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DisneyBluRayDVD via YouTube

12 Fib-Free Facts About Pinocchio

DisneyBluRayDVD via YouTube
DisneyBluRayDVD via YouTube

Imagine that you're Walt Disney and you're coming off of 1937's Snow White and the Seven Dwarfs, a total industry game-changer; a movie that inspired a special Academy Award and caused The New York Times to write, "Thank you very much, Mr. Disney, and come again soon."

How do you top yourself? Well, Disney tried to do it with Pinocchio. The studio was partially successful: the movie was a critical darling, but a box office bust. Turns out that turning a lying marionette into a sympathetic, likable character was a task even Disney struggled with. How they tried to accomplish it is just one of the 12 fib-free facts we rounded up on this 1940 classic.

1. LIKE MANY OTHER DISNEY MOVIES, IT WAS BASED ON A BOOK.

The Adventures of Pinocchio was a children's book by Italian author Carlo Collodi, originally published in 1883. If you think the Disney version is dark, you should read the original—Pinocchio is stabbed by assassins and hanged halfway through the book, though he's later rescued and turned into a real boy by the "Child with the blue hair."

2. ANIMATORS WERE STYMIED ABOUT HOW TO DRAW PINOCCHIO.

They were unsure whether to draw him with human movements or with wooden movements. Animators struggled for 18 months, until animation director Milt Kahl (one of Disney's Nine Old Men) decided to blend the two ideas, giving Pinocchio human-like motions, but adding puppet-like joints and screws to the mix.

3. THE PUPPET WENT THROUGH SEVERAL DIFFERENT PERSONALITY CHANGES.

At one point Walt wanted him to be “fresh” and wise-cracking, similar to Edgar Bergen’s Charlie McCarthy dummy. Another version certainly wouldn’t have flown with family audiences: a “lusty” Pinocchio would have grabbed at the Blue Fairy whenever she appeared.

4. DISNEY LEGEND WARD KIMBALL ALMOST QUIT—UNTIL WALT PUT HIM IN CHARGE OF JIMINY CRICKET.

Animator Ward Kimball was still upset about scenes of his that were cut from Snow White and was in Walt’s office to tender his resignation. Instead, Walt asked Kimball if he would lead the charge on animating Jiminy Cricket, a tricky assignment, since no one was sure how to make the little insect look appealing. “God, he did such a wonderful job, that I walked out very happily and said, ‘What a wonderful place this is,’” Kimball later recalled.

5. JIMINY CRICKET WAS INSPIRED BY A COUPLE OF DIFFERENT PEOPLE.

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When Walt explained the character to Kimball, he mentioned that Jiminy Cricket reminded him of his own “beloved addled Uncle Ed.” After hearing Walt’s vision, Kimball originally designed a character that looked more like a real cricket—feelers, bulging eyes, and an elongated body. Walt called it “gross,” so Jiminy changed into a little man with a big head bearing little resemblance to a real bug. “He was a cricket because we called him a cricket,” Kimball said, and later explained how much he eventually grew to hate the character. “I hated that cricket. I got sick of drawing that oval head looking in every direction. His coat I borrowed from the man on the Johnnie Walker scotch bottle. In the back it curves and splits in the middle so it resembles cricket wings.”

6. FIGARO THE CAT WAS WALT'S FAVORITE CHARACTER.

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Though Figaro is a relatively minor character in the movie, Walt loved the cat so much that he found another role for him when Pinocchio was over: Minnie Mouse's pet. Minnie already had a pet cocker spaniel, but it was ousted in favor of Figaro.

7. JIMINY SUFFERS A SURPRISING FATE IN THE BOOK.

The cute little conscience incarnate was only a minor character in the book—and he dies when Pinocchio throws a hammer at him. It was Walt’s idea to expand the character, but he didn’t hit upon the idea until after the storymen had completed the script. They had to go back and rework Jiminy Cricket into the entire movie.

8. PINOCCHIO WON TWO ACADEMY AWARDS.

Both involved the movie’s spectacular music. Paul Smith, Leigh Harline and Ned Washington won the Oscar for Best Original Score; Harline and Washington won Best Song for “When You Wish Upon a Star.” The latter, of course, has become a theme song for the Disney company over the years.

9. A SONG CALLED "HONEST JOHN" WAS CUT FROM THE FILM.

Performed by Disney mainstay Thurl Ravenscroft (also known for his voiceover work as Tony the Tiger) and his group The Mellomen, “Honest John” didn’t make the final movie, but here’s a demo:

Ravenscroft did appear in the movie in another way, though: He provided the roars for Monstro the whale.

