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10 Records You Might Have Owned That Are Now Worth a Fortune

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What goes around comes around, and we don't just mean records on a turntable. Audiophiles swear by the sound quality of vinyl over CDs, MP3s, and other files, and now younger generations are starting to see the light. Vinyl sales continue to increase each year as CD sales drop, which means that more and more young people are borrowing albums from their parents or buying their own, while those who grew up with them are perhaps dusting off their cherished collections.

New records are typically more expensive than other formats, but fans would argue that the listening experience and ability to hold the music in your hands is worth the premium. There is also a culture of collecting that comes with switching to vinyl that could pay off big time, if you know what you have or what to look for. First pressings by big acts like The Beatles or Bruce Springsteen, and finds like misprints and pressings with alternate covers, can greatly increase the value of vinyl if the copies are kept in pristine condition. Before you dig through those crates to listen to your favorite throwback LP or 45-RPM single, make sure that what you're holding isn't worth a full semester of college. Here are some records that you may have (or used to have) that are worth way more than their original sticker price.

1. BOB DYLAN // THE FREEWHEELIN’ BOB DYLAN (1963)

Dylan’s second album changed a bit just before it was supposed to be released in 1963, and those track changes can mean a difference of tens of thousands of dollars if your copy falls on the right side of the fence. According to Record Mecca, four songs were replaced with newly recorded tracks, but somehow, someone at the pressing plant used the old version instead of the new masters to press an unknown number of albums. Since the album’s release, only a couple stereo copies of the mistake pressings have surfaced, and less than two dozen of the mono copies are known to exist. Thought to be one of the most valuable records in the world, a mint copy of the former once sold for $35,000.

2. THE BEATLES // THE BEATLES (WHITE ALBUM) (1968)

The Beatles's self-titled double album (which later became known as the White Album) originally released in 1968, but not all copies were created equal. The members of the band and executives at the studio were given copies stamped with serial numbers that began with A00000, each in consecutive order (A000001, A000002, etc.). The very first copy, which Clifford J. Yamasaki of Let It Be Records purchased from an executive at Capitol Records in the 1970s, sold in 2013 for $35,000, a year after the copy with serial number A0000023 sold at auction for $13,750. The odds that you once owned a copy of the album that had a low serial number are slim to none, but not impossible.

3. DAVID BOWIE // DIAMOND DOGS (1974)

Discogs

The original version of this album was withdrawn because the cover artwork featured a dog’s genitals. The label, RCA, reportedly “got nervous” and decided to airbrush the area out for the final version, but some employees were smart enough to keep the originals. Back in 2003, a copy sold on eBay for $3550. Given the amount of time that has passed since then, and the unfortunate fact that Bowie is now deceased, and you can imagine what these rare copies would sell for today.

4. SEX PISTOLS // "GOD SAVE THE QUEEN"/"NO FEELINGS" 7-INCH (1977)

As the story goes, English punk rock band the Sex Pistols were signed in early March 1977 by A&M Records, and then famously dropped from the label only six days later because of their behavior. When it decided to cut ties with the band, the record company had already pressed 25,000 copies of their single “God Save the Queen.” The order was given for the records to be destroyed, but over the past 39 years, nine copies have surfaced and have sold for upward of $8600. No one knows how many copies are still unaccounted for, but someone surely has to be lucky number 10.

5. HANK MOBLEY // BLUE NOTE 1568 (1957)

Between 300 and 1000 copies of this jazz record were released in 1957, and there is one small change that makes them more valuable than other records from the label. According to The Vinyl Factory, the rumor is that Blue Note ran out of labels halfway through the first pressing of the album. The standard address for the record label is 47 West 63rd NYC, but some of the records have labels that say 47 West 63rd New York 23 on one side. There is some debate about the value though, as one record that did not have the special label still sold for over $10,000 on eBay.

