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11 Actors Who Asked for Their Characters to Be Killed Off

AMC Networks
AMC Networks

Sometimes an actor’s relationship with a character just runs its course. Here are 11 actors who asked for their characters to be killed off. Though not all of them got their wish (at least not yet), spoiler alerts abound.

1. DEAN NORRIS // “HANK SCHRADER” ON BREAKING BAD

While his character was a fan favorite, Dean Norris wanted Hank Schrader to be killed off in the middle of Breaking Bad’s final season. However, since the final season was split into two parts, Norris had to stay on until the end. As a result, Norris had to turn down the opportunity to star in a sitcom pilot in order to finish filming Breaking Bad’s fifth season.

“I said, ‘Would it be interesting if Hank died in the first eight?'" Norris explained on CBS This Morning. “[AMC] said, ‘No, we kind of need you for the last eight. We’ve been building that up for the last five years’ ... Obviously, I’m glad that they did.”

2. HARRISON FORD // “HAN SOLO” IN STAR WARS

Before making Return of the Jedi, Harrison Ford expressed his interest in seeing Han Solo die during the final installment in the original Star Wars trilogy. But George Lucas disagreed with Ford, because the filmmaker "didn't think there was any future in dead Han toys." However, more than 30 years later, Ford finally got to see Han Solo’s end in The Force Awakens. In a fan Q&A for Entertainment Weekly, Ford admitted that the character’s death made for a better movie.

“I think it’s a fitting use of the character. I’ve been arguing for Han Solo to die for about 30 years, not because I was tired of him or because he’s boring, but his sacrifice for the other characters would lend gravitas and emotional weight.”

3. SOPHIE TURNER // “SANSA STARK” ON GAME OF THRONES

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Sophie Turner wants her Game of Thrones character Sansa Stark to be killed off before the series ends—because she wants her character to die in a memorable and shocking way. Considering that Game of Thrones will only be on HBO for a few more seasons, and that George R.R. Martin, the creator of the books on which it's based, has yet to complete the saga, there’s a good chance that Turner might get her wish.

“I don’t want to survive,” Turner told The Wall Street Journal. “If you’re on Game of Thrones and you don’t have a cool death scene, then what’s the point?”

4. ADEWALE AKINNUOYE-AGBAJE // “MR. EKO” IN LOST

Adewale Akinnuoye-Agbaje grew more and more unhappy living in Hawaii and working on Lost, and after the death of both of his parents, Akinnuoye-Agbaje wanted to return home to London as soon as possible. Executive producers Damon Lindelof and Carlton Cuse weren’t happy to see him leave, but respected Akinnuoye-Agbaje’s wishes and killed off his character at the beginning of season three.

"Our Mr. Eko plans very quickly derailed,” Lindelof explained. “Adewale’s unhappiness was almost instantaneous. On his second episode, he was expressing extreme dissatisfaction. Originally he was going to be someone who challenged Locke for the spiritual leadership of the castaways."

5. JOHN FRANCIS DALEY // “DR. LANCE SWEETS” ON BONES

Although he was a series regular, John Francis Daley’s Dr. Lance Sweets was killed off on Bones at the actor’s request. Daley got a job directing the Vacation reboot, so instead of just leaving the story halfway through season 10, Dr. Sweets was fatally assaulted.

“The directing job was not something that I could walk away from,” Daley told TVLine.com. “It was such a huge opportunity. It feels like a good next step in my career and my life; I always dreamed of being a director. So to be able to do something like this on such a huge scale—it’s a huge studio movie—it’s definitely not something I could turn my back on. It was a sacrifice for sure.”

6. DAN STEVENS // “MATTHEW CRAWLEY” ON DOWNTON ABBEY

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For three years, Dan Stevens played Matthew Crawley on Downton Abbey. But at the end of season three, Stevens wanted to pursue a career on the stage and in movies—so Crawley was killed off in a car accident.

