Every week I write about the most interesting new comics hitting comic shops, bookstores, digital, and the web. Feel free to comment below if there's a comic you've read recently that you want to talk about or an upcoming comic that you'd like me to consider highlighting.
By Ta-Nehisi Coates, Brian Stelfreeze, and Laura Martin
In the early 2000s, it seemed like comics were always chasing legitimacy by courting writers from the outside. Sure, some of these writers created some good comics, like Jonathan Lethem’s Omega the Unknown or Gerard Way’s Umbrella Academy, but there were just as many forgettable vanity projects and simple failures on the part of a prose writer or a filmmaker to grasp the visual language and pacing of comics. Today, as comics publishers seem to have relaxed about it, legitimacy has arrived on its own, as most people have come to appreciate the quality of today’s comics and the influence they have on our popular culture right now. This week sees one of the most significant and honored writers to enter this world from the outside, Ta-Nehisi Coates, give us his take on Black Panther, a character who is about to gain the biggest level of public awareness in his history.
Coates is the author of the National Book Award-winning Between The World And Me and is a national correspondent for The Atlantic who has won many awards for his 2014 cover story “The Case for Reparations.” He is considered one of the best writers on race, politics, and social issues in America and he’ll likely be bringing a lot of those issues into his work here. In addition to being a superhero, Black Panther is also King T’Challa, ruler of a technologically advanced but often-embattled fictional African country called Wakanda. Coates’s partner on the series, artist Brian Stelfreeze, approaches his depiction of Wakanda as a “melting pot” of different African cultures from the Zulu tribes to ancient Egypt.
This year marks the 50th anniversary of Black Panther’s debut in Fantastic Four #52. It also marks his big screen debut in next month's Captain America: Civil War. Until now, T’Challa has more often than not been a guest star in other books or an occasional member of the Avengers. However, when he has had his own series, he has boasted some runs by writers like Don McGregor, Christopher Priest, and Reginald Hudlin that are still highly regarded by fans today. These are strong acts in the Black Panther library to follow, but Marvel couldn’t have picked a more interesting writer to capitalize on T’Challa’s big moment in the spotlight.
By Grant Morrison, Yanick Paquette, and Nathan Fairbairn
DC’s Earth One series of graphic novels introduce retooled, modernized versions of their most iconic characters, freed from the narrative confines of continuity. Considering DC already rebooted their whole line of comics a few years ago and we’re constantly seeing updated origins for big characters like Superman, Batman, and Wonder Woman, it can be hard to see what the purpose of the Earth One books actually is. What makes them stand out, besides their straight-to-hardcover format, is that they give mostly free rein and a clean continuity slate to a set of all-star creators. The long-awaited first volume of Wonder Woman: Earth One is written by super star Grant Morrison and drawn by popular DC artist and frequent Morrison collaborator Yanick Paquette. Any time Morrison, who wrote one of the definitive takes on Superman in All-Star Superman, gives us his take on a character, expect a modern sheen with layers of history underneath.
Wonder Woman’s cinematic debut in this month's Batman v Superman seems to be the most universally liked aspect of that film, making this a great time for a bookstore-ready Wonder Woman book to hit the shelves. Interestingly, it comes out around the same time as another retelling of Wonder Woman’s origins that may stand in stark contrast to this one. The recent comic series The Legend of Wonder Woman uses a decidedly young adult fantasy approach to tell Princess Diana’s early years, whereas Morrison and Paquette lean more adult than young adult. With nods to the character’s roots in both violent Greek mythology and her early kinky bondage comics by creator William Moulton Marston, there are some scenes here that have already given certain Wonder Woman fans pause. Paquette’s style of drawing statuesque pin-up girls make the first half of this book, set on the Amazonian island of Themyscira, seem like it is aimed solely at straight male readers. There are reasons for everything Morrison does, however, as he attempts to use elements of Marston's early, sexualized comics and Wonder Woman’s roots as an early feminist icon to try to get to a contemporary and perhaps nuanced view of Diana.
By Charles Soule and Phil Noto
When original Star Wars fans like myself were anxiously waiting for the release of sequels like Empire Strikes Back and Return of the Jedi, Marvel Comics helped fill in those long, three-year gaps with their (non-canon) monthly Star Wars comic. Nowadays, Marvel is once again producing Star Wars comics, and this time they are officially in canon (until someone at Disney or Lucasfilm decides they’re not). However, the way J.J. Abrams ended Episode VII doesn’t leave a lot of story gaps to fill, with main players Rey and Finn’s plot lines being tied up in cliffhangers. It’s hard to imagine Abrams and company wanting to reveal those characters’ next moves in a comic book rather than the next film.
With that in mind, Marvel’s first Force Awakens-related comic is Poe Dameron, an ongoing series that will be set before the events of the last film and will tell the adventures of the heroic Resistance pilot and his droid pal BB-8. As they have been doing with all their Star Wars books, Marvel has chosen big-name creators for this title. Writer Charles Soule has already had his hand in some other Star Wars comics like Lando and Obi-Wan and Anakin and artist Phil Noto is also already working on a Chewbacca solo series.
If you’re more of a BB-8 than a Poe fan, the little droid has a cute backup feature in this comic drawn by Chris Eliopoulos in his Calvin & Hobbes-inspired style.