13 Things You Might Not Know About Eva Perón

Keystone/Getty Images
Keystone/Getty Images

From 1946 to 1952, Eva Perón (full name: María Eva Duarte de Perón—though she was born Eva María Ibarguren) was Argentina’s First Lady. Nicknamed Evita, she became a massively popular celebrity and icon to Argentinians, as well as a source of great controversy. Her life inspired the Tim Rice and Andrew Lloyd Webber Broadway musical Evita (which became the 1996 film version starring Madonna), but there’s much more to the real Evita’s life. Here are 13 facts about Perón in honor of her birthday.

1. ALTHOUGH HER FATHER WAS WEALTHY, SHE GREW UP IN POVERTY.

Eva’s father, Juan Duarte, was a wealthy farmer who raised livestock and grew crops. The only problem was that he already had a wife and kids, so she, her mother, and her four older siblings were Duarte’s second family. Because they were born out of wedlock, Perón and her siblings were legally illegitimate; when Duarte abandoned them to return to his first wife, he left them impoverished in rural Argentina. Eva was 6 years old when her father died in 1926, and though her family was allowed to quickly pay their respects, they were not allowed to attend his funeral.

2. AS A YOUNG TEENAGER, SHE MOVED TO BUENOS AIRES TO BE AN ACTRESS.


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In her early teens (most sources say she was 15), Perón left home to be an actress in Buenos Aires, the capital of Argentina. Although some of her early biographical information is sketchy, most historians agree that the story (which appears in the musical Evita) that she ran off to Buenos Aires with Augustín Magaldi, a tango singer, is apocryphal. In Buenos Aires, Perón got work as a radio actress and acted in plays and films. By the early 1940s, she had achieved major financial success with her radio show on Radio Belgrano.

3. SHE MET HER HUSBAND THANKS TO AN EARTHQUAKE.


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In January 1944, an earthquake in San Juan, Argentina killed an estimated 10,000 people. The military colonel Juan Perón, who headed Argentina’s Ministry of Labor, organized a fundraiser to help the victims of the earthquake. As an actress and radio show host, Perón was invited to attend, and she met her future husband at the fundraiser’s gala at Luna Park Stadium. Despite their age difference—she was in her mid-twenties, and he was in his late forties—they got married in 1945.

4. SHE BECAME A SUPER-INVOLVED AND ACTIVE FIRST LADY.

Perón broke gender barriers in Argentina by campaigning with her husband, who won Argentina’s 1946 presidential election. As First Lady, she was no less involved. Perón unofficially took over the Ministries of Health and Labor, devoted a huge amount of time to meeting with poor Argentinians, visited hospitals and orphanages, and founded the Female Perónist Party, a political party comprised of female voters.

5. HER FOUNDATION HELPED SICK AND POOR ARGENTINIANS.

In July 1948, Perón established the María Eva Duarte Social Help Foundation (renamed two years later as the Eva Perón Foundation) to fight poverty in Argentina. She worked long hours giving money and medicine to the poor, touching and kissing the sick, and empathizing with the plight of the descamisados (the poor workers; literally, "shirtless ones"). Funding for her foundation came from unions, taxes and levies, and businesses that were pressured or forced to contribute money. Perón’s foundation gave items such as shoes, cookware, and clothing to needy Argentinians, and it funded the building of hospitals, schools, and housing for homeless women and children.

6. EVITA CITY WAS DESIGNED IN THE SHAPE OF HER PROFILE.

Located in the greater Buenos Aires area, Ciudad Evita (Evita City) was named by the Eva Perón Foundation, which funded the suburb for working class Argentinians to live in. But it’s not just named after Perón—it also resembles her. An aerial view of the city reveals that Evita City was built in the shape of her profile, with her head facing right and her hair tied in her signature chignon. After military coups in 1955 and 1976 overthrew Juan Perón and pro-Perón leaders, Evita City was renamed twice. But the city’s current name is back to Ciudad Evita, and around 70,000 people live there today.

7. SHE TRAVELED TO EUROPE ON A “RAINBOW TOUR.”


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Perón at Notre Dame Cathedral in Paris in 1947.

In 1947, Perón traveled to Spain, Italy, France, and Switzerland. Dubbed the “Rainbow Tour,” Perón’s goodwill trip included meetings with Francisco Franco, Pope Pius XII, and Charles de Gaulle. Dressed to the nines, she gave money to poor children in Spain, visited the Palace of Versailles, and encountered protesters in Switzerland who threw stones and tomatoes at her. Some Europeans distrusted aspects of Juan Perón’s fascist rule and ties to Nazi war criminals, while others disapproved of what they viewed as her ostentatious "famewhoring."

