By CBS Television (eBayfrontback) [Public domain], via Wikimedia Commons
By CBS Television (eBayfrontback) [Public domain], via Wikimedia Commons

11 Fun Facts About My Three Sons

By CBS Television (eBayfrontback) [Public domain], via Wikimedia Commons
By CBS Television (eBayfrontback) [Public domain], via Wikimedia Commons

When My Three Sons premiered in 1960, it wasn’t the first TV series to feature an all-male household—Bachelor Father and Bonanza were both lacking mother figures—but it was the first to show a more realistic version of such a family. The house wasn’t always spotless, the boys were rambunctious and noisy, and chaos was often the order of the day. Here are a few fun facts (or “neat junk,” as Ernie might say) about the Douglas family.


Fred MacMurray was a well-established film star when he was approached by executive producer Don Fedderson about starring in a TV series. MacMurray agreed with two conditions: one, that he would own a percentage of the show, and two, that he only would be required to work three months of each year. In reality, MacMurray was a dedicated family man, and after years of being away on movie sets had planned to retire early and spend the majority of his time at home with his wife and four-year-old twin daughters. But the money Fedderson offered him was too tempting to pass up—and would secure his children’s future—so he signed on to play the widowed patriarch on My Three Sons.

MacMurray’s “three month” stipulation meant that the writers had to have each season’s scripts ready in advance so that MacMurray could film all of his scenes in one fell swoop and have them edited into the various episodes of the series after the fact. Years later, several other actors caught on to this concept and agreed to star in a project only if it was filmed in “the MacMurray Method.”


The premise of My Three Sons was to showcase the trials and tribulations of Steven Douglas (MacMurray), an aeronautical engineer and widower, and his three boys—Mike, Robbie, and Chip. Since Steve’s job required long hours, some household help was required. Enter William Frawley (I Love Lucy’s Fred Mertz) as Michael Francis “Bub” O’Casey, Steve’s father-in-law. Bub served as chief cook and bottle-washer, as well as the disciplinarian for the boys when their dad wasn’t home.

Frawley nabbed the role shortly after his tenure on I Love Lucy, and was quite pleased to have another steady job. A long-time bachelor with no children of his own, he became something of a surrogate grandfather to Stanley and Barry Livingston, who played Chip and Ernie, respectively. Years later, Stanley reported—with pride—that Frawley “taught me every four-letter word I know!”


Stanley Livingston was the first of the “Sons” to be cast. Just nine years old at the time, he was already a show biz veteran, having worked regularly on The Adventures of Ozzie & Harriet from 1958 to 1960. Stan was hired to play “Chip,” who was the youngest of the Douglas boys when the series premiered.

Ryan O’Neal was a contender for the role of Mike, the eldest son, but MacMurray felt that he wasn’t really suited to comedy. MacMurray instead recommended Tim Considine for the role, having recently worked with him on The Shaggy Dog. Former Mouseketeer Don Grady, who was cast as Robbie, not only passed muster as being well-behaved, he also had a cleft in his chin that resembled MacMurray’s.


That there was no love lost between former I Love Lucy co-stars William Frawley and Vivian Vance was certainly no secret in Hollywood, but Frawley had been willing to set aside any personal differences when Desilu proposed a spin-off series starring Fred and Ethel Mertz. Vivian Vance absolutely refused, however, and Frawley never forgave her for denying him a steady paycheck.

“On the third season of our show, lo and behold, Lucy decided to do The Lucy Show and they were on the next stage over from ours,” Stanley Livingston recalled. “She probably picked that stage knowing Bill and Vivian would have to pass each other. When Bill saw Vivian, he’d yell some sort of obscenity at her. He got me to participate in a couple of his pranks. When she was doing a scene, he’d get us kids on the show to sneak in and knock over a stack of empty film cans or throw them like a Frisbee to make a big racket and ruin her scene so she’d have to do it again.”


In addition to being known as one of the nicest guys in Hollywood, MacMurray was also well known for being frugal with the stacks of money he had accumulated during his career. At one time he was the highest-paid actor in Hollywood, yet he brown-bagged his meals every day while filming My Three Sons and kept an eye on all the expenses associated with the show. Actress Beverly Garland, who played Barbara Harper Douglas, was present one afternoon when the wardrobe man told Fred, “I think we’re going to have to buy a dozen new shirts for you this season.” MacMurray asked him, “Buy a dozen shirts? Why don’t you just turn the collars around on my old ones?”


