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11 Actors Who Asked for Their Characters to Be Killed Off

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Sometimes an actor’s relationship with a character just runs its course. Here are 11 actors who asked for their characters to be killed off. Though not all of them got their wish (at least not yet), spoiler alerts abound.

1. DEAN NORRIS // “HANK SCHRADER” ON BREAKING BAD

While his character was a fan favorite, Dean Norris wanted Hank Schrader to be killed off in the middle of Breaking Bad’s final season. However, since the final season was split into two parts, Norris had to stay on until the end. As a result, Norris had to turn down the opportunity to star in a sitcom pilot in order to finish filming Breaking Bad’s fifth season.

“I said, ‘Would it be interesting if Hank died in the first eight?'" Norris explained on CBS This Morning. “[AMC] said, ‘No, we kind of need you for the last eight. We’ve been building that up for the last five years’ ... Obviously, I’m glad that they did.”

2. HARRISON FORD // “HAN SOLO” IN STAR WARS

Before making Return of the Jedi, Harrison Ford expressed his interest in seeing Han Solo die during the final installment in the original Star Wars trilogy. But George Lucas disagreed with Ford, because the filmmaker "didn't think there was any future in dead Han toys." However, more than 30 years later, Ford finally got to see Han Solo’s end in The Force Awakens. In a fan Q&A for Entertainment Weekly, Ford admitted that the character’s death made for a better movie.

“I think it’s a fitting use of the character. I’ve been arguing for Han Solo to die for about 30 years, not because I was tired of him or because he’s boring, but his sacrifice for the other characters would lend gravitas and emotional weight.”

3. SOPHIE TURNER // “SANSA STARK” ON GAME OF THRONES

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Sophie Turner wants her Game of Thrones character Sansa Stark to be killed off before the series ends—because she wants her character to die in a memorable and shocking way. Considering that Game of Thrones will only be on HBO for a few more seasons, and that George R.R. Martin, the creator of the books on which it's based, has yet to complete the saga, there’s a good chance that Turner might get her wish.

“I don’t want to survive,” Turner told The Wall Street Journal. “If you’re on Game of Thrones and you don’t have a cool death scene, then what’s the point?”

4. ADEWALE AKINNUOYE-AGBAJE // “MR. EKO” IN LOST

Adewale Akinnuoye-Agbaje grew more and more unhappy living in Hawaii and working on Lost, and after the death of both of his parents, Akinnuoye-Agbaje wanted to return home to London as soon as possible. Executive producers Damon Lindelof and Carlton Cuse weren’t happy to see him leave, but respected Akinnuoye-Agbaje’s wishes and killed off his character at the beginning of season three.

"Our Mr. Eko plans very quickly derailed,” Lindelof explained. “Adewale’s unhappiness was almost instantaneous. On his second episode, he was expressing extreme dissatisfaction. Originally he was going to be someone who challenged Locke for the spiritual leadership of the castaways."

5. JOHN FRANCIS DALEY // “DR. LANCE SWEETS” ON BONES

Although he was a series regular, John Francis Daley’s Dr. Lance Sweets was killed off on Bones at the actor’s request. Daley got a job directing the Vacation reboot, so instead of just leaving the story halfway through season 10, Dr. Sweets was fatally assaulted.

“The directing job was not something that I could walk away from,” Daley told TVLine.com. “It was such a huge opportunity. It feels like a good next step in my career and my life; I always dreamed of being a director. So to be able to do something like this on such a huge scale—it’s a huge studio movie—it’s definitely not something I could turn my back on. It was a sacrifice for sure.”

6. DAN STEVENS // “MATTHEW CRAWLEY” ON DOWNTON ABBEY

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For three years, Dan Stevens played Matthew Crawley on Downton Abbey. But at the end of season three, Stevens wanted to pursue a career on the stage and in movies—so Crawley was killed off in a car accident.

“We were always optioned for three years,” Stevens explained to The Telegraph. “And when that came up, it was a very difficult decision. But it felt like a good time to take stock, to take a moment. From a personal point of view, I wanted a chance to do other things. It is a very monopolizing job. So there is a strange sense of liberation at the same time as great sadness because I am very, very fond of the show and always will be.”

7. SIGOURNEY WEAVER // “ELLEN RIPLEY” IN ALIEN

Alien 3 was supposed to mark the end of a trilogy with the death of Ellen Ripley. At the end of the film, Ripley sacrificed her life to save the planet from a Xenomorph. Apparently, Sigourney Weaver wanted to kill off Ripley because she didn’t want to keep playing the character in movies that sounded awful.