6. THE BEATLES // PLEASE PLEASE ME (1963)

According to the Beatles Collecting Guide, the album Please Please Me was released in a hurry on March 22, 1963 in Great Britain. There were multiple pressings of the album in the first year, but collectors pay attention to the labels to tell which is the rarest of them all. The very first pressing features gold lettering on a black label and is considered the “holy grail” for Beatles fans. The mono version in mint condition is worth a few hundred bucks, while the stereo version is said to be four times as valuable (in the $4200 range). If you or your parents were riding the wave with Paul and the boys from the beginning, hopefully someone had the foresight not to open the copy.

7. THE BEATLES // YESTERDAY AND TODAY (1966)

The original “butcher” cover of this record was not well-received, so Capitol Records spent $250,000 recalling the 750,000 copies that had already been shipped to stores. The covers were changed, but as with most recalls, some of the original copies remained out in the world and have been sold for as much as $15,300. If you unknowingly inherited one of those strays, it’s time to cash in.

8. BRUCE SPRINGSTEEN // “SPIRIT IN THE NIGHT” 7-INCH (1973)

Collector John Marshall of moneymusic.com once told Los Angeles radio station K-Earth that Springsteen’s first release with Columbia Records can fetch as much as $5000. Discogs lists “never” as the last time a copy was sold on the website, but if you found and held onto a copy, you could be the first.

9. THE ROLLING STONES // "STREET FIGHTING MAN”/”NO EXPECTATION" (1968)

According to the listing for a record that Bonhams sold for $17,000, the original picture sleeve for the American release of The Rolling Stones’ single “Street Fighting Man” (with “No Expectations” on the b-side) featured a photograph of police brutality during riots at the 1968 Chicago Democratic National Convention. The record label decided it was too controversial and withdrew the sleeves. Bonhams estimates that there are between 10 and 18 copies out in the world.

10. NIRVANA // BLEACH RE-RELEASE (1992)

When Bleach was initially released in 1989, the first printing was limited to 1000 copies, which were sold to music fans at Lamefest in Seattle. Those copies are now worth a couple hundred dollars, but they are not the most valuable. The label Sub Pop experimented with different marbling techniques for the subsequent pressings, and one in particular could now worth around $1500. More of a bundle than a singular record, the red and white marbled LP was shrink-wrapped with a blue 7-inch, and there were only 500 numbered sets made.

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6 Times There Were Ties at the Oscars
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Only six ties have ever occurred during the Academy Awards' near-90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. BEST ACTOR // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde (female writer Frances Marion won Best Screenplay for the film), and Beery won for The Champ, which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. BEST DOCUMENTARY SHORT SUBJECT // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. BEST ACTRESS // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. BEST DOCUMENTARY FEATURE // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. BEST SHORT FILM (LIVE ACTION) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars Richard E. Grant (Girls, Withnail & I) as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. BEST SOUND EDITING // 2013

The latest Oscar tie happened only three years ago, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg said to the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

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11 Haunting Facts About Beloved

Toni Morrison—who was born on February 18, 1931—made a name for herself with The Bluest Eye, Sula and Song of Solomon, but it wasn’t until 1987’s Beloved, about a runaway slave haunted by the death of her infant daughter, that her legacy was secured. The book won the Pulitzer Prize and was a key factor in the decision to award Morrison the Nobel Prize in 1993. All the awards aside, Beloved is a testament to the horrors of slavery, with its narrative of suffering and repressed memory and its dedication to the more than 60 million who died in bondage. Here are some notable facts about Morrison’s process and the novel’s legacy.

1. IT’S BASED ON A TRUE STORY.

While compiling research for 1974's The Black Book, Morrison came across the story of Margaret Garner, a runaway slave from Kentucky who escaped with her husband and four children to Ohio in 1856. A posse caught up with Garner, who killed her youngest daughter and attempted to do the same to her other children rather than let them return to bondage. Once apprehended, her trial transfixed the nation. "She was very calm; she said, 'I’d do it again,'" Morrison told The Paris Review. "That was more than enough to fire my imagination."

