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By CBS Television (eBayfrontback) [Public domain], via Wikimedia Commons
By CBS Television (eBayfrontback) [Public domain], via Wikimedia Commons

11 Fun Facts About My Three Sons

By CBS Television (eBayfrontback) [Public domain], via Wikimedia Commons
By CBS Television (eBayfrontback) [Public domain], via Wikimedia Commons

When My Three Sons premiered in 1960, it wasn’t the first TV series to feature an all-male household—Bachelor Father and Bonanza were both lacking mother figures—but it was the first to show a more realistic version of such a family. The house wasn’t always spotless, the boys were rambunctious and noisy, and chaos was often the order of the day. Here are a few fun facts (or “neat junk,” as Ernie might say) about the Douglas family.

1. THE STAR MANAGED TO NEGOTIATE A SWEET SET OF WORKING HOURS FOR HIS SCHEDULE.

Fred MacMurray was a well-established film star when he was approached by executive producer Don Fedderson about starring in a TV series. MacMurray agreed with two conditions: one, that he would own a percentage of the show, and two, that he only would be required to work three months of each year. In reality, MacMurray was a dedicated family man, and after years of being away on movie sets had planned to retire early and spend the majority of his time at home with his wife and four-year-old twin daughters. But the money Fedderson offered him was too tempting to pass up—and would secure his children’s future—so he signed on to play the widowed patriarch on My Three Sons.

MacMurray’s “three month” stipulation meant that the writers had to have each season’s scripts ready in advance so that MacMurray could film all of his scenes in one fell swoop and have them edited into the various episodes of the series after the fact. Years later, several other actors caught on to this concept and agreed to star in a project only if it was filmed in “the MacMurray Method.”

2. WILLIAM FRAWLEY WAS A BELOVED BUT NAUGHTY ROLE MODEL TO THE CHILD ACTORS.

The premise of My Three Sons was to showcase the trials and tribulations of Steven Douglas (MacMurray), an aeronautical engineer and widower, and his three boys—Mike, Robbie, and Chip. Since Steve’s job required long hours, some household help was required. Enter William Frawley (I Love Lucy’s Fred Mertz) as Michael Francis “Bub” O’Casey, Steve’s father-in-law. Bub served as chief cook and bottle-washer, as well as the disciplinarian for the boys when their dad wasn’t home.

Frawley nabbed the role shortly after his tenure on I Love Lucy, and was quite pleased to have another steady job. A long-time bachelor with no children of his own, he became something of a surrogate grandfather to Stanley and Barry Livingston, who played Chip and Ernie, respectively. Years later, Stanley reported—with pride—that Frawley “taught me every four-letter word I know!”

3. THE “SONS” HAD TO BE MACMURRAY-APPROVED BEFORE BEING HIRED.

Stanley Livingston was the first of the “Sons” to be cast. Just nine years old at the time, he was already a show biz veteran, having worked regularly on The Adventures of Ozzie & Harriet from 1958 to 1960. Stan was hired to play “Chip,” who was the youngest of the Douglas boys when the series premiered.

Ryan O’Neal was a contender for the role of Mike, the eldest son, but MacMurray felt that he wasn’t really suited to comedy. MacMurray instead recommended Tim Considine for the role, having recently worked with him on The Shaggy Dog. Former Mouseketeer Don Grady, who was cast as Robbie, not only passed muster as being well-behaved, he also had a cleft in his chin that resembled MacMurray’s.

4. BILL FRAWLEY CARRIED A GRUDGE … TO GREAT LENGTHS.

That there was no love lost between former I Love Lucy co-stars William Frawley and Vivian Vance was certainly no secret in Hollywood, but Frawley had been willing to set aside any personal differences when Desilu proposed a spin-off series starring Fred and Ethel Mertz. Vivian Vance absolutely refused, however, and Frawley never forgave her for denying him a steady paycheck.

