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10 Facts About The Beatles' "Please Please Me" Album

Fifty-three years ago, the world changed in 32 minutes. On March 22, 1963, The Beatles released their debut album, Please Please Me, in the U.K. Though the songs themselves were short—each side of the album was about 16 minutes long—the impact was huge. Here’s what you need to know about the record that put The Fab Four on the map.

1. THE ALBUM TOOK LESS THAN 13 HOURS TO RECORD.

The album had to be recorded quickly in order to capitalize on the success of the “Please Please Me” single, which had been riding high on the charts for two months. Producer George Martin booked two consecutive studio sessions at EMI Studios on Abbey Road, starting at 10 a.m. on a Monday morning. They ran long, so Martin booked a third. They wrapped up “Twist and Shout” just as their studio time expired at 10:45 p.m.

2. IT WAS RECORDED ON THE CHEAP.

Despite the cost of the extra studio session, the whole day cost about £400 (or about $10,000 nowadays). Thanks to the Musicians' Union, each Beatle received a whopping £7.50 per session.

3. IT WAS ALMOST RECORDED LIVE AT THE CAVERN CLUB.

Martin wanted to capture the magic and excitement of The Beatles’ live performances at the Cavern Club, and even visited the space to work out the technical details for recording there. The timing didn’t work out, so Martin booked the studio instead—but the feel remains the same. “It was a straightforward performance of their stage repertoire—a broadcast, more or less,” Martin said. Lennon later agreed: “That record tried to capture us live, and was the nearest thing to what we might have sounded like to the audiences in Hamburg and Liverpool. You don't get that live atmosphere of the crowd stomping on the beat with you, but it's the nearest you can get to knowing what we sounded like before we became the 'clever' Beatles."

4. THE TITLE WAS INSPIRED BY A BING CROSBY TUNE.

The song title (and thus the album title) was inspired by an old Bing Crosby song called “Please.” “I was always intrigued by the words ‘Please lend your little ears to my pleas’—[a] Bing Crosby song. I was always intrigued by the double use of the word ‘pleas(e),'" Lennon said.

5. THE SONG ITSELF ORIGINALLY SOUNDED MORE LIKE A ROY ORBISON SONG.

“I’d heard Roy Orbison doing ‘Only the Lonely’ or something,” Lennon admitted. George Martin wasn’t impressed with the ballad-style crooning—one account says he told them it was "Too bloody boring for words"—and suggested a more upbeat tempo. "We were a bit embarrassed that he had found a better tempo than we had," McCartney said.

6. JOHN LENNON'S VOICE WAS TRASHED BY THE END OF THE DAY.

They had saved “Twist and Shout” for the end and knew they would only get one or two takes, because after nearly 13 hours of nonstop singing, John Lennon’s voice was shot. He took throat lozenges and gargled milk just to get though it. “I couldn’t sing the damn thing. I was just screaming,” he later said. They got it in one take.

7. THE ICONIC COVER COULD HAVE BEEN COMPLETELY DIFFERENT.

As an honorary fellow of the Zoological Society of London, which owned the London Zoo, Martin thought it would be clever to have The Beatles pose in front of the zoo's insect house. Unfortunately (or fortunately), the Society wasn’t crazy about the idea, and politely declined. Martin brought in photographer Angus McBean instead, and he simply shot the boys looking over the stairwell outside of the EMI building

8. "HOLD ME TIGHT" WAS ALSO RECORDED DURING THE MARATHON SESSION.

No one was happy with any of the takes, so they decided to table it and move on to other songs. "Hold Me Tight" eventually ended up on With the Beatles. "I can't remember much about that one," McCartney later said. "Certain songs were just 'work' songs, you haven't got much memory of them. That's one of them."

9. IT'S ONE OF THE RARE INSTANCES OF "MCCARTNEY-LENNON" CREDITS INSTEAD OF "LENNON-MCCARTNEY."

McCartney later told Rolling Stone that the plan was to alternate credits—sometimes Lennon would come first, and sometimes McCartney would. But "Lennon-McCartney" quickly became "a good logo," McCartney said. "Hammerstein and Rodgers doesn't work." 

10. "PLEASE PLEASE ME" IS KEITH RICHARDS' FAVORITE BEATLES SONG.

“I’ve always told McCartney, ‘Please Please Me.’ I just love the chimes, and I was there at the time and it was beautiful,” the Rolling Stone told Jimmy Fallon. “Mind you, there’s plenty of others, but if I’ve got to pick one, ‘Please Please Me’ … oh, yeah!”

