY DESCHANEL GO WAY BACK.

The two went to high school together, at Crossroads School in Santa Monica, California.

7. MAX GREENFIELD DIDN'T WANT SCHMIDT TO BE SUCH A JERK.

”I went to [executive producer] Jake Kasdan and said, ‘Let’s just try to make this character as not-douchey as possible,”’ Greenfield told Entertainment Weekly. "And he goes, ‘Well, just don’t play him douchey.'"

8. MERIWETHER ASKED JAKE KASDAN TO DIRECT BECAUSE OF HIS WORK ON FREAKS AND GEEKS.

Meriwether "more or less cold-e-mailed" Jake Kasdan and asked if he could direct the pilot. "He blended comedy and emotion beautifully on Freaks and Geeks, and that was one of the main reasons I wanted him to direct the pilot so badly," she explained. He would later direct six other installments of New Girl, and is an executive producer on the show.

9. THEY OFTEN HAVE TO NEGOTIATE WITH STANDARDS AND PRACTICES.

For the first season episode "Naked," in which Jess had issues saying "penis," Fox's standards and practices allowed the show to say the word five times. They also were allowed to say "b-hole," but not "a-hole." The writers got excited when they found out the usage of the word "dick" was permitted, provided it wasn't being used in reference to a body part.

10. THEY PURPOSELY NEVER EXPLAIN THE RULES TO "TRUE AMERICAN."

According to Meriwether, explaining the rules of how to play the drinking game won't make it "easier to comprehend. Our goal is the opposite, actually, to make it harder and harder and harder to understand." The idea for True American came from one of the writers, who played a similar game when she was in college, but she couldn't remember the rules.

11. JOHNSON PITCHED THE IDEA OF TRAN.

One of many story ideas Johnson has pitched to Meriwether via late-night texts was, "What if I have a Vietnamese friend in a park? And he doesn’t speak English, and his family gets really mad at me for hanging out with him?"

12. THE NICK/JESS KISS WAS CAREFULLY CHOREOGRAPHED.

"Embarrassingly, I actually did try to tell them how to kiss," Meriwether admitted. "I walked up to Jake Johnson between takes and said: 'I want you to kind of take her, and then do this—' (I demonstrated by making my fingers kiss each other) 'Then wait and do that again, but kind of like this—' (more finger kissing). He just stared at me for a beat, and then, to his credit, nodded and said, 'I think I got it.'"

13. DENNIS FARINA WAS IN UNFAMILIAR TERRITORY.

Dennis Farina played Nick's father, Walt, in two episodes. And according to New Girl executive producer Brett Baer, the actor seemed to be having a good time. Farina told Meriwether he had never been on a set before where he didn't have a gun and couldn't say 'f*ck.' Farina passed away in July 2013, a few months after Walt was killed off.

14. PRINCE WAS A FAN AND WAS ORIGINALLY ASKED TO BE IN THE "VIRGINS" EPISODE.

Meriwether believed he turned down a cameo appearance in "Virgins" because it was "too racy." Instead he appeared in "Prince," the season three episode that aired after the 2014 Super Bowl. When Prince heard the idea that he would be the one to get Jess to tell Nick she loves him, he referenced Silver Streak (1976) and Hitch (2005). "I was incredibly shy around him, convinced that I would say the wrong thing and make him leave," Meriwether told Vulture. "But once I got over the initial terror of speaking to him, I realized we were just two people who were both obsessed with making the episode good. He wanted to choose the name of the non-speaking chef character, the chef’s wardrobe, the paintings on the walls, the linens in the bedroom set, his wardrobe, Zooey’s wardrobe, the music, the pancakes, the hairstyles ... he had a piece of art, a poem written out in the shape of an egg, flown from Minnesota to hang on the wall of the set. His vision of the episode was all-encompassing, but I never felt overpowered. He always asked what I thought. It was like he was asking me to rise up to meet him."