“On the third season of our show, lo and behold, Lucy decided to do The Lucy Show and they were on the next stage over from ours,” Stanley Livingston recalled. “She probably picked that stage knowing Bill and Vivian would have to pass each other. When Bill saw Vivian, he’d yell some sort of obscenity at her. He got me to participate in a couple of his pranks. When she was doing a scene, he’d get us kids on the show to sneak in and knock over a stack of empty film cans or throw them like a Frisbee to make a big racket and ruin her scene so she’d have to do it again.”

5. MACMURRAY WAS ALWAYS LOOKING FOR WAYS TO SAVE A FEW DOLLARS.

In addition to being known as one of the nicest guys in Hollywood, MacMurray was also well known for being frugal with the stacks of money he had accumulated during his career. At one time he was the highest-paid actor in Hollywood, yet he brown-bagged his meals every day while filming My Three Sons and kept an eye on all the expenses associated with the show. Actress Beverly Garland, who played Barbara Harper Douglas, was present one afternoon when the wardrobe man told Fred, “I think we’re going to have to buy a dozen new shirts for you this season.” MacMurray asked him, “Buy a dozen shirts? Why don’t you just turn the collars around on my old ones?”

6. CONTINUITY PROVED TO BE A BIG PRODUCTION PROBLEM.

The MacMurray Method was a nightmare in terms of continuity, so production manager John G. Stephens was tasked with keeping everything running smoothly and as if it had been shot in sequence. For example, when Fred was done with a scene (and remember, all of his scenes were shot in bulk; all the kitchen scenes were done one week, the living room shots another, etc.) the other actors would all freeze in place and Stephens would take a set of detailed Polaroid photos of everyone. Three months or so later, when the rest of that kitchen scene was filmed, the actors—wearing the same wardrobe and hairstyles as before—resumed their frozen poses from that last shot before the director called “Action!”

Because the episodes and scenes were filmed out of order, the cast had to be doubly diligent about their appearance for each entire season. Any significant weight gain or radical haircut would completely blow continuity. Some changes were inevitable, such as Barry and Stanley’s growth spurts in their early teens, so the wardrobe department bought some of their clothes in duplicate sets in graduating sizes.

The most obvious continuity glitch occurred during season 10, when Dawn Lyn was added to the cast as five-year-old Dodie, the daughter of the woman Steve Douglas married that season. Dawn was losing her baby teeth at the time, and her front teeth grew in irregularly so there are scenes of her chatting with her new daddy with a gummy grin and then later in the same episode she’s suddenly sporting a jagged pair of incisors while arguing with her brothers.

7. THE ELDEST SON LEFT THE SERIES AFTER A FALLING OUT WITH THE PRODUCER.

Tim Considine had an extensive resume, having starred in many Disney shorts and feature films. After a few seasons on My Three Sons, he wanted to spread his wings and direct as well as act, but Fedderson dismissed the idea. The two had a serious falling out and Considine left the series at the end of the fifth season. His last appearance was in season six’s “The First Marriage,” in which Mike married his longtime girlfriend Sally (played by Meredith MacRae) and then moved to California to work as a teacher.

A replacement son was needed after Considine’s departure, so writer/producer George Tibbles came up with a three-part story arc that involved Chip’s friend, an orphan named Ernie Thompson, moving in with the Douglas clan after his foster parents moved out of the country. After overcoming a few legal and emotional hurdles, Steve officially adopted the youngster and My Three Sons was once again a legitimate title. Ernie (played by Stanley Livingston’s younger brother, Barry) was now the youngest child in the family, even though in previous episodes he was the same age and in the same classroom as Chip.

8. THE SERIES CHANGED NETWORKS MIDWAY THROUGH ITS 12-YEAR RUN.

My Three Sons was effectively cancelled by ABC in 1964 because the network was bowing to pressure from rival networks and slowly converting their black-and-white prime time shows to color. All things considered, in their opinion the added expense of filming My Three Sons in color was not worth it, so they axed the show from their schedule. CBS, however, thought the series still had some legs so they picked it up for the fall 1965 season (and continued running it through 1972).