Here’s Richards doing an acoustic version of the song:

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25 Dapper Outfit Choices for Fashionable Pets
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Lavishing your furry friends with adorable attire is a benefit of pet ownership that they don't mention on the adoption forms. Whether you prefer practical clothing like sweaters and jackets or statement pieces like bow ties and tutus, these dapper duds are perfect for a howl-iday or "gotcha day" gift, or simply for saying, "Who's the cutest little pupper in pajamas? You are!"

1. CASHMERE DOG SWEATER; FROM $165

dog in sweater
Canine Styles

This classic cable-knit cashmere sweater is a sophisticated look for Fido or Finn. Get it from Canine Styles, a luxury dog emporium in New York City that has plenty of posh and preppy outfits.

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2. TOGGLE DOG COAT; $85

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Canine Styles

This toggle coat (available in orange, navy, and tan) is as fashionable as it is warm. Made of Melton wool, it has Velcro closures to make getting dressed easy. It's great for long walks in the country.

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3. DOG TUXEDO; FROM $90

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Etsy

This satin tuxedo is perfect for the canine members of your wedding party, though it will brighten up any other occasion as well. The custom, handmade outfit comes complete with a snappy bow tie.

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4. DOG BELLE DRESS; FROM $45

Dog Belle Dress
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The queen of your castle can feel like a Disney princess in her very own version of Belle's iconic yellow dress from Beauty and the Beast. This ball gown is made from yellow crepe satin with chiffon overlay on the bodice and features hand-painted gold detailing on the skirt. Enchanted rose not included.

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5. POODLE SKIRT OUTFIT FOR DOGS; $26

Rubies Pink Fifties Girl Pet Costume
Amazon

What if you could buy a 1950s poodle skirt for your poodle? This retro dress is comprised of a pink poodle skirt, striped bodice, and sequined belt, and comes with a bow headband.

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6. RIBBED CROCHET BUNNY SWEATER; $25

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Your snuggle-bunny will look like a little fancy-pants in this ribbed crochet sweater. Choose from seven colors, including this dashing deep red.

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7. BESPOKE MONOGRAM DOG SWEATER; FROM $155

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Bespoke clothing isn't just for humans: British luxury dog clothing brand Ruby Rufus will make your pooch a custom monogram sweater made with 100 percent Italian cashmere. You can even order it in your dog's favorite color.

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8. HOT PINK DOG TUTU; $17

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Tutus look absolutely adorable on tiny humans and animals alike. If your pooch wants to get in touch with its inner ballerina, then grab this hot pink number from Etsy. Rave reviews are a sure thing.

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9. PINK DOG POLO SHIRT; $35

Dog Pink Polo Shirt
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This pink polo shirt is perfect for your preppy fur baby. It features not one but a veritable multitude of crocodiles. They'll be the most dapper dog at the country club.

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10. DOG BARN COAT WITH BROWN CORDUROY COLLAR; $85

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When it's time for a walk, your dog will look effortlessly chic in this fancy barn coat. It comes in navy, cranberry, orange, hot pink, and loden and features convenient pockets for anyone with opposable thumbs.

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11. WHITE PET NECK RUFF; $26

Pet Neck Ruff
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Your canine or kitty will look like their painting belongs in London's National Portrait Gallery with this Elizabethan neck ruff.

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12. CHICKEN SWEATER; $25

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Chickens can get cold when they're strutting around outside. A sweater (well, more like sweater vest) for your bird can also help prevent feather picking during molting season. Or, it can simply keep them warm while they stare pensively across a snowy landscape.

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13. PET CIRCLE SCARF; $15

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An infinity scarf is a perfect burst of color on a dreary early morning walk. The proprietor of Mitten Made on Etsy originally designed this wool snood for her miniature Dachshund to help keep her warm during the long, cold winters in Michigan.

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14. FAB DOG TRAVEL RAINCOAT; FROM $18

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This timeless yellow rain slicker will look great on any puppy when it's raining cats and dogs. It's made of 100 percent waterproof nylon shell that keeps fur dry. Bonus: It's perfect for an It Halloween costume.

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15. LACE CAT OR DOG COLLAR; FROM $10

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This handmade, white lace collar is a must-have for fancy felines. It's also embellished with a large rhinestone.

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16. FITWARM PENGUIN PAJAMAS FOR DOGS; FROM $10

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Keep your pupper warm on cold winter nights with these penguin PJs. They're great for doggie sleepovers or lazy weekends on the couch watching Netflix.

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17. PLAID CASHMERE DOG COAT; FROM $225

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Your dog will look like a proper gentleman in this smart plaid peacoat. This fine garment is made of cashmere with a faux fur lining and leather buttons, and is a perfect shield against chill and fog.

