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16 Loud Facts About The Last Waltz

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Martin Scorsese directed The Last Waltz with an army of seasoned and acclaimed cinematographers behind the cameras, creating an innovative—and much more cinematic—approach to the live concert documentary than music fans had seen before. It documented the final concert performed by The Band's original lineup of Robbie Robertson, Rick Danko, Levon Helm, Richard Manuel, and Garth Hudson. Going down in San Francisco's Winterland Ballroom on Thanksgiving 1976, the event concert promoter Bill Graham dubbed "rock 'n' roll's last supper" featured a lineup of special guests, including Neil Young, Ringo Starr, Ronnie Wood, Joni Mitchell, Van Morrison, Neil Diamond, Muddy Waters, Eric Clapton, and Bob Dylan. Dylan was the most reluctant to join in the festivities, despite The Band having been his backing band from 1965 to 1966 and in 1974. Take a load off with these facts about one of the most celebrated shows in music history.

1. A LOT OF FAMOUS CINEMATOGRAPHERS WERE INVOLVED.

The seven 35mm camera operators included Michael Chapman (Taxi Driver, Raging Bull), Vilmos Zsigmond (Close Encounters of the Third Kind, The Deer Hunter), and László Kovács (Easy Rider, Five Easy Pieces). Scorsese and Robbie Robertson (who also served as a producer) came up with a 300-page shooting script of diagrams and text that assigned the camera positions with the music lyrics and cues. According to the film's production notes, it was the first music documentary made on 35mm.

2. IT WASN'T MARTIN SCORSESE'S FIRST TIME WORKING ON A MUSIC DOCUMENTARY.

He was one of several editors on Woodstock (1970), and worked as a montage supervisor on Elvis on Tour (1972). Robertson convinced Scorsese to direct the concert film six weeks before the show (the two later became roommates).

3. SCORSESE DUG UP THE VENUE'S FLOOR.

With Graham's permission, Scorsese commissioned someone to dig into a section of the Winterland Ballroom floor in order to anchor a tower that could hold Zsigmond and his camera at the back of the venue, allowing him to get some great wide-angle long shots.

4. CHANDELIERS FROM GONE WITH THE WIND WERE USED.

The show was designed by Boris Leven, who has served as production designer on West Side Story (1961) and The Sound of Music (1965). Leven created a backdrop inspired by the films of Luchino Visconti (Death In Venice, The Leopard), borrowing props from the San Francisco Opera's production of La Traviata and chandeliers designed for Gone with the Wind. Robertson wasn't sold on the elaborate decor. He told Leven, "Chandeliers? I don't think that's going to go over with Neil or Bob or the rest of the musicians. These people don't do chandeliers, Boris."

5. SCORSESE WAS WORKING ON NEW YORK, NEW YORK AT THE SAME TIME.

Scorsese was supposed to be in New York editing the Liza Minnelli/Robert De Niro musical drama when he was in San Francisco preparing and shooting The Last Waltz. According to Scorsese, New York, New York producer Irwin Winkler was "very upset" when he learned this.

6. SCORSESE PURPOSELY DIDN'T SHOOT THE AUDIENCE.

"I had the feeling that the movie audience could become involved with the concert if we concentrated on the stage," Scorsese explained. "Besides, after Woodstock, who wants to see the audience anymore?"

7. THERE WERE TURKEY DINNERS FOR ALL THE UNSEEN.

The 5000 fans in attendance had to pay the princely sum of $25, which was more than triple the average price of a concert ticket at the time. However, they were well fed when the doors opened at 5 p.m.: 220 turkeys, 500 pounds of cranberry sauce, 90 gallons of brown gravy, one ton of candied yams, 800 pounds of mincemeat, 6000 rolls, and 400 gallons of cider were available. For non-turkey eaters, there was also 400 pounds of fresh salmon, provided by a childhood friend of Bob Dylan's. After dinner, the patrons danced to the music of a 38-piece orchestra, joined by three teams of professional ballroom dancers.