9. BOTH “ROBBIE” AND DON GRADY SERVED IN THE ARMY RESERVE.

Don Grady joined the Army Reserve in 1968. His My Three Sons character was likewise sent off to basic training after also joining the Reserve, and his filming schedule was adjusted accordingly for the six months the actor had to spend on active duty. After Grady finished his basic training, he was eventually assigned to a marching band unit, which was comprised mostly of actors and musicians. For two years all the reservists in that unit were allowed to keep their long hair, as it was considered to be a “requirement” for their civilian occupations, but then a new C.O. was assigned to the post and ordered regulation haircuts for everyone. Grady refused and hired an attorney to stand his ground, but he also admitted in an interview later that he felt sorry for the other 25 guys who “didn’t have the bread to hire a lawyer and fight it.”

10. BEVERLY GARLAND’S PRIVATE LIFE PREPARED HER FOR HER ROLE AS “BARBARA.”

Nothing perks up an aging series like a wedding, so at the beginning of season 10, My Three Sons’s producers had Steve meet (and quickly fall in love with) Ernie’s new teacher, an attractive widow with a five-year-old daughter. Of all the women who were considered for the role of Barbara Harper, B-movie scream queen Beverly Garland had a resume bullet point that gave her an edge: When she met MacMurray, she told him that My Three Sons was really her own story—she’d married a widower with two children, raised them as her own and was now a grandmother. MacMurray’s real-life wife (June Haver) and twin daughters were present for the filming of the wedding of Steve Douglas and Barbara Harper, and Hollywood columnist Dick Kleiner, who was also hanging around the set, reported that once the director called “Cut!” after the final kiss, Fred immediately turned to his wife and apologized, “Just acting, June—you know how it is.”

11. A PROPOSED SPIN-OFF NEVER HAPPENED.

During the 11th season of My Three Sons there was an attempt to spin Robbie, Katie, and their triplets off into their own series. In the episode “After the Honeymoon” (which also served as a backdoor pilot), Robbie was laid off from his job and moved his family to San Francisco to accept a new job. The apartment building that they moved into came equipped with wacky/overbearing landlords.

The proposed spin-off series wasn’t picked up, much to Grady’s relief. He’d been ambivalent about the project from the get-go, having decided that he’d had enough of playing “Robbie” and acting in general. His true passion was music, and he longed to compose and perform his own songs. He left the series at the end of season 11, but Tina Cole returned; her husband’s absence was explained by having him transferred to Peru to oversee a construction job.

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15 Surprising Facts About Scarface
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Say hello to our little list. Here are a few facts to break out at your next screening of Scarface, Brian De Palma’s gangsters-and-cocaine classic, which arrived in theaters on this day in 1983.

1. IT WASN'T THE FIRST SCARFACE.

Brian De Palma's Scarface is a loose remake of the 1932 movie of the same name, which is also about the rise and fall of an American immigrant gangster. The producer of the 1983 version, Martin Bregman, saw the original on late night TV and thought the idea could be modernized—though it still pays respect to the original film. De Palma's flick is dedicated to the original film’s director, Howard Hawks, and screenwriter, Ben Hecht.

2. IT COULD HAVE BEEN A SIDNEY LUMET FILM.

At one point in the film's production, Sidney Lumet—the socially conscious director of such classics as Dog Day Afternoon and 12 Angry Men—was brought on as its director. "Sidney Lumet came up with the idea of what's happening today in Miami, and it inspired Bregman," Pacino told Empire Magazine. "He and Oliver Stone got together and produced a script that had a lot of energy and was very well written. Oliver Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly."