8. YOU CAN SEE HER ELABORATE CLOTHING AT THE OFFICIAL EVITA PERÓN MUSEUM.


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In July 2002, to commemorate 50 years since her death, Museo Evita (The Evita Museum) opened in Palermo, Buenos Aires. Founded by Cristina Alvarez Rodriquez, Perón’s grand-niece, the museum is housed in a building that the Eva Perón Foundation set up for homeless women and children to live in until they found work and a more permanent home. Visitors to the museum can see Perón’s portraits and designer clothing on display—she famously wore Dior dresses, tailored suits, and eye-catching jewelry, especially after her return from Europe.

9. SHE HELPED ARGENTINIAN WOMEN WIN THE RIGHT TO VOTE.

Perón believed that all women should have the right to vote, so she gave radio addresses, wrote articles, and made speeches at rallies supporting women’s suffrage. Although some scholars argue that her real political power in gaining women’s suffrage may have been exaggerated, she nevertheless succeeded in her goal. Argentina’s senate sanctioned the women’s suffrage bill in 1946, and it became law in 1947, making it legal for women to vote and run for office.

10. CANCER PREVENTED HER FROM RUNNING FOR VICE PRESIDENT.


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In January 1950, Perón fainted and was diagnosed with advanced cervical cancer (though other sources say she had uterine cancer). She underwent various procedures including a hysterectomy, and she was the first Argentine to undergo chemotherapy, but the cancer metastasized. In 1951, she announced her candidacy for vice president to her husband as president. Millions of working class Argentinians and members of labor unions supported her, but members of the military elite did not. Due to their opposition as well as her cancer—she was weak, thin, and in great pain—she decided to withdraw from the race.

11. SHE MAY HAVE HAD A LOBOTOMY IN A LAST-DITCH EFFORT TO EASE HER PAIN.

Perón’s medical records suggest that she may have had a prefrontal lobotomy in June 1952, a month before she died. Although the purpose of the lobotomy was to control the pain and anxiety caused by her advanced cancer, a neurosurgeon at Yale argued that Juan Perón also ordered the lobotomy as part of a political conspiracy, trying to control her violent, erratic behavior and silence her to prevent a civil war. Despite the possible motives or surgery, she died on July 26, 1952 at 33 years old.

12. MILLIONS OF MOURNERS ATTENDED HER FUNERAL.


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Although she had detractors who despised her and viewed her as a megalomaniac, millions of Argentinians loved her and saw her as a saint. Before she died, Argentina’s Congress gave Perón the official title of “Spiritual Leader of the Nation.” Her state funeral was fitting for a queen, and throngs of weeping people stood outside the president’s house, mourning her death with flowers. Three million people in Buenos Aires reportedly attended her funeral and mass, and long lines of people waited to see her body on display at the Ministry of Labor.

13. HER CORPSE WAS MISSING FOR 16 YEARS.


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The bodies of Juan and Eva Perón on display in Buenos Aires.

After her body was embalmed and put on display, a military coup overthrew Juan Perón in 1955. He fled to Spain, and the new military leaders banned anything that was pro-Perón. They removed Eva Perón’s corpse, reportedly made wax decoy bodies to confuse her supporters, and stored the real corpse in a van and then an office. In 1957, they sent the body to a cemetery in Milan, Italy, to be buried under a fake name.

Her corpse stayed in Milan until 1971, when it was disinterred and given to Juan Perón in Madrid. Because the body was damaged, he and his third wife, Isabel, brushed her hair, cleaned the body, and put it on display in their dining room. By 1973, Juan Perón had come out of exile and won the Argentinian presidency again (with Isabel as his vice president). He died in office the following year, and Isabel had Evita's corpse returned to Buenos Aires, where it was put on display next to Juan Perón’s corpse for a time. Finally, in 1976, her body was buried in her maiden family’s tomb in a secure, tamper-proof spot in a cemetery in Buenos Aires.

All images via Getty.

London's Trafalgar Square Gets a Poetry-Writing Red Lion

Tolga Akmen, AFP/Getty Images
Tolga Akmen, AFP/Getty Images

London’s historic Trafalgar Square just got a fifth lion, the BBC reports. The fluorescent red, AI-powered lion takes visitor-submitted words and turns them into two-line poems, which are displayed on a screen inside its mouth. The history-inspired installation is part of the ongoing festivities for the London Design Festival, which ends Sunday.

The idea comes from set designer Es Devlin, who is participating in a yearlong collaboration with Google Arts & Culture. She was inspired by another designer who remarked that Sir Edwin Landseer, who sculptured the other lions in the square in the late 19th century, "never wanted [them] to look so passive.” Landseer apparently wanted the lions to assume a more lively stance, “but Queen Victoria found it too shocking,” Devlin says.