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15 Educational Facts About Old School
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DreamWorks

Old School starred Luke Wilson as Mitch Martin, an attorney who—after catching his girlfriend cheating, and through some real estate and bitter dean-related circumstances—becomes the leader of a not-quite-official college fraternity. Along with his fellow thirtysomething friends Bernard (Vince Vaughn) and newlywed Frank (Will Ferrell), they end up having to fight for their right to maintain their status as a party-loving frat on campus.

The film, which was released 15 years ago today, marked Vaughn’s return to major comedies and Ferrell’s first major starring role after seven years on Saturday Night Live. Here are some facts about the movie for everyone, but particularly for my boy, Blue.

1. THE IDEA ORIGINATED WITH AN AD GUY.

Writer-director Todd Phillips was talking to a friend of his from the advertising industry named Court Crandall one day. Crandall had seen and enjoyed Phillips's movie Frat House (1998) and told his director buddy, “You know what would be funny is a movie about older guys who start a fraternity of their own.” After being told by Phillips to write it, he presented Phillips with a “loose version” of the finished product.

2. SOME OF THE FRAT SHENANIGANS WERE REAL.

While Crandall received the story credit for Old School, Phillips and Scot Armstrong received the credit for writing the script. Armstrong put his own college fraternity experiences into the script. “We were in Peoria, Illinois, so it was up to us to entertain ourselves," Armstrong shared in the movie's official production notes. "A lot of ideas for Old School came from things that really happened. When it was cold, everyone would go stir crazy and it inspired some moments of brilliance. Of course, my definition of ‘brilliance' might be different from other people's.”

3. IVAN REITMAN HELPED OUT.

Ivan Reitman, director of Stripes and Ghostbusters, was an executive producer on the film. Phillips and Armstrong wrote and rewrote every day for two months at Reitman’s house, an experience Phillips described as comedy writing “boot camp.”

4. THE STUDIO DIDN’T WANT VINCE VAUGHN.

Vince Vaughn in 'Old School' (2003)
DreamWorks

It didn’t seem to make a difference to DreamWorks that Phillips and Armstrong had written the role of Bernard with Vince Vaughn in mind—the studio didn't want him. After his breakout success in Swingers, Vaughn had taken roles in dramas like the 1998 remake of Psycho. “So when Todd Phillips wanted me for Old School, the studio didn’t want me,” Vaughn told Variety in 2015. “They didn’t think I could do comedy! They said, ‘He’s a dramatic actor from smaller films.’ Todd really had to push for me.”

5. RECYCLED SHOTS OF HARVARD UNIVERSITY WERE USED.

The film was mainly shot on the Westwood campus of UCLA. The aerial shots of the fictitious Harrison University, however, were of Harvard; they had been shot for Road Trip (2000).

6. VINCE VAUGHN FANS MIGHT RECOGNIZE THE CHURCH.

In the film, Frank gets married at Westminster Presbyterian Church in Pasadena, California. Vaughn and Owen Wilson were in that same church two years later for Wedding Crashers (2005).

7. WILL FERRELL SCARED MEMBERS OF A 24-HOUR GYM.

Frank’s streaking scene was shot on a city street. As Ferrell remembered it, one of the storefronts was a 24-hour gym with Stairmasters and treadmills in the window. “I was rehearsing in a robe, and all these people are in the gym, watching me. I asked one of the production assistants, ‘Shouldn’t we tell them I’m going to be naked?’ Sure enough, I dropped my robe and there were shrieks of pure horror. After the first take, nobody was at the window anymore. I took that as a sign of approval.”

8. FERRELL REALLY WAS NAKED.

Ferrell justified it by saying it showed his character falling off the wagon. “The fact that it made sense was the reason I was really into doing it, and why I was able to commit on that level," Ferrell told the BBC. "If it was just for the sake of doing a crazy shot, then I don't think it makes sense.” Still, Ferrell needed some liquid courage, and was intimidated by the presence of Snoop Dogg.