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18. SATIN PET BOW TIE; FROM $8

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This satin doggie bow tie is perfect for any occasion. It comes in several colors and features a Velcro fastener that makes it easy to attach to a collar. Plus, 10 percent of every sale goes to charity: specifically to SPCA (Society for the Prevention of Cruelty to Animals) and Feeding Pets of the Homeless.

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19. RED DOG DRESS; FROM $34

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Your good boy or girl will look red carpet-ready in this elegant gown. The voluminous tulle skirt is to die for, and each bow is embellished with beads. Custom orders are also available.

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Your pooch will be ready to stun at any black tie event. This tie is designed like a collar, making it easy to dress your four-legged friend. This Etsy store gives back: 10 perfect of all sales are donated to an animal protection association.

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21. NAUTICAL DOG DRESS WITH MATCHING LEASH; $20

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Perfect for a day on the town or setting sail in a schooner, this is the sailor outfit you never knew your best furry friend needed. This vintage throwback also comes with a matching leash.

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22. TARTAN FLANNEL PET BOW TIE; $5.50

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Your dog or cat will turn heads in this flannel tartan bow tie. It has a convenient elastic loop that slides over your pup's collar.

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23. PUCCI DOG SHIRT; $23

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Only the fanciest dogs wear, err, Pucci. Grab this punny "designer" t-shirt for your pup. This high-quality cotton statement piece is perfect for small breeds.

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24. PINK POLKA DOT AND LACE DOG HARNESS DRESS; $20

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This feminine pink polka dot dress is simply adorable. It features a convenient built-in harness and comes with a matching leash.

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25. PET SWEATER VEST; $6

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Your dog or cat will look like an erudite Oxford professor in this sweater vest. Note that the button on the pocket is shaped like a bone.

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20 John Carpenter Quotes About Horror Movies
Amy Sussman/Getty Images for Tribeca Film Festival
Amy Sussman/Getty Images for Tribeca Film Festival

Though he’s made a variety of movies—from fantasy to science fiction films—John Carpenter will forever be known as a master of horror, thanks in large part to the role he played in reinventing the genre with 1978’s Halloween. To celebrate the award-winning filmmaker’s 70th birthday, we’ve gathered up 20 of his most memorable quotes about Hollywood.

1. ON THE DEFINITION OF HORROR

“Horror is a reaction; it's not a genre.”

—From a 2015 interview with Interview Magazine

2. ON THE RULES OF MOVIEMAKING

“I think the rules of filmmaking are essentially the same as they were since, I guess, The Birth Of A Nation. The way you make movies: long shot, close-up, camera movement, structure—it’s all the same. Not much has changed. But the technology of movies has vastly changed. From 35mm black-and-white to color, from nitrate film to safety film and now into digital—and yet we’re still breaking scenes into master shots and close-ups. The cinema narrative has not changed that much since the silent film.”

—From a 2015 interview with The A.V. Club

3. ON THE TWO TYPES OF HORROR STORIES

“There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don’t understand. Internal is the human heart.”

—From a 2011 interview with Vulture

4. ON THE IMPORTANCE OF NIGHT OF THE LIVING DEAD

“One movie that showed me it was possible to make a low-budget horror movie was Night of the Living Dead (1968). When I saw that, I was like, 'Wow, that's really effective, but it's obviously low budget.' They didn't have any money but they actually made something cool. That was inspirational to me when I was in film school.”

—From a 2015 interview with Interview Magazine

5. ON THE TRUTH ABOUT HOLLYWOOD

“Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamor associated with them. But the truth is, it's not like that. It's very different. It's hard work. If you were suddenly catapulted into that situation—without any training—you would say after it was over: 'Oh, God! You're kidding! You mean, this is what it's like? This is what they put you through?' Yes, as a matter of fact, it is like this—and it's often worse. People have tried to describe the film business, but it's impossible to describe because it's so crazy. You must know your craft inside out and then pick up the rules as you go along.”

—From an essay for Santa Fe Studios

6. ON THE HORROR OF WATCHING HIS OWN MOVIES

“I don't watch my films. I've seen 'em enough after cutting them and putting the music on. I don't ever want to see them again.”

—From a 2012 interview with Entertainment Weekly

7. ON THE EMOTIONAL TOLL MAKING MOVIES CAN TAKE ON A DIRECTOR

“I’ve been feeling old for years and years, and I think the movie business did it to me. At one point I just did movie after movie, and it starts tearing you down physically—emotionally too, if you do one after another. The stress, the emotional exertion of dealing with others. I’ve worked with really great actors and really difficult actors. The difficult ones are no fun. And the style of the movies today have changed a great deal. To me, I’m not a big fan of handheld. That’s just my tastes. That’s a quick fix for low budget. Let the operator direct it! Walk around. That’s how you burn through the pages. And found footage—how many times do we need to do that?”