The story of how Trafalgar Square’s lions came to be is an odd piece of history. For one, the process was painfully slow. Landseer spent four years just working up a sketch and spent hours studying the habits of lions at the London Zoo. He even waited two years for one of the zoo’s lions to die, then carted it back to his studio and kept it there until it started to decay. He was forced to throw out the animal—and his reference material—before he finished. “Which is why, if you look closely, you can see that the lions in Trafalgar Square actually have the paws of cats, rather than lions,” The Telegraph notes.

[h/t BBC]

13 Facts About Notre-Dame Cathedral

iStock
iStock

Constructed between the 12th and 14th centuries, Notre-Dame de Paris has centuries of French history built into its stone. The Gothic cathedral reflects the prominent role of Paris as an economic and spiritual center in the 12th century, and its scars from the French Revolution are reminders of its long connection with the monarchy—a connection that almost resulted in its demolition. Yet although thousands of tourists enter its doors each day to photograph its rose windows and flying buttresses, this sacred destination still has its secrets. Here are 13 lesser-known facts about Notre-Dame de Paris.

1. A PAGAN CITY LIES BELOW THE CATHEDRAL.

The Île-de-la-Cité on which Notre-Dame de Paris now stands was once a Gallo-Roman city known as Lutetia. The cathedral may have been built right over remnants of a temple: Around 1710, pieces of a sculpted altar dedicated to Jupiter and other deities were discovered during an excavation under the choir (although it remains unclear if this is evidence of an ancient temple, or if the pieces were recycled there from another location). Additional architectural ruins found in the 1960s and '70s, many dating back to this ancient era, lie in the archaeological crypt located beneath the square just in front of Notre-Dame.

2. THERE'S SOME RECYCLED ARCHITECTURE ON ITS FAÇADE.

The Sainte-Anne Portal at Notre-Dame
The Sainte-Anne Portal at Notre-Dame

There are three portals on the western façade of Notre-Dame, each laden with sculpted saints and sacred scenes. One doesn't seem to fit, however—the Portal Sainte-Anne has a much earlier style than the rest. Its figures, such as the central Virgin and Child, look stiffer in their poses and less natural in their features compared to the other statues. That's because this tympanum, or semi-circular area of decoration, was recycled from a previous Romanesque church. A close examination in 1969 revealed that it was not originally made for this space, and had been adapted to fit the Gothic structure.

3. THERE'S A "FOREST" IN ITS ROOF.

The cathedral contains one of the oldest surviving wood-timber frames in Paris, involving around 52 acres of trees that were cut down in the 12th century. Each beam is made from an individual tree. For this reason, the lattice of historic woodwork is nicknamed "the Forest."

4. ITS FLYING BUTTRESSES WERE GOTHIC TRENDSETTERS.

Low angle view of the East end of Notre-Dame de Paris cathedral at sunset with flying buttresses
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The cathedral was one of the earliest structures built with exterior flying buttresses. They were constructed around its nave in the 12th century to lend support to the thin walls, after the need for more light in the incredibly tall church required larger windows, and thus greater supports. The exposed flying buttresses became an iconic aspect of Gothic design, and although there's some debate over whether Notre-Dame was the first church to have them, they certainly set the trend in sacred architecture.

5. TWENTY-EIGHT OF ITS KINGS LOST THEIR HEADS IN THE FRENCH REVOLUTION.

In 1793, in the midst of the French Revolution, 28 statues of biblical kings in the cathedral were pulled down with ropes and decapitated by a mob. (King Louis XVI was guillotined earlier that year, and any iconography tied to the monarchy was under attack.) The mutilated stones were eventually tossed in a trash heap, which the Minister of the Interior dealt with by ordering the material be repurposed for construction. It wasn't until 1977 that the heads of 21 of these kings were rediscovered during work on the basement of the French Bank of Foreign Trade. Now they're at the nearby Musée de Cluny.

6. THE TOWERS ARE NOT TWINS.

The two towers of Notre-Dame
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At first glance, Notre-Dame’s two towers appear like identical twins. Closer examination reveals that the north tower is in fact a bit bigger than the south. As with all the elements of the cathedral, they were built over time, and reflect how the cathedral is more of a collage of architectural trends and leadership than the culmination of one person’s vision.

7. ITS BELLS WERE ONCE MELTED DOWN FOR ARTILLERY.

The kings weren’t the only part of Notre-Dame destroyed during the French Revolution. The cathedral, like other churches around France, was transformed in the late 18th century from a Christian space and rededicated to the new Cult of Reason. All 20 of its bells—except the colossal 1681 bourdon called Emmanuel—were removed and melted down to make cannons.

While the bells at Notre-Dame were replaced in the 19th century, the new instruments were not as finely made as the older versions, and made a more dissonant noise when clanging. Finally, in 2013, a new ensemble of bells restored the cathedral to its 17th-century sound, with the deeply resonant Emmanuel still joining in the toll on special occasions.

