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13 Epic Facts About Gangs of New York

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Miramax

Violent criminals and the Big Apple are two of Martin Scorsese’s favorite things, so Gangs of New York was a natural fit, even if the gangs in question were old-timey ones from the 1860s rather than the Joe Pesci kind. Gangs of New York marked Scorsese’s first collaboration (of five, so far) with Leonardo DiCaprio, which may have been a factor in its also being his first box office hit in over a decade. What more is there to know about a bloody epic that was nominated for 10 Oscars but won none of them? Get out your throwin’ knives and your dead rabbits and read on.

1. IT WAS 32 YEARS IN THE MAKING.

Martin Scorsese read Herbert Asbury’s 1928 nonfiction book The Gangs of New York: An Informal History of the Underworld in 1970 and immediately thought it would make a good movie. He didn’t have any money or clout yet though, so he had to wait. He bought the movie rights to the book in 1979, and even got a screenplay written around that time, then spent the next 20 years trying to get the project off the ground before finding a willing financial partner in Harvey Weinstein at Miramax Films.

2. IT WAS SHOT ON A MASSIVE SET IN ROME.

Leonardo DiCaprio and Martin Scorsese on the set of 'Gangs of New York' (2002)
Mario Tursi/Miramax

What do you do when you want to shoot on location but the location doesn’t exist anymore? You either build it, or you use computers to fabricate it. Scorsese went with the former option, commissioning Italian production designer Dante Ferretti to create a breathtakingly authentic version of New York’s Five Points neighborhood circa 1860. At the legendary Cinecittà Studios in Rome, Ferretti’s team built a mile of sets—stores, saloons, houses, the town square, even the harbor, docks, and ships—all of them fully functional, with no facades. Visitors marveled at how stepping onto the set was like stepping back in time.

3. THE BOOK THAT INSPIRED MARTIN SCORSESE WASN’T ALL THAT ACCURATE.

A modern historian named Tyler Anbinder, who wrote Five Points: The 19th-Century New York City Neighborhood That Invented Tap Dance, Stole Elections, and Became the World’s Most Notorious Slum and gave Scorsese input on the Gangs screenplay, said Asbury’s book from the ‘20s exaggerated how dangerous the neighborhood was. Anbinder had access to statistics that Asbury did not, and he said, “Other than public drunkenness and prostitution, there was no more crime in Five Points than in any other part of the city.” Asbury had written that “there was one tenement where there was a murder a day,” but in fact, Anbinder said, “there was barely a murder a month in all of New York City” at that time.

4. SCORSESE IMAGINED THE BLUES BROTHERS AS THE LEADS.

At one point in the late 1970s, when Scorsese was earnestly trying to get the film made, he envisioned Dan Aykroyd playing the Leonardo DiCaprio role, with John Belushi in the Daniel Day-Lewis part. Willem Dafoe and Robert De Niro were also attached to play Bill the Butcher at different times. And in his original conception, in the early ‘70s, Scorsese wanted A Clockwork Orange star Malcolm McDowell.

5. DANIEL DAY-LEWIS WAS TRAINED BY REAL BUTCHERS, BECAUSE OF COURSE HE WAS.

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Ever the Method actor, Day-Lewis first took lessons from two Argentine brothers with a butcher shop in Queens, then from a master butcher specially flown in from London. If you listen closely, you can hear producer Harvey Weinstein screaming about the expense. 

6. GEORGE LUCAS HELPED WITH AN ELEPHANT PROBLEM.

The Star Wars creator, then working on Attack of the Clones, had visited the massive set in Rome and told Scorsese that it was probably the last of its kind, that such large re-creations would be done on computers now to save money. Lucas’ know-how in such matters came in handy later, when Gangs needed an elephant and none of the animal wranglers in Italy were able to produce one in time.

Weinstein later recalled that he told Scorsese to keep shooting while he called Lucas and asked for help: “We’re effed! We don’t have [an] elephant! Tell us how to shoot it!” Lucas, an old pro at such things, guided them through the process of filming without the elephant and having it digitally created later. It’s the only thing in the movie that’s completely computer-generated. 

