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Paramount Pictures

17 Surprising Facts About Friday the 13th

Paramount Pictures
Paramount Pictures

In the fall of 1979, a group of unknown actors, a director desperate for a hit, and a special effects visionary got together in the woods of New Jersey to create the stuff of legend. Friday the 13th was supposed to be a simple exercise in good movie business, a film that would make money thanks to clever manipulation of the horror genre and some gory scares. Instead, it became a watershed moment in horror filmmaking, a landmark that has inspired countless imitators and nearly a dozen sequels.

Today, Friday the 13th is an essential slasher classic, but the road to success wasn’t exactly easy. To celebrate the film, and its often tumultuous production, here are 17 facts about the birth of the legend of Jason Voorhees.

1. THE ORIGINAL INSPIRATION WAS HALLOWEEN.

In 1978, producer and director Sean Cunningham was looking for a model on which to build a commercially successful film, and he found one in John Carpenter’s horror classic Halloween. The two films ultimately don’t share much other than very broad slasher tropes, but Cunningham says he “was very influenced by the structure of Carpenter’s film.”

2. THE FILM WAS BEING ADVERTISED BEFORE IT EVEN HAD FINANCING.

Hoping to drum up publicity for his project, Cunningham took out an ad in the July 4, 1979 edition of Variety, featuring the film’s now-iconic logo bursting through glass. At the time, the general structure of the film was in place, but Georgetown Productions had not yet fully agreed to finance it, and the advertised November 1979 release date was a pipe dream. Still, Cunningham did get a response from the ad. “Everybody wanted this film,” he later said.

3. THE SCREENWRITER HAD A DIFFERENT TITLE IN MIND.

Though Cunningham very quickly latched on to the idea of Friday the 13th as a title, well before the film got made, screenwriter Victor Miller originally came up with something else. In the spring of 1979, he was calling the film Long Night at Camp Blood.

4. MANY OF THE SPECIAL EFFECTS WERE “BAKED” IN THE CAMP’S KITCHEN.

Tom Savini is now a makeup effects legend thanks, in part, to his work on Friday the 13th. And in making the film, he and assistant Taso Stavrakis actually ended up using the camp to finalize the special makeup effects. According to Savini, many of the latex appliances ultimately used to create the film’s gruesome murders were baked in the pizza ovens at the camp where the movie was filmed.

5. THE CAMP USED FOR FILMING IS STILL OPERATIONAL.

Camp Crystal Lake is actually Camp No-Be-Bo-Sco, a fully operational camp that the cast and crew were granted access to after campers left for the summer in 1979. It is still in use today.

6. KEVIN BACON WAS NOT THE FILM’S BIGGEST STAR AT THE TIME OF SHOOTING.

Kevin Bacon stars in 'Friday the 13th' (1980)
Paramount Pictures

Though he’s without question the biggest name in the movie now, Kevin Bacon hadn’t done much prior to Friday the 13th, apart from things like a small role in Animal House. At the time, the film’s biggest name was Harry Crosby, son of then-recently-deceased legendary singer Bing Crosby, who played Bill.

7. SHELLEY WINTERS WAS THE FIRST CHOICE FOR MRS. VOORHEES.

For the now-iconic role of Mrs. Pamela Voorhees, Cunningham and company went in search of an actress with a recognizable name whose career was nevertheless on the decline, so she could be paid relatively little and the budget could stay low. Cunningham eventually made a list of actresses he was considering, and two-time Oscar winner Shelley Winters was his top choice. Winters wasn’t interested, and while fellow candidate and Oscar-winner Estelle Parsons actually negotiated to be in the film, she ultimately backed out. Cunningham also considered actresses Louise Lasser and Dorothy Malone right up until filming began, but ultimately the production wound up with Betsy Palmer in the role.

8. BETSY PALMER TOOK THE PART SO SHE COULD BUY A NEW CAR.

When Cunningham finally got around to offering Palmer the part of Mrs. Voorhees, she suddenly found herself in need of cash. After more than a year on Broadway, her car broke down as she drove back to her home in Connecticut. She might never have taken the movie if she hadn’t needed the money for a new car.

“I got home at five in the morning, and it was a situation where I desperately needed a new car,” Palmer said. “If I hadn’t needed a car, I don’t think I would’ve done Friday the 13th.”

9. SEVERAL CREW MEMBERS PLAYED THE KILLER BEFORE PALMER WAS CAST.

Even as filming got underway, Cunningham was still looking for an actress to play Mrs. Voorhees, so many of the early murder scenes were actually shot without Betsy Palmer, with members of the crew standing in for the hands of the murderer. For example, when Annie’s (Robbi Morgan) throat is cut early in the film, special effects assistant Taso Stavrakis is the one wielding the knife.

10. BETSY PALMER GAVE MRS. VOORHEES A DETAILED BACKSTORY.

When she was finally cast, Palmer dove deep into her character. As a Method actor, she wanted to know more about the character than the audience, and came up with a backstory that built on the killer’s hatred of sexual transgression. In her mind, Pamela had Jason out of wedlock with a high school boyfriend, and her parents ultimately disowned her for her sins because that “isn’t something that good girls do."

11. JASON WAS JUST A REGULAR KID IN THE FIRST DRAFT.

Adrienne King stars in 'Friday the 13th' (1980)
Paramount Pictures

In Victor Miller’s original script, the character of Jason Voorhees was, basically, just a kid who accidentally drowned in Crystal Lake. But financier Philip Scuderi wanted something more, and brought in screenwriter Ron Kurz for some rewrites. One of Kurz’s most important contributions to the film was to transform the tragic boy into the deformed child we see in the final movie.

