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Russians Capture Trabzon

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 232nd installment in the series. 

APRIL 15, 1916: RUSSIANS CAPTURE TRABZON

While Russia’s main spring offensive on the Eastern Front failed at the Battle of Lake Naroch from March 18-30, 1916, Russian arms won great victories further afield in the opening months of 1916, most notably on the Caucasian Front. After a breakthrough at Köprüköy in January, Russian troops captured the ancient and strategically sited city of Erzurum in February, and then continued to advance west into the Turkish heartland of central Anatolia.

On April 15, 1916 the Russians delivered another discouraging setback to the Ottoman Empire with the occupation of Trabzon, another ancient city with both symbolic and strategic importance, abandoned without a fight by the outnumbered Turks. Originally founded in 756 BCE by Greek colonists from the nearby port of Sinope, Trapezous was known to the Romans as Trebizond and during the decline of the Byzantine Empire became the seat of its own empire from the 13th-15th centuries.

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In the context of the First World War, its location on the north coast of Anatolia would allow the Russians to begin delivering supplies to the Caucasian Army partly by sea, avoiding the circuitous and time-consuming journey over the incredibly primitive terrain of the Caucasus and eastern Anatolia, with few roads and these mostly unfinished. It also boosted Allied morale and cemented Russian claims to territory in Asia Minor ahead of the long-expected breakup of the Ottoman Empire (now being negotiated by Allied diplomats in what would become the Sykes-Picot Agreement). 

As in other recently conquered territories in Anatolia, the advancing Russians were shocked to find the region’s once-thriving Armenian Christian population had been more or less wiped out. Trabzon had been home to roughly 30,000 Armenians before the war, all of whom were massacred or deported during the ongoing Armenian genocide, including thousands herded out into the water or dumped from boats and drowned in the Black Sea at Trabzon.

The anonymous author of “The Russian Diary of an Englishman in Petrograd,” believed to be the diplomatic courier Albert Stopford, noted reports that the Turks were targeting many other minorities besides Armenians, including Christian Greeks and Assyrians: “When the Russians got to Erzrum there was not one Christian alive save six girls in the American Consulate. The guide of the Tiflis Hotel was a Christian Turk, not Armenian and his town was a little to the south of Erzrum. There all the Christians were also massacred – 840, including his old grandmother.” 

Meanwhile diplomatic documents from the Ottoman Empire’s own ally, Imperial Germany, confirmed that the genocide was still in full swing in the spring of 1916 and left little doubt that it was officially sanctioned. The German ambassador to Constantinople, Wolff-Metternich, wrote to the Imperial chancellor Bethmann Hollweg on March 27, 1916: “Despite all the assurances to the contrary, the Porte is apparently beginning to decimate the remainder of the deported and, if possible, to exterminate those who have escaped the misery and the disaster before peace is made.” 


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On April 1, 1916, Ernst Jacob Christoffel, the head of a German charity for the blind in Malatya, left an even more detailed report of his personal observations in a letter to the German embassy in Constantinople: 

Not a single Armenian sound is to be heard anywhere. Thousands were killed in Gemerek. In the area surrounding Yozgad, the population from 6 Armenian villages was massacred, all of them, even the infants… There were 500 men in a village near Sivas with which I have good relations; 30 of them are still alive. A family of 18 lost 14 of its members through sickness and murder. Out of other large families, one or 2 members are still alive. There are not isolated cases, but rather the rule. The number of those killed may be inferred from this. 

Armenians who managed to survive the death marches then had to endure conditions in “concentration camps” that were in fact death camps, left to die in the desert with no food, no medicine, and no shelter. Often the process was hurried along by raids by itinerant neighbors looking to steal any remaining possessions or kidnap and rape Armenian women. April 6, 1916, Ernst Rössler, the German consul in Aleppo, wrote in a letter to the embassy in Constantinople: “During the past few days, the Armenian concentration camp in Ras-ul-Ain was attacked by the Circassians and other similar people living nearby. The largest part of the unarmed 14,000 inmates was massacred. There are no further details at this point; I will be informed of them later.”