10. THE MOVIE WAS A CRITICAL SUCCESS, BUT A BOX OFFICE FAILURE.

Critics raved about how perfect the movie was. The Los Angeles Times critic said, “Pinocchio tops any animated cartoon I ever saw,” and The New Republic wrote that it “brings the cartoon to a level of perfection that the word cartoon will not cover.” But you wouldn’t know it from the box office. In some markets, Pinocchio barely made a tenth of what Snow White had. Walt believed the movie suffered from competition with Gone with the Wind, which had opened not long before. And he later admitted that "Pinocchio lacked an intangible something.” Critics still love the film today, by the way—it’s one of just a handful of movies to achieve a 100 percent rating on Rotten Tomatoes.

11. MEL BLANC VOICED GIDEON THE CAT.

Walt hired Mel Blanc to voice the villainous sidekick character after hearing Blanc's hiccupy “drunk” impersonation. Blanc recorded all of his lines in 16 days and received $50 per day—but if you’ve seen the movie, you might remember that Gideon the Cat is mute. Disney ended up being worried that audiences would think the cat was drunk, and reduced Blanc’s lines to a single hiccup, which Blanc didn't find out until the movie premiered. Good thing he had that whole Bugs Bunny thing to fall back on.

12. DISNEY PAID FOR CLIFF EDWARDS' GRAVESTONE.

Veteran vaudeville actor Cliff Edwards provided the voice of Jiminy Cricket, including this gorgeous rendition of “When You Wish Upon a Star”:

Unfortunately, Edwards' drug and alcohol addiction affected his work greatly. His career began to decline, and by 1969, he was no longer in the employ of the Walt Disney Company. They did, however, quietly pay his medical bills. In the early ‘80s, someone in the company was informed that Edwards had never received a proper headstone after his death in 1971. Disney purchased a simple marker that paid tribute to “Ukulele Ike,” the persona Edwards was known for back in the vaudeville days.

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Amy Meredith, Flickr // CC BY-ND 2.0
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You Can Still Visit This Forgotten Flintstones Theme Park in Arizona
Amy Meredith, Flickr // CC BY-ND 2.0
Amy Meredith, Flickr // CC BY-ND 2.0

Like many pop culture institutions of the 20th century, Hanna-Barbera’s The Flintstones hasn’t been relegated to just one medium. The animated cast of America's favorite modern Stone Age family sold cigarettes, starred in a live-action 1994 film, and inspired all sorts of merchandise, including video games and lunchboxes. In 1972, it also got the theme park treatment.

Bedrock City, located 30 minutes from the Grand Canyon in Williams, Arizona, was the brainchild of Linda and Francis Speckels, a married couple who bought the property and turned it into a 6-acre tourist attraction. Concrete houses were built to resemble the Flintstone and Rubble residences and are furnished with props; a large metal slide resembles a brontosaurus, so kids can mimic the show’s famous title credits sequence; and statues of the characters are spread all over the premises. The site also doubles as an RV campground and parking site.

A Flintstones theme park house
Matthew Dillon, Flickr // CC BY 2.0

A statue of Bam-Bam at the Flintstones park in Arizona
Matthew Dillon, Flickr // CC BY 2.0

A statue of Wilma Flintstone at Bedrock City in Arizona
Matthew Dillon, Flickr // CC BY 2.0

When it first opened, Bedrock City employed actors to stay in character, but the remote location proved challenging to retain both employees and visitors. Over the past four decades, it's had a steady stream of tourists, but not enough to turn a huge profit. Atlas Obscura reports the attractions are in various stages of disrepair.

Linda Speckels put the property up for sale in 2015 with an asking price of $2 million, but it has yet to sell. One possible hold-up: The new owner would have to negotiate a fresh licensing deal with Hanna-Barbera and Warner Bros. for the right to continue using the show’s trademarks. (A separate Flintstones park in South Dakota, owned by another member of the Speckels family, was sold and closed in 2015.) With its proximity to the Canyon, the 30 total acres could be converted into almost anything, from a mall to a golf course. For Flintstones enthusiasts, the hope is that the park’s unique attractions won’t be reduced to rubble.

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Watch Terry Gilliam's 1968 Animated Christmas Card
Carlo Allegri/Getty Images
Carlo Allegri/Getty Images

In 1968, future Monty Python member Terry Gilliam was kicking around London, working as an animator. He was asked to put together an animated segment for a Christmas show, so he hopped over to the Tate and photocopied a bunch of Victorian Christmas cards for inspiration. The resulting film, The Christmas Card, is brilliant, bizarre, and delightful. Enjoy some pre-Python madness from the master:

If you liked that, check out Terry Gilliam explaining his animation technique in 1974.

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