Every week I write about the most interesting new comics hitting comic shops, bookstores, digital, and the web. Feel free to comment below if there's a comic you've read recently that you want to talk about or an upcoming comic that you'd like me to consider highlighting.
By Daniel Clowes
Sure to be one of the biggest releases of 2016, Patience is Daniel Clowes’s first graphic novel in six years and, at 180 pages, his longest to date. It’s also a somewhat unexpected leap into science fiction by a writer whose best known works, such as Ghost World, tend to be grounded satires about dejected outsiders. That’s not to say it is unusual for Clowes to dabble in different genres, be it horror (Like A Velvet Glove Cast in Iron), noir (David Boring) or even superheroes (The Death-Ray), but he always does it with his lugubrious yet funny spin, drawn in his iconically retro-'60s style.
Patience follows a young man named Jack whose only joy in life is his pregnant wife Patience. One day, he comes home from his usual day of pretending to have a job to find her dead. After initially being charged with the crime and then absolved, he obsesses over who could have murdered her for the next 20 years. When he finds a man who has invented a time machine, he now has the chance to go back and prevent Patience and his unborn baby from being taken away from him.
With his single-minded focus on changing his past, older Jack is like a lug-headed, psychopathic action hero in this story, but the book is truly about its title character, Patience. She is a tragic but assertive player in her own narrative. This is going to be up there in Clowes’s oeuvre of great works, but for fans of good time travel yarns, it deserves its spot in that canon as well.
By Brian Michael Bendis and Alex Maleev
Brian Michael Bendis and Alex Maleev's 50+ issue run on Daredevil in the early 2000s is considered one of the definitive takes on that character. Now, the creative team has reunited to do the same for Iron Man with a new series, International Iron Man, that intends to explore Tony Stark’s past and his place in the “All New All Different” Marvel.
Stark recently learned that he had been adopted as a baby, and the identity of his birth parents is unknown. In this series, he’ll be searching for clues to his past, but he’ll also be exploring this slightly altered Marvel Universe for clues to its own secret history, accompanied by a key, mysterious figure in the post-Secret Wars Marvel universe: Victor Von Doom, who appears to be a longtime friend of Tony now.
Bendis and Maleev are a formidable comics team and, despite his popularity when played on screen by Robert Downey, Jr., Iron Man is in need of a good, definitive take on the character. His original Cold War-centric origins have been recalibrated to Marvel’s rolling timeline, so we’ll be seeing some flashbacks to a grungy, college-age Tony partying in the 1990s in this first issue.
By Box Brown, Jared Smith, and various cartoonists
Small press publisher Retrofit began its life with a Kickstarter in 2011 with the goal of setting up a subscription mail service for their modest line of floppy-style comics. Now, nearly 50 comics and graphic novels later, the well-regarded publisher is taking to Kickstarter again to fund their 2016 line. The money they raise is intended to aid in printing costs and also in order to give more upfront money to the artists. They have some pretty impressive-looking books planned for this year, with a selection of indie cartoonists with unique voices like James Kolchaka, Leela Corman, Alabaster Pizzo, Kaeleigh Forsyth, and Eleanor Davis. Both digital and print subscriptions are available at different reward levels.
By Jeff Nicholson
Jeff Nicholson first began serializing his dark office cubicle comic, Through the Habitrails, in 1989 in a comics anthology magazine called Taboo, which was edited by comics veteran Stephen Bissette. By 1992, he had released 14 individual, stand-alone installments that fit together as a complete graphic novel, but the definitive edition has never been published together—until now.
Nicholson’s comic is sort of like Dilbert if it had been written by Franz Kafka. It's a depiction of a corporate office where workers toil away while hooked up to machines that drain them of their creative juices, which are then used to power the gerbils that seem to run the company. The nameless hero of the story tries many times to escape his imprisonment only to find himself trapped even further.
This collected edition features an introduction and history of the comic by Bissette as well as a brief introduction by famed comics writer Matt Fraction. Nicholson, who retired from comics in 2004, provides some of his own context with an afterword.