13 Infamous Facts About Bonnie and Clyde

Warner Bros. Home Entertainment
Warner Bros. Home Entertainment

Clyde Barrow and Bonnie Parker were two of the most popular celebrity criminals of the 1930s (and they had a lot of competition in that decade). More than 30 years later, America fell in love with them all over again through Bonnie and Clyde, a zeitgeist-capturing movie that spoke to the dissatisfaction and unrest that people (especially young people) felt in 1967. And hey, it was the first major film appearance for Faye Dunaway, Gene Hackman, and Gene Wilder, and featured a future Duke of Hazzard (Denver Pyle, a.k.a. Uncle Jesse). Get to know your favorite movie about your favorite outlaws a little better with these behind-the-scenes tidbits.

1. Before it was made in the style of the French New Wave films, it almost was a French New Wave film.

Like many young cinephiles of their day, Bonnie and Clyde's screenwriters, Robert Benton and David Newman, were enamored of the French New Wave, the influential movement that included films like The 400 Blows, Jules and Jim, and Breathless. These movies tended to have young, iconoclastic, sexually liberated protagonists and unhappy endings, making the true story of Bonnie and Clyde a perfect fit. Director Arthur Penn wound up using some of the New Wave's aesthetic techniques, too—like quick cuts, zooms, stylized photography, and abrupt changes in mood—making Bonnie and Clyde the first major American film to imitate the style. But before Penn came onboard, the screenwriters pursued two actual French New Wavers: François Truffaut (The 400 Blows) and Jean-Luc Godard (Breathless). Each filmmaker eventually passed on the project, but both offered suggestions that were incorporated into the final product.

2. Faye Dunaway's star-making performance almost didn't happen.

Warren Beatty, doing double duty as star and producer, and director Arthur Penn considered many other actresses first, including Tuesday Weld, Jane Fonda, Natalie Wood, Sharon Tate, Leslie Caron, and Ann-Margret. (Back when he was only producing it and not starring in it, Beatty had also considered his sister, Shirley MacLaine, for the role.) Beatty said they were turned down "by about 10 women," though he would later say Weld was the only one they made a firm offer to. When Beatty met Dunaway, he didn't think she was right for the part, but he told her to meet with Penn, who he thought would think she was perfect. Beatty was right.

3. The writers had no idea what they were doing.

Benton and Newman worked at Esquire (as editor and art director, respectively), and had no screenwriting experience whatsoever. But they loved the story of Bonnie and Clyde, which Benton, growing up in the Dallas area, had heard his entire life as part of local folklore. (Benton's father had actually attended Bonnie and Clyde's funeral in 1934.) Benton and Newman didn't have experience writing movies, but they did have a well-connected friend of a friend who put them in touch with the French filmmakers and offered some working capital. It was through these connections that the script fell into the hands of Warren Beatty, who immediately contacted them and set the project in motion.

4. The first drafts had Clyde swinging both ways.

Newman and Benton worked closely with Beatty and Penn in fine-tuning the screenplay, which all four men later described as a positive, low-conflict collaboration. The only major problem had to do with sex. Newman and Benton's version had Bonnie and Clyde having a threesome with C.W. Moss (Michael J. Pollard), a composite character based on several members of Bonnie and Clyde's gang, the idea being that Clyde couldn't perform without a third party. Beatty claimed he had no problem playing a bisexual character, but he and Penn were both concerned that the audience would view Clyde as a sexual deviant and ascribe his lawbreaking to that. But Penn thought the idea of there being some kind of sexual dysfunction in the group was important. Eventually the four collaborators settled on Clyde being impotent.

5. Whatever you think the film "really" means, you're probably wrong.


Warner Bros. Home Entertainment

Some viewers interpreted Bonnie and Clyde as a commentary on other issues, but Newman and Benton said they didn't intend it that way. As they wrote in an introduction to a published version of their screenplay, "[People] have told us that Bonnie and Clyde was REALLY about Vietnam, REALLY about police brutality, REALLY about Lee Harvey Oswald, REALLY about Watts. After a while, we took to shrugging and saying, 'If you think so.'"