9. ROB CORDDRY WAS NOT NAKED, BUT HE STILL HAD TO SIGN AWAY HIS NUDITY RIGHTS.

Old School marked the first major film role for Rob Corddry, who at the time was best known as a correspondent for The Daily Show. He had a jewel bag around his private parts for his nude scene, but his butt made it into the final cut. He had to sign a nudity clause, which gave the film the right to use his naked image “in any part of the universe, in any form, even that which is not devised.”

10. SNOOP DOGG AGREED TO CAMEO SO HE COULD PLAY HUGGY BEAR IN STARSKY & HUTCH.

Phillips admitted to essentially bribing the hip-hop artist/actor, using Snoop Dogg’s desire to play the street informant in the modern movie adaptation of the classic TV show (which Phillips was also directing) to his advantage. “So when I went to him I said, 'I want you to do Huggy Bear,' he was really excited. And I said, 'Oh yeah, also will you do this little thing for me in Old School a little cameo?' So he kind of had to do it I think."

11. SNOOP WANTED TO HANG OUT WITH VINCE VAUGHN ON SET, BUT NOT LUKE WILSON.

Snoop Dogg in 'Old School' (2003)
Richard Foreman, Dreamworks

Vaughn and his friends accepted an invitation to hang out in Snoop Dogg’s trailer to play video games on the last day of shooting. Vaughn recalled seeing Luke Wilson later watching the news alone in his trailer; he had not been informed of the get-together.

12. WILSON WAS TEASED BY HIS CO-STARS.

Vaughn, Wilson, and Ferrell dubbed themselves “The Wolfpack”—years before Phillips directed The Hangover—because they would always make fun of each other. A particularly stinging exchange had Ferrell refer to Legally Blonde (which Wilson had starred in) as Legally Bland. Wilson said it didn’t make him feel great. Wilson retorted by telling Ferrell that "the transition from TV to the movies isn't a very easy one, so you might just want to keep one foot back in TV just in case this whole movie thing falls through!"

13. TERRY O’QUINN SCARED HIS SONS INTO THINKING THEY WERE TRIPPING.

Terry O’Quinn (who went on to play John Locke on Lost the following year) agreed to play Goldberg, uncredited, in what was a two-day job for him. He neglected to inform his sons he was in the movie, and when they saw it, one of them called their father. “I got a call from my sons one night, and they said, ‘What were you doing in Old School? We didn’t even know you were in it!’ They said, ‘We’re sitting there, and the first time we see you, it’s, like, in a reflection in a window. And when we saw it, and we both thought we were, like, tripping or something!’”

14. THE EARMUFFS WERE IMPROVISED.

Before filming, Vaughn worked with Ferrell to figure out their characters' backstories and how they knew each other; he credited that with helping him figure out who Bernard was, which led to several ad-libbed moments. “The earmuff scene where he swears in front of the kids, and then I tell the kid to earmuff, that all is off the cuff. But that stuff is a lot easier to do when you know who you are and your circumstances, and who your characters are,” Vaughn explained.

15. FERRELL AND VAUGHN DIDN’T LOVE A SCRIPT FOR A SEQUEL.

Armstrong had written Old School Dos in 2006, which saw the frat going to Spring Break. Ferrell said that he and Vaughn read the script but felt like they would just be “kind of doing the same thing again.” Wilson, on the other hand, was excited over the new script.

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11 Fun Facts About The Wedding Singer
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On February 13, 1998, Adam Sandler gave Valentine’s Day sweethearts a retro treat with The Wedding Singer, a 1980s-set rom-com about a heartbroken wedding singer named Robbie Hart (Sandler) who falls in love with a waitress/bride-to-be whose married name will leave her as Julia Gulia (Drew Barrymore).

At this point in Sandler’s career, he was known more for his puerile comedies like Happy Gilmore and Billy Madison, not as a romantic leading man. The Wedding Singer changed all that. After earning its $18 million budget back during its opening weekend alone, The Wedding Singer went on to gross $123 million worldwide—making it Sandler’s highest-grossing movie to date at the time.

