Paramount Pictures
Paramount Pictures

15 Surprising Facts About Death Wish

Paramount Pictures
Paramount Pictures

When Brian Garfield wrote the 1972 novel Death Wish, about a New York City accountant-turned-vigilante named Paul Benjamin, he had no idea that it would spawn one of Hollywood's longest-running film series, with five movies released over 20 years. The first film, 1974's Death Wish, was so controversial that Garfield openly wished it would not air on television after it allegedly inspired some real-life copycat killings.

While Charles Bronson will forever be linked to the lead role (who changed from Paul Benjamin to Paul Kersey for the film, and became an architect), Bruce Willis is getting ready to give the iconic character a go with Eli Roth's update of the film, which hits theaters this weekend. In the meantime, here are 15 things you might not know about Death Wish.

1. IT WAS INSPIRED BY A COUPLE OF REAL-LIFE CRIMES (THAT WERE MUCH LESS VIOLENT).

Author Brian Garfield was inspired to write Death Wish after he grew very angry when, in separate incidents, his wife's purse was stolen and his car was vandalized. “I knew the vandal had done us no real harm ... Yet my first response to the discovery of this mindless violence was swift and stark," Garfield later wrote. "My boundaries had been violated, my property trespassed upon. He had no right. 'I'll kill the son of a bitch.'" While Garfield's flash of anger eventually dissipated, the idea of writing a novel about a man who never got over crimes committed against his immediate family didn't fade away so easily.

2. ORIGINALLY SIDNEY LUMET WAS SET TO DIRECT, WITH JACK LEMMON STARRING.

The adapted screenplay by Wendell Mayes (Anatomy of a Murder, The Poseidon Adventure) was written with the idea that Sidney Lumet would be behind the camera and Jack Lemmon would be starring as Paul. Lumet supposedly wanted to shoot it in black and white. When Dino De Laurentiis came on as producer, Lumet dropped out. With Lumet out, Lemmon lost interest.

3. HENRY FONDA AND GEORGE C. SCOTT BOTH TURNED DOWN THE LEAD ROLE.

Henry Fonda declined the part because he said the script was "repulsive." George C. Scott said no because of all its violence.

4. CHARLES BRONSON AND HIS AGENT DISAGREED ON THE FILM'S MESSAGE.

While Charles Bronson was immediately interested in the role, his agent wasn't so sure. "It's the only time Paul Kohner, my agent, ever disagreed with me about a film," Bronson said in 1974. "Paul felt very strongly that it was a dangerous picture—that it might make people think it's right to take the law into their own hands. This is what the hero of the picture does when he wants a one-man vigilante squad to kill muggers, after three of them have murdered his wife and raped his daughter. I told Paul I thought the message was the same there that runs through a lot of my pictures: That violence is senseless because it only begets more violence."

5. BRIAN GARFIELD THOUGHT BRONSON WAS ALL WRONG FOR THE PART.

Garfield didn't like the fact that as soon as Bronson appeared on screen, "you knew he was going to start blowing people away." Director Michael Winner dismissed the author's criticisms, calling him "an idiot."

6. BRONSON THOUGHT DUSTIN HOFFMAN SHOULD HAVE PLAYED HIS PART.

Even though he liked the message, Bronson wasn't originally convinced that he would be the best actor for the job. "The way the part was written, it was about a meek little New York-born accountant," Bronson said. "I thought it was a much better picture for Dustin Hoffman." Eventually, it was Winner who convinced Bronson to take the role anyway. "He said we could change the part to a more active and virile architect, and we'd all make a potful of money."

7. JEFF GOLDBLUM MADE HIS FILM DEBUT IN THE MOVIE.

When discussing his feature debut, Jeff Goldblum admitted, "I stick out like a sore thumb." Goldblum played one of the "Freaks" who killed Paul's wife and raped his daughter. Back in 1983, Goldblum told New York Magazine that a job was a job. "Did it bother me it was such a brutal part? No. It was the first movie I'd gone up for, and I got it." Winner remembered Goldblum as being "loose and brilliant" in his audition.

8. OLYMPIA DUKAKIS HAD A SMALL ROLE, BUT DOESN'T LOOK BACK ON THE FILM FONDLY.

Olympia Dukakis was uncredited, but paid, for playing one of the cops at the precinct. It wasn't a particularly positive experience for the future Oscar winner. "Yeah, they sent me over, and the director [Michael Winner] was, uh, not necessarily liked by the actors," Dukakis told The A.V. Club in 2015. "I mean, he made me turn around, and he wanted to see me, and … he treated me like a piece of meat during the audition. But it was, like, one day, so I could take the money and go home and say, 'F**k you and the horse you rode in on.'"

9. THERE WAS CONCERN ABOUT USING THE WORD "DEATH" IN THE TITLE.

Posters with the title Sidewalk Vigilante were printed because De Laurentiis worried about having the word "death" in the title. "The fact that it had the word death made me a little uneasy, a little perplexed," the producer admitted. "Then I realized it might bring in an additional audience—horror flick fans—so I left it the way it was." For his part, Winner thought Sidewalk Vigilante was a "ghastly" title.