6. The studio thought it was going to flop and treated it accordingly.

Jack Warner, who measured films according to how well they convinced him not to leave the screening room to use the bathroom, hated Bonnie and Clyde. "That's the longest two hours and 11 minutes I've ever seen!" he reportedly said after seeing an early cut. "That was a three-piss picture!" (Also: "This gangster stuff went out with [James] Cagney!") Thinking they had a turkey on their hands, and despite a warm reception at a film festival in Montreal, Warner Bros. dumped the movie in drive-ins and second-run theaters in August of 1967.

7. The studio's lack of faith made Warren Beatty very, very rich.

Thinking the film wouldn't make any money, Warner Bros. offered Beatty a ridiculous deal: a $200,000 salary, plus 40 percent of the gross. Yes, 40 percent. Of the gross, not the net. The film made more than $50 million.

8. Film critics killed the film—then saved it.

Warner Bros.' wariness was validated by the early reviews. Variety was lukewarm, and The New York Times' Bosley Crowther, then the most influential critic in America, hated it. HATED it. He wrote about it more than once, and would drop scathing references to it in reviews of other movies. To him, the film’s wanton violence represented everything that was wrong with modern cinema. (It's worth noting that Crowther was 62 years old and had been the Times' chief critic since 1940.)

Early box office reflected the bad reviews. But then came Pauline Kael, a vocal champion for the film who wrote 9000 words about it for The New Yorker. She was soon followed by Newsweek's Joseph Morgenstern, who gave the film a bad review, then retracted it a week later with a new, glowing appraisal. TIME magazine, which had also panned it, recanted and put the film on the cover of its December issue. Word began to spread. Warner Bros. re-released the film into more theaters and, by the end of 1967, it was on its way toward becoming one of the top-grossers of the year. It made most of its money, however, in early 1968, when Warner Bros. put it in wide release to take advantage of its 10 Oscar nominations. (Post-script: Bosley Crowther was removed as the Times' lead film critic in early 1968.)

9. It turned an old song into a new hit.

Flatt & Scruggs' banjo-heavy bluegrass tune "Foggy Mountain Breakdown" serves as the film's theme music, even though it was recorded in 1949 and is anachronistic for a movie set in the 1930s. Even more anachronistic, though, is the fact that when the song was re-released in conjunction with the movie, it became a hit, reaching number 55 on the Billboard Hot 100 charts. It's now a standard in the bluegrass genre, and is often used in movies and TV when there's a chase scene set in a rural area.

10. It inspired songwriters as well as filmmakers.


Warner Bros. Home Entertainment

As Americans fell in love with Bonnie and Clyde the movie, they also became captivated by Bonnie and Clyde the outlaws, and the nation's troubadours took to the airwaves to sing about the tragic lovers. Merle Haggard, Georgie Fame, Serge Gainsbourg and Brigitte Bardot, Mel Tormé, and Bonnie's sister Billie Jean Parker all recorded new songs in the wake of the movie's success, and the aforementioned Flatt & Scruggs wrote an entire album.

11. It inspired a fashion fad, too.

Faye Dunaway's period costumes caught the attention of the fashion-minded, and soon berets (which hadn't been popular since the '30s) were back in vogue. The trend coincided with French designers wanting to move from mini-skirts to maxi-skirts, and gave women an appealing example of how great a maxi could look.

12. The cinematographer quit midway through filming.

Burnett Guffey, a respected veteran in the industry who'd shot close to 100 movies and had served as president of the American Society of Cinematographers, was frequently at odds with Penn (who was fairly new to film) and with production designer Dean Tavoularis. Not only was Guffey older than most of the crew (he was born in 1905), but the "new Hollywood" visual style that Penn and Tavoularis wanted for the film didn't mesh with his old-school sensibilities.

After butting heads with the director one too many times, Guffey quit and was replaced by another old-timer, Ellsworth Fredericks. But this lasted only a few days, as Fredericks' competent-but-uninspired work made Penn realize how hard Guffey had been trying to capture his vision. He wooed Guffey back to finish the film, for which Guffey would win his second Oscar.

13. It contains a reference John F. Kennedy's assassination.

When Bonnie and Clyde are pumped full of lead in the film's bloody climax, you can see a fragment of Clyde's scalp flying off. Penn and editor Dede Allen both confirmed that this was a deliberate reference to the Zapruder film of JFK's death, which had happened in Dallas, not far from where Bonnie and Clyde grew up.

Additional sources:
Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, by Mark Harris

This article originally ran in 2016.