On April 27 Rössler noted independent reports from Muslim Arabs serving in a labor corps, shocked at their first encounters with the genocide:

As the building of two bridges proved to be necessary… the 4th Army delivered a Syrian Muslim pioneer battalion for this purpose about 15 April. These people, who were transported in two days from Damascus to Ras-ul-Ain and who did not know anything about the plight of the deported Armenians and, as it can be presumed, were not influenced along the way, were quite horrified upon their arrival. They were of the opinion that the Armenians had been massacred by soldiers. This again demonstrates the common belief that the act had been done under orders. In any case, this was the opinion generally widespread in the area. 

ESCADRILLE LAFAYETTE FORMED 

Over two thousand miles to the west, on April 16, 1916 France celebrated one of the biggest symbolic demonstrations of unofficial American support yet, with the formation of the Escadrille Lafayette or “Lafayette Squadron,” an all-volunteer force of American pilots who joined this independent unit to help roll back German air superiority on the Western Front. 

Originally known as the Escadrille Américaine (the name was changed in December 1916 under diplomatic pressure from Germany), the Escadrille Lafayette was actually one of two American volunteer squadrons that served in France, later augmented by the Lafayette Flying Corps (below, American pilots in the Escadrille). Both were composed mostly of young, upper-class American college men with the means to travel to France and support themselves during a long leave of absence from schools like Harvard and Princeton.

Wikimedia Commons// Public Domain 

The Escadrille Lafayette was founded by a handful of colorful characters, as reflected in their decision to adopt a lion cub called “Whiskey” as the Escadrille’s mascot, who traveled with them wherever they served (or went on leave). One of the early volunteer flyers, James McConnell, remembered some of the difficulties associated with transporting Whiskey during leave in Paris: 

The little chap had been born on a boat crossing from Africa and was advertised for sale in France. Some of the American pilots chipped in and bought him. He was a cute, bright-eyed baby lion who tried to roar in a most threatening manner but who was blissfully content the moment one gave him one's finger to suck… Lions, it developed, were not allowed in passenger coaches. The conductor was assured that “Whiskey” was quite harmless and was going to overlook the rules when the cub began to roar and tried to get at the railwayman's finger. That settled it, so two of the men had to stay behind in order to crate up "Whiskey" and take him along the next day. 

The Escadrille Lafayette went into action almost immediately at Verdun, taking to the air for the first time as a combat unit on April 20, followed by its first kill on April 24. With their birds’ eye view of the action, its pilots also played an important role observing and reporting enemy troop movements and artillery positions. They also gained a rare aerial perspective on the incredible destruction wrought by modern warfare. On May 23, 1916, volunteer pilot Victor David Chapman described the scene at Verdun from the air: 

The landscape – one wasted surface of brown powdered earth, where hills, valleys, forest and villages all merged in phantoms – was boiling with puffs of dark smoke. Even above my engine’s roar I could catch reports now and then. To the rear, on either side, tine sparks like flashed of a mirror, hither and yon, in the woods and dales, denoted the heavy guns which were raising such a dust… Even from above, one had the sense of great activity and force in the country to the rear. From every wood and hedge peeped out “parcs” of autos, wagons, tents and shelters, – while all the roadsides showed white and dusty with the ceaseless travel.

McConnell left a similar description of Verdun seen from the air: 

Now there is only that sinister brown belt, a strip of murdered Nature. It seems to belong to another world. Every sign of humanity has been swept away. The woods and roads have vanished like chalk wiped from a blackboard; of the villages nothing remains but gray smears where stone walls have tumbled together. The great forts of Douaumont and Vaux are outlined faintly, like the tracings of a finger in wet sand. One cannot distinguish any one shell crater, as one can on the pockmarked fields on either side. On the brown band the indentations are so closely interlocked that they blend into a confused mass of troubled earth. Of the trenches only broken, half-obliterated links are visible. 

Pilots also had a front-row seat for artillery bombardments, as many claimed they could actually see the shells hurtling through the air. McConnell described the strange, alarming feeling of flying through a fusillade: 

Columns of muddy smoke spurt up continually as high explosives tear deeper into this ulcered area. During heavy bombardment and attacks I have seen shells falling like rain… A smoky pall covers the sector under fire, rising so high that at a height of 1,000 feet one is enveloped in its mist-like fumes. Now and then monster projectiles hurtling through the air close by leave one’s plane rocking violently in their wake. Airplanes have been cut in two by them. 