“We were always optioned for three years,” Stevens explained to The Telegraph. “And when that came up, it was a very difficult decision. But it felt like a good time to take stock, to take a moment. From a personal point of view, I wanted a chance to do other things. It is a very monopolizing job. So there is a strange sense of liberation at the same time as great sadness because I am very, very fond of the show and always will be.”

7. SIGOURNEY WEAVER // “ELLEN RIPLEY” IN ALIEN

Alien 3 was supposed to mark the end of a trilogy with the death of Ellen Ripley. At the end of the film, Ripley sacrificed her life to save the planet from a Xenomorph. Apparently, Sigourney Weaver wanted to kill off Ripley because she didn’t want to keep playing the character in movies that sounded awful.

When asked if it was her idea to kill off Ripley during a Q&A at the 2015 London Film and Comic Con, Weaver responded, “Well, yes—because I heard that Fox was gonna do Alien vs. Predator. Which really depressed me because I was very proud of the movies.”

8. ISAAC HAYES // “CHEF” ON SOUTH PARK

In 2006, Isaac Hayes wanted to leave South Park after nine years of voicing Chef, as he was deeply offended with its creators, Trey Parker and Matt Stone, for criticizing Scientology. Hayes, who has been a Scientologist since 1993, asked to be let out of his contract with South Park. Chef was killed off in the season 10 premiere.

"There is a place in this world for satire, but there is a time when satire ends, and intolerance and bigotry towards religious beliefs of others begins," Hayes said in a statement. "As a civil rights activist of the past 40 years, I cannot support a show that disrespects those beliefs and practices."

9. KAL PENN // “DR. LAWRENCE KUTNER” ON HOUSE

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In 2009, during his stint on the medical drama House, Kal Penn took a job at the White House working with the Obama administration. In order to dedicate more time to this new political career, Penn requested that his character, Dr. Lawrence Kutner, be eliminated. The series’ producers and writers obliged and Dr. Kutner committed suicide at the end of season five.

"I was incredibly honored a couple of months ago to get the opportunity to go work in the White House,” Penn told Entertainment Weekly at the time. “I got to know the president and some of the staff during the campaign and had expressed interest in working there, so I'm going to be the associate director in the White House office of public liaison.”

10. T.R. KNIGHT // “DR. GEORGE O’MALLEY” ON GREY’S ANATOMY

Although his character, Dr. George O'Malley, was a fan favorite, the actor who played him, T.R. Knight, found it increasingly difficult to work with Grey’s Anatomy producer Shonda Rhimes. He stated that there was a gradual "breakdown in communication" over the years and that he became frustrated with seeing his screen time dwindle at the beginning of season five. As a result, Knight asked to be written off the TV show, and Dr. O’Malley was subsequently hit by a bus.

"My five-year experience proved to me that I could not trust any answer that was given [about the character George]," Knight explained to Entertainment Weekly. "And with respect, I'm going to leave it at that."

11. JOSH CHARLES // “WILL GARDNER” ON THE GOOD WIFE

In the middle of The Good Wife’s fifth season, Josh Charles’s character, Will Gardner, was fatally shot in the courtroom by his client. While the decision to kill off Gardner was made a year earlier, fans were shocked—and upset. In truth, it was Charles’s decision; he simply decided not to return for season six after his contract was up, as he wanted to pursue other creative projects.

“I had a very short-term deal,” Charles told Deadline. “It was renewed a couple of times over, and at the end of the fourth year my contract was up, and I chose not to renew. It was just a creative decision for me wanting to go and explore new stuff—in my life, in my career.”

In addition, The Good Wife’s creators had to issue an open letter to fans to justify his death: “And when faced with the gut punch of Josh’s decision, made over a year ago, to move on to other creative endeavors, we had a major choice to make,” Robert and Michelle King wrote.