9 Surprising Facts About James McAvoy

Chris Jackson, Getty Images
Chris Jackson, Getty Images

Whether you know James McAvoy from the X-Men movies or have been a fan since his early gigs on British television, there's no denying that 2019 has already been a very good year for the Scottish actor. In addition to his starring role in M. Night Shyamalan's Glass, McAvoy is set to star in June's Dark Phoenix, will be taking on the role of an adult Bill Denbrough in It: Chapter 2 in October, and will appear in the upcoming TV version of His Dark Materials later this year. And to top it all off, he’s turning 40 on April 21.

In celebration of McAvoy's big day—and even bigger year—here are some things you might not know about the Golden Globe-nominated actor.

1. He was raised by his grandparents.

James McAvoy was born in Glasgow, Scotland, to a psychiatric nurse and a builder. However, his parents split when he was seven, and because his mother was in poor health, McAvoy and his sister went to live with their maternal grandparents. While his mother lived with them on and off throughout his childhood, McAvoy hasn’t spoken to his father since he was a kid.

2. He considered becoming a priest.

McAvoy was brought up in the Roman Catholic church, but that wasn’t the reason he considered becoming a priest. Long before he decided to go the drama school route, he considered entering the priesthood because he thought it would give him an excuse to travel the world.

"I wanted to be a missionary, but it was only because I wanted a free ticket to go and explore the world," McAvoy told The Telegraph in 2006. "I realized I was using God and religion to get my kicks so I knocked that on the head."

3. He married his on-screen love interest.

Anne-Marie Duff and James McAvoy attends the Suffragette Premiere during the Opening Night Gala during the BFI London Film Festival at Leicester Square on October 7, 2015 in London, England
John Phillips, Getty Images for BFI

While working on the UK version of Shameless in the early 2000s, McAvoy met his on-screen love interest and future wife, Anne-Marie Duff. The pair started a relationship that they kept very private, and married in 2006. They went on to also star in 2009’s The Last Station together, but McAvoy later announced he would no longer be working with his then-wife.

"You have to weigh it up against how much of a headache it would be. It exposes you to a lot of questions," he told USA Today in 2011. "I'm very big in saying that I don't agree that if you put yourself in the spotlight, you have to accept it. I do think that if you work together as husband and wife, you're kind of asking for it." Ultimately, the couple split in 2016.

4. Acting was never his plan.

In addition to the priesthood, McAvoy considered a few others careers before he settled on acting. In fact, acting kind of happened by accident. While speaking to The Guardian in 2006, McAvoy explained that it wasn’t until director David Hayman came to his school to speak about the entertainment business that he knew he wanted to give it a go. He was so sure, in fact, that he reportedly approached Hayman after the talk and asked him for some work. (McAvoy's first credited role was in 1995's The Near Room, which Hayman directed.)

“I always believed that I never wanted to be an actor; I only did it because I was allowed to do it and I had to do something,” McAvoy explained. “I felt as if my career just happened to me. I hadn't actually engaged in it. I suppose I felt totally disempowered, just by this fate thing.”

5. Band of Brothers was his big break.

McAvoy’s big break came in HBO’s 2001 miniseries Band of Brothers, produced by Steven Spielberg and Tom Hanks. The actor played character James W. Miller in just one episode, but that’s all it took for his phone to start ringing; shortly thereafter, McAvoy scored notable roles on BBC’s Shameless (2004), The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005), and The Last King of Scotland (2006). He wasn't the only up-and-comer who made a name for himself with Band of Brothers: Michael Fassbender, Tom Hardy, and Dominic Cooper were among his co-stars.

6. He’s a Golden Globe nominee.

In 2007, McAvoy played Keira Knightley's love interest in Joe Wright’s period drama Atonement, based on the Ian McEwan novel. The role was one of the actor’s most moving performances to date, and scored him a Golden Globe nomination. Although he has wowed audiences in numerous parts since, such as the man with 23 different personalities in 2016’s Split (and 2019’s Glass), his role in Atonement has earned him the most critical acclaim. McAvoy, too, is a fan.

"[T]o find a film that was so epic, sweeping and romantic, yet be intelligent, was nice to me," McAvoy said. "Also the fact that it’s a very classic story, but it’s told in a very contemporary and modern way."