8. BOB DYLAN ATTEMPTED TO BACK OUT AT THE LAST MINUTE.

Fifteen minutes before he was scheduled to go on, Dylan arrived at the venue and announced that he would not be appearing in the film after all. He was reluctant largely out of concern that The Last Waltz would compete with his own upcoming concert film, Renaldo & Clara (1978). In his memoir, This Wheel's on Fire: Levon Helm and the Story of the Band, Helm wrote that Scorsese "went nuts."

With five minutes to go, Graham convinced Dylan to agree to be filmed for his last two songs only. To make it clear that he wasn't being filmed, the cameras were physically turned away from the stage during his first few songs. After the show, Dylan's lawyer seized the footage that was shot of his client for future negotiation purposes.

9. NEIL DIAMOND TRIED TO MAKE A JOKE TO DYLAN ... IT DIDN'T GO OVER SO WELL.

As the legend goes, Diamond, riding high after his performance of "Dry Your Eyes," challenged Dylan to "follow that." Dylan allegedly responded by asking Diamond, rhetorically, "What do I have to do, go on stage and fall asleep?” When Rolling Stone asked Diamond about the incident in 2010, the story changed. "Actually, it was before we both went on. He was tuning his guitar and I came over to him and I said, 'You know, Bob, those are really my people out there.'" Diamond claimed he was only joking, and all Dylan did was look at him "quizzically."

10. PEOPLE WONDERED WHY DIAMOND WAS THERE IN THE FIRST PLACE.

Levon Helm was one of those people. "When I heard that Neil Diamond was going to play I asked, 'What the hell does Neil Diamond have to do with us?'" the drummer asked in his memoir. Diamond was invited after Robertson produced his album, Beautiful Noise; "Dry Your Eyes" was a number Robertson and Diamond wrote together.

11. NEIL YOUNG INTRODUCED HIMSELF TO DIAMOND. SORT OF.

Backstage, Young walked up to Diamond and said, "Nice to meet you. I'm Neil Sedaka."

12. YOUNG'S "BOOGER" HAD TO BE EDITED OUT.

When the movie was projected for the first time, Neil Young's manager was horrified when he saw his client's face. "There was a rock of cocaine falling out of his nostril," the film's executive producer, Jonathan Taplin, remembered. When Young's manager suddenly blustered that he was refusing to allow "Helpless" to appear in The Last Waltz, Taplin went to a special effects company to fix things, telling them: "This guy has got a booger in his nose, can you fix it?" After a few days they responded, saying, "We've invented a travelling booger matte."

13. SCORSESE AND ALL THE CAMERAMEN ALMOST MISSED MUDDY WATERS'S PERFORMANCE ENTIRELY.

Thanks to The Band making some changes on the fly, Scorsese grew frustrated, screaming into his headphones to make last-second cue changes to his camera crew. Kovács couldn't handle it and ripped off his headset. With Scorsese thinking a different song was coming up, he ordered all the cameras to shut down—just as blues legend Muddy Waters launched into "Mannish Boy." Fortunately, Kovács didn't hear Scorsese's order, which is why the only footage of Waters's performance came from Kovács's camera.

14. IT WAS INITIALLY RATED R BY THE MPAA.

The R rating was due to language used in the film. After an appeal, it was bumped down to a PG.

15. IT WASN'T, IN FACT, THE BAND'S FINAL PERFORMANCE.

It was just the last with Robertson, who was the only one who wanted to stop touring in the first place. The Band reformed without the guitarist and began touring again in 1983.

16. LEVON HELM WAS CRITICAL OF THE MOVIE.

"As far as I was concerned, the movie was a disaster," Helm wrote in This Wheel's on Fire. "For two hours [at a screening] we watched as the camera focused almost exclusively on Robbie Robertson, long and loving close-ups of his heavily made-up face and expensive haircut. The film was edited so it looked like Robbie was conducting the band with expansive waves of his guitar neck. The muscles on his neck stood out like cords when he sang so powerfully into his switched-off microphone."