Besides being a bona fide box office hit, the film’s two ’80s-heavy soundtracks—which included tunes by The Police, David Bowie, The Psychedelic Furs, New Order, and The Smiths—were also popular. For the film’s 20th anniversary, here are 11 fun facts about The Wedding Singer.

1. THE DIRECTOR’S OWN REAL-LIFE HEARTBREAK ALLOWED HIM TO TAP INTO THE FILM’S EMOTION.

Longtime Sandler friend and collaborator Frank Coraci directed The Wedding Singer, and said that his own experience with having his heart broken was part of what allowed him to tap into the movie’s unique balance of humor and heartfelt romance.

“I remember lying in bed and not being able to move, so it was easy to tap into that pretty quickly,” Coraci told The Hollywood News of his own heartbreak, which happened a couple of years before the movie came along. “I think the distance between those two things was good. It let me look at it differently and allowed it to be funny. I think if had happened before, The Wedding Singer would have been one seriously depressing movie.”

2. THE IDEA TO SET THE FILM IN THE 1980S CAME FROM THE RADIO.

The Wedding Singer was written by Tim Herlihy, a longtime collaborator of Sandler’s who, in addition to writing for Saturday Night Live, wrote the scripts for Billy Madison, Happy Gilmore, and The Waterboy (among other Sandler-starring films). Sandler mentioned to Herlihy that he wanted to do “a film about a wedding singer who gets left at the altar.” For his part, Herlihy let the radio inspire him. “I was listening to the radio show Lost in the ’80s, and I said, ‘I want to do a movie set in the 1980s. So of course, we thought, ‘Why don’t we do a story about a wedding singer in the 1980s?’”

3. SANDLER WANTED TO MAKE A “PRO-LOVE” FILM.

While promoting the movie on Late Night With Conan O’Brien in 1998, Sandler said, “We wanted to make a romantic comedy that was heavy on the laughs. It was nice to do a movie that was pro-marriage and pro-love.” He explained men have a difficult time falling in love. “You got guys who say they don’t want to be in love, but those are usually guys who have been hurt before.”

4. THE MOVIE DOESN’T FEATURE ANY SEX SCENES, AND THERE’S A REASON FOR THAT.

In the same interview, Conan O’Brien asked Sandler why there weren’t any sex scenes in the film, which seemed odd for a rom-com. Sandler was candid with his answer: “The main reason for not having a sex scene is I’m not good at sex,” he said. “I started when I was pretty young and I was always like, you’ll get better. And I got older and it’s still not good.”

5. BARRYMORE APPROACHED SANDLER ABOUT WORKING TOGETHER.

Since the release of The Wedding Singer, Sandler and Drew Barrymore have gone on to star in 50 First Dates (2004) and Blended (2014) together, but their original collaboration was really the actress’s doing. Barrymore told Howard Stern she was interested in working with Sandler because “[I thought] I want to be a modern weird Hepburn, Tracy old Hollywood couple.” Sandler agreed to meet with her. “We looked like the worst blind date you’ve ever seen,” Barrymore recalled, referencing how she had purple hair and wore a leopard coat. Still, as Barrymore told The Huffington Post, she was convinced that she and Sandler were “cinematic soul mates,” and wasn’t afraid to tell him so. Soon after this meeting, the script for The Wedding Singer came along.

6. THE “RAPPING GRANNY” LIVED TO BE 101.

At the age of 84, Ellen Albertini Dow portrayed Robbie’s neighbor Rosie, a.k.a. “The Rapping Granny.” During a wedding scene in the movie, Rosie gets on stage and raps to The Sugar Hill Gang’s “Rapper’s Delight.” However, when the filmmakers asked Dow to perform the rap, she admitted she wasn’t familiar with that style of music.

