Every week I write about the most interesting new comics hitting comic shops, bookstores, digital, and the web. Feel free to comment below if there's a comic you've read recently that you want to talk about or an upcoming comic that you'd like me to consider highlighting.
By Guido Crepax
The late Guido Crepax was one of the most influential comics artist to work in erotic graphic literature. Crepax pulled elements of 1930s German Expressionist films, 1960s French New Wave, Art Nouveau design, BDSM, and the keen eye of figurative artists such as Egon Schiele. His kinky and surreal comics could be appreciated even more for their elaborate, psychedelic compositions and slightly exaggerated anatomy than for their eroticism. His influence is apparent in the work of contemporary cartoonists like Frank Miller, Paul Pope and Kevin O’Neill.
Most of the Italian artist’s work has been unavailable in the States, but U.S. publisher Fantagraphics has begun an ambitious endeavor to collect and translate his complete oeuvre over the course of 10 hardcover graphic novels. The first book hits stores this week, and rather than collect his work chronologically, the publisher has opted to release them by theme, with this first volume focusing on erotic horror. It begins with a number of Valentina stories from the 1960s that showcase Crepax at his best. Originally intended as a love interest for a super-powered hero named Neutron, Valentina quickly captured the attentions of both Crepax and his readers, even inspiring a 1973 Italian-French film. With a look drawn from silent film actress Louise Brooks and Jean-Luc Godard muse Anna Karina, Valentina is a strong, sexually liberated heroine.
This volume ends with two adaptations—one of Bram Stroker’s Dracula and the other of Mary Shelley’s Frankenstein—produced later in Crepax’s career. While they lack many of the distinguishable stylistic characteristics that make his earlier work so recognizable, they still take the original material and add a number of erotic flourishes.
2. BATMAN #50
By Scott Snyder, Greg Capullo and Danny Miki
Typically, comics have always loved celebrating issue number milestones (#25, #50, #100), but these days, with most series relaunching every couple of years, longevity is no longer celebrated. DC helped start the relaunch trend in 2011 when they reset all their titles back to #1, but they’ve managed to stick to that sequencing for 50 issues. To mark that milestone, they are publishing some extra-sized issues this month. Of all the #50s, none will be as worthy of being treated as a milestone as Batman #50.
Batman has been, without a doubt, DC’s best title these past few years, and that is all because it has maintained a consistent creative team since issue one: Scott Snyder and Greg Capullo. They approach Batman with a post-Christopher Nolan edge and add some nice elements of comic book hyper-realism to the dark, grounded tone of the films. In their 50-issue run, they have retold Batman’s origin, physically deformed the Joker, introduced new mythologies to Gotham, and killed off both Batman and the Joker. That brings us to this issue where, of course, Batman returns from the dead. The beauty of this story is that Snyder and Capullo never tried to make us think that Bruce Wayne was actually dead; it’s been one of the best “Batman dies/someone else takes over” arcs ever.
This June, DC will be renumbering most books back to #1. However, for two of their oldest titles— Action Comics and Detective Comics—they will restore the legacy numbering in order to hit the mother of all milestones: issue #1000.
3. CANCER OWL
By Matthew Paul Mewhorter
Cartoonist Matthew Paul Mewhorter is a survivor of colorectal cancer (or as he calls it: “ass cancer”). When he was first diagnosed in 2014 at the age of 35, he began journaling about it using a little cartoon owl, called “Cancer Owl,” as a stand-in for himself. He created dozens of cartoons that, in a touching and effective way, poke fun at situations cancer patients can probably relate to: getting unsolicited treatment advice from strangers, trying to hold it together while talking with fellow patients, and of course dealing with the pain and suffering of chemotherapy. After Mewhorter beat his cancer, he was determined to continue the comic in hopes of using it as a form of therapy to help others.
Mewhorter posts new Cancer Owl comics every week and has just launched a Patreon campaign to raise money for supplies, advertising costs, and other projects. You can read all the Cancer Owl comics to date at CancerOwl.com and go to the Patreon page to support the campaign.
By Julie Doucet
Drawn & Quarterly
Julie Doucet was one of Drawn & Quarterly’s early finds when the prestigious indie comic publisher first launched 25 years ago. Her Dirty Plotte anthology was picked up by D&Q in 1991 and made her an important name in late 20th century indie comics and a feminist icon. Doucet soon retired from making long-form comics and became a fixture in the Montreal arts community, but now she is back with a new graphic novel that is very different from her previous, hand-drawn autobiographical comics.
Carpet Sweeper Tales can best be described as an avante-garde remix of Italian fumetti (photo novels) from the 1970s. Cutting up those vintage magazines, she repurposes them into absurdist scenes of men and women speaking in stilted advertising slogans and typographical nonsense. It’s like revisiting how memes must have been made before there were ever GIFs and Tumblr.