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15 Facts About the First Episode of The Simpsons
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FOX

On December 17, 1989, The Simpsons premiered on FOX. Nearly 30 years later, the Simpson family and their fellow Springfield residents are still going strong. Let's look back at where it all started—"Simpsons Roasting on an Open Fire."

1. IT WAS SUPPOSED TO PREMIERE IN SEPTEMBER.

The Simpsons was originally planned to premiere earlier in the fall of 1989, but because of animation problems, the series began on December 17 with "Simpsons Roasting on an Open Fire." The original pilot, "Some Enchanted Evening," later aired as the season finale.

2. MARGE WAS SUPPOSED TO GET DRUNK.

According to Al Jean, the original premise of the episode was that "Homer was worried that Marge was going to get drunk at a party and get him in trouble at the office."

3. IT'S LACKING THE SERIES' NOW-FAMOUS OPENING SEQUENCE. 

The episode lacked the now-famous opening sequence, which was added in the second episode, "Bart the Genius," because creator Matt Groening thought a longer opening sequence would mean less animation.

4. GWEN STEFANI'S BROTHER PLAYED A KEY ROLE IN ITS CREATION.

One of the layout artists for "Simpsons Roasting on an Open Fire" was Eric Stefani, brother of Gwen Stefani and a founding member of No Doubt.

5. BARNEY LOOKED A BIT DIFFERENT.

In the first episode, Barney had yellow hair, which was the same color as his skin. This was later changed because the people behind the show thought that only members of the Simpson family should have yellow hair.

6. LISA REALLY WANTED A PONY.

Lisa asks for a pony six times on her Christmas list (it's her first line in the series). She would later get her pony in the season 3 episode "Lisa's Pony."

7. PART OF IT WAS INSPIRED BY MATT GROENING'S SECOND GRADE SCHOOL REPORT.

According to the DVD commentary, the "Santas of many lands" portion of the Christmas pageant was inspired by a second grade report Matt Groening did on Christmas in Russia.

8. IT DIDN'T INVENT THE ALTERNATE VERSION OF "JINGLE BELLS."

Additionally, Groening claims that this episode has been incorrectly credited with creating the "alternate version" of "Jingle Bells." (Bart sings, "Jingle Bells/Batman Smells/Robin Laid an Egg...")

9. IT WAS ONLY THE SECOND ANIMATED SERIES TO AIR IN PRIMETIME SINCE THE FLINTSTONES.

The Simpsons was just the second animated show to air in primetime since The Flintstones went off the air 23 years earlier. (The other was Wait Till Your Father Gets Home, which aired from 1972-1974.)

10. THE IDEA WAS CONCEIVED UNDER THE INFLUENCE OF ALCOHOL.

According to executive producer James L. Brooks, "The Simpsons series began like many things begin: with an animator getting drunk at a Christmas party ... We were already doing Tracey Ullman, and David Silverman, who was with us then and would go on to direct The Simpsons Movie, cornered me and poured out his heart about what having a primetime Simpsons show would mean to animators."

11. LISA WAS SUPPOSED TO BE A "LITTLE HELL-RAISER."

The Simpsons in 'The Town'
Fox

According to Al Jean, in the original shorts, "Lisa was supposed to be this little hell-raiser like Bart, but their character differentiation was wider when we went to full series."

12. YEARDLEY SMITH AUDITIONED FOR BART.

Yeardley Smith, the voice of Lisa, originally auditioned for Bart. "That lasted a good eight or nine seconds," Smith recounts, "It was like: "Cut, cut, cut! You sound too much like a girl!"

13. A SECOND CITY PERFORMANCE GOT DAN CASTELLANETA AN AUDITION.

Dan Castellaneta was invited to read for Homer Simpson after Tracey Ullman saw him perform a sketch comedy bit about a blind, crippled comedian at Second City in Chicago.