3. OLIVER STONE WASN'T INTERESTED IN WRITING THE SCRIPT, UNTIL LUMET GOT INVOLVED.


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Producer Bregman offered relative newcomer Oliver Stone a chance to overhaul the screenplay, but Stone—who was still reeling from the box office disappointment of his film, The Hand—wasn't interested. "I didn’t like the original movie that much," Stone told Creative Screenwriting. "It didn’t really hit me at all and I had no desire to make another Italian gangster picture because so many had been done so well, there would be no point to it. The origin of it, according to Marty Bregman, [was that] Al had seen the '30s version on television, he loved it and expressed to Marty as his long time mentor/partner that he’d like to do a role like that. So Marty presented it to me and I had no interest in doing a period piece."

But when Bregman contacted Stone again about the project later, his opinion changed. "Sidney Lumet had stepped into the deal," Stone said. "Sidney had a great idea to take the 1930s American prohibition gangster movie and make it into a modern immigrant gangster movie dealing with the same problems that we had then, that we’re prohibiting drugs instead of alcohol. There’s a prohibition against drugs that’s created the same criminal class as (prohibition of alcohol) created the Mafia. It was a remarkable idea."

4. UNFORTUNATELY, ACCORDING TO STONE, LUMET HATED HIS SCRIPT.

While the chance to work with Lumet was part of what lured Stone to the project, it was his script that ultimately led to the director's departure from the film. According to Stone: "Sidney Lumet hated my script. I don’t know if he’d say that in public himself, I sound like a petulant screenwriter saying that, I’d rather not say that word. Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al."

5. STONE HAD FIRSTHAND EXPERIENCE WITH THE SUBJECT MATTER.

In order to create the most accurate picture possible, Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug.

"I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober."

6. BRIAN DE PALMA DIDN'T WANT TO AUDITION MICHELLE PFEIFFER.


Universal Home Video

De Palma was hesitant to audition the relatively untested Pfeiffer because at the time she was best known for the box office bomb Grease 2. Glenn Close, Geena Davis, Carrie Fisher, Kelly McGillis, Sharon Stone and Sigourney Weaver were all considered for the role of Elvira, but Bregman pushed for Pfeiffer to audition and she got the part.

7. YES, THERE IS A LOT OF SWEARING.

According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. In 2014, Martin Scorsese more than doubled that with a record-setting 506 F-bombs thrown in The Wolf of Wall Street.

8. TONY MONTANA WAS NAMED FOR A FOOTBALL STAR.

Stone, who was a San Francisco 49ers fan, named the character of Tony Montana after Joe Montana, his favorite football player.

9. TONY IS ONLY REFERRED TO AS "SCARFACE" ONCE, AND IT'S IN SPANISH.

Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to Tony as “cara cicatriz,” meaning “scar face” in Spanish.

That chainsaw scene, by the way, was based on a real incident. To research the movie, Stone embedded himself with Miami law enforcement and based the infamous chainsaw sequence on a gangland story he heard from the Miami-Dade County police.

10. VERY LITTLE OF THE FILM WAS ACTUALLY SHOT IN MIAMI.

The film was originally going to be shot entirely on location in Miami, but protests by the local Cuban-American community forced the movie to leave Miami two weeks into production. Besides footage from those two weeks, the rest of the movie was shot in Los Angeles, New York, and Santa Barbara.

11. ALL THAT "COCAINE" LED TO PROBLEMS WITH PACINO'S NASAL PASSAGES.

Though there has long been a myth that Pacino snorted real cocaine on camera for Scarface, the "cocaine" used in the movie was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But just because it wasn't real doesn't mean that it didn't create problems for Pacino's nasal passages. "For years after, I have had things up in there," Pacino said in 2015. "I don't know what happened to my nose, but it's changed."

12. PACINO'S NOSE WASN'T HIS ONLY BODY PART TO SUFFER DAMAGE.

Still of Al Pacino as Tony Montana in 'Scarface' (1983)
Universal Home Video

In the film's very bloody conclusion, Montana famously asks the assailants who've invaded his home to "say hello to my little friend," which happens to be a very large gun. That gun took a beating from all the blanks it had to fire, so much so that Pacino ended up burning his hand on its barrel. "My hand stuck to that sucker," he said. Ultimately, the actor—and his bandaged hands—had to sit out some of the action in the last few weeks of production.