The MacMurray Method was a nightmare in terms of continuity, so production manager John G. Stephens was tasked with keeping everything running smoothly and as if it had been shot in sequence. For example, when Fred was done with a scene (and remember, all of his scenes were shot in bulk; all the kitchen scenes were done one week, the living room shots another, etc.) the other actors would all freeze in place and Stephens would take a set of detailed Polaroid photos of everyone. Three months or so later, when the rest of that kitchen scene was filmed, the actors—wearing the same wardrobe and hairstyles as before—resumed their frozen poses from that last shot before the director called “Action!”

Because the episodes and scenes were filmed out of order, the cast had to be doubly diligent about their appearance for each entire season. Any significant weight gain or radical haircut would completely blow continuity. Some changes were inevitable, such as Barry and Stanley’s growth spurts in their early teens, so the wardrobe department bought some of their clothes in duplicate sets in graduating sizes.

The most obvious continuity glitch occurred during season 10, when Dawn Lyn was added to the cast as five-year-old Dodie, the daughter of the woman Steve Douglas married that season. Dawn was losing her baby teeth at the time, and her front teeth grew in irregularly so there are scenes of her chatting with her new daddy with a gummy grin and then later in the same episode she’s suddenly sporting a jagged pair of incisors while arguing with her brothers.


Tim Considine had an extensive resume, having starred in many Disney shorts and feature films. After a few seasons on My Three Sons, he wanted to spread his wings and direct as well as act, but Fedderson dismissed the idea. The two had a serious falling out and Considine left the series at the end of the fifth season. His last appearance was in season six’s “The First Marriage,” in which Mike married his longtime girlfriend Sally (played by Meredith MacRae) and then moved to California to work as a teacher.

A replacement son was needed after Considine’s departure, so writer/producer George Tibbles came up with a three-part story arc that involved Chip’s friend, an orphan named Ernie Thompson, moving in with the Douglas clan after his foster parents moved out of the country. After overcoming a few legal and emotional hurdles, Steve officially adopted the youngster and My Three Sons was once again a legitimate title. Ernie (played by Stanley Livingston’s younger brother, Barry) was now the youngest child in the family, even though in previous episodes he was the same age and in the same classroom as Chip.


My Three Sons was effectively cancelled by ABC in 1964 because the network was bowing to pressure from rival networks and slowly converting their black-and-white prime time shows to color. All things considered, in their opinion the added expense of filming My Three Sons in color was not worth it, so they axed the show from their schedule. CBS, however, thought the series still had some legs so they picked it up for the fall 1965 season (and continued running it through 1972).


Don Grady joined the Army Reserve in 1968. His My Three Sons character was likewise sent off to basic training after also joining the Reserve, and his filming schedule was adjusted accordingly for the six months the actor had to spend on active duty. After Grady finished his basic training, he was eventually assigned to a marching band unit, which was comprised mostly of actors and musicians. For two years all the reservists in that unit were allowed to keep their long hair, as it was considered to be a “requirement” for their civilian occupations, but then a new C.O. was assigned to the post and ordered regulation haircuts for everyone. Grady refused and hired an attorney to stand his ground, but he also admitted in an interview later that he felt sorry for the other 25 guys who “didn’t have the bread to hire a lawyer and fight it.”


Nothing perks up an aging series like a wedding, so at the beginning of season 10, My Three Sons’s producers had Steve meet (and quickly fall in love with) Ernie’s new teacher, an attractive widow with a five-year-old daughter. Of all the women who were considered for the role of Barbara Harper, B-movie scream queen Beverly Garland had a resume bullet point that gave her an edge: When she met MacMurray, she told him that My Three Sons was really her own story—she’d married a widower with two children, raised them as her own and was now a grandmother. MacMurray’s real-life wife (June Haver) and twin daughters were present for the filming of the wedding of Steve Douglas and Barbara Harper, and Hollywood columnist Dick Kleiner, who was also hanging around the set, reported that once the director called “Cut!” after the final kiss, Fred immediately turned to his wife and apologized, “Just acting, June—you know how it is.”


During the 11th season of My Three Sons there was an attempt to spin Robbie, Katie, and their triplets off into their own series. In the episode “After the Honeymoon” (which also served as a backdoor pilot), Robbie was laid off from his job and moved his family to San Francisco to accept a new job. The apartment building that they moved into came equipped with wacky/overbearing landlords.