See the previous installment or all entries

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Watch Boris Karloff's 1966 Coffee Commercial
TAKWest, Youtube
TAKWest, Youtube

Horror legend Boris Karloff is famous for playing mummies, mad scientists, and of course, Frankenstein’s creation. In 1930, Karloff cemented the modern image of the monster—with its rectangular forehead, bolted neck, and enormous boots (allegedly weighing in at 11 pounds each)—in the minds of audiences.

But the horror icon, who was born 130 years ago today, also had a sense of humor. The actor appeared in numerous comedies, and even famously played a Boris Karloff look-alike (who’s offended when he’s mistaken for Karloff) in the original Broadway production of Arsenic and Old Lace

In the ’60s, Karloff also put his comedic chops to work in a commercial for Butter-Nut Coffee. The strange commercial, set in a spooky mansion, plays out like a movie scene, in which Karloff and the viewer are co-stars. Subtitles on the bottom of the screen feed the viewer lines, and Karloff responds accordingly. 

Watch the commercial below to see the British star selling coffee—and read your lines aloud to feel like you’re “acting” alongside Karloff. 

[h/t: Retroist]

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15 Must-See Holiday Horror Movies
Echo Bridge Home Entertainment
Echo Bridge Home Entertainment

Families often use the holidays as an excuse to indulge in repeat viewings of Planes, Trains and Automobiles and Elf. But for a certain section of the population, the yuletide is all about horror. Although it didn’t truly emerge until the mid-1970s, “holiday horror” is a thriving subgenre that often combines comedy to tell stories of demented Saint Nicks and lethal gingerbread men. If you’ve never seen Santa slash someone, here are 15 movies to get you started.

1. THANKSKILLING (2009)

Most holiday horror movies concern Christmas, so ThanksKilling is a bit of an anomaly. Another reason it’s an anomaly? It opens in 1621, with an axe-wielding turkey murdering a topless pilgrim woman. The movie continues on to the present-day, where a group of college friends are terrorized by that same demon bird during Thanksgiving break. It’s pretty schlocky, but if Turkey Day-themed terror is your bag, make sure to check out the sequel: ThanksKilling 3. (No one really knows what happened to ThanksKilling 2.)

2. BLACK CHRISTMAS (1974)

Fittingly, the same man who brought us A Christmas Story also brought us its twisted cousin. Before Bob Clark co-wrote and directed the 1983 saga of Ralphie Parker, he helmed Black Christmas. It concerns a group of sorority sisters who are systematically picked off by a man who keeps making threatening phone calls to their house. Oh, and it all happens during the holidays. Black Christmas is often considered the godfather of holiday horror, but it was also pretty early on the slasher scene, too. It opened the same year as The Texas Chainsaw Massacre and beat Halloween by a full four years.

3. SILENT NIGHT, DEADLY NIGHT (1984)

This movie isn’t about Santa Claus himself going berserk and slaughtering a bunch of people. But it is about a troubled teen who does just that in a Santa suit. Billy Chapman starts Silent Night, Deadly Night as a happy little kid, only to witness a man dressed as St. Nick murder his parents in cold blood. Years later, after he has grown up and gotten a job at a toy store, he conducts a killing spree in his own red-and-white suit. The PTA and plenty of critics condemned the film for demonizing a kiddie icon, but it turned into a bona fide franchise with four sequels and a 2012 remake.

4. RARE EXPORTS: A CHRISTMAS TALE (2010)

This Finnish flick dismantles Santa lore in truly bizarre fashion, and it’s not easy to explain in a quick plot summary. But Rare Exports involves a small community living at the base of Korvatunturi mountain, a major excavation project, a bunch of dead reindeer, and a creepy old naked dude who may or may not be Santa Claus. Thanks to its snowy backdrop, the movie scored some comparisons to The Thing, but the hero here isn’t some Kurt Russell clone with equally feathered hair. It’s a bunch of earnest kids and their skeptical dads, who all want to survive the holidays in one piece.

5. TO ALL A GOODNIGHT (1980)

To All a Goodnight follows a by-now familiar recipe: Add a bunch of young women to one psycho dressed as Santa Claus and you get a healthy dose of murder and this 1980 slasher flick. Only this one takes place at a finishing school. So it’s fancier.

