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10 Facts About Charlotte Brontë

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Charlotte Brontë was born in England to an Irish father and Cornish mother on April 21, 1816. And though much of her life was marked by tragedy, she wrote novels and poems that found great success in her lifetime and are still popular nearly 200 years later. But there’s a lot more to Brontë than Jane Eyre

1. BRONTË WAS JUST 5 YEARS OLD WHEN SHE LOST HER MOTHER.

Maria Branwell Brontë was 38 when she died in 1821 of ovarian cancer (or, it's been suggested, of a post-natal infection), leaving her husband, Patrick Brontë, and their six young children behind. In the years after Maria died, Patrick sent four of his daughters, including Charlotte, to a boarding school for the daughters of clergy members. Brontë later used her bad experiences at this school—it was a harsh, abusive environment—as inspiration for Lowood Institution in Jane Eyre. As an adult, Bronte mentioned her mother (who was also fond of writing) in a letter, saying: “I wish she had lived and that I had known her.”

2. BRONTË HAD BEEN WRITING POETRY AND STORIES SINCE HER YOUTH.

Though one of her boarding school report cards described her abilities as "altogether clever for her age, but knows nothing systematically," Brontë was a voracious reader during her childhood and teen years, and she wrote stories and staged plays at home with her siblings. With her brother Branwell, especially, she wrote manuscripts, plays, and stories, drawing on literature, magazines, and the Bible for inspiration. For fun, they created magazines that contained everything a real magazine would have—from the essays, letters, and poems to the ads and notes from the editor.

3. SHE WORKED AS A TEACHER AND GOVERNESS BUT DISLIKED IT.

Charlotte Brontë circa 1840. Getty

In her late teens and early twenties, Brontë worked on and off as a teacher and governess. In between writing, she taught at a schoolhouse but didn’t like the long hours. She also didn’t love working as a governess in a family home. Once, in a letter to a friend, she wrote, "I will only ask you to imagine the miseries of a reserved wretch like me, thrown at once into the midst of a large family … having the charge given me of a set of pampered, spoilt, and turbulent children, whom I was expected constantly to amuse as well as instruct." She quickly realized she wasn’t a good fit for these caretaking jobs, but she later used her early work experiences as inspiration for passages in Jane Eyre.

4. BRONTË DEALT WITH A LOT OF LITERARY REJECTION.

When she was 20 years old, Brontë sent the English Poet Laureate Robert Southey some of her best poems. He wrote back in 1837, telling her that she obviously had a good deal of talent and a gift with words but that she should give up writing. “Literature cannot be the business of a woman's life, and it ought not to be. The more she is engaged in her proper duties, the less leisure will she have for it, even as an accomplishment and a recreation. To those duties you have not yet been called, and when you are you will be less eager for celebrity. You will not seek in imagination for excitement,” Southey responded to her. The Professor, Brontë’s first novel, was rejected nine times before it was finally published after her death.

5. SHE USED THE MALE PSEUDONYM CURRER BELL.

A portrait of Anne, Emily, and Charlotte Brontë circa 1834, as painted by their brother, Branwell Brontë. Getty

In 1846, Brontë paid to publish a book of poetry containing poems she and her sisters Emily and Anne had written. The three sisters used male pseudonyms—Charlotte was Currer Bell, Emily was Ellis Bell, and Anne was Acton Bell. (The book sold two copies.) Brontë also used the Currer Bell pseudonym when she published Jane Eyre—her publishers didn’t know Bell was really a woman until 1848, a year after the book was published!

6. JANE EYRE WAS AN INSTANT SUCCESS.

The first page of the manuscript 'Jane Eyre.' Getty

In 1847, British publishing firm Smith, Elder & Co published Jane Eyre: An Autobiography. From the start, the book was a success—one critic called it "the best novel of the season"—and people began to speculate about who Currer Bell was. But some reviewers were less impressed, criticizing it for being coarse in content, including one who called it "anti-Christian." Brontë was writing in the Victorian period, after all.