2. MORRISON CAME UP WITH THE CHARACTER BELOVED AFTER SHE STARTED WRITING.

The book was originally going to be about the haunting of Sethe by her infant daughter, who she killed (just as Garner did) rather than allow her to return to slavery. A third of the way through writing, though, Morrison realized she needed a flesh-and-blood character who could judge Sethe’s decision. She needed the daughter to come back to life in another form (some interpret it as a grief-driven case of mistaken identity). As she told the National Endowment for the Arts’ NEA Magazine: "I thought the only person who was legitimate, who could decide whether [the killing] was a good thing or not, was the dead girl."

3. SHE WROTE THE ENDING EARLY IN THE WRITING PROCESS.

Morrison has said she likes to know the ending of her books early on, and to write them down once she does. With Beloved, she wrote the ending about a quarter of the way in. "You are forced into having a certain kind of language that will keep the reader asking questions," she told author Carolyn Denard in Toni Morrison: Conversations.

4. MORRISON BECAME FASCINATED WITH SMALL HISTORICAL DETAILS.

To help readers understand the particulars of slavery, Morrison carefully researched historical documents and artifacts. One particular item she became fascinated with: the "bit" that masters would put in slaves' mouths as punishment. She couldn’t find much in the way of pictures or descriptions, but she found enough to imagine the shame slaves would feel. In Beloved, Paul D. tells Sethe that a rooster smiled at him while he wore the bit, indicating that he felt lower than a barnyard animal.

5. SHE ONLY RECENTLY READ THE BOOK HERSELF.

In an appearance on The Colbert Report last year, Morrison said she finally got around to reading Beloved after almost 30 years. Her verdict: "It’s really good!"

6. THE BOOK INSPIRED READERS TO BUILD BENCHES.

When accepting an award from the Unitarian Universalist Association in 1988, Morrison observed that there is no suitable memorial to slavery, "no small bench by the road." Inspired by this line, the Toni Morrison Society started the Bench by the Road Project to remedy the issue. Since 2006, the project has placed 15 benches in locations significant to the history of slavery and the Civil Rights movement, including Sullivan’s Island, South Carolina, which served as the point of entry for 40% of slaves brought to America.

7. WHEN BELOVED DIDN’T WIN THE NATIONAL BOOK AWARD IN 1987, FELLOW WRITERS PROTESTED.

After the snub, 48 African-American writers, including Maya Angelou, John Edgar Wideman and Henry Louis Gates, Jr., signed a letter that appeared in the New York Times Book Review. "For all of America, for all of American letters," the letter addressing Morrison read, "you have advanced the moral and artistic standards by which we must measure the daring and the love of our national imagination and our collective intelligence as a people."

8. IT’S ONE OF THE MOST FREQUENTLY CHALLENGED BOOKS.

Between 2000 and 2009, Beloved ranked 26th on the American Library Association’s list of most banned/challenged books. A recent challenge in Fairfax County, Virginia, cited the novel as too intense for teenage readers, while another challenge in Michigan said the book was, incredibly, overly simplistic and pornographic. Thankfully, both challenges were denied.

9. MORRISON ALSO WROTE AN OPERA BASED ON GARNER’S LIFE.

Ten years ago, Morrison collaborated with Grammy-winning composer Richard Danielpour on Margaret Garner, an opera about the real-life inspiration behind Beloved. It opened in Detroit in 2005, and played in Charlotte, Chicago, Philadelphia and New York before closing in 2008.

10. MORRISON DID NOT WANT IT MADE INTO A MOVIE.

Although she publicly claims otherwise, according to a New York magazine story, Morrison told friends she didn’t want Beloved made into a movie. And she didn’t want Oprah Winfrey (who bought the film rights in 1988) to be in it. Nevertheless, the film came out in 1998 and was a total flop.

11. THERE'S AN ILLUSTRATED VERSION.

The Folio Society, a London-based company that creates fancy special editions of classic books, released the first-ever illustrated Beloved in 2015. Artist Joe Morse had to be personally approved by Morrison for the project. Check out a few of his hauntingly beautiful illustrations here.

This article originally appeared in 2015.

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