When asked if it was her idea to kill off Ripley during a Q&A at the 2015 London Film and Comic Con, Weaver responded, “Well, yes—because I heard that Fox was gonna do Alien vs. Predator. Which really depressed me because I was very proud of the movies.”

8. ISAAC HAYES // “CHEF” ON SOUTH PARK

In 2006, Isaac Hayes wanted to leave South Park after nine years of voicing Chef, as he was deeply offended with its creators, Trey Parker and Matt Stone, for criticizing Scientology. Hayes, who has been a Scientologist since 1993, asked to be let out of his contract with South Park. Chef was killed off in the season 10 premiere.

"There is a place in this world for satire, but there is a time when satire ends, and intolerance and bigotry towards religious beliefs of others begins," Hayes said in a statement. "As a civil rights activist of the past 40 years, I cannot support a show that disrespects those beliefs and practices."

9. KAL PENN // “DR. LAWRENCE KUTNER” ON HOUSE

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In 2009, during his stint on the medical drama House, Kal Penn took a job at the White House working with the Obama administration. In order to dedicate more time to this new political career, Penn requested that his character, Dr. Lawrence Kutner, be eliminated. The series’ producers and writers obliged and Dr. Kutner committed suicide at the end of season five.

"I was incredibly honored a couple of months ago to get the opportunity to go work in the White House,” Penn told Entertainment Weekly at the time. “I got to know the president and some of the staff during the campaign and had expressed interest in working there, so I'm going to be the associate director in the White House office of public liaison.”

10. T.R. KNIGHT // “DR. GEORGE O’MALLEY” ON GREY’S ANATOMY

Although his character, Dr. George O'Malley, was a fan favorite, the actor who played him, T.R. Knight, found it increasingly difficult to work with Grey’s Anatomy producer Shonda Rhimes. He stated that there was a gradual "breakdown in communication" over the years and that he became frustrated with seeing his screen time dwindle at the beginning of season five. As a result, Knight asked to be written off the TV show, and Dr. O’Malley was subsequently hit by a bus.

"My five-year experience proved to me that I could not trust any answer that was given [about the character George]," Knight explained to Entertainment Weekly. "And with respect, I'm going to leave it at that."

11. JOSH CHARLES // “WILL GARDNER” ON THE GOOD WIFE

In the middle of The Good Wife’s fifth season, Josh Charles’s character, Will Gardner, was fatally shot in the courtroom by his client. While the decision to kill off Gardner was made a year earlier, fans were shocked—and upset. In truth, it was Charles’s decision; he simply decided not to return for season six after his contract was up, as he wanted to pursue other creative projects.

“I had a very short-term deal,” Charles told Deadline. “It was renewed a couple of times over, and at the end of the fourth year my contract was up, and I chose not to renew. It was just a creative decision for me wanting to go and explore new stuff—in my life, in my career.”

In addition, The Good Wife’s creators had to issue an open letter to fans to justify his death: “And when faced with the gut punch of Josh’s decision, made over a year ago, to move on to other creative endeavors, we had a major choice to make,” Robert and Michelle King wrote.

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8 Gonzo Facts About Hunter S. Thompson
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Hunter S. Thompson in Gonzo: The Life and Work of Hunter S. Thompson (2008)
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Like any real-life legend, there are many myths surrounding the life and work of Hunter S. Thompson. But in Thompson’s case, most of those stories—particularly the more outlandish ones—are absolutely true. The founder of the “Gonzo journalism” movement is one of the most fascinating figures of the 20th century. In celebration of what would have been his 80th birthday, here are some things you might not have known about the eccentric writer.

1. HE WAS NAMED AFTER A FAMOUS SCOTTISH SURGEON.

Hunter S. Thompson was reportedly named after one of his mother’s ancestors, a Scottish surgeon named Nigel John Hunter. But Hunter wasn't just your run-of-the-mill surgeon. In a 2004 interview with the Independent, Thompson brought along a copy of The Reluctant Surgeon, a Biography of Nigel John Hunter, a biography of his namesake, which read: "A gruff Scotsman, Hunter has been described as the most important naturalist between Aristotle and Darwin, the Shakespeare of medicine and the greatest man the British ever produced. He was the first to trace the lymphatic system. He performed the first human artificial insemination. He was the greatest collector of anatomical specimens in history. He prescribed the orthopaedic shoe that allowed Lord Byron to walk."

When pressed about what that description had to do with him, Thompson responded: "Well, I guess that might be the secret of my survival. Good genes."