7. He was slightly tipsy the first time he met M. Night Shyamalan.

M. Night Shyamalan and James McAvoy attend the “Glass” Paris Gala Screening at la Cinematheque Francaise on January 07, 2019 in Paris, France
Kristy Sparow, Getty Images for Disney Studios

Speaking of Split and Glass: McAvoy was definitely in the right place at the right time—and in the right frame of mind—when he first met director M. Night Shyamalan. In a 2017 interview with The Guardian, McAvoy shared how he and Shyamalan just happened to cross paths at San Diego Comic-Con in 2015. "There was a big party, you couldn’t turn around without bumping into somebody off the telly," he said. "My mate Jesse was playing miniature golf in the middle of it. We were getting particularly drunk, and then I saw M. Night Shyamalan. He goes: ‘You’re James McAvoy!’ And I said: ‘You’re M Night Shyamalan! What do I call you?’ I was very drunk.”

Inebriated or not, Shyamalan saw something he liked. One month later, he was on the set of Split (in a role that Joaquin Phoenix was originally set to play, but dropped out of at the last minute).

8. He admires Samuel L. Jackson's no-nonsense attitude.

While promoting Glass, McAvoy participated in a lot of press events with Samuel L. Jackson, and was impressed by what he saw. "I saw examples of what I might be able to do when I got the balls he’s got,” McAvoy said. "That guy does not suffer fools, which is a positive quality. If he gets any kind of question that is in any way not thought out properly, he just drops the F-bomb and is like, ‘What are you talking about? What? What?’ He calls out [the journalist] so hard, and it’s the funniest thing."

9. He credits his success to a lot of luck.

When asked about the secret to his success, McAvoy doesn't mince words: "I got lucky," he told The Talks. "I got so f***ing lucky that I fell into the lap of a director when I was 16 and he gave me a part in a film and my horizons immediately exploded wide with all the weird people in it and all these crazy f***ing actors and directors and artistic people who were from all over the world. Through that one job I met people from England, I met people from America, and I met people from all over the place with challenging points of view and sympathetic points of view to mine. And then I went to a youth theater for six months as well, and that expanded my mind massively. It gave me so much more confidence to find out who I was and not be afraid of who I was simply because I’m in a scenario that I don’t understand ... I got really lucky. I got really, really lucky. It’s been a good ride for me."

Game of Thrones Star Sophie Turner Opened Up About Her Struggles With Depression

Helen Sloan, HBO
Helen Sloan, HBO

Playing one of the main characters on the most popular show currently on television isn't always as glamorous as it seems. Sometimes, the pressures of fame can be too much. Sophie Turner realized this while playing Sansa Stark on Game of Thrones, and has recently revealed how being in the public eye took a toll on her mental health.

Turner took on the role of Sansa Stark in 2011, when she was just a teenager, and she quickly became a household name. Now, at 23, she's come forward to Dr. Phil on his podcast Phil in the Blanks to explain how negative comments on social media affected her self-image and mental health.

"I would just believe it. I would say, ‘Yeah, I am spotty. I am fat. I am a bad actress.' I would just believe it," Turned explained. "I would get [the costume department] to tighten my corset a lot. I just got very, very self-conscious."

Later on, these feelings led to major depression. Turner developed a sense of isolation after she realized that all of her friends and family were going off to colleege while she was pursuing a sometimes-lonely acting career.

"I had no motivation to do anything or go out. Even with my best friends, I wouldn't want to see them, I wouldn't want to go out and eat with them," Turner explained. "I just would cry and cry and cry over just getting changed and putting on clothes and be like, 'I can't do this. I can't go outside. I have nothing that I want to do.'"

The feelings of depression stayed with Turner for most of the time she was filming Game of Thrones, and it's a battle she's still fighting. "I've suffered with my depression for five or six years now. The biggest challenge for me is getting out of bed and getting out of the house. Learning to love yourself is the biggest challenge," she continued.

The actress shared that she goes to a therapist and takes medication for her depression—two things that have helped her feel better.

Between Game of Thrones ending and planning her wedding to fiancé Joe Jonas, Turner may not have the time to take on many new acting roles in the near future. However, we'll continue to see her as Sansa Stark in the final season of Game of Thrones, and as Jean Grey in Dark Phoenix, which hits theaters on June 7.

[h/t: E! News]

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