The proposed spin-off series wasn’t picked up, much to Grady’s relief. He’d been ambivalent about the project from the get-go, having decided that he’d had enough of playing “Robbie” and acting in general. His true passion was music, and he longed to compose and perform his own songs. He left the series at the end of season 11, but Tina Cole returned; her husband’s absence was explained by having him transferred to Peru to oversee a construction job.

10 Things You Might Not Know About Little Women

Louisa May Alcott's Little Women is one of the world's most beloved novels, and now—nearly 150 years after its original publication—it's capturing yet another generation of readers, thanks in part to Masterpiece's new small-screen adaptation. Whether it's been days or years since you've last read it, here are 10 things you might not know about Alcott's classic tale of family and friendship.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

Louisa May Alcott was writing both literature and pulp fiction (sample title: Pauline's Passion and Punishment) when Thomas Niles, the editor at Roberts Brothers Publishing, approached her about writing a book for girls. Alcott said she would try, but she wasn’t all that interested, later calling such books “moral pap for the young.”

When it became clear Alcott was stalling, Niles offered a publishing contract to her father, Bronson Alcott. Although Bronson was a well-known thinker who was friends with Ralph Waldo Emerson and Henry David Thoreau, his work never achieved much acclaim. When it became clear that Bronson would have an opportunity to publish a new book if Louisa started her girls' story, she caved in to the pressure.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

Alcott began writing the book in May 1868. She worked on it day and night, becoming so consumed with it that she sometimes forgot to eat or sleep. On July 15, she sent all 402 pages to her editor. In September, a mere four months after starting the book, Little Women was published. It became an instant best seller and turned Alcott into a rich and famous woman.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

The first half was published in 1868 as Little Women: Meg, Jo, Beth, and Amy. The Story Of Their Lives. A Girl’s Book. It ended with John Brooke proposing marriage to Meg. In 1869, Alcott published Good Wives, the second half of the book. It, too, only took a few months to write.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

Meg was based on Louisa’s sister Anna, who fell in love with her husband John Bridge Pratt while performing opposite him in a play. The description of Meg’s wedding in the novel is supposedly based on Anna’s actual wedding.

Beth was based on Lizzie, who died from scarlet fever at age 23. Like Beth, Lizzie caught the illness from a poor family her mother was helping.

Amy was based on May (Amy is an anagram of May), an artist who lived in Europe. In fact, May—who died in childbirth at age 39—was the first woman to exhibit paintings in the Paris Salon.

Jo, of course, is based on Alcott herself.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

Bronson Alcott’s philosophical ideals made it difficult for him to find employment—for example, as a socialist, he wouldn't work for wages—so the family survived on handouts from friends and neighbors. At times during Louisa’s childhood, there was nothing to eat but bread, water, and the occasional apple.

When she got older, Alcott worked as a paid companion and governess, like Jo does in the novel, and sold “sensation” stories to help pay the bills. She also took on menial jobs, working as a seamstress, a laundress, and a servant. Even as a child, Alcott wanted to help her family escape poverty, something Little Women made possible.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

Alcott, who never married herself, wanted Jo to remain unmarried, too. But while she was working on the second half of Little Women, fans were clamoring for Jo to marry the boy next door, Laurie. “Girls write to ask who the little women marry, as if that was the only aim and end of a woman’s life," Alcott wrote in her journal. "I won’t marry Jo to Laurie to please anyone.”

As a compromise—or to spite her fans—Alcott married Jo to the decidedly unromantic Professor Bhaer. Laurie ends up with Amy.


Frank T. Merrill, Public Domain, Courtesy of The Project Gutenberg

People have theorized Laurie was inspired by everyone from Thoreau to Nathaniel Hawthorne’s son Julian, but this doesn’t seem to be the case. In 1865, while in Europe, Alcott met a Polish musician named Ladislas Wisniewski, whom Alcott nicknamed Laddie. The flirtation between Laddie and Alcott culminated in them spending two weeks together in Paris, alone. According to biographer Harriet Reisen, Alcott later modeled Laurie after Laddie.

How far did the Alcott/Laddie affair go? It’s hard to say, as Alcott later crossed out the section of her diary referring to the romance. In the margin, she wrote, “couldn’t be.”