2. HE MISSED HIS HIGH SCHOOL GRADUATION … BECAUSE HE WAS IN JAIL.

Just a few weeks before he was set to graduate from high school, at the age of 17, Thompson was charged as an accessory to robbery and sentenced to 60 days in jail. 

“One night Ralston Steenrod, who was in the Athenaeum with Hunter, was driving, and Hunter and another guy he knew were in the car,” Thompson’s childhood friend Neville Blakemore recalled of the incident. “As they were driv­ing through Cherokee Park, the other guy said, ‘Stop. I want to bum a ciga­rette from that car.’ People used to go park and neck at this spot. And the guy got out and apparently went back and mugged them. The guy who was mugged got their license number and traced the car, and within a very short time they were all three arrested.

“Just before this Hunter had been blamed for a nighttime gas-station rob­bery,” Blakemore added, “and before that he and some friends got arrested for buying booze under­age at Abe's Liquor Store on Frankfort Avenue by the tracks. So Hunter had a record, and he was already on probation. He was given an ultimatum: jail or the military. And Hunter took the Air Force. He didn't graduate with his class.”

3. IT WAS A FELLOW JOURNALIST WHO COINED THE TERM “GONZO.”

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While covering the 1968 New Hampshire primary, Thompson met fellow writer and editor Bill Carodoso, editor of The Boston Globe Sunday Magazine, which is where Thompson first heard him use the word “Gonzo.” “It meant sort of ‘crazy’ or ‘off-the-wall,’” Thompson said in Anita Thompson’s Ancient Gonzo Wisdom: Interviews with Hunter S. Thompson. Two years later, in June 1970, Thompson wrote an article for Scanlan’s Monthly entitled “The Kentucky Derby Is Decadent and Depraved,” which became a game-changing moment in journalism because of its offbeat, slightly manic style that was written with first-person subjectivity.

Among the many fellow journalists who praised Thompson for the piece was Cardoso, who sent a letter to Thompson that “said something like, ‘Forget all the sh*t you’ve been writing, this is it; this is pure Gonzo.’ Gonzo. Yeah, of course. That’s what I was doing all the time. Of course, I might be crazy.” Thompson ran with the word, and would use it himself for the first time a year later, in Fear and Loathing in Las Vegas.

4. HE TYPED OUT FAMOUS NOVELS TO LEARN THE ART OF WRITING.

In order to get the “feel” of being a writer, Thompson used to retype his favorite novels in full. “[H]is true model and hero was F. Scott Fitzgerald,” Louis Menand wrote in The New Yorker. “He used to type out pages from The Great Gatsby, just to get the feeling, he said, of what it was like to write that way, and Fitzgerald’s novel was continually on his mind while he was working on Fear and Loathing in Las Vegas, which was published, after a prolonged and agonizing compositional nightmare, in 1972.”

"If you type out somebody's work, you learn a lot about it,” Thompson told Charlie Rose in 1997. “Amazingly it's like music. And from typing out parts of Faulkner, Hemingway, Fitzgerald—these were writers that were very big in my life and the lives of the people around me—so yeah, I wanted to learn from the best I guess."

5. HE RAN FOR SHERIFF IN COLORADO.

In 1970, Thompson ran for sheriff of Pitkin County, Colorado on what he called the Freak Power ticket. Among his political tactics: shaving his head so that he could refer to his opponent as his “long-haired opponent,” promising to eat mescaline while on duty, and campaigning to rename Aspen “Fat City” to deter "greed heads, land-rapers, and other human jackals from capitalizing on the name 'Aspen.'" Unfortunately, he lost.

6. HE STOLE A MEMENTO FROM ERNEST HEMINGWAY.

In 1964, three years after Ernest Hemingway committed suicide at his cabin in Ketchum, Idaho, Thompson traveled to the late author’s home in order to write “What Lured Hemingway to Ketchum?” While there, according to his widow, Hunter “got caught up in the moment” and took “a big pair of elk horns over the front door.” Last year, more than a decade after Thompson’s death, Anita returned the antlers to the Hemingway family—which is something she and Hunter had always planned to do. “They were warm and kind of tickled … they were so open and grateful, there was no weirdness,” Anita said.

7. HE ONCE USED THE INSIDE OF MUSICIAN JOHN OATES’ COLORADO CABIN AS HIS PERSONAL PARKING SPACE.

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Earlier this month, musician John Oates—the latter half of Hall & Oates—shared a story about his ranch in Woody Creek, Colorado, just outside of Aspen, which is currently on the market for $6 million. In an interview with Colorado Public Radio, Oates recalled how when he first purchased the cabin, there was a red convertible parked inside. “I happened to ask the real estate agent who owned the convertible, and he said ‘your neighbor Hunter Thompson,’” Oates said. “Why is he keeping his car in a piece of property he doesn’t own? The real estate agent looked at me and said ‘It’s Woody Creek, you’ll figure this out. It’s a different kind of place.’” After sending several letters to his neighbor to retrieve his vehicle, Oates took matters into his own hands and deposited the car on Thompson’s lawn. Oates said that the two became friends, but never mentioned the incident.