13. STEVEN SPIELBERG DIRECTED A SINGLE SHOT.

De Palma and Spielberg had been friends since the two began making studio movies in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house.

14. SOME COOL TECHNOLOGY WENT INTO THE GUN MUZZLE FLASHES.

In order to heighten the severity of the gunfire, De Palma and the special effects coordinators created a mechanism to synchronize the gunfire with the open shutter on the movie camera to show the huge muzzle flash coming from the guns in the final shootout.

15. SADDAM HUSSEIN WAS A FAN OF THE FILM.

The trust fund the former Iraqi dictator set up to launder money was called “Montana Management,” a nod to the company Tony uses to launder money in the movie.

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30 Cold, Hard Facts About Die Hard
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What do you get when you mix one part action movie with one part holiday flick and add in a dash of sweaty tank top? Die Hard, John McTiernan’s genre-bending Christmas action masterpiece for the ages, which sees a badass NYPD cop take on a skyscraper full of bad guys in the midst of an office holiday party. Here are 30 things you might not know about the movie.

1. IT’S GOT A LITERARY BACKGROUND.

Think some action-loving Hollywood scribe came up with the concept for Die Hard? Think again. The movie is based on Roderick Thorp’s 1979 crime novel Nothing Lasts Forever, which is a sequel to his 1966 novel, The Detective. In 2013, Thorp’s long out-of-print book was resurrected to coincide with the film’s 25th anniversary.

2. IT WAS INSPIRED BY THE TOWERING INFERNO.

The idea for Nothing Lasts Forever was inspired John Guillermin’s 1974 disaster flick The Towering Inferno. After seeing the film, Thorp had a dream about a man being chased through a skyscraper by a group of men with guns. He eventually turned that snippet of an idea into a sequel to The Detective.

3. FRANK SINATRA GOT FIRST DIBS ON PLAYING THE ROLE OF JOHN MCCLANE.


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Because he had starred in the big-screen adaptation of The Detective, Frank Sinatra had to be offered the role in its sequel. At the age of 73, he smartly turned it down.

4. BRUCE WILLIS’S BIG-SCREEN DEBUT WAS WITH FRANK SINATRA.

In 1980, Willis made his film debut (albeit uncredited) in the crime thriller The First Deadly Sin. He has no name and if you blink you’ll miss him, but the role simply required that Willis entered a diner as Sinatra’s character left it. Maybe it was kismet?

5. CLINT EASTWOOD PLANNED TO TAKE A STAB AT THE PART.

Originally, it was Clint Eastwood who owned the movie rights to Nothing Lasts Forever, which he had planned to star in in the early 1980s. That obviously never happened.

6. IT WAS NEVER SUPPOSED TO BE A SEQUEL TO COMMANDO.

This is one of the most popular internet stories about Die Hard. But according to Stephen de Souza, the screenwriter of both Die Hard and Commando, while there was a sequel to Commando planned, the only similarity with Die Hard is that they both took place in buildings. According to de Souza, Escape Plan is the closest to his original Commando 2 idea and Die Hard was never supposed to be anything but Die Hard.

7. BRUCE WILLIS WASN’T EVEN THE STUDIO’S THIRD CHOICE FOR THE ROLE.

If Die Hard was to be a success, the studio knew they needed a bona fide action star in the part, so they set about offering it to a seemingly never-ending list of A-listers of the time. Rumor has it that Sylvester Stallone, Harrison Ford, Robert De Niro, Charles Bronson, Nick Nolte, Mel Gibson, Richard Gere, Don Johnson, Burt Reynolds, and Richard Dean Anderson (yes, MacGyver!) were all considered for the role of John McClane. And all declined it.