6. KRAMPUS (2015)

Although many Americans are blissfully unaware of him, Krampus has terrorized German-speaking kids for centuries. According to folklore, he’s a yuletide demon who punishes naughty children. (He’s also part-goat.) That’s some solid horror movie material, so naturally Krampus earned his own feature film. In the movie, he’s summoned because a large suburban family loses its Christmas cheer. That family has an Austrian grandma who had encounters with Krampus as a kid, so he returns to punish her descendants. He also animates one truly awful Jack-in-the-Box.

7. THE GINGERDEAD MAN (2005)

“Eat me, you punk b*tch!” That’s one of the many corny catchphrases spouted by the Gingerdead Man, an evil cookie possessed by the spirit of a convicted killer (played by Gary Busey). The lesson here, obviously, is to never bake.

8. JACK FROST (1997)

No, this isn’t the Michael Keaton snowman movie. It’s actually a holiday horror movie that beat that family film by a year. In this version, Jack Frost is a serial killer on death row who escapes prison and then, through a freak accident, becomes a snowman. He embarks on a murder spree that’s often played for laughs—for instance, the cops threaten him with hairdryers. But the comedy is pretty questionable in the infamous, and quite controversial, Shannon Elizabeth shower scene.

9. ELVES (1989)

Based on the tagline—“They’re not working for Santa anymore”—you’d assume this is your standard evil elves movie. But Elves weaves Nazis, bathtub electrocutions, and a solitary, super grotesque elf into its utterly absurd plot. Watch at your own risk.

10. SINT (2010)

The Dutch have their own take on Santa, and his name is Sinterklaas. Sinterklaas travels to the Netherlands via steamship each year with his racist sidekick Zwarte Piet. But otherwise, he’s pretty similar to Santa. And if Santa can be evil, so can Sinterklaas. According to the backstory in Sint (or Saint), the townspeople burned their malevolent bishop alive on December 5, 1492. But Sinterklaas returns from the grave on that date whenever there’s a full moon to continue dropping bodies. In keeping with his olden origins, he rides around on a white horse wielding a golden staff … that he can use to murder you.

11. SANTA’S SLAY (2005)

Ever wonder where Santa came from? This horror-comedy claims he comes from the worst possible person: Satan. The devil’s kid lost a bet many years ago and had to pretend to be a jolly gift-giver. But now the terms of the bet are up and he’s out to act like a true demon. That includes killing Fran Drescher and James Caan, obviously.

12. ALL THROUGH THE HOUSE (2015)

Another Santa slasher is on the loose in All Through the House, but the big mystery here is who it is. This villain dons a mask during his/her streak through suburbia—and, as the genre dictates, offs a bunch of promiscuous young couples along the way. The riddle is all tied up in the disappearance of a little girl, who vanished several years earlier.

13. CHRISTMAS EVIL (1980)

Several years before Silent Night, Deadly Night garnered protests for its anti-Kringle stance, Christmas Evil put a radicalized Santa at the center of its story. The movie’s protagonist, Harry Stadling, first starts to get weird thoughts in his head as a kid when he sees “Santa” (really his dad in the costume) groping his mom. Then, he becomes unhealthily obsessed with the holiday season, deludes himself into thinking he’s Santa, and goes on a rampage. The movie is mostly notable for its superfan John Waters, who lent commentary to the DVD and gave Christmas Evil some serious cult cred.

14. SANTA CLAWS (1996)

If you thought this was the holiday version of Pet Sematary, guess again. The culprit here isn’t a demon cat in a Santa hat, but a creepy next-door neighbor. Santa Claws stars B-movie icon Debbie Rochon as Raven Quinn, an actress going through a divorce right in the middle of the holidays. She needs some help caring for her two girls, so she seeks out Wayne, her neighbor who has an obsessive crush on her. He eventually snaps and dresses up as Santa Claus in a ski mask. Mayhem ensues.

15. NEW YEAR’S EVIL (1980)

Because the holidays aren’t over until everyone’s sung “Auld Lang Syne,” we can’t count out New Year’s Eve horror. In New Year’s Evil, lady rocker Blaze is hosting a live NYE show. Everything is going well, until a man calls in promising to kill at midnight. The cops write it off as a prank call, but soon, Blaze’s friends start dropping like flies. Just to tie it all together, the mysterious murderer refers to himself as … “EVIL.”

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