7. BRONTË WAS LUCKY TO AVOID TUBERCULOSIS …

Tuberculosis prematurely killed at least four of Brontë’s five siblings, starting with her two oldest sisters, Maria and Elizabeth (who weren't even teenagers yet), in 1825. In 1848, Brontë’s only brother, Branwell, died of chronic bronchitis, officially, though tuberculosis has also been a rumored cause, probably aggravated by alcohol and opium. Her sister Emily came down with a severe illness during Branwell's funeral and died of tuberculosis three months later. Then, five months later in May 1849, Charlotte’s final surviving sibling, Anne, also died of tuberculosis after a lengthy battle.

8. … BUT SHE DIED AT 38 YEARS OLD—WHILE PREGNANT.

In June 1854, Brontë married a clergyman named Arthur Bell Nicholls and got pregnant almost immediately. Her pregnancy was far from smooth sailing though—she had acute bouts of nausea and vomiting, leading to her becoming severely dehydrated and malnourished. She and her unborn child died on March 31, 1855. Although we don’t know for sure what killed her, theories include hyperemesis gravidarum, based on her symptoms, or possibly typhus. Her father, Patrick Brontë, survived his wife and all six children.

9. ZEALOUS BRONTË FANS TRAVEL TO HER HOME IN ENGLAND.

Charlotte Brontë's writing desk in Haworth. Getty

Emily and Anne Brontë wrote famous books, too—Wuthering Heights and Agnes Grey, respectively. The Brontë sisters’s writing has inspired devoted fans from around the world to visit their home in Haworth, West Yorkshire, England. The Brontë Society’s Brontë Parsonage Museum in Haworth has a collection of early manuscripts and letters, and the museum invites bookworms to see where the Brontë family lived and wrote, and walk the Yorkshire moors that inspired many of the scenes each sister depicted.

10. SHE HELPED MAKE THE NAME 'SHIRLEY' MORE POPULAR FOR GIRLS.

Thanks to Brontë, the name Shirley is now considered more of a girl's name than a boy's one. In 1849, Brontë’s second novel, Shirley, about an independent heiress named Shirley Keeldar, was released. Before then, the name Shirley was unusual, but was most commonly used for boys. (In the novel, the title character was named as such because her parents had wanted a boy.) But after 1849, the name Shirley reportedly started to become popular for women. Decades later in the 1930s, child star Shirley Temple’s fame catapulted the name into more popular use.

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15 Powerful Quotes From Margaret Atwood
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It turns out the woman behind such eerily prescient novels as The Handmaid’s Tale and Oryx and Crake is just as wise as her tales are haunting. Here are 15 of the most profound quips from author, activist, and Twitter enthusiast Margaret Atwood, who was born on this day in 1939.

1. On her personal philosophy

 “Optimism means better than reality; pessimism means worse than reality. I’m a realist.”

— From a 2004 interview with The Guardian

2. On the reality of being female

“Men often ask me, Why are your female characters so paranoid? It’s not paranoia. It’s recognition of their situation.”

— From a 1990 interview with The Paris Review

3. On limiting how her politics influence her characters

“You know the myth: Everybody had to fit into Procrustes’ bed and if they didn’t, he either stretched them or cut off their feet. I’m not interested in cutting the feet off my characters or stretching them to make them fit my certain point of view.”

— From a 1997 interview with Mother Jones

4. On so-called “pretty” works of literature

“I don’t know whether there are any really pretty novels … All of the motives a human being may have, which are mixed, that’s the novelists’ material. … We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.”

— From a 2010 interview with The Progressive

5. On the artist’s relationship with her fans

“The artist doesn’t necessarily communicate. The artist evokes … [It] actually doesn’t matter what I feel. What matters is how the art makes you feel.”

— From a 2004 interview with The Guardian

6. On the challenges of writing non-fiction

“When I was young I believed that ‘nonfiction’ meant ‘true.’ But you read a history written in, say, 1920 and a history of the same events written in 1995 and they’re very different. There may not be one Truth—there may be several truths—but saying that is not to say that reality doesn’t exist.”

— From a 1997 interview with Mother Jones

7. On poetry

“The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation.”