8. BRUCE WILLIS WAS CONSIDERED A COMEDIC ACTOR AT THE TIME.

Die Hard’s producers had nothing against Bruce Willis, of course. He just wasn’t an immediate choice for the role because, up until that point, he was known solely as a comedic actor, not an action star. Following the success of the film, the action genre really became Willis’s bread and butter, and although he has two Emmys for his comedy work, it has remained as such to this day.

9. BRUCE WILLIS WAS BARELY EVEN SEEN ON THE MOVIE’S POSTERS.

Bruce Willis stars as John McClane in 'Die Hard.'
Twentieth Century Fox

Because the studio’s marketing gurus were unconvinced that audiences would pay to see an action movie starring the funny guy from Moonlighting, the original batch of posters for the film centered on Nakatomi Plaza instead of Willis’s mug. As the film gained steam, the marketing materials were altered, and Willis was more prominent in the promos.

10. WILLIS WAS PAID $5 MILLION TO MAKE THE MOVIE.

Even with all the uncertainly surrounding whether he could pull the film off, Willis was paid $5 million to make Die Hard, which was considered a rather hefty sum at the time—a figure reserved for only the top tier of Hollywood talents.

11. WILLIS SUGGESTED THAT BONNIE BEDELIA PLAY HIS WIFE.

Though we suspect that she wasn’t paid $5 million for the gig.

12. BRUCE WILLIS WAS ABLE TO SAY YES THANKS TO A WELL-TIMED PREGNANCY.

The first few times Bruce Willis was asked to star in the movie, he had to say no because of his commitments to Moonlighting. Then costar Cybill Shepard announced that she was pregnant. Because her pregnancy wouldn’t work within the show, producer Glenn Caron gave everyone 11 weeks off, allowing Willis to say yes.

13. SAM NEILL WAS ORIGINALLY APPROACHED FOR THE PART OF HANS GRUBER.

But Neill ended up turning the film down. Then, in the spring of 1987, the casting director saw Alan Rickman playing the dastardly Valmont in a stage production of Dangerous Liaisons and knew they had found their Hans.

14. DIE HARD WAS ALAN RICKMAN’S FEATURE FILM DEBUT.

Though Rickman may have played the part of Hans as cool as the other side of the pillow, it was actually his first role in a feature film.

15. JOHN MCTIERNAN TURNED THE MOVIE DOWN, TOO.

And not just once, but on a few different occasions. His reason was that the material just seemed too dark and cynical for him. “The original screenplay was a grim terrorist movie,” McTiernan told Empire magazine in 2014. “On my second week working on it, I said, 'Guys, there's no part of terrorism that's fun. Robbers are fun bad guys. Let's make this a date movie.’ And they had the courage to do it.”

16. MCTIERNAN SEES IT AS A SHAKESPEAREAN TALE.

In the original script, the action in Die Hard takes place over a three-day span, but McTiernan—inspired by Shakespeare’s A Midsummer Night’s Dream—insisted that it be condensed into a single evening.

17. NAKATOMI PLAZA IS ACTUALLY FOX PLAZA.


Yes, the corporate headquarters of 20th Century Fox—the very studio making the movie—proved to be the perfect location for the movie’s much-needed Nakatomi Plaza. And as it was still under construction, there wasn’t a whole lot they needed to do to the space to make it movie-ready. The studio charged itself rent to use its own space.

18. THE ROOM WHERE THE HOSTAGES ARE BEING HELD IS LITERALLY SUPPOSED TO BE FRANK LLOYD WRIGHT'S FALLINGWATER.

"In this period, Japanese corporations were buying America," production designer Jackson De Govia said in the Die Hard DVD audio commentary. "We posited that ... Nakatami Corporation bought Fallingwater, disassembled it, and reassembled it in the atrium, like a trophy."