Orchard House in Concord, Massachusetts was the Alcott family home. In 1868, Louisa reluctantly left her Boston apartment to write Little Women there. Today, you can tour this house and see May’s drawings on the walls, as well as the small writing desk that Bronson built for Louisa to use.


In addition to a 1958 TV series, multiple Broadway plays, a musical, a ballet, and an opera, Little Women has been made into more than a half-dozen movies. The most famous are the 1933 version starring Katharine Hepburn, the 1949 version starring June Allyson (with Elizabeth Taylor as Amy), and the 1994 version starring Winona Ryder. Later this year, Clare Niederpruem's modern retelling of the story is scheduled to arrive in movie theaters. It's also been adapted for the small screen a number of times, most recently for PBS's Masterpiece, by Call the Midwife creator Heidi Thomas.


In 1987, Japan made an anime version of Little Women that ran for 48 half-hour episodes. Watch the first two episodes above.

Additional Resources:
Louisa May Alcott: A Personal Biography; Louisa May Alcott: The Woman Behind Little Women; Louisa May Alcott's Journals; Little Women; Alcott Film; C-Span;

13 Forgotten Sequels to Popular TV Shows

While sequels can promise bigger and better things to come, sometimes they fall short ... really short. Here are 13 sequels to popular TV shows you probably forgot existed (if you ever even knew they existed at all).

1. THE BRADYS (1990)

After the success of The Brady Bunch during its five-year run on ABC during the early 1970s and in syndication throughout the 1980s, rival network CBS commissioned a sequel series after seeing positive ratings from A Very Brady Christmas, a 1988 made-for-TV reunion movie. Two years later, The Bradys debuted with its original cast, except Maureen McCormick, who declined to reprise the role of Marcia Brady. She was replaced with Leah Ayres. While the original Brady Bunch was a 30-minute comedy, The Bradys was a soapy, hour-long “dramedy,” with adult-themed storylines like Mike starting a career in politics, Marcia battling alcoholism, Bobby becoming paralyzed after a race car accident, and Peter dating an abusive woman. Yikes!

Considering The Bradys's harsher subject matter and themes, the new TV show only lasted for a few episodes in early 1990. CBS aired The Bradys on Friday nights against ABC’s TGIF juggernaut lineup of Perfect Strangers, Family Matters, and Full House. Including A Very Brady Christmas and The Bradys, there were whooping seven TV spinoffs and sequels for The Brady Bunch, including The Brady Kids, The Brady Bunch Variety Hour, The Brady Girls Get Married, Day by Day: "A Very Brady Episode," and Kelly's Kids—which was a “backdoor” pilot that never became a new TV series.

2. THE NEW GIDGET (1986 - 1988)

After the high rating numbers for the 1985 made-for-TV movie Gidget's Summer Reunion, original series producer Harry Ackerman launched a sequel the following year called The New Gidget with actress Caryn Richman in the titular role instead of Sally Field. It still followed Frances Elizabeth “Gidget” Lawrence, who was now grown up and married to her longtime boyfriend Jeff “Moondoggie” Griffin. The pair lived in Santa Monica and still made it to the beach once and a while, despite their busy lives as a travel agent (her) and an architect (him). The New Gidget only lasted for two seasons, which is actually double the original 1960s series. However, the latter is far more popular because it was Sally Field's breakout role.

3. THE MUNSTERS TODAY (1987 – 1991)

After a made-for-TV reunion movie called The Munsters’ Revenge failed to get off the ground, producers Lloyd J. Schwartz and Bryan Joseph created The Munsters Today instead. The new TV show was in full color and took place in 1988, which was 22 years after the black-and-white original went off the air. However, CBS passed on the sequel, so it aired in first-run syndication. The Munsters original cast Fred Gwynne (Herman Munster) and Yvonne De Carlo (Lily Munster) declined to appear on the new TV show, while Al Lewis was not happy he was not considered to reprise the role of Grandpa.

In 2012, NBC commissioned Bryan Fuller (Pushing Daisies, Hannibal) for a new TV reboot starring Jerry O'Connell as Herman Munster and Portia de Rossi as Lily Munster called Mockingbird Lane. The reboot was eventually canceled, but the broadcast network aired the failed TV pilot as a Halloween special later in the year. In 2017, it was reported that Seth Meyers was reportedly working on an all-new reboot of The Munsters for NBC.