14. IT WAS MILLHOUSE'S FIRST APPEARANCE, BUT HE ALREADY EXISTED.

"Simpsons Roasting on an Open Fire" is the first time Milhouse appeared on the show, however he was featured in a Butterfinger commercial in 1988.

15. SANTA'S LITTLE HELPER WENT MISSING.

Because "Simpsons Roasting on an Open Fire" was originally meant to be the eighth episode, Santa's Little Helper is mysteriously absent from the next episode ("Bart the Genius"). According to DVD commentary, the creators of the show received letters of praise for heightening the awareness of the abandonment of racing dogs even though they didn't know it was a real problem when they created the episode.

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27 Festive Facts About Christmas Vacation
Warner Bros.
Warner Bros.

On December 1, 1989, a new chapter of Griswold family dysfunction was unleashed upon the world when National Lampoon's Christmas Vacation made its debut in movie theaters and an instant holiday classic was born. Here are 27 things you might not know about everyone’s favorite Christmas comedy.

1. THE MOVIE IS BASED ON A SHORT STORY.

Like the 1983 original, Christmas Vacation is based on a short story, “Christmas ‘59,” written by John Hughes for National Lampoon in December 1980. Its literary predecessor is paid tribute to when Clark is trapped in the attic and pulls out a box of old home movies, including one labeled “Christmas ’59.” (Eagle-eyed viewers might notice that when Clark is watching the film, it actually says “Christmas 1955.”)

2. CLARK GREW UP IN SAMANTHA STEVENS’S HOUSE.

If Clark’s childhood home featured in those old movies looks familiar, that’s because it’s the same house featured on Bewitched as well as The New Gidget. Except it’s not a house at all; it’s part of the Warner Bros. back lot, located on what is known as Blondie Street. The rest of the Griswolds’ neighborhood is on a studio back lot as well. And if the home of their snooty neighbors, Todd and Margo, looks familiar, that’s because it’s where Roger Murtaugh (Danny Glover) and his family lived in Lethal Weapon.

3. JOHN HUGHES WASN’T A FAN OF SEQUELS.

Though many of Hughes’ films have spawned sequels, the man himself was not a fan of retreads. “The only sequels I was involved in were under duress,” Hughes once stated in an interview. Though he’s credited as a writer on European Vacation, he said that was only because he had created the characters. “But the studio came to me and begged for another [Vacation movie], and I only agreed because I had a good story to base it on. But those movies have become little more than Chevy Chase vehicles at this stage. I didn't even know about Vegas Vacation until I read about it in the trades! Ever since it came out, people have been coming up to me with disappointed looks on their faces, asking ‘What were you thinking?’ ‘I had nothing to do with it! I swear!’”

4. IT’S ONE OF ONLY TWO CHRISTMAS MOVIES RELEASED IN 1989.

Though the holiday season is usually packed with Christmas-themed movies, Christmas Vacation was one of only two that were released in 1989. The other was John Hancock’s Prancer. Johnny Galecki, a.k.a. Rusty Griswold, starred in both.

5. AUDREY IS (MIRACULOUSLY) OLDER THAN RUSTY.

Johnny Galecki, Beverly D'Angelo, Chevy Chase, and Juliette Lewis in 'Christmas Vacation' (1989)
Warner Bros.

In both the original Vacation and European Vacation, Rusty is believed to be the older of the two Griswold children. In Christmas Vacation, Rusty somehow morphs into Audrey’s younger brother.

6. THE FILM HAS TIES TO IT’S A WONDERFUL LIFE.

In addition to footage from the Frank Capra classic actually appearing in the film, Christmas Vacation has another fun tie to It’s a Wonderful Life: Frank Capra’s grandson, Frank Capra III, is Christmas Vacation’s assistant director.

