10 Pivotal Facts About the French and Indian War

Three Lions/Getty Images
Three Lions/Getty Images

When it comes to the founding of our country, we often focus on the American Revolution, and the French and Indian War has become just a footnote. The fact is, if things had gone a bit differently in the French and Indian War, there would be no United States, and we’d all be speaking French right now. Here are a few surprising facts about the war and how it shaped the country we live in today.

1. THE WAR HAS A MISLEADING NAME.

This was not a war between the French and Indians, but between French and British forces, who had been fiercely competing to control North America since the late 1600s. However, Native Americans played an important role. They allied with both the French and the British, and fought in many of the battles. Initially, French armies had greater success winning their support. Both groups shared a common and fruitful interest in trade, and the French more readily embraced Native American culture—they learned the languages and lived among them, sometimes marrying Native women and having children together. The French also adapted their war methods, launching surprise attacks and fighting in the wilderness with guerrilla tactics (including using camouflage). In time, though, the English colonists did ally with certain tribes, and the Native communities were forced to choose sides and decide how to best protect their territories.

2. THE FIRST POLITICAL CARTOON IN AMERICA WAS PUBLISHED DURING THE WAR.

Join or Die political cartoon
Benjamin Franklin, Wikimedia Commons // Public Domain

To encourage the colonies to unite in the battle against the French, Benjamin Franklin printed a comic depicting the colonies as parts of a chopped-up, writhing snake. The caption read “Join, or die.” Published in his Pennsylvania Gazette on May 9, 1754, it was the first political cartoon in American history. The cartoon would become popular again prior to the American Revolution, when colonists called for unity to protest British taxation policies.

3. THE FRENCH USED SMALL PLAQUES TO PROTECT THEIR TURF.

In the spring of 1749, the governor of New France, Roland-Michel Barrin de la Galissonière, was concerned as more colonists came streaming into the Ohio Valley. To make it absolutely clear that these lands were part of New France and off-limits to English settlers, he ordered that six lead plaques be placed at strategic locations throughout the valley. Imprinted on each plate was a statement indicating that these lands belonged to France. Although in France this was a common way to show land ownership, the six plaques placed in the ground had little deterrent. (One has since been found.)

4. GEORGE WASHINGTON SPARKED THE WAR.

George Washington in uniform during the French and Indian War
Charles Willson Peale, Portrait of George Washington // Public Domain

In the fall of 1753, the French had expanded into an area that is now western Pennsylvania. Governor Robert Dinwiddie of Virginia considered this region to be colonial territory, and he chose the young 21-year-old militia captain, George Washington, to give the French warning that they would have to leave or face the consequences. Washington received a polite refusal from the French commander at Fort Le Boeuf just south of Lake Erie. An enraged Dinwiddie promoted Washington to lieutenant colonel, and in the spring of 1754, he sent him with a team of men to confront the French with a show of force. Early in the morning of May 28, Washington encountered a small French scouting party. A shot rang out and in about 15 minutes, 14 French soldiers lay dead, including their leader Joseph Coulon de Jumonville. The French were outraged and viewed his death as an assassination. From this point forward, the battles between the French and British escalated. Many consider this early battle led by Washington to be the unofficial beginning of the war.

5. THE FRENCH WON, AT FIRST.

Although Washington “won” the small skirmish that began the war, just over a month later he found himself outnumbered and surrendering to the French; as fate would have it, the date was July 4, 1754.

The King of England thought that the French could easily be defeated with superior British military might. In 1755, Major General Edward Braddock was sent to lead the charge on the French in western Pennsylvania. The arrogant Braddock had his men laboriously hack their way through about 122 miles of Maryland and Pennsylvania wilderness, creating a 12-foot-wide thoroughfare that became known as Braddock’s Road.

Braddock was accompanied by George Washington and Oneida chief Scarouady, who both warned him of the unconventional fighting style of the French and Indians. Braddock would hear none of it. As they neared the French line of defense in July 1755, he lined his men up in columns in a traditional manner of European warfare and marched them forward in their bright red coats. The French and Indians scattered behind trees and bushes and easily shot down the British.

Although the 23-year-old Washington was suffering from dysentery and hemorrhoids, he strapped cushions to his saddle and charged into the action. While Braddock died of a bullet wound, Washington seemed to have supernatural good luck. He later wrote to his brother: “I had four bullets through my Coat, and two horses shot under me, and yet escaped unhurt.” Of the 1400 men who marched with Braddock to battle, 500 did not return. Braddock’s charge became known as an example of how hubris and overconfidence could lead to defeat.