10. HERBIE HANCOCK WROTE THE SCORE, AT THE SUGGESTION OF MICHAEL WINNER'S GIRLFRIEND.

"It was the first film score by Herbie Hancock, the brilliant jazz musician," Winner wrote in his memoir, Michael Winner: Winner Takes All: A Life of Sorts. "I chose him because Dino wanted a cheap band and at the time I was having an affair with one of the actresses in the movie who was very into jazz music. She said, 'Herbie Hancock is a new genius.' I listened to his record Head Hunters, thought it absolutely brilliant, and persuaded Dino to take him."

11. GARFIELD THOUGHT THE MOVIE AND HIS BOOK SENT DIFFERENT MESSAGES.

Charles Bronson stars in the original 'Death Wish' (1974)
Paramount Pictures

"The point of the novel Death Wish is that vigilantism is an attractive fantasy but it only makes things worse in reality," the author said in 2008. "By the end of the novel, the character (Paul) is gunning down unarmed teenagers because he doesn’t like their looks. The story is about an ordinary guy who descends into madness. Oddly enough Mayes’s script honored that thought, and the only significant change in it during shooting was the wordless ending, but that ending changed the story entirely." The ending had Bronson smirking at some Chicago hoodlums while cocking a finger gun.

12. THE MOVIE GOT SOME HARSH REVIEWS.

Vincent Canby of The New York Times wrote that “it's a despicable movie, one that raises complex questions in order to offer bigoted, frivolous, oversimplified answers" and found it to be "a bird-brained movie to cheer the hearts of the far-right wing." Variety's review opened by claiming Death Wish is "awkwardly hung" on the "vulgar exploitation hook" of "poisonous incitement to do-it-yourself law enforcement."

13. AUDIENCES LOVED IT SO MUCH THAT PARAMOUNT PICTURES CHARGED THEM MORE MONEY TO SEE IT.

Prices were raised from $3.50 to $4 per ticket. At that point, only The Godfather (1972) and The Great Gatsby (1974) had been as expensive. Death Wish ultimately made $22 million at the box office.

14. CHICAGO AND SAN FRANCISCO REFUSED TO AIR IT ON TV.

When it came time to air the movie on network television, Washington D.C. delayed the start time from 9 p.m. to 11:30 p.m. Chicago and San Francisco opted not to air it. But every other major CBS affiliate around the country aired an edited version of the film during prime time on November 10, 1976, despite Garfield's protests. "I think it is a dangerous film," he said. "And the proof is that several people have already committed vigilante crimes inspired by the film, and said so." Garfield said this despite potentially losing $50,000 if Death Wish didn't run.

15. SYLVESTER STALLONE WANTED TO REMAKE IT.

Sylvester Stallone was set to direct and star in a Death Wish remake for MGM back in 2008. When that project, uh, died, it opened the door for Eli Roth and Bruce Willis to step in.

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Zach Hyman, HBO
10 Bizarre Sesame Street Fan Theories
Zach Hyman, HBO
Zach Hyman, HBO

Sesame Street has been on the air for almost 50 years, but there’s still so much we don’t know about this beloved children’s show. What kind of bird is Big Bird? What’s the deal with Mr. Noodle? And how do you actually get to Sesame Street? Fans have filled in these gaps with frequently amusing—and sometimes bizarre—theories about how the cheerful neighborhood ticks. Read them at your own risk, because they’ll probably ruin the Count for you.

1. THE THEME SONG CONTAINS SECRET INSTRUCTIONS.

According to a Reddit theory, the Sesame Street theme song isn’t just catchy—it’s code. The lyrics spell out how to get to Sesame Street quite literally, giving listeners clues on how to access this fantasy land. It must be a sunny day (as the repeated line goes), you must bring a broom (“sweeping the clouds away”), and you have to give Oscar the Grouch the password (“everything’s a-ok”) to gain entrance. Make sure to memorize all the steps before you attempt.

2. SESAME STREET IS A REHAB CENTER FOR MONSTERS.

Sesame Street is populated with the stuff of nightmares. There’s a gigantic bird, a mean green guy who hides in the trash, and an actual vampire. These things should be scary, and some fans contend that they used to be. But then the creatures moved to Sesame Street, a rehabilitation area for formerly frightening monsters. In this community, monsters can’t roam outside the perimeters (“neighborhood”) as they recover. They must learn to educate children instead of eating them—and find a more harmless snack to fuel their hunger. Hence Cookie Monster’s fixation with baked goods.

3. BIG BIRD IS AN EXTINCT MOA.

Big Bird is a rare breed. He’s eight feet tall and while he can’t really fly, he can rollerskate. So what kind of bird is he? Big Bird’s species has been a matter of contention since Sesame Street began: Big Bird insists he’s a lark, while Oscar thinks he’s more of a homing pigeon. But there’s convincing evidence that Big Bird is an extinct moa. The moa were 10 species of flightless birds who lived in New Zealand. They had long necks and stout torsos, and reached up to 12 feet in height. Scientists claim they died off hundreds of years ago, but could one be living on Sesame Street? It makes sense, especially considering his best friend looks a lot like a woolly mammoth.