7. THE CAST OF CHRISTMAS VACATION WAS PRETTY IMPRESSIVE.

In addition to featuring future stars Johnny Galecki and Juliette Lewis (who scored a Best Supporting Actress Oscar nomination three years later for her role in Cape Fear), star Beverly D’Angelo was most impressed with the older actors who came along for the Christmas Vacation ride. “I attribute that to Jeremiah Chechik and his direction in bringing in E.G. Marshall, Doris Roberts, and Diane Ladd,” she noted. “That was really a special cast.”

8. IN A WAY, STANLEY KUBRICK IS TO THANK FOR CHRISTMAS VACATION.

Christmas Vacation marked the directorial debut of Jeremiah Chechik, who began his career as a fashion photographer for Vogue then moved into commercial directing. “I had made these commercials that became quite iconic here in the U.S.,” Chechik told to Den of Geek! in 2011. “They were very dark and sexy and sort of a little bit ahead of their time in terms of style. And what happened was they gained the notice of [Stanley] Kubrick, who had mentioned them as his favorite American filmmaking, ironically, in a New York Times article.” It didn’t take long for Chechik’s phone to start ringing and for studios to start sending him scripts. “And the script that really piqued my interest was Christmas Vacation," he said. "And the reason is I had never done any comedy—ever.”

9. CHECHIK HAD NEVER SEEN A VACATION MOVIE.

“I hadn't seen the first two [Vacation movies], and so I wasn't really influenced by anything other than the fact that it was a big—at the time—their big Christmas movie, and comedy,” Chechik said. “And I just felt if I could crack this maybe there's a whole other world of filmmaking for me.” Following Christmas Vacation, Chechik directed Benny & Joon, Diabolique, and The Avengers plus episodes of The Bronx is Burning, Gossip Girl, Chuck, and Burn Notice.

10. THE MOVIE HAD A HUGE BUDGET, PARTICULARLY FOR A COMEDY.

A $27 million budget, to be exact. Which was particularly high considering that the film had no special effects a la Ghostbusters (which was made for $30 million). But it had no trouble making its budget back; the film’s final domestic gross was $71,319,526.

11. ROGER EBERT DID NOT LOVE THE FILM.

Though it has become a bona fide holiday classic, not everyone was a fan of Christmas Vacation. In his two-star review of the film, Roger Ebert described the movie as “curious in how close it comes to delivering on its material: Sequence after sequence seems to contain all the necessary material, to be well on the way toward a payoff, and then it somehow doesn't work.”

12. IT’S THE ONLY SEQUEL IN THE VACATION FRANCHISE TO HAVE ITS OWN SEQUEL.

Christmas Vacation 2: Cousin Eddie's Island Adventure DVD
Warner Home Video

But don’t be disappointed if you didn’t know that. Or haven’t seen it. The 2003 film, National Lampoon’s Christmas Vacation 2: Cousin Eddie’s Island Adventure, was made for television. It finds Randy Quaid and Miriam Flynn (as Eddie and Catherine) stranded on an island in the South Pacific for the holidays. Yes, really. It currently holds a 12 percent approval rating on Rotten Tomatoes.

13. AUDREY IS THE ONLY GRISWOLD TO APPEAR IN CHRISTMAS VACATION 2.

Dana Barron, who played Audrey in the original Vacation, reprised her role for the Christmas Vacation sequel. Eric Idle, who appeared in European Vacation, also makes an appearance, playing “English Victim.”

14. COUSIN EDDIE IS RANDY QUAID’S BEST-KNOWN CHARACTER.

At least it’s the role that gets him the most recognition. In a 1989 interview with the Los Angeles Times, Quaid admitted that he was amazed by the impact the character made. “People still come up to me and quote lines from that part. I get a lot of recognition from that role—probably as much, if not more, than any other.”

15. COUSIN EDDIE IS BASED ON A REAL GUY.

Quaid borrowed many of Cousin Eddie’s mannerisms from a guy he knew growing up in Texas, most notably his tendency toward tongue-clicking. But Eddie’s sweater/Dickie combo? That was an idea from Quaid’s wife.