6. THERE WAS AN EXCHANGE OF PINEAPPLES AND CHAMPAGNE.

As much as the British and French were adapting to new ways of combat in the wilderness of North America, they also tried to be civil to each other. If one side lost a battle, they were still often given certain privileges, known as the honors of war. The defeated might be able to surrender, marching out with their colors flying. They might even be allowed to keep their rifles.

A striking example of civility came during the British attack on France’s Fort Louisbourg in Nova Scotia in June of 1758. At some point in the fighting, British Major General Jeffrey Amherst sent a messenger to the fort, bearing a gift of two pineapples for the French commander’s wife. The fruit came along with a note apologizing for the havoc that the battle must be causing on her home. In appreciation, Marie Anne de Drucour sent back several bottles of champagne. In a later exchange, the British sent more pineapples while the French sent back homemade butter. Commander Drucour also offered the services of his French surgeons to any wounded English officers.

7. THE WAR MADE LOUISIANA CAJUN.

American poet Henry Wadsworth Longfellow
Hulton Archive/Getty Images

Starting in the early 1600s, the French settled in a territory first known as Acadie, which was centered in Nova Scotia. After the British defeated the French in Nova Scotia in the summer of 1755, they decided to deport all the French settlers in that region. During “The Great Upheaval” or “Great Expulsion,” about 14,000 Acadians lost their homes and were forced to leave. Many found a home in French-controlled Louisiana, where they became known as Cajuns. (“Cajun” comes from “Acadian”—when pronounced in the Acadian dialect, it sounds like "a-cad-JYEN"). Henry Wadsworth Longfellow immortalized the expulsion of the Acadians in his poem Evangeline, A Tale of Acadie, the story of a woman in search of her long-lost love, Gabriel.

8. A MIGHTY BRITISH FORCE FELL TO SOME FRENCH INGENUITY.

As the war wore on, the British gained the upper hand, but the French occasionally had a victory despite dwindling forces. One example was in July of 1758 at Fort Carillon on Lake Champlain, just north of Lake George in New York. The French troops here numbered about 3500, and the British descended with about 15,000 men. The British soldiers headed north toward Fort Carillon, sailing along Lake George in hundreds of boats, which reportedly stretched the entire width of the lake, blanketing the water with a vast field of scarlet coats. The French general Montcalm didn’t think they had much of a chance, but he ordered his men to dig trenches and build log walls in front of them. In front of these entrenchments, the French then placed a sprawling tangle of felled trees with sharpened branches. The blockade of branches and trees was called an abatis, related to the French word abattoir, meaning slaughterhouse. The British used their standard assault and marched directly into the French trap. The abatis slowed down the British, and the French easily shot them down. It was a major victory for the French.

9. SPAIN LOST FLORIDA.

Toward the end of the war, Spain made the regrettable decision of allying with France. They joined the conflict in January of 1762, but by this time, the British were an unstoppable force. The Spanish had begun settling in Florida in the 1500s, but when Britain won the war, Spain was forced to give up Florida in accordance with the 1763 Treaty of Paris in exchange for Havana, which the British had captured the previous year. Spain would get Florida back 20 years later thanks to the American Revolution, but soon after would lose it again, this time permanently.

10. THE WAR SET THE STAGE FOR THE AMERICAN REVOLUTION.

Although the British won the French and Indian War, the conflict was very costly. To dig itself out of massive debt, England initiated a series of taxes on the colonies. Because the colonists had no voice in British Parliament, this led to a protest of “no taxation without representation.” Resentment from the colonists also grew when King George III limited expansion westward with the Royal Proclamation of 1763, hoping to quell violence between the Native Americans and settlers. Many colonists saw this as further control by the Crown. These factors, which directly stemmed from the French and Indian War, led to the American Revolution.

London's Trafalgar Square Gets a Poetry-Writing Red Lion

Tolga Akmen, AFP/Getty Images
Tolga Akmen, AFP/Getty Images

London’s historic Trafalgar Square just got a fifth lion, the BBC reports. The fluorescent red, AI-powered lion takes visitor-submitted words and turns them into two-line poems, which are displayed on a screen inside its mouth. The history-inspired installation is part of the ongoing festivities for the London Design Festival, which ends Sunday.

The idea comes from set designer Es Devlin, who is participating in a yearlong collaboration with Google Arts & Culture. She was inspired by another designer who remarked that Sir Edwin Landseer, who sculptured the other lions in the square in the late 19th century, "never wanted [them] to look so passive.” Landseer apparently wanted the lions to assume a more lively stance, “but Queen Victoria found it too shocking,” Devlin says.