7. SEVERAL CHARACTERS WERE BASED ON REAL PEOPLE.

Bill the Butcher was real, though Scorsese changed his surname from Poole to Cutting for the movie to reflect a creative liberty he’d taken, i.e., having the character live to see the Civil War (he was actually murdered in 1855). William “Boss” Tweed (Jim Broadbent) was a real politician who controlled the Tammany Hall political machine, as you may recall from your high school U.S. history class. So were the Schermerhorns, the rich people seen taking a tour of the misery and vice of Five Points. (Interesting footnote: Scorsese’s fifth wife, whom he married in 1999, is one Helen Schermerhorn Morris, a descendant of early New York elites.) Perhaps most surprisingly, Hell-Cat Maggie (Cara Seymour)—the vicious female fighter who bites off victims’ ears—was fact-based, being a composite of the real Hell-Cat Maggie (her real name is unknown) and a few other historical lady criminals.

8. SCORSESE HAS A CAMEO AS AN UPPER-CRUSTER, BUT ONLY FOR HIS DAUGHTER’S SAKE. 

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Scorsese wanted his daughter, Francesca, to be in the movie, because that’s your prerogative when you’re a director. Since she was a babe-in-arms, Scorsese wanted to be in the scene with her, and he didn’t want her to be in the Five Points. “After two weeks of working in those sets, and rain and all sorts of things, they became very lived-in. The streets became very muddy,” he said. The safest, cleanest place was the fancy house of some fancy people that Cameron Diaz’s character steals from, with Scorsese as the fancy dad. (Scorsese assures us in the DVD commentary that he would much rather have played a Five Pointer.)

9. DAY-LEWIS LISTENED TO A LOT OF EMINEM ON THE SET.

The actor is well known for doing a lot of intense preparation before a film shoot, and for staying in character throughout it. That doesn’t mean he only listened to music that Bill the Butcher would have listened to, though. He told Rolling Stone that he listened to a lot of Eminem on the set: “Every morning around five, especially the song ‘The Way I Am.’ I’ve admired him for a while. I’m always on the lookout for music that might be helpful to a role.” Perhaps Eminem’s bravado, egotism, and showmanship spoke to the Butcher. 

10. DAY-LEWIS WAS URGED TO TAKE THE PART BY SCORSESE, LEONARDO DICAPRIO, AND ... TOBEY MAGUIRE? 

Harvey Weinstein would later exaggerate the “courting” process, but Day-Lewis really did take his time in deciding to take the role. While visiting New York to discuss it with Scorsese (whom he’d worked with on The Age of Innocence), Day-Lewis also met with DiCaprio. The two had a heart-to-heart on a bench in Central Park, and later had dinner with DiCaprio’s friend Tobey Maguire. According to DiCaprio, the future Spider-Man told Day-Lewis, “Y’know, when somebody has a talent like yours, it’s almost their responsibility to do it, to get back in the saddle.” 

11. SCORSESE REFUSED TO LET 9/11 CHANGE THE FINAL IMAGE.

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Weinstein’s official explanation for delaying the release of the film from December 2001 to December 2002 was that it was too soon after 9/11 for a violent movie set in New York that depicts early incarnations of the NYPD. But Scorsese continued to shoot small “pick-ups” (minor snippets of scenes) well into 2002—so either he was taking advantage of Weinstein’s delay, or Weinstein delayed it so Scorsese could finish. Whatever the case, when the movie was released, it still ended with a time-lapse effect that culminates in a shot of present-day New York—Twin Towers included, even though they’d come down 15 months earlier.

“It had to end with [the modern skyline being built], or the movie shouldn’t have existed,” Scorsese explained. “We did the paintings and edited that skyline sequence before September 11, and afterward it was suggested that we should take out the towers, but I felt ... it’s not my job to revise the New York skyline. The people in the film ... were part of the creation of that skyline, not the destruction of it. And if the skyline collapses, ultimately, they will build another one.” 

12. SCORSESE GAVE HARVEY WEINSTEIN A LOT OF HOMEWORK.

To give Weinstein an idea of what he wanted the movie to look like, Scorsese “made” Weinstein watch 80 movies (possibly an exaggeration), including semi-obscure classics like The Man Who Laughs, a silent film from 1928. “Eighty. Can you imagine?” Weinstein recalled. “And remember: no videos, no DVDs. Every movie has to be on the big screen. It was like going to school with Professor Scorsese.” 

13. THERE WERE LONGER CUTS OF THE MOVIE, BUT YOU WON’T SEE THEM.

The first cut, the throw-in-everything-and-see-what-works version, was three hours and 38 minutes, almost an hour longer than the final cut. Scorsese and his longtime editor, Thelma Schoonmaker, tinkered with it relentlessly, ultimately producing 18 different versions that were screened for various audiences. Weinstein, rightfully nicknamed Harvey Scissorhands for his ruthless trimming of the movies he releases, no doubt urged Scorsese toward a shorter runtime, but Scorsese said he’s happy with the one everybody saw, which is two hours and 47 minutes.