8. NAPOLÉON AND VICTOR HUGO SAVED IT.

When Napoléon Bonaparte decided to have his 1804 coronation as emperor in Notre-Dame, the building was in bad shape. Centuries of decay as the city developed and changed around it, as well as the vandalism of the French Revolution, had left it on the verge of demolition. For years it had been used as little more than a warehouse. So when Napoléon declared its return to church use, and hosted his grand ceremony within his walls—an event in which he famously crowned himself—it brought Notre-Dame to new prominence.

Nevertheless, the coronation didn’t fix its structural deterioration. Then author Victor Hugo used the building as a personification of France itself in his 1831 novel Notre-Dame de Paris. (The book’s name is often translated as The Hunchback of Notre Dame, yet the hunchbacked bell ringer Quasimodo is not the main character; the central figure is Notre-Dame.) And Hugo vividly evoked its decrepit 19th-century state:

“But noble as it has remained while growing old, one cannot but regret, cannot but feel indignant at the innumerable degradations and mutilations inflicted on the venerable pile, both by the action of time and the hand of man, regardless alike of Charlemagne, who laid the first stone, and Philip Augustus, who laid the last. On the face of this ancient queen of our cathedrals, beside each wrinkle one invariably finds a scar. 'Tempus edax, homo edacior,' which I would be inclined to translate: 'Time is blind, but man is senseless.'”

The book was a success, and the momentum led to a major restoration overseen by architects Jean-Baptiste-Antoine Lassus and Eugène Viollet-le-Duc.

9. ITS MONSTERS ARE MODERN, NOT MEDIEVAL.

Gargoyle and wide city view from the roof of Notre-Dame
iStock

Some of the most popular images of Notre-Dame are from the perspective of its gargoyles or chimera (the carved monsters that don’t act as waterspouts). Few visitors would guess that the fantastic creatures now on the cathedral weren't there until the 19th century; they were added between 1843 and 1864 during the radical restoration overseen by Eugène-Emmanuel Viollet-le-Duc.

Hugo had described gargoyles extensively in Notre-Dame de Paris, and Viollet-le-Duc was reportedly inspired by this romantic vision of the past. A daguerreotype from before this overhaul shows a building more stark than the one we know today, with no beasts perched on its towers, its medieval gargoyles having long been removed. Unfortunately, many of the 19th-century gargoyles are now decaying; PVC pipes have taken the place of those that have been taken down for safety.

The gargoyles were far from the only fanciful addition by the architect Viollet-le-Duc. Among the 12 apostles he had installed around the new spire, he included himself as the face of Saint Thomas.

10. ITS SPIRE IS A SAINTLY LIGHTNING ROD.

Look way to the top of the spire and you'll spy a rooster. This is not a purely decorative bird. In 1935, three tiny relics—an alleged piece of the Crown of Thorns and some bits of Saint Denis and Saint Genevieve (the city's patron saints)—were secured inside the metal bird’s body. The idea, the story goes, was to create a sort of spiritual lightning rod to protect the parishioners within.

11. THE ORGAN IS THOUGHT TO BE THE LARGEST IN FRANCE.

The Notre-Dame organ involves almost 8000 pipes (some dating back to the 18th century) played with five keyboards, making it the biggest pipe organ in France (although some claim that Saint-Eustache has a larger one). While there are some slashes on the wood of the organ loft—damage from the French Revolution, when its fleur-de-lis symbols were carved off—it was restored in 2013 to mark the 850th anniversary of the cathedral.

12. ALL ROADS LEAD TO NOTRE-DAME DE PARIS.

Point Zero marker outside Notre-Dame in Paris
Jean-Pierre Bazard, Wikimedia Commons // CC BY-SA 3.0

Mostly overlooked beneath the crowds of tourists milling around outside Notre-Dame is a diminutive circular marker with an eight-pointed bronze star embedded in the cobblestones. It’s engraved with the words Point zéro des routes de France, and is the point from which distances are measured from Paris to other cities in France. It was placed there in 1924, although it had to be temporarily dislodged in the 1960s during the excavations for what was intended to be an underground parking garage. Those construction plans were thwarted when workers turned up architectural ruins—now kept in the archaeological crypt.

13. BEES LIVE ON ITS ROOF.

On the Notre-Dame sacristy, adjacent to the cathedral, is a small hive of bees. It was installed in 2013, with Buckfast bees—a strain developed by a monk named Brother Adam and known for its gentleness—living in its hives. Their honey is made from the flowering plants in nearby gardens, including the Square Jean XXIII just behind the cathedral. According to The New York Times, the sweet stuff is given away to the poor.

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