The story of how Trafalgar Square’s lions came to be is an odd piece of history. For one, the process was painfully slow. Landseer spent four years just working up a sketch and spent hours studying the habits of lions at the London Zoo. He even waited two years for one of the zoo’s lions to die, then carted it back to his studio and kept it there until it started to decay. He was forced to throw out the animal—and his reference material—before he finished. “Which is why, if you look closely, you can see that the lions in Trafalgar Square actually have the paws of cats, rather than lions,” The Telegraph notes.

[h/t BBC]

13 Facts About Notre-Dame Cathedral

iStock
iStock

Constructed between the 12th and 14th centuries, Notre-Dame de Paris has centuries of French history built into its stone. The Gothic cathedral reflects the prominent role of Paris as an economic and spiritual center in the 12th century, and its scars from the French Revolution are reminders of its long connection with the monarchy—a connection that almost resulted in its demolition. Yet although thousands of tourists enter its doors each day to photograph its rose windows and flying buttresses, this sacred destination still has its secrets. Here are 13 lesser-known facts about Notre-Dame de Paris.

1. A PAGAN CITY LIES BELOW THE CATHEDRAL.

The Île-de-la-Cité on which Notre-Dame de Paris now stands was once a Gallo-Roman city known as Lutetia. The cathedral may have been built right over remnants of a temple: Around 1710, pieces of a sculpted altar dedicated to Jupiter and other deities were discovered during an excavation under the choir (although it remains unclear if this is evidence of an ancient temple, or if the pieces were recycled there from another location). Additional architectural ruins found in the 1960s and '70s, many dating back to this ancient era, lie in the archaeological crypt located beneath the square just in front of Notre-Dame.

2. THERE'S SOME RECYCLED ARCHITECTURE ON ITS FAÇADE.

The Sainte-Anne Portal at Notre-Dame
The Sainte-Anne Portal at Notre-Dame

There are three portals on the western façade of Notre-Dame, each laden with sculpted saints and sacred scenes. One doesn't seem to fit, however—the Portal Sainte-Anne has a much earlier style than the rest. Its figures, such as the central Virgin and Child, look stiffer in their poses and less natural in their features compared to the other statues. That's because this tympanum, or semi-circular area of decoration, was recycled from a previous Romanesque church. A close examination in 1969 revealed that it was not originally made for this space, and had been adapted to fit the Gothic structure.

3. THERE'S A "FOREST" IN ITS ROOF.

The cathedral contains one of the oldest surviving wood-timber frames in Paris, involving around 52 acres of trees that were cut down in the 12th century. Each beam is made from an individual tree. For this reason, the lattice of historic woodwork is nicknamed "the Forest."

4. ITS FLYING BUTTRESSES WERE GOTHIC TRENDSETTERS.

Low angle view of the East end of Notre-Dame de Paris cathedral at sunset with flying buttresses
iStock

The cathedral was one of the earliest structures built with exterior flying buttresses. They were constructed around its nave in the 12th century to lend support to the thin walls, after the need for more light in the incredibly tall church required larger windows, and thus greater supports. The exposed flying buttresses became an iconic aspect of Gothic design, and although there's some debate over whether Notre-Dame was the first church to have them, they certainly set the trend in sacred architecture.

5. TWENTY-EIGHT OF ITS KINGS LOST THEIR HEADS IN THE FRENCH REVOLUTION.

In 1793, in the midst of the French Revolution, 28 statues of biblical kings in the cathedral were pulled down with ropes and decapitated by a mob. (King Louis XVI was guillotined earlier that year, and any iconography tied to the monarchy was under attack.) The mutilated stones were eventually tossed in a trash heap, which the Minister of the Interior dealt with by ordering the material be repurposed for construction. It wasn't until 1977 that the heads of 21 of these kings were rediscovered during work on the basement of the French Bank of Foreign Trade. Now they're at the nearby Musée de Cluny.

6. THE TOWERS ARE NOT TWINS.

The two towers of Notre-Dame
iStock

At first glance, Notre-Dame’s two towers appear like identical twins. Closer examination reveals that the north tower is in fact a bit bigger than the south. As with all the elements of the cathedral, they were built over time, and reflect how the cathedral is more of a collage of architectural trends and leadership than the culmination of one person’s vision.

7. ITS BELLS WERE ONCE MELTED DOWN FOR ARTILLERY.

The kings weren’t the only part of Notre-Dame destroyed during the French Revolution. The cathedral, like other churches around France, was transformed in the late 18th century from a Christian space and rededicated to the new Cult of Reason. All 20 of its bells—except the colossal 1681 bourdon called Emmanuel—were removed and melted down to make cannons.

While the bells at Notre-Dame were replaced in the 19th century, the new instruments were not as finely made as the older versions, and made a more dissonant noise when clanging. Finally, in 2013, a new ensemble of bells restored the cathedral to its 17th-century sound, with the deeply resonant Emmanuel still joining in the toll on special occasions.