4. OSCAR’S TRASH CAN IS A TARDIS.

Oscar’s home doesn’t seem very big. But as The Adventures of Elmo in Grouchland revealed, his trash can holds much more than moldy banana peels. The Grouch has chandeliers and even an interdimensional portal down there! There’s only one logical explanation for this outrageously spacious trash can: It’s a Doctor Who-style TARDIS.

5. IT’S ALL A RIFF ON PLATO.

Dust off your copy of The Republic, because this is about to get philosophical. Plato has a famous allegory about a cave, one that explains enlightenment through actual sunlight. He describes a prisoner who steps out of the cave and into the sun, realizing his entire understanding of the world is wrong. When he returns to the cave to educate his fellow prisoners, they don’t believe him, because the information is too overwhelming and contradictory to what they know. The lesson is that education is a gradual learning process, one where pupils must move through the cave themselves, putting pieces together along the way. And what better guide is there than a merry kids’ show?

According to one Reddit theory, Sesame Street builds on Plato’s teachings by presenting a utopia where all kinds of creatures live together in harmony. There’s no racism or suffocating gender roles, just another sunny (see what they did there?) day in the neighborhood. Sesame Street shows the audience what an enlightened society looks like through simple songs and silly jokes, spoon-feeding Plato’s “cave dwellers” knowledge at an early age.

6. MR. NOODLE IS IN HELL.

Can a grown man really enjoy taking orders from a squeaky red puppet? And why does Mr. Noodle live outside a window in Elmo’s house anyway? According to this hilariously bleak theory, no, Mr. Noodle does not like dancing for Elmo, but he has to, because he’s in hell. Think about it: He’s seemingly trapped in a surreal place where he can’t talk, but he has to do whatever a fuzzy monster named Elmo says. Definitely sounds like hell.

7. ELMO IS ANIMAL’S SON.

Okay, so remember when Animal chases a shrieking woman out of the college auditorium in The Muppets Take Manhattan? (If you don't, see above.) One fan thinks Animal had a fling with this lady, which produced Elmo. While the two might have similar coloring, this theory completely ignores Elmo’s dad Louie, who appears in many Sesame Street episodes. But maybe Animal is a distant cousin.

8. COOKIE MONSTER HAS AN EATING DISORDER.

Cookie Monster loves to cram chocolate chip treats into his mouth. But as eagle-eyed viewers have observed, he doesn’t really eat the cookies so much as chew them into messy crumbs that fly in every direction. This could indicate Cookie Monster has a chewing and spitting eating disorder, meaning he doesn’t actually consume food—he just chews and spits it out. There’s a more detailed (and dark) diagnosis of Cookie Monster’s symptoms here.

9. THE COUNT EATS CHILDREN.

Can a vampire really get his kicks from counting to five? One of the craziest Sesame Street fan theories posits that the Count lures kids to their death with his number games. That’s why the cast of children on Sesame Street changes so frequently—the Count eats them all after teaching them to add. The adult cast, meanwhile, stays pretty much the same, implying the grown-ups are either under a vampiric spell or looking the other way as the Count does his thing.

10. THE COUNT IS ALSO A PIMP.

Alright, this is just a Dave Chappelle joke. But the Count does have a cape.

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HighSpeedInternet.com
The Most Popular Netflix Show in Every Country
HighSpeedInternet.com
HighSpeedInternet.com
most popular Netflix show in each country map
HighSpeedInternet.com
most popular Netflix show in each country map key
HighSpeedInternet.com

If you're bored with everything in your Netflix queue, why not look to the top shows around the world for a recommendation?

HighSpeedInternet.com recently used Google Trends data to create a map of the most popular show streaming on Netflix in every country in 2018. The best-loved show in the world is the dystopian thriller 3%, claiming the number one spot in eight nations. The show is the first Netflix original made in Portuguese, so it's no surprise that Portugal and Brazil are among the eight countries that helped put it at the top of the list.

Coming in second place is South Korea's My Love from the Star, which seven countries deemed their favorite show. The romantic drama revolves around an alien who lands on Earth and falls in love with a mortal. The English-language show with the most clout is 13 Reasons Why, coming in at number three around the world—which might be proof that getting addicted to soapy teen dramas is a universal experience.

Pot comedy Disjointed is Canada's favorite show, which probably isn't all that surprising given the nation's recent ruling to legalize marijuana. Perhaps coming as even less of a shock is the phenomenon of Stranger Things taking the top spot in the U.S. Favorites like Black Mirror, Sherlock, and The Walking Dead also secured the love of at least one country.

Out of the hundreds of shows on the streaming platform, only 47 are a favorite in at least one country in 2018. So no hard feelings, Gypsy.

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