In a 2008 radio interview, she recounted how Sandler and Coraci approached her with the idea. They told her, “‘We think it might be funny for an older woman to do rap,’” Dow explained. “And I said, ‘What is that?’ I had no idea what rap was. They took me to a soundstage and handed me this rap song. I went in the booth and it was very foreign to me. I said, ‘Can I move a little to it?’ They said, ‘Oh, sure.’ I’m not bragging, but I danced all my life, and I played the piano, so I know music. I started to move to it and I got it right it away. I got it very fast and loved it and had fun with it.” Her rapping success led to her rapping in a Life Savers commercial, and she even considered recording a rap record for children. In 2015, Dow died at the age of 101.

7. IT’S THE FIRST SANDLER FILM TO INCLUDE A FEMALE PERSPECTIVE.

In previous Sandler films, women mainly existed only as love interests. Herlihy, however, changed that with The Wedding Singer. “Drew elevated things for us,” the screenwriter told Esquire. “The scenes with her and Christine [Taylor]—the scenes with her without Adam—[were all great]. You look at the first movies and there’s not a lot without Adam because we did test screening and they said, ‘Get rid of that scene.’ But this time with Drew we were able to do that and have those scenes survive to the movie.”

8. THE CREATORS OF THE WEDDING SINGER BROADWAY MUSICAL KNEW IT WAS “BORN TO SING.”

The success of the film inspired a Broadway musical adaptation that ended up earning five Tony Award nominations and eight Drama Desk Award nods. Matthew Sklar composed the music, and Chad Beguelin wrote the lyrics and co-wrote the book with Herlihy. It premiered in Seattle in January 2006 and then officially opened on Broadway in April 2006.

In the fall of 2007, the musical toured nationally, then eventually landed overseas in London, Abu Dhabi, the Philippines, and Australia. Beguelin said the musical came from him pitching a movie idea to New Line Cinema. “They asked me, ‘What would you do with our catalogue?’ Well, I thought The Wedding Singer was born to sing,” he said. They felt a musical could convey stronger feelings than what was on the screen. “In the movie, you get a close-up of Drew Barrymore looking distraught at her reflection in a wedding dress, but you can’t do that on stage,” Beguelin said. “That’s where you write a song.”

9. BARRYMORE WANTED THE AUDIENCE TO “HOLD THE BOWL OF LOVE.”

In a 1998 interview, Barrymore explained what drew her to the character of Julia: “She has an ease that follows her and that’s the energy that she exudes, and I really, really like that about her. And she’s a happy girl.”

Barrymore further said she wanted people to be happy and for the movie to cause the audience “to hold the bowl of love and have those hearts in their eyes and all of that good mushy stuff we live for."

10. BILLY IDOL STARRED IN THE FILM TO APPEASE HIS SON—AND TEENAGERS.

Billy Idol, whose song “White Wedding” appears on the soundtrack, portrays himself during a climactic scene on a plane. “My son loved Adam Sandler and I thought: ‘I’m going to have to see it anyway, so why not be in it?,’” Idol said. “I gained a number of diehard teenage fans through doing it, who are adults now and are still turning up to my gigs.”

“There’s something about Billy Idol hanging on a plane, knocking back champagne, and getting involved with my love life,” Sandler said of Idol’s cameo. “Everybody thought that’d be fun.”

11. BOY GEORGE WAS A FAN OF BOY GEORGE.

In the film, transgender actress Alexis Arquette played a character named George, who had similarities to the iconic Culture Club frontman Boy George. Wedding Singer George even sings the band’s 1982 hit song “Do You Really Want to Hurt Me” at a wedding in the movie. Arquette passed away on September 11, 2016, and around the same time the real Boy George paid homage to the actress at a concert in Maryland. He dedicated “Do You Really Want to Hurt Me” to Alexis and her family.

“Alexis played me in The Wedding Singer, very hilariously,” he said. “When I went to [see] The Wedding Singer, I didn’t know what was going to happen. When I saw Alexis doing an impersonation of me, I was rolling around on the floor laughing.”

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