8. NAPOLÉON AND VICTOR HUGO SAVED IT.

When Napoléon Bonaparte decided to have his 1804 coronation as emperor in Notre-Dame, the building was in bad shape. Centuries of decay as the city developed and changed around it, as well as the vandalism of the French Revolution, had left it on the verge of demolition. For years it had been used as little more than a warehouse. So when Napoléon declared its return to church use, and hosted his grand ceremony within his walls—an event in which he famously crowned himself—it brought Notre-Dame to new prominence.

Nevertheless, the coronation didn’t fix its structural deterioration. Then author Victor Hugo used the building as a personification of France itself in his 1831 novel Notre-Dame de Paris. (The book’s name is often translated as The Hunchback of Notre Dame, yet the hunchbacked bell ringer Quasimodo is not the main character; the central figure is Notre-Dame.) And Hugo vividly evoked its decrepit 19th-century state:

“But noble as it has remained while growing old, one cannot but regret, cannot but feel indignant at the innumerable degradations and mutilations inflicted on the venerable pile, both by the action of time and the hand of man, regardless alike of Charlemagne, who laid the first stone, and Philip Augustus, who laid the last. On the face of this ancient queen of our cathedrals, beside each wrinkle one invariably finds a scar. 'Tempus edax, homo edacior,' which I would be inclined to translate: 'Time is blind, but man is senseless.'”

The book was a success, and the momentum led to a major restoration overseen by architects Jean-Baptiste-Antoine Lassus and Eugène Viollet-le-Duc.

9. ITS MONSTERS ARE MODERN, NOT MEDIEVAL.

Gargoyle and wide city view from the roof of Notre-Dame
iStock

Some of the most popular images of Notre-Dame are from the perspective of its gargoyles or chimera (the carved monsters that don’t act as waterspouts). Few visitors would guess that the fantastic creatures now on the cathedral weren't there until the 19th century; they were added between 1843 and 1864 during the radical restoration overseen by Eugène-Emmanuel Viollet-le-Duc.

Hugo had described gargoyles extensively in Notre-Dame de Paris, and Viollet-le-Duc was reportedly inspired by this romantic vision of the past. A daguerreotype from before this overhaul shows a building more stark than the one we know today, with no beasts perched on its towers, its medieval gargoyles having long been removed. Unfortunately, many of the 19th-century gargoyles are now decaying; PVC pipes have taken the place of those that have been taken down for safety.

The gargoyles were far from the only fanciful addition by the architect Viollet-le-Duc. Among the 12 apostles he had installed around the new spire, he included himself as the face of Saint Thomas.

10. ITS SPIRE IS A SAINTLY LIGHTNING ROD.

Look way to the top of the spire and you'll spy a rooster. This is not a purely decorative bird. In 1935, three tiny relics—an alleged piece of the Crown of Thorns and some bits of Saint Denis and Saint Genevieve (the city's patron saints)—were secured inside the metal bird’s body. The idea, the story goes, was to create a sort of spiritual lightning rod to protect the parishioners within.

11. THE ORGAN IS THOUGHT TO BE THE LARGEST IN FRANCE.

The Notre-Dame organ involves almost 8000 pipes (some dating back to the 18th century) played with five keyboards, making it the biggest pipe organ in France (although some claim that Saint-Eustache has a larger one). While there are some slashes on the wood of the organ loft—damage from the French Revolution, when its fleur-de-lis symbols were carved off—it was restored in 2013 to mark the 850th anniversary of the cathedral.

12. ALL ROADS LEAD TO NOTRE-DAME DE PARIS.

Point Zero marker outside Notre-Dame in Paris
Jean-Pierre Bazard, Wikimedia Commons // CC BY-SA 3.0

Mostly overlooked beneath the crowds of tourists milling around outside Notre-Dame is a diminutive circular marker with an eight-pointed bronze star embedded in the cobblestones. It’s engraved with the words Point zéro des routes de France, and is the point from which distances are measured from Paris to other cities in France. It was placed there in 1924, although it had to be temporarily dislodged in the 1960s during the excavations for what was intended to be an underground parking garage. Those construction plans were thwarted when workers turned up architectural ruins—now kept in the archaeological crypt.

13. BEES LIVE ON ITS ROOF.

On the Notre-Dame sacristy, adjacent to the cathedral, is a small hive of bees. It was installed in 2013, with Buckfast bees—a strain developed by a monk named Brother Adam and known for its gentleness—living in its hives. Their honey is made from the flowering plants in nearby gardens, including the Square Jean XXIII just behind the cathedral. According to The New York Times, the sweet stuff is given away to the poor.

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