19. THAT PANORAMIC VIEW OF THE CITY BELOW? IT’S NOT REAL.

A 380-foot-long background painting provided the illusion of a breathtaking city view in the movie. And it was a state-of-the-art one, too, with animated lights, moving traffic, and the ability to change from night to day. The painting is still the property of the studio and has been used in other productions since.

20. THE FILM’S SUCCESS SPAWNED A BONA FIDE FRANCHISE.

In addition to its four sequels, Die Hard has spawned video games and comic books, too.

21. JOHN MCCLANE’S TUMBLE DOWN A VENTILATION SHAFT WAS AN ACCIDENT.

Or maybe “error” would be a better word. But in the scene in which McClane jumps into an elevator shaft, his stunt man was supposed to grab onto the first vent. But he missed. By a lot. Which made the footage even more exciting to watch, so editor Frank J. Urioste kept it in the final cut.

22. ALAN RICKMAN’S DEATH SCENE WAS ALSO PRETTY SCARY.

At least it was for Rickman. In order to make it look as if he was falling off a building, Rickman was supposed to drop 20 feet onto an air bag while holding onto a stunt man. But in order to get a genuinely terrified reaction out of him, they dropped him on the count of two—not three, as was planned.

23. BRUCE WILLIS SUFFERED PERMANENT HEARING LOSS.


Twentieth Century Fox

In order to get the hyper-realism that director John McTiernan was looking for, the blanks used in the guns in the movie were modified to be extra loud. In one scene, Willis shoots a terrorist through a table, which put the action star in extremely close proximity to the gun—and caused permanent hearing loss. He referenced the injury in a 2007 interview with The Guardian. When they asked Willis his most unappealing habit, he replied that, “Due to an accident on the first Die Hard, I suffer two-thirds partial hearing loss in my left ear and have a tendency to say, ‘Whaaa?’”

24. ALAN RICKMAN WASN’T FOND OF THE NOISE EITHER.

Whenever he had to shoot a gun in the film, Rickman couldn’t help but flinch. Which forced McTiernan to have to cut away from him so that his reactions were not caught on film.

25. GRUBER’S AMERICAN ACCENT POSED NOTHING BUT PROBLEMS.

The scene in which Rickman, as Gruber, slips into an American accent and pretends to be yet another hostage who got away was insisted on by screenwriter Steven de Souza, who wanted them in a room together to duke it out. But McTiernan was never happy with Rickman’s American accent, saying, “I still hear Alan Rickman’s English accent. I was never quite happy with the way he opened his mouth [in that scene] ... I shot it three times trying to get him to sound more stridently American ... it’s odd for someone who has such enormous verbal skills; he just had terrible trouble getting an American accent.”

26. HANS GRUBER’S GERMAN IS MOSTLY GIBBERISH.

And the bulk of his German cohorts were not German either. Bruce Willis, on the other hand, was actually born in West Germany to an American father and a German mother.

27. BRUCE WILLIS HAS FOUR FEET.

As Willis spends much of the movie in his bare feet running through broken glass, he was given a pair of rubber feet to wear as a safety precaution. Which is great and all, but if you look closely in certain scenes, you can actually see the fake appendages.

28. YOU CAN SEE—BUT NOT TOUCH—JOHN MCCLANE’S SWEATY TANK TOP.


Getty Images

In 2007, Willis donated the blood-soaked tank top he wore in Die Hard to the National Museum of American History at the Smithsonian.

29. “YIPPEE-KI-YAY” STOLE THE MOVIE.

It was a simple line: “Yippee-ki-yay, motherf*cker!” But it became the film’s defining moment, and the unofficial catchphrase that has been used in all four Die Hard sequels as well.

30. CREDIT FOR THE LINE IS OWED TO WILLIS.

In a 2013 interview with Ryan Seacrest, Bruce Willis admitted that “Yippee-ki-yay, motherf*cker!” was really just a joke. “It was a throwaway,” said Willis. “I was just trying to crack up the crew and I never thought it was going to be allowed to stay in the film."

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