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11 Single Facts About Bridget Jones’s Diary
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Miramax

While it's not officially a holiday movie, so much of the action in Bridget Jones's Diary happens around the most wonderful time of the year that the rom-com has become essential wintertime viewing for many movie fans. Based on Helen Fielding’s novel of the same name, it tells the story of a very single, and hopelessly romantic, working professional named Bridget (Renée Zellweger) who is determined to improve her love life. Enter two strapping gentlemen (Colin Firth and Hugh Grant) to vie for her heart. Get to know more about the timeless dramedy that’s been delighting audiences since 2001. Just as it is.

1. THE SOURCE NOVEL CAME ABOUT FROM AN ANONYMOUS COLUMN ABOUT SINGLE LIFE.

In the foreword of Bridget Jones’s Diary, author Helen Fielding wrote about how she came to conjure up the story: “The Independent asked me to write a column, as myself, about single life in London. Much as I needed the money, the idea of writing about myself in that way seemed hopelessly embarrassing and revealing. I offered to write an anonymous column instead, using an exaggerated, comic, fictional character. I assumed no one would read it, and it would be dropped after six weeks for being too silly.”

2. SEVERAL CHARACTERS ARE BASED ON PEOPLE IN HELEN FIELDING’S LIFE.


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These include Jude (Tracey MacLeod) and Shazzer (Sharon Maguire, also the film’s director). In a column for the Evening Standard, MacLeod described how she didn’t even realize she inspired part of her best friend’s story until Fielding’s book launch party. “At the launch party for the first Bridget book, I was cornered by a smug married friend, ‘So ... what's it like being Jude?’ she asked,” MacLeod writes. “I was outraged. Of course I wasn't Jude, with her self-help books and horrible boyfriend. My boyfriend wasn't anything like Vile Richard ... But as more people began to believe that Jude and Shazzer were thinly-veiled portraits of myself and Sharon, I secretly got to like the idea.”

3. TONI COLLETTE DECLINED THE LEAD, AND KATE WINSLET WAS CONSIDERED FOR IT.

Before Zellweger stole the show, Aussie Toni Collette and Brit Kate Winslet were up for the part. According to AMC, “Toni Collette declined the role because she was on Broadway starring in The Wild Party at the time, and Kate Winslet was considered but the producers decided she was too young.”

4. HUGH GRANT ONLY SIGNED ON WHEN RICHARD CURTIS WAS ANNOUNCED AS THE WRITER. 


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“The only reason [I was a hard sell] was because I didn't feel they had the script quite right for a long time,” Firth told Cinema.com. “And I kept saying, ‘It's not working. Just get Richard Curtis to come in and help rewrite it.’ Eventually they did, and as soon as Richard came on board, I signed on the dotted line. So that's all it was.”

5. RENÉE ZELLWEGER GAINED 17 POUNDS FOR THE PART.

Zellweger’s weight gain for the role had the media abuzz for a while. According to The Guardian, “In order to play the eponymous heroine in the film adaptation of Fielding's bestseller, the actress gained 17 pounds, consulting a dietitian and endocrinologist who devised a regime of three full meals a day, multiple snacks, and no exercise.”

6. ZELLWEGER WORKED AT PICADOR FOR THREE WEEKS.

Zellweger went full Method for her iconic role, and became a temporary employee of the Picador publishing house. “We came up with a plan: she would be Bridget Cavendish, Bridget for obvious reasons and Cavendish as she was to be passed off as the sister of Jonathan Cavendish, a friend of one of our company chairmen,” Picador publicist Camilla Elworthy told The Guardian. “That last bit at least is true, and no one was to know that Jonathan Cavendish was one of the film's producers.”

7. ZELLWEGER KEPT A PHOTO OF JIM CARREY ON HER DESK.


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While working at Picador, Zellweger kept a picture of Jim Carrey on her desk—which made her alter ego Bridget Cavendish seem like some sort of obsessed fan. “Under the name Bridget Cavendish, she answered phones, served coffee, and made photocopies—without being recognized by any of her co-workers, who offered career advice and wondered privately why she kept a photo of Jim Carrey (her then-boyfriend) on her desk,” noted Hollywood.com.