In 1991, nine years after the original WKRP In Cincinnati left the airwaves on CBS, its sequel series called The New WKRP In Cincinnati debuted in syndication. The new TV show brought back many of its original cast, such as Gordon Jump, Frank Bonner, and Richard Sanders, while other cast members dropped in for special guest appearances, like Loni Anderson and Tim Reid. However, with a mixed critical response and the numerous problems of first-run syndicated TV shows (including inconsistent time slots and air dates), The New WKRP In Cincinnati was canceled two years later.

5. NEW MONKEES (1987)

In 1986, The Monkees were at the top of pop culture (again) after MTV aired reruns of the classic 1966 TV show for a new audience. Micky Dolenz, Peter Tork, and Davy Jones reunited (minus Michael Nesmith) for a special 20th anniversary tour, while their albums were reissued and a new one was released. In fact, there was so much excitement over The Monkees's revival that Columbia Pictures Television announced a new sequel TV series with a nationwide talent search to find the New Monkees.

After auditioning thousands upon thousands of young hopefuls, Jared Chandler, Larry Saltis, Konstantinos "Dino" Kovas, and Marty Ross (who also played guitar for a power pop band called The Wigs) were selected to star, as well as release a new synth pop-driven, self-titled album to coincide with the premiere of New Monkees in syndication.

Much like the original, the new TV show followed the adventures of a struggling young band that lived together, but the difference being they lived in a giant mansion with a butler, many unexplored rooms—which was the source of said adventures—a diner with a sassy waitress, and a talking computer named Helen.

However, by the time the new TV show and album were released to the public in 1987, The Monkees had become passé again. New Monkees was canceled after just 13 episodes, despite a 22-episode series order. The new album also bombed and failed to garner a single hit.  

6. SANFORD (1980 - 1981)

During the 1970s, Sanford and Son (a remake of the BBC’s Steptoe and Son) was a smash hit for NBC. Although the series was widely popular, it was canceled in 1977 after Redd Foxx left to star in The Redd Foxx Comedy Hour for rival network ABC (which was eventually canceled after only four months). Foxx later came back to NBC for the return of Sanford and Son in 1980.

However, Demond Wilson, who played Lamont Sanford, didn’t want to return, so NBC just centered the sequel series around Fred Sanford and his new business partner Cal Pettie (Dennis Burkley). It was simply called Sanford, while his son Lamont was written out of the show with the explanation that the character moved away to work on the Alaskan pipeline. Unfortunately, Sanford was not nearly as popular as the original Sanford and Son, so it was canceled after two seasons in 1981.  

7. THE NEW LEAVE IT TO BEAVER (1986 - 1989)

After ABC canceled Leave It To Beaver in 1963, rival network CBS brought The Cleavers back in the 1983 made-for-TV reunion movie Still The Beaver. The movie had such positive reviews and ratings, the Disney Channel picked it up for a sequel series the following year, but ultimately, it was canceled in 1985. Cable network TBS later picked up the series and renamed it The New Leave It To Beaver in 1986. It ran for an additional three seasons before it was canceled for good in 1989.  

The New Leave It To Beaver followed a middle-aged Wally (Tony Dow) and Theodore "Beaver" Cleaver (Jerry Mathers ) with their own families and children. After The Beaver divorced his wife, his widowed mother June (Barbara Billingsley) moved in with him to help raise his two sons. Fan favorite Eddie Haskell (Ken Osmond) also returned with his sons, Freddie and Bomber, who were played by Osmond’s real-life sons, Eric and Christian, respectively. Fun fact: A young Giovanni Ribisi also appeared on The New Leave It To Beaver as the character Duffy Guthrie; he was credited as Vonni Ribisi at the time.  

8. TEAM KNIGHT RIDER (1997 - 1998)

In 1997, NBC created Team Knight Rider as a sequel to the hit early 1980s TV show Knight Rider. Instead of a man and his high-tech car, it featured a team of five members with their very own high-tech vehicles called the Foundation for Law and Government (or F.L.A.G.). Although the original was a pop culture hit back in the early 1980s, Team Knight Rider failed to live up to expectations in the late 1990s. It was canceled after one season in first-run syndication in 1998.  


In 2009, more than 15 years after the massive success of the original Melrose Place on Fox, The CW and producers Todd Slavkin and Darren Swimmer debuted a new TV show with the same title. The new primetime soap opera, much like the original, followed the lives of several 20-somethings living in a fictional apartment complex in West Hollywood with a cast that included then-pop star Ashlee Simpson-Wentz (now Ashlee Simpson-Ross).