“There’s not one version that I would say, ‘That’s my original version,’” Scorsese said on the DVD commentary. They were more like drafts: “This was all a series of changes and rewrites and restructuring, until finally it comes down to the movie you see in the theater.” 

14. ELMER BERNSTEIN WROTE A MUSICAL SCORE THAT SCORSESE ULTIMATELY REJECTED.

The legendary and prolific composer, credited with well over 200 scores for movies and television, had worked with Scorsese several times before (including The Age of Innocence, which earned him an Oscar nomination). He composed “a complete score” for Gangs of New York, but over the course of the long editing process, Scorsese’s concept for the music changed. (“He winds up with a Scorsese score, a pastiche,” Bernstein said.) In the end, Scorsese used some orchestral music by Howard Shore, along with contemporary pieces by the likes of Peter Gabriel and U2. You can hear a sample of Bernstein’s version here

Additional sources:
Martin Scorsese’s DVD commentary

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25 Fascinating Facts About Breaking Bad
Ben Leuner/AMC
Ben Leuner/AMC

On January 10, 2008, Breaking Bad made its debut. Though it didn’t premiere to over-the-top ratings, over the course of five seasons, it morphed into a television phenomenon—thanks in large part to word of mouth and the increasing popularity of binge-watching. At its most basic level, it’s the story of a soft-spoken chemistry teacher who, after being diagnosed with lung cancer, risks everything he has worked for to make sure his family will be taken care of in the event of his death. But, like all great TV shows, the story is really not that simple. And it evolves over time, with each season somehow—and miraculously—managing to top the one before it.

Regularly cited as one of the greatest television series of all time (Rolling Stone ranked it number three on its list of the 100 best shows, right in between Mad Men and The Wire), here are 25 things you might not have known about Breaking Bad, in honor of its 10th anniversary.

1. LOTS OF NETWORKS PASSED ON IT, INCLUDING HBO.

In 2016, it was announced that Vince Gilligan is working on a limited series about Jim Jones for HBO. But the “It’s not TV” network wasn’t always so hot on Gilligan. In a 2011 interview, Gilligan shared that he pitched Breaking Bad to HBO, and that it was “the worst meeting I’ve ever had.”

"The trouble with Hollywood—movies and TV—is people will leave you dangling on the end of a meat hook for days or weeks or months on end,” Gilligan said. “That happened at HBO. Like the worst meeting I ever had … The woman we [were] pitching to could not have been less interested—not even in my story, but about whether I actually lived or died.”

HBO wasn’t the only network that ultimately said no to Walter White: Showtime, TNT, and FX all passed on Breaking Bad, too, for various reasons.

2. THE NETWORK REALLY WANTED MATTHEW BRODERICK TO STAR.

It’s impossible to imagine Breaking Bad with anyone other than Bryan Cranston in the lead role, but he wasn’t as well known when the series kicked off, and AMC wanted a star. They were particularly interested in casting either Matthew Broderick or John Cusack in the lead.

"We all still had the image of Bryan shaving his body in Malcolm in the Middle,” a former AMC executive told The Hollywood Reporter about their initial reluctance to cast Cranston. “We were like, 'Really? Isn't there anybody else?’” But Gilligan had worked with Cranston before, on an episode of The X-Files, and knew he had the chops to navigate the quirks of the part. The network brass watched the episode, and agreed.

"We needed somebody who could be dramatic and scary yet have an underlying humanity so when he dies, you felt sorry for him,” Gilligan said. “Bryan nailed it."

3. JESSE PINKMAN WASN’T SUPPOSED TO LIVE PAST SEASON ONE.

Aaron Paul in 'Breaking Bad'
Doug Hyun/AMC

While Breaking Bad ultimately ended up being largely about the tumultuous partnership between Walter White and Jesse Pinkman, Jesse wasn’t originally intended to be a major character. While it’s often stated that he was supposed to be killed off in episode nine, and that it was the 2007-2008 Writers Guild of America strike that saved him, Gilligan set the record straight in 2013, saying it became clear much earlier than that that Jesse’s character—and his relationship to Walter—was integral to moving the show forward.