—From a 2014 interview with Deadline

8. ON WHAT MAKES A GOOD HORROR FILM

“There’s a very specific secret: It should be scary.”

—From a 2015 interview with The A.V. Club

9. ON THE PERCEPTION OF A MOVIEMAKER

“In England, I'm a horror movie director. In Germany, I'm a filmmaker. In the U.S., I'm a bum.”

—From The Films of John Carpenter

10. ON STANDING OUT

“I don't want to be in the mainstream. I don't want to be a part of the demographics. I want to be an individual. I wear each of my films as a badge of pride. That's why I cherish all my bad reviews. If the critics start liking my movies, then I'm in deep trouble.”

—From an essay for Santa Fe Studios

11. ON MAINTAINING CONTROL

“My years in the business have taught me not to worry about what you can’t control.”

—From a 2007 interview with MovieMaker Magazine

12. ON HIS FAVORITE MOVIES

“I have two different categories of favorite films. One is the emotional favorites, which means these are generally films that I saw when I was a kid; anything you see in your formative years is more powerful, because it really stays with you forever. The second category is films that I saw while I was learning the craft of motion pictures.”

—From a 2011 interview with Rotten Tomatoes

13. ON BEING STUCK IN THE 1980S

“Well, They Live was a primal scream against Reaganism of the '80s. And the '80s never went away. They're still with us. That's what makes They Live look so fresh—it's a document of greed and insanity. It's about life in the United States then and now. If anything, things have gotten worse.”

—From a 2012 interview with Entertainment Weekly

14. ON THE IMPORTANCE OF INSTINCT

“I think every director depends primarily on his instincts. That’s what’s got him where he is, what’s going to carry him through the good times and the bad. I generally go with what I instinctually think I can do well.”

—From a 2011 interview with Vulture

15. ON BEING TYPECAST AS A DIRECTOR

“I haven't just made horror. I've made all sorts of movies. There have been fantasy movies, thrillers, horrors, science fiction. In terms of the ultimate reward, listen, man, when I was a kid, when I was 8 years old, I wanted to be a movie director, and I got to be a movie director. I lived my f*cking dream, you can't get better than that. That's the ultimate.”

—From a 2015 interview with Interview Magazine

16. ON THE REALITY OF MONSTERS

“Monsters in movies are us, always us, one way or the other. They’re us with hats on. The zombies in George Romero’s movies are us. They’re hungry. Monsters are us, the dangerous parts of us. The part that wants to destroy; the part of us with the reptile brain. The part of us that’s vicious and cruel. We express these in our stories as these monsters out there.”

—From a 2011 interview with the Buenos Aires Herald

17. ON MOVIES AS A SENSORY EXPERIENCE

“A movie’s not just the pictures. It’s the story and it’s the perspective and it’s the tempo and it’s the silence and it’s the music—it’s all the stuff that’s going on. All the sensory stuff. Sometimes you can get a lot of suspense going in a non-horror film. It all depends. But, look, if there was one secret way of doing a horror movie then everybody would be doing it.”

—From a 2015 interview with The A.V. Club

18. ON THE UNIVERSAL LANGUAGE OF HORROR

"Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense. We were little kids once and so it's taking that basic human condition and emotion and just f*cking with it and playing with it. You can invent new horrors."

—From a 2015 interview with Interview Magazine

19. ON THE REMAKE TREND

“It’s a brand new world out there in terms of trying to get advertising. There’s so much going on that if you come up with a movie that people have never heard of they don’t pay attention to it—no matter how good it is. So it becomes, 'Let’s remake something that maybe rings a bell and that you’ve heard of before.' That way, you’re already ahead. I’m flattered, but I understand what’s going on. They’re picking everything to remake. I think they’ve just run down the list of other titles and have finally got to mine.”

—From a 2007 interview with MovieMaker Magazine

20. ON THE LASTING INFLUENCE OF HALLOWEEN

“I didn’t think there was any more story [to Halloween], and I didn’t want to do it again. All of my ideas were for the first Halloween—there shouldn’t have been any more! I’m flattered by the fact that people want to remake them, but they remake everything these days, so it doesn’t make me that special. But Michael Myers was an absence of character. And yet all the sequels are trying to explain that. That’s silliness—it just misses the whole point of the first movie, to me. He’s part person, part supernatural force. The sequels rooted around in motivation. I thought that was a mistake. However, I couldn’t stop them from making sequels. So my agents said, ‘Why don’t you become an executive producer and you can share the revenue?’ But I had to write the second movie, and every night I sat there and wrote with a six-pack of beer trying to get through this thing. And I didn’t do a very good job, but that was it. I couldn’t do any more."

—From a 2014 interview with Deadline

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