While cast members from the original series—including Josie Bissett, Thomas Calabro, Laura Leighton, Daphne Zuniga, and Heather Locklear as Amanda Woodward—appeared as special guest stars, Melrose Place couldn’t find a devoted audience and it received a mixed critical response. It was canceled after one season.  

10. WHAT’S HAPPENING NOW!! (1985 - 1988)

In 1985, six years after ABC canceled the original What’s Happening!! in 1979, screenwriter Eric Monte created a sequel series called What’s Happening Now!! The new TV show still followed Raj (Ernest Thomas), Dwayne (Haywood Nelson), and Rerun (Fred Berry) living in the neighborhood of Watts in Los Angeles, but now the characters are in their mid-20s instead of teenagers. Both TV shows, which were based on Monte’s coming-of-age film Cooley High, lasted for just three seasons each. Both received higher ratings in syndication than their original runs. Fun fact: Martin Lawrence made his TV debut in What’s Happening Now!!; he played a recurring role during its final season in 1987-88.  

11. DALLAS (2012)

While the original Dallas aired for 13 seasons on CBS from 1978 to 1991, its follow-up of the same name only lasted for three on TNT, from 2012 to 2014. Dallas followed the next generation of Ewing Oil’s family feud with many of the original cast members returning for another go-around. The original Dallas had a big influence on pop culture during the 1980s with its “Who shot J.R.?cliffhanger and ad campaign that fueled its popularity for 13 seasons.  


From the late 1980s through the 1990s, young Americans watched the many adventures of Zack Morris and his friends throughout junior high and high school. While Good Morning, Miss Bliss and Saved By The Bell were staples of Saturday morning programming, Saved By The Bell: The College Years premiered in primetime on NBC in 1993.

Instead of taking the original cast to college, the sequel only followed Zack Morris (Mark-Paul Gosselaar), A.C. Slater (Mario Lopez), and Screech (Dustin Diamond) as freshmen living in the dorms of the fictional California University. However, Tiffani Amber Thiessen reprised her role as Kelly Kapowski after the pilot received poor ratings. Executive producer Peter Engel regretted the decision not to involve the original cast.  

“I should’ve taken all the six kids to college. I should’ve insisted we take them all and I didn’t. It was my decision and I made a mistake,” Engel admitted to The Wrap in 2016. “I was trying to make it different than Bell and I think we made it too different,” he concluded. “I think we lost some of our—what’s the word?—innocence.”  

Saved By The Bell: The College Years was just too different for longtime fans and young viewers, while also too cheesy and cornball for mature audiences during primetime. It was canceled after only one season in 1994.

Meanwhile, Saved By The Bell: The College Years wasn't the only new TV show from Peter Engel in 1993. Saved by the Bell: The New Class debuted a few months later and was a hit on Saturday mornings for NBC; it lasted for a respectable seven seasons.  

13. STAR TREK: PHASE II (1978)

While Star Trek: The Next Generation is the official sequel to the original series, Star Trek: Phase II was the first planned follow-up, which ultimately went unproduced and unaired. After a growing Star Trek cult following and the surprise success of Star Wars in 1977, Paramount Pictures wanted their own science fiction phenomenon on the big screen, so executives asked Gene Roddenberry to adapt Star Trek into a feature film. However, plans for a movie were later scrapped when executives believed interest couldn’t support two big sci-fi movies, so instead, Roddenberry started working on a new TV series for Paramount Television Services (PTVS was slated to be the “fourth” television network), which ordered a two-hour pilot and 13 episodes that would premiere in 1978.

Many of the original cast members from Star Trek agreed to return, including DeForest Kelley, Nichelle Nichols, George Takei, and Walter Koenig, while Leonard Nimoy turned down the series altogether and William Shatner was just too darn expensive to cast at the time. New characters including a Vulcan named Xon and Captain Willard Decker were created to fill the void. But due to production problems, budget concerns, and the demise of PTVS, the Phase II project was canceled, as its story elements and characters evolved into Star Trek: The Motion Picture, which was released in 1979. Luckily, Roddenberry eventually got his sequel TV series with The Next Generation in 1987. Check out test footage from Star Trek: Phase II above.


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