“The writers’ strike, in a sense, didn’t save him, because I knew by episode two—we all did, all of us, our wonderful directors and our wonderful producers,” Gilligan said. “Everybody knew just how good [Aaron Paul is], and a pleasure to work with, and it became pretty clear early on that that would be a huge, colossal mistake to kill off Jesse.”

When asked during a Reddit AMA about how he would have felt if Jesse had been killed off in season one, Paul posited that, “My career would be over. And I would be a sobbing mess watching week to week on Breaking Bad.”

4. THE WRITERS STRIKE DID CHANGE THE STORY ARC FOR SEASON ONE, WHICH TURNED OUT TO BE A GOOD THING.

The Writers Strike did end up shortening the show’s first season, which forced Gilligan to cut two episodes that would have seen Walter’s transformation into Heisenberg happen much more quickly—and violently. Gilligan was glad it worked out the way it did.

“We had plotted out all our episodes before the show ever went on the air, and we didn't know how well the show would be received,” Gilligan told Creative Screenwriting. “Not knowing how the public would take to it, you tend to want to be a little more sensational. You want to really keep the show exciting and interesting and keep 'em watching. All of that to say that those last two episodes, because of that, would have been really big episodes, and would have taken the characters into a hugely different realm than that they were already in, and it would have been a hard thing to come back from, coming into season two.”

“We're not just doing those two episodes coming into season two,” he added. “We threw those out completely and we're starting somewhere else. We're building more slowly than we otherwise would have built. I think that's really good, because I know we've all had our favorite shows that were really interesting up to a certain point, but maybe they just go too far, and then there's no going back from it. To me, the trick is to do as little as possible with the characters, and yet keep them as interesting as possible. It's a real balancing act.”

5. THE DEA HELPED OUT, AND EVEN TAUGHT BRYAN CRANSTON AND AARON PAUL HOW TO COOK METH.

Because of the subject matter, the show’s creators thought it was only right to inform the Drug Enforcement Administration (DEA) what they were making—and welcome their help. “We informed them—with all due respect and consideration—that we’re doing this show, and ‘Would you like to be a part of it in a consultancy in order to make sure that we get it right?’” Cranston told High Times. “They had the choice to say, ‘We don’t want anything to do with it.’ But they saw that it might be in their best interest to make sure that we do it correctly. So DEA chemists came onboard as consultants and taught Aaron Paul and me how to make crystal meth.”

6. THE SCIENCE IS SOUND, BUT NOT PERFECT. AND THAT WAS INTENTIONAL.

Vince Gilligan and Bryan Cranston on the set of 'Breaking Bad'
Doug Hyun/AMC

Dr. Donna Nelson, a chemistry professor at the University of Oklahoma, began serving as a science advisor on the show midway through the first season, and was tasked with making sure the show got its science right—or, at least as “right” as is safe.

“I don’t think there’s any popular show that gets it 100 percent right, but that’s not the goal,” Nelson told Mental Floss in 2013. “The goal is not to be a science education show; the goal is to be a popular show. And so there’s always going to be some creative license taken, because they want to make the show interesting.”

Of course—particularly with a show about drug-making—you don’t want to give viewers a primer on how to start their own meth empires. “In the case of Walter White, his trademark is the blue meth,” Nelson said. “In reality, it wouldn’t be blue; it would be colorless. But this isn’t a science education show. It’s a fantasy. And Vince Gilligan did a fantastic job of getting most of the science right. And I am just thrilled with that. I think Vince Gilligan is a genius, and you can quote me on that!”

7. THAT ICONIC BLUE METH IS ROCK CANDY.

Whenever you see Walter and Jesse’s signature blue meth, what you’re actually seeing is blue rock candy. More specifically: blue rock candy from The Candy Lady, a boutique candy store in Albuquerque. (They have a whole line of Breaking Bad-inspired treats, which they sell under The Bad Candy Lady line.)

8. GUS FRING’S ROLE WAS SUPPOSED TO BE MUCH SMALLER.

Initially, Giancarlo Esposito wasn’t interested in taking on the role of Gus Fring, which was a much smaller part in the beginning. “I had not seen Breaking Bad, but my manager at the time told me it was his favorite show,” Esposito told TIME. “My wife said I should I try it, but it was a guest spot and I’ve done a lot of guest spots. I wanted to develop a character. But I did one episode and then I agreed to do two more with the caveat that I wanted to be part of a filmmaking family.”