8. ZELLWEGER INVITED HER BOSS AT PICADOR TO BE AN EXTRA ON SET.

In Camilla Elworthy’s write-up for The Guardian, she noted how she became a part of the production. “Renée sent me a thank you letter and gift after she'd gone and I have seen her a few times since then," Elworthy wrote. "She invited me on to the film set one day. She informed me that I had to stick around and be an extra and made sure that I was put somewhere that I would be seen ... As a result, half my head can be seen for half a nano-second in the launch party scene.”

9. THE EPIC FIGHT SCENE BETWEEN GRANT AND COLIN FIRTH WASN’T CHOREOGRAPHED.

You can thank the two actors for the hilarity of the iconic scene. In a Vulture article about the greatest fight scenes in movie history, writer Denise Martin recalled the improvised spar, writing, “No stunt coordinators. No elaborate choreography. Just a perfectly realized wimp brawl between two upper-middle-class Englishmen coming to awkward fisticuffs in front of a Greek restaurant.”

10. FIELDING ASKED FRIEND SALMAN RUSHDIE TO CAMEO IN THE FILM.

Recalling how he came to be part of the film, famed novelist Salman Rushdie told Texas Monthly, “Helen Fielding, the author of the book, is an old pal of mine, and she asked if I’d come along and make a fool of myself, and I said, ‘Why not?’”

11. GRANT DIDN’T HEAR ZELLWEGER SPEAK IN HER AMERICAN ACCENT UNTIL THE FILM’S WRAP PARTY.

Zellweger was so engrossed with Bridget Jones that one of her leading love interests didn’t meet the real actress until the end of the shoot. “Not once did she stop speaking with that accent, until the wrap party,” Grant told Cinema.com, “when suddenly this weird ... Texan appeared. I wanted to call security, I didn't know who the f*ck she was!”

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15 Surprising Facts About Scarface
Universal Home Video
Universal Home Video

Say hello to our little list. Here are a few facts to break out at your next screening of Scarface, Brian De Palma’s gangsters-and-cocaine classic, which arrived in theaters on this day in 1983.

1. IT WASN'T THE FIRST SCARFACE.

Brian De Palma's Scarface is a loose remake of the 1932 movie of the same name, which is also about the rise and fall of an American immigrant gangster. The producer of the 1983 version, Martin Bregman, saw the original on late night TV and thought the idea could be modernized—though it still pays respect to the original film. De Palma's flick is dedicated to the original film’s director, Howard Hawks, and screenwriter, Ben Hecht.

2. IT COULD HAVE BEEN A SIDNEY LUMET FILM.

At one point in the film's production, Sidney Lumet—the socially conscious director of such classics as Dog Day Afternoon and 12 Angry Men—was brought on as its director. "Sidney Lumet came up with the idea of what's happening today in Miami, and it inspired Bregman," Pacino told Empire Magazine. "He and Oliver Stone got together and produced a script that had a lot of energy and was very well written. Oliver Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly."

3. OLIVER STONE WASN'T INTERESTED IN WRITING THE SCRIPT, UNTIL LUMET GOT INVOLVED.


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Producer Bregman offered relative newcomer Oliver Stone a chance to overhaul the screenplay, but Stone—who was still reeling from the box office disappointment of his film, The Hand—wasn't interested. "I didn’t like the original movie that much," Stone told Creative Screenwriting. "It didn’t really hit me at all and I had no desire to make another Italian gangster picture because so many had been done so well, there would be no point to it. The origin of it, according to Marty Bregman, [was that] Al had seen the '30s version on television, he loved it and expressed to Marty as his long time mentor/partner that he’d like to do a role like that. So Marty presented it to me and I had no interest in doing a period piece."

But when Bregman contacted Stone again about the project later, his opinion changed. "Sidney Lumet had stepped into the deal," Stone said. "Sidney had a great idea to take the 1930s American prohibition gangster movie and make it into a modern immigrant gangster movie dealing with the same problems that we had then, that we’re prohibiting drugs instead of alcohol. There’s a prohibition against drugs that’s created the same criminal class as (prohibition of alcohol) created the Mafia. It was a remarkable idea."