— From a 1990 interview with The Paris Review

8. On being labeled an icon

“All these things set a standard of behavior that you don’t necessarily wish to live up to. If you’re put on a pedestal you’re supposed to behave like a pedestal type of person. Pedestals actually have a limited circumference. Not much room to move around.”

— From a 2013 interview with The Telegraph

9. On how we’re all born writers

“[Everyone] ‘writes’ in a way; that is, each person has a ‘story’—a personal narrative—which is constantly being replayed, revised, taken apart and put together again. The significant points in this narrative change as a person ages—what may have been tragedy at 20 is seen as comedy or nostalgia at 40.”

— From a 1990 interview with The Paris Review

10. On the oppression at the center of The Handmaid's Tale

“Nothing makes me more nervous than people who say, ‘It can’t happen here. Anything can happen anywhere, given the right circumstances.” 

— From a 2015 lecture to West Point cadets

11. On the discord between men and women

“‘Why do men feel threatened by women?’ I asked a male friend of mine. … ‘They’re afraid women will laugh at them,’ he said. ‘Undercut their world view.’ … Then I asked some women students in a poetry seminar I was giving, ‘Why do women feel threatened by men?’ ‘They’re afraid of being killed,’ they said.”

— From Atwood’s Second Words: Selected Critical Prose, 1960-1982

12. On the challenges of expressing oneself

“All writers feel struck by the limitations of language. All serious writers.”

— From a 1990 interview with The Paris Review

13. On selfies

“I say they should enjoy it while they can. You’ll be happy later to have taken pictures of yourself when you looked good. It’s human nature. And it does no good to puritanically say, ‘Oh, you shouldn’t be doing that,’ because people do.”

— From a 2013 interview with The Telegraph

14. On the value of popular kids' series (à la Harry Potter and Percy Jackson)

"It put a lot of kids onto reading; it made reading cool. I’m sure a lot of later adult book clubs came out of that experience. Let people begin where they are rather than pretending that they’re something else, or feeling that they should be something else."

— From a 2014 interview with The Huffington Post

15. On why even the bleakest post-apocalyptic novels are, deep down, full of hope

“Any novel is hopeful in that it presupposes a reader. It is, actually, a hopeful act just to write anything, really, because you’re assuming that someone will be around to [read] it.”

— From a 2011 interview with The Atlantic 

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China's New Tianjin Binhai Library is Breathtaking—and Full of Fake Books
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A massive new library in Tianjin, China, is gaining international fame among bibliophiles and design buffs alike. As Arch Daily reports, the five-story Tianjin Binhai Library has capacity for more than 1 million books, which visitors can read in a spiraling, modernist auditorium with floor-to-ceiling bookshelves.

Several years ago, municipal officials in Tianjin commissioned a team of Dutch and Japanese architects to design five new buildings, including the library, for a cultural center in the city’s Binhai district. A glass-covered public corridor connects these structures, but the Tianjin Binhai Library is still striking enough to stand out on its own.

The library’s main atrium could be compared to that of the Frank Lloyd Wright-designed Guggenheim Museum in New York City. But there's a catch: Its swirling bookshelves don’t actually hold thousands of books. Look closer, and you’ll notice that the shelves are printed with digital book images. About 200,000 real books are available in other rooms of the library, but the jaw-dropping main room is primarily intended for socialization and reading, according to Mashable.

The “shelves”—some of which can also serve as steps or seating—ascend upward, curving around a giant mirrored sphere. Together, these elements resemble a giant eye, prompting visitors to nickname the attraction “The Eye of Binhai,” reports Newsweek. In addition to its dramatic main auditorium, the 36,000-square-foot library also contains reading rooms, lounge areas, offices, and meeting spaces, and has two rooftop patios.

Following a three-year construction period, the Tianjin Binhai Library opened on October 1, 2017. Want to visit, but can’t afford a trip to China? Take a virtual tour by checking out the photos below.

A general view of the Tianjin Binhai Library
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman taking pictures at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A man visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman looking at books at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

[h/t Newsweek]

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