When Gilligan offered him another seven episodes for season three, Esposito countered that he wanted a bigger role. “There was some negotiating and I ended up doing 12,” Esposito said. “I wanted to create a character who became intrinsic to the show. And at some point, I realized that I had slid into the Breaking Bad family. Vince told me that I changed the game and raised the bar for the show. And I’m proud of that, but I could only do that because of the depth of the writing and due to the chemistry between Bryan Cranston and myself. And their writing inspired me to think, to create someone who was polite, threatening and poignant.”

9. GIANCARLO ESPOSITO CHANNELED HIS INNER EDWARD JAMES OLMOS.

Giancarlo Esposito in 'Breaking Bad'
Ursula Coyote/AMC

In the mid-1980s, Giancarlo Esposito made a few guest appearances on Miami Vice. The experience clearly had an effect on him, as he used Edward James Olmos’s character from that series, Lieutenant Martin Castillo, as a model for Gus Fring.

“Eddie did very little and he was very convincing,” Esposito told the Toronto Sun. “I also thought he was a bit flat, but he did very, very little in playing [Castillo] and I thought it was really effective. Juxtaposed to Philip Michael [Thomas] and Don [Johnson], who were at times a bit full of themselves but were doing a little bit of acting, Eddie was just doing his job. And I wanted Gus to be in that mode."

10. GILLIGAN GOT SOME HELP FROM THE WALKING DEAD CREW FOR FRING’S FINAL EPISODE.

Fring’s final sendoff is one of the most memorable visual images from the entire series—and they were able to enlist the help of some true gore experts. “Indeed we did have great help from the prosthetic effects folks at The Walking Dead,” Gilligan told The New York Times. “And I want to give a shout-out to Greg Nicotero and Howard Berger, and KNB EFX, those two gentlemen and their company, because their shop did that effect. And then that was augmented by the visual effects work of a guy named Bill Powloski and his crew, who digitally married a three-dimensional sculpture that KNB EFX created with the reality of the film scene. So you can actually see into and through Gus’s head in that final reveal. It’s a combination of great makeup and great visual effects. And it took months to do."

11. YES, AARON PAUL DOES SAY “BITCH” A LOT—BUT PROBABLY NOT AS MUCH AS YOU THINK.

While any Jesse Pinkman impression ends with a “bitch,” by one calculation, Paul uses the word a total of 54 times throughout the series. Which, considering there are 62 episodes, seems a little on the low side.

12. PAUL RELEASED A “YO, BITCH” APP.

Aaron Paul in 'Breaking Bad'
AMC

Even if that above number seems underwhelming, Pinkman’s favorite add-on became so synonymous with Paul that, in 2014, the actor released an app called Yo, Bitch.

13. WALTER’S BOSS AT THE CAR WASH IS A CHEMIST IN REAL LIFE.

Marius Stan, who played Bogdan, Walter’s boss at the car wash, wasn’t a familiar face to many of the show’s viewers. That’s because the series was his (and his eyebrows’) acting debut. In real life, rather coincidentally, he has a PhD in chemistry and, according to a Reddit AMA, is a “Senior Computational Energy Scientist at Argonne National Lab—which is one of the national laboratories under the U.S. Dept. of Energy—and a Senior Fellow at the University of Chicago, the Computation Institute."

14. WALTER WHITE’S ALTER EGO IS A NOD TO A REAL PERSON.

Walter White’s drug kingpin alter ego, Heisenberg, is a nod to Werner Heisenberg, a Nobel Prize-winning physicist who developed the principle of uncertainty.

15. HEISENBERG’S SIGNATURE HAT WAS A MATTER A PRACTICALITY. 

Bryan Cranston in 'Breaking Bad'
Frank Ockenfels 3/AMC

Heisenberg’s porkpie hat came to identify Walter White’s dark side, but it originated from a very practical place. “Bryan kept asking me, after he shaved his head, ‘Can I have a hat?’ because his head was cold,” Kathleen Detoro, the show’s costume designer, explained. “So I would ask Vince and he kept saying no; Jesse wore the hats. Finally, Vince said, ‘I think there’s a place …’ It was Bryan asking for a hat, me asking Vince, and then Vince figuring out where in the story it makes sense: It’s when he really becomes Heisenberg.” (If you want to buy your own Heisenberg hat, it was made by Goorin.)