4. UNFORTUNATELY, ACCORDING TO STONE, LUMET HATED HIS SCRIPT.

While the chance to work with Lumet was part of what lured Stone to the project, it was his script that ultimately led to the director's departure from the film. According to Stone: "Sidney Lumet hated my script. I don’t know if he’d say that in public himself, I sound like a petulant screenwriter saying that, I’d rather not say that word. Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al."

5. STONE HAD FIRSTHAND EXPERIENCE WITH THE SUBJECT MATTER.

In order to create the most accurate picture possible, Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug.

"I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober."

6. BRIAN DE PALMA DIDN'T WANT TO AUDITION MICHELLE PFEIFFER.


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De Palma was hesitant to audition the relatively untested Pfeiffer because at the time she was best known for the box office bomb Grease 2. Glenn Close, Geena Davis, Carrie Fisher, Kelly McGillis, Sharon Stone and Sigourney Weaver were all considered for the role of Elvira, but Bregman pushed for Pfeiffer to audition and she got the part.

7. YES, THERE IS A LOT OF SWEARING.

According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. In 2014, Martin Scorsese more than doubled that with a record-setting 506 F-bombs thrown in The Wolf of Wall Street.

8. TONY MONTANA WAS NAMED FOR A FOOTBALL STAR.

Stone, who was a San Francisco 49ers fan, named the character of Tony Montana after Joe Montana, his favorite football player.

9. TONY IS ONLY REFERRED TO AS "SCARFACE" ONCE, AND IT'S IN SPANISH.

Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to Tony as “cara cicatriz,” meaning “scar face” in Spanish.

That chainsaw scene, by the way, was based on a real incident. To research the movie, Stone embedded himself with Miami law enforcement and based the infamous chainsaw sequence on a gangland story he heard from the Miami-Dade County police.

10. VERY LITTLE OF THE FILM WAS ACTUALLY SHOT IN MIAMI.

The film was originally going to be shot entirely on location in Miami, but protests by the local Cuban-American community forced the movie to leave Miami two weeks into production. Besides footage from those two weeks, the rest of the movie was shot in Los Angeles, New York, and Santa Barbara.

11. ALL THAT "COCAINE" LED TO PROBLEMS WITH PACINO'S NASAL PASSAGES.

Though there has long been a myth that Pacino snorted real cocaine on camera for Scarface, the "cocaine" used in the movie was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But just because it wasn't real doesn't mean that it didn't create problems for Pacino's nasal passages. "For years after, I have had things up in there," Pacino said in 2015. "I don't know what happened to my nose, but it's changed."

12. PACINO'S NOSE WASN'T HIS ONLY BODY PART TO SUFFER DAMAGE.

Still of Al Pacino as Tony Montana in 'Scarface' (1983)
Universal Home Video

In the film's very bloody conclusion, Montana famously asks the assailants who've invaded his home to "say hello to my little friend," which happens to be a very large gun. That gun took a beating from all the blanks it had to fire, so much so that Pacino ended up burning his hand on its barrel. "My hand stuck to that sucker," he said. Ultimately, the actor—and his bandaged hands—had to sit out some of the action in the last few weeks of production.

13. STEVEN SPIELBERG DIRECTED A SINGLE SHOT.

De Palma and Spielberg had been friends since the two began making studio movies in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house.

14. SOME COOL TECHNOLOGY WENT INTO THE GUN MUZZLE FLASHES.

In order to heighten the severity of the gunfire, De Palma and the special effects coordinators created a mechanism to synchronize the gunfire with the open shutter on the movie camera to show the huge muzzle flash coming from the guns in the final shootout.

15. SADDAM HUSSEIN WAS A FAN OF THE FILM.

The trust fund the former Iraqi dictator set up to launder money was called “Montana Management,” a nod to the company Tony uses to launder money in the movie.

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