8. AT HIS FUNERAL, HIS ASHES WERE SHOT OUT OF A CANNON.

On February 20, 2005—at the age of 67—Thompson committed suicide. But Thompson wasn’t about to leave this world quietly. In August of that year, in accordance with his wishes, Thompson's ashes were shot into the air from a cannon while fireworks filled the sky.

“He loved explosions," his widow, Anita, told ESPN, which wrote that, “The private celebration included actors Bill Murray and Johnny Depp, rock bands, blowup dolls and plenty of liquor to honor Thompson, who killed himself six months ago at the age of 67.”

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15 Memorable Quotes from George A. Romero
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Hollywood has lost one of its most iconic horror innovators with the death of George A. Romero, who passed away on Sunday at the age of 77. “He died peacefully in his sleep, following a brief but aggressive battle with lung cancer, and leaves behind a loving family, many friends, and a filmmaking legacy that has endured, and will continue to endure, the test of time,” his manager, Chris Roe, said in a statement.

Though he rose to prominence as the master of zombie flicks, beginning with Night of the Living Dead, Romero honed his filmmaking skills on a far less frightening set: shooting bits for Mister Rogers’ Neighborhood.

“I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made,” Romero once said. “What I really mean is that I was scared sh*tless while I was trying to pull it off.” (Rogers returned the favor by being a longtime champion of Romero’s work—and even called Dawn of the Dead “a lot of fun.”)

It’s that high-spirited sense of fun that made Romero’s work so iconic—and kept the New York City native busy for nearly 50 years. To celebrate his life and career, here are 15 of his most memorable quotes on everything from the humanity of zombies to the horror of Hollywood producers.

ON THE IMPORTANCE OF HAVING A SENSE OF HUMOR

“For a Catholic kid in parochial school, the only way to survive the beatings—by classmates, not the nuns—was to be the funny guy.”

ON THE HOLLYWOOD WAY

“If I fail, the film industry writes me off as another statistic. If I succeed, they pay me a million bucks to fly out to Hollywood and fart.”

ON BEING PIGEONHOLED

“As a filmmaker you get typecast just as much as an actor does, so I'm trapped in a genre that I love, but I'm trapped in it!”

ON ZOMBIES AS A METAPHOR

“I also have always liked the monster within idea. I like the zombies being us. Zombies are the blue-collar monsters.”

ON FINDING OBJECTIVITY AS A FILMMAKER

“There are so many factors when you think of your own films. You think of the people you worked on it with, and somehow forget the movie. You can't forgive the movie for a long time. It takes a few years to look at it with any objectivity and forgive its flaws.”

ON THE REAL VALUE OF THE INTERNET

“What the Internet's value is that you have access to information but you also have access to every lunatic that's out there that wants to throw up a blog.”

ON THE HORROR OF DEALING WITH PRODUCERS

“I'll never get sick of zombies. I just get sick of producers.”

ON THE IMPORTANCE OF COLLABORATION

“Collaborate, don’t dictate.”

ON THE BEAUTY OF LOW-BUDGET MOVIEMAKING

“I don't think you need to spend $40 million to be creepy. The best horror films are the ones that are much less endowed.”

ON HUMANS BEING THE REAL VILLAINS

“My zombies will never take over the world because I need the humans. The humans are the ones I dislike the most, and they're where the trouble really lies.”

ON BEING IMMUNE TO TRENDS

“Somehow I've been able to keep standing and stay in my little corner and do my little stuff and I'm not particularly affected by trends or I'm not dying to make a 3-D movie or anything like that. I'm just sort of happy to still be around.”

ON THE HUMANITY OF HORROR

“My stories are about humans and how they react, or fail to react, or react stupidly. I'm pointing the finger at us, not at the zombies. I try to respect and sympathize with the zombies as much as possible.”

ON THE ENDURING APPEAL OF HORROR

“If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.”

ON THE IMPORTANCE OF SURROUNDING ZOMBIES WITH STUPID PEOPLE

“A zombie film is not fun without a bunch of stupid people running around and observing how they fail to handle the situation.”

ON LIFE AFTER DEATH

“I'm like my zombies. I won't stay dead!”

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