16. YOU CAN BUY YOUR OWN DICKIE.

National Lampoon’s Christmas Vacation Collectibles is a website dedicated to all things Christmas Vacation (obviously). Among the many fun items are Cousin Eddie wardrobe staples, moose mugs, and punch bowls.

17. EDDIE’S SON, ROCKY, DOESN’T SPEAK IN THE FILM.

Nope, not a word.

18. AUNT BETHANY IS BETTY BOOP.

Christmas Vacation marked the final film of Mae Questel, who began her career as the voice of Betty Boop in 1931. She passed away at the age of 89 in January of 1998.

19. BETHANY AND LOUIS’ ENTRANCE MADE THE EARTH SHAKE.

At the same time the production filmed the arrival of Uncle Louis and Aunt Bethany at the Griswold house, a minor earthquake struck. The camera shakes slightly as a result of it as Bethany walks through the front door.

20. CHRISTMAS VACATION WENT STRAIGHT TO VIDEO IN ENGLAND.

Though the movie is a popular holiday film in the UK too, it was never actually shown in theaters there. Instead, it went straight to home video.

21. YOU WON’T HEAR “HOLIDAY ROAD” IN CHRISTMAS VACATION.

Christmas Vacation is the only movie in the series that doesn’t feature Lindsey Buckingham’s song, “Holiday Road.” Instead, a new song—the aptly titled “Christmas Vacation”—was written for the film by married songwriting duo Barry Mann and Cynthia Weil. A cover of the song appears on the 2007 Disney Channel Holiday album.

22. RANDY QUAID IS THE THIRD COUSIN OF GENE AUTRY.

Which may just sound like a random. But at the end of the film, when the police raid the Griswold home, the version of “Here Comes Santa Claus” being used is Autry’s.

23. ELLEN GRISWOLD LIED TO THE COPS.

In the same scene, Ellen Griswold apologizes to Mrs. Shirley—the wife of Clark’s boss and Eddie’s kidnapping victim—assuring her that “This is our family's first kidnapping,” when, in fact, it is their second. At least the second that we know of: In the first Vacation film, the Griswolds force Lasky, the security guard at Wally World (played by John Candy), to open the park for them.

24. CHEVY CHASE, BEVERLY D’ANGELO, AND JULIETTE LEWIS REUNITED IN 2012.

The trio got together to film a series of Old Navy commercials for the holiday season. Though Johnny Galecki wasn’t there, two previous Rustys—Anthony Michael Hall and Jason Lively—were. As was Dana Barron.

25. JOHNNY GALECKI RECEIVED AN AWARD FROM CHEVY CHASE.

In a 2012 interview, The Sydney Morning Herald asked Johnny Galecki whether he has kept in touch with Chevy Chase. He admitted that “the only time I’ve seen him since that movie, which was 21 years ago I think, is when he presented us with our People’s Choice Award, so that was really neat. If you’re going to run into Chevy again it may as well be as he’s giving you an award.”

26. CHEVY CHASE AND BEVERLY D'ANGELO WERE ANXIOUS TO SEE ANOTHER VACATION MOVIE HAPPEN.

On July 29, 2015, the latest film in the Vacation franchise—simply titled Vacation—made its debut. And it couldn't have happened soon enough for Chase and D'Angelo. In 2011, Chase told Ain’t It Cool News that “I just got off the phone with Beverly D’Angelo. We are trying to work up a new Vacation and apparently Warner’s is working on one with grandchildren, but the one that Bev and I want … You know, we are just trying to think of ideas, because she is very funny and very brilliant, so when you get her in a writing mood and me in writing mood, it’s good, but it’s very hard to get the time.”

27. THE STUDIO WON THAT ONE.

Chase and D’Angelo may have had their own ideas, but the studio moved ahead with that whole “one with grandchildren” thing. Written and directed by John Francis Daley (Sam from Freaks and Geeks) and Jonathan M. Goldstein (who wrote Horrible Bosses), Vacation featured a grown-up Rusty (played by Ed Helms) taking his own family on a road trip.

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