16. THE WHITES’ HOUSE HAS BECOME A TOURIST ATTRACTION—AND LOTS OF PIZZA HAS BEEN THROWN ON THE ROOF.

Though Walter White and his family live at 308 Negra Arroyo Lane, the home that you see in exterior shots is actually located at 3828 Piermont Drive NE, a private home in Albuquerque that has become a pretty major tourist attraction. Many fans, caught up in the excitement of seeing the home where Walter White managed to hurl the world’s largest pizza onto the roof in one swift move, have attempted to recreate that scene—leaving the home’s owner with a regular mess.

In 2015, Gilligan appealed to the show’s fan base to refrain from throwing pizza onto the home’s roof. “There is nothing original, or funny, or cool about throwing a pizza on this lady’s roof,” Gilligan said. “It’s been done before—you’re not the first.”

“And if I catch you doing it, I will hunt you down,” added Jonathan Banks, in true Mike Ehrmantraut fashion.

17. CRANSTON MANAGED TO GET THAT PIZZA THROW IN ONE TAKE.

Speaking of that infamous pizza scene: It really was Cranston who threw it, and he managed to do it in one take. Gilligan called it a “one-in-a-million shot.”

18. TUCO GAVE JESSE A CONCUSSION.

A fight scene between Jesse and Tuco (Raymond Cruz) turned serious when Cruz ended up accidentally knocking Paul unconscious. “Yeah, Raymond Cruz who played Tuco gave me a concussion during the episode ‘Grilled,’ where Tuco takes Walt and Jesse to his shack in the middle of nowhere where we meet the famous Uncle Tio,” Paul said in a Reddit AMA. “Tuco takes Jesse and he throws him through the screen door outside, and if you watch it back you'll notice that my head gets caught inside the wooden screen door and it flips me around and lands me on my stomach and the door splinters into a million pieces. Raymond just thought I was acting so he continued and kicked me in the side and picked me up over his shoulder and threw me against the house, but in reality I was pretty much unconscious ... I kept pleading to him, saying ‘stop.’ The next thing I know I guess I blacked out and I woke up to a flashlight in our eyes and it was our medic. And then I hopped up acting like nothing wrong, but it appeared like I was drunk, and I kept saying, ‘Let's finish the scene’ but then my eye started swelling shut so they took me to the hospital. Just another fun day on the set of Breaking Bad!”

19. JANE’S DEATH WAS THE HARDEST SCENE FOR PAUL TO SHOOT.

When asked about the hardest scene to shoot during a Reddit AMA, Paul said that it was Jane’s death. “I honestly think the hardest scene for me to do was when Jesse woke up and found Jane lying next to him dead,” Paul said. “Looking at Jane through Jesse's eyes that day was very hard and emotional for all of us. When that day was over, I couldn't be happier that it was over because I really, truly felt I was living those tortured moments with Jesse.”

The scene was hard on Cranston, too, who reportedly spent 15 minutes crying after filming was complete.

20. MIKE’S DEATH WAS HARD FOR EVERYONE.

Jonathan Banks in 'Breaking Bad'
Frank Ockenfels/AMC

When asked about filming his final scene, Jonathan Banks shared that, “The crew on the set that day all wore black armbands all day long. There are a lot of friends on that crew. It was an emotional day to say the least on set—a lot of tears. Tough day, brother.”

21. JESSE’S TEETH STILL BOTHER GILLIGAN.

When asked about whether he had any regrets about the show or any of its storylines, Gilligan admitted to one: "One thing that sort of troubled me, looking back over the entirety of the show: Jesse's teeth were a little too perfect. There were all the beatings he took, and, of course, he was using meth, which is brutal on your teeth. He'd probably have terrible teeth in real life."

22. WARREN BUFFET RESPECTS WALTER WHITE’S BUSINESS ACUMEN.

Warren Buffet was a fan of the series, and even showed up to its fifth season premiere. On the red carpet, he expressed admiration of Walter White’s entrepreneurship, calling him "a great businessman," and saying that, "he’s my guy if I ever have to go toe-to-toe with anyone."

23. THERE ARE 62 EPISODES IN TOTAL—A NUMBER THAT HAS A SPECIAL MEANING. 

The cast of 'Breaking Bad'
Frank Ockenfels/AMC

Over the course of five seasons, Breaking Bad produced a total of 62 episodes—which is no arbitrary number. The 62nd element on the periodic table is Samarium, which is used to treat a range of cancers, including lung cancer.

24. THE FINAL DEATH TOLL IS PRETTY IMPRESSIVE.

Though you may have underestimated the number of times Jesse uttered “bitch,” you might be surprised by how many people were killed throughout the show’s entire run: 270. (BuzzFeed created a thorough breakdown of some of the most memorable ones.)

25. IN 2016, A METH COOK NAMED WALTER WHITE WAS WANTED BY THE AUTHORITIES.

In 2016, a 55-year-old man named Walter White rose to the top of Tuscaloosa, Alabama’s most wanted list for manufacturing and selling meth. Though White wasn’t a teacher, there have been other real-life stories that mirrored Walter White’s descent into the criminal underworld: In 2012, a chemistry teacher named William Duncan was arrested for selling meth; in 2011, Irina Kristy, a 74-year-old math professor, was arrested for running a meth lab.

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7 Things You Might Not Know About Audrey Hepburn
Hulton Archive, Getty Images
Hulton Archive, Getty Images

Though she’ll always be known as the little-black-dress-wearing big-screen incarnation of Holly Golightly from Breakfast at Tiffany’s, there’s probably a lot you don’t know about Audrey Hepburn, who passed away in Switzerland on January 20, 1993.

1. HER FIRST ROLE WAS IN AN EDUCATIONAL FILM.

Though 1948’s Dutch in Seven Lessons is classified as a “documentary” on IMDb, it’s really more of an educational travel film, in which Hepburn appears as an airline attendant. If you don’t speak Dutch, it might not make a whole lot of sense to you, but you can watch it above anyway.

2. GREGORY PECK WAS AFRAID SHE’D MAKE HIM LOOK LIKE A JERK.

Hepburn was an unknown actress when she was handed the starring role of Princess Ann opposite Gregory Peck in 1953’s Roman Holiday. As such, Peck was going to be the only star listed, with Hepburn relegated to a smaller font and an “introducing” credit. But Peck insisted, “You've got to change that because she'll be a big star and I'll look like a big jerk.” Hepburn ended up winning her first and only Oscar for the role (Peck wasn’t even nominated).

3. SHE’S AN EGOT.

In 1954, the same year she won the Oscar for Roman Holiday, Hepburn accepted a Tony Award for her title role in Ondine on Broadway. Hepburn is one of only 12 EGOTs, meaning that she has won all of the four major creative awards: an Emmy, Grammy, Oscar, and Tony. Unfortunately, the honor came to Hepburn posthumously; her 1994 Grammy for the children’s album Audrey Hepburn’s Enchanted Tales and her 1993 Emmy for Gardens of the World with Audrey Hepburn were both awarded following her passing in early 1993.

4. TRUMAN CAPOTE HATED HER AS HOLLY GOLIGHTLY.

Blake Edwards’s Breakfast at Tiffany’s may be one of the most iconic films in Hollywood history, but it’s a miracle that the film ever got made at all. Particularly if you listened to Truman Capote, who wrote the novella upon which it was based, and saw only one actress in the lead: Marilyn Monroe. When asked what he thought was wrong with the film, which downplayed the more tawdry aspects of the fact that Ms. Golightly makes her living as a call girl (Hepburn had told the producers, “I can’t play a hooker”), Capote replied, “Oh, God, just everything. It was the most miscast film I’ve ever seen. It made me want to throw up.”

5. HOLLY GOLIGHTLY’S LITTLE BLACK DRESS SOLD FOR NEARLY $1 MILLION.

Audrey Hepburn in 'Breakfast at Tiffany's'
Keystone Features, Getty Images

In 2006, Christie’s auctioned off the iconic Givenchy-designed little black dress that Hepburn wore in Breakfast at Tiffany’s for a whopping $923,187 (pre-auction numbers estimated that it would go for between $98,800 and $138,320). It was a record-setting amount at the time, until Marilyn Monroe’s white “subway dress” from The Seven Year Itch sold for $5.6 million in 2006.

6. SHE SANG “HAPPY BIRTHDAY” TO JFK IN 1963.

One year after Marilyn Monroe’s sultry birthday serenade to John F. Kennedy in 1962, Hepburn paid a musical tribute to the President at a private party in 1963, on what would be his final birthday.

7. THERE’S A RARE TULIP NAMED AFTER HER.

Photo of Audrey Hepburn
Hulton Archive, Getty Images

In 1990, a rare white tulip hybrid was named after the actress and humanitarian, and dedicated to her at her family’s former estate in Holland.

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