12. DURING FILMING, THE CREW WAS ENTERTAINED BY LOU REED.

Because the camp was closed during filming, and situated in the deep New Jersey woods, the cast and crew didn’t see much outside interference, but it turned out they had a very famous neighbor: rock star Lou Reed, who owned a farm nearby.

“We got to watch Lou Reed play for free, right in front of us, while we were making the film,” soundman Richard Murphy said. “He came by the set and we hung around with each other and he was just a really great guy.”

13. ONE ACTOR WAS TEMPORARILY BLINDED BY FAKE BLOOD.

For the scene in which Bill (Harry Crosby) is killed by multiple arrows, one of which lands in his eye, Tom Savini used a fake blood formula that included a wetting agent called PhotoFlo, which was supposed to make the fake blood soak into clothing and look more realistic. Unfortunately, PhotoFlo is not an ingredient used for “safe blood,” meaning blood that’s going to be encountering the face of an actor. For the arrow-in-the-eye moment, a latex appliance was applied to Crosby’s face, along with the blood. As the scene was shot, the blood welled up into Crosby’s eyes, causing intense pain when the appliance was removed.

“So our unsafe blood had an opportunity to fill up Harry’s eyes under the appliance used to keep the arrow looking like it was in his eye and it surface-burned poor Harry,” Savini said. “Not a proud moment.”

Crosby had to be taken to the hospital for treatment, but was ultimately fine.

14. KEVIN BACON’S ICONIC DEATH TOOK HOURS TO FILM (AND ALMOST DIDN’T WORK).

Perhaps the most iconic death in the film occurs when Jack (Kevin Bacon) is killed with an arrow shoved through his throat from underneath the bed he’s lying on. It’s a brilliant special effects moment, and was also the most complex death scene in the film. To make it work, Bacon had to crouch under the bed and insert his head through a hole in the mattress. Then, a latex neck and chest appliance were attached to give the appearance that he was actually lying down. Getting the setup right took hours, and Bacon had to stay in that uncomfortable position the entire time. For the bloody final moment, Savini—also under the bed—would plunge the arrow up and through the fake neck, while his assistant—also under the bed—operated a pump that would make the fake blood flow up through the appliance. To further complicate things, the crew needed someone to stand in for the killer’s hand as it held Bacon’s head down, and they settled on still photographer Richard Feury.

So, after hours of setup and latex building and planning, it was finally time to shoot the scene, and when the moment of truth came, the hose for the blood pump disconnected. Knowing that he basically only had one take (otherwise they’d have to build a new latex appliance and set everything up again), Stavrakis grabbed the hose and blew into it until blood flowed out, saving the scene.

“I had to think quick, so I just grabbed the hose and blew like crazy which, thankfully, caused a serendipitous arterial blood spray,” Stavrakis said. “The blood didn’t taste that bad either.”

15. THE FINAL SCARE WAS SUPPOSEDLY NOT IN THE ORIGINAL SCRIPT.

The story of who invented the final scare in the film, in which a deformed Jason bursts out of the lake and grabs Alice (Adrienne King) from her canoe, is disputed. Victor Miller, Tom Savini, and uncredited screenwriter Ron Kurz all claim credit for it, Kurz because he claims to be the one who made Jason into a “creature,” and Savini because he claims the moment was inspired by a similar final scare in Carrie. Whatever the case, it left a lasting impression.

16. THE MAIN THEME MUSIC CAME FROM A LINE OF DIALOGUE.

When composing the score for the film, composer Harry Manfredini was looking for a distinctive sound to identify any point when the killer appeared in a scene. When he first saw a print of the film, he heard Mrs. Voorhees, imitating Jason, saying “Kill her, Mommy!” and decided that was the key. So, he took two syllables from that line of dialogue, spoke them himself, and made the iconic sound.

“So I got the idea of taking the 'ki' from 'kill' and the 'ma' from 'mommy,’ but spoke them very harshly, distinctly, and rhythmically into a microphone and run them through this '70s echo thing. It came up as you hear it today! So every time there was the perspective of the stalker, I put that into the score,” Manfredini said.

17. THE SCREENWRITER HATES THE SEQUELS.

Jason Voorhees in 'Jason Takes Manhattan'
Paramount Pictures

One of the key twists of the original film, particularly in light of its many sequels (counting a crossover with A Nightmare on Elm Street and a reboot, there are 11 now), is that Jason is not actually the central figure. He provides a haunting mythology, but the real villain is his mother. For screenwriter Victor Miller, this was very important, and he framed Pamela Voorhees as the mother he never had, a woman who tirelessly professed love in her own crazy way. When the film became a hit, and the inevitable sequel featured Jason as the new killer, Miller was disappointed.

“To be honest, I have not seen any of the sequels, but I have a major problem with all of them because they made Jason the villain,” Miller said. “I still believe that the best part of my screenplay was the fact that a mother figure was the serial killer—working from a horribly twisted desire to avenge the senseless death of her son, Jason. Jason was dead from the very beginning. He was a victim, not a villain. But I took motherhood and turned it on its head and I think that was great fun. Mrs. Voorhees was the mother I'd always wanted—a mother who would have killed for her kids.”

Additional Sources: On Location In Blairstown: The Making of Friday the 13th by David Grove (2013)

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25 Incisive Facts About Jaws
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Daah dun, daah dun, daah dun, dun dun, dun dun, dun dun. Today is the 43rd anniversary of Steven Spielberg’s original blockbuster, Jaws. Here are 25 fascinating facts you may not have known about the Oscar-winning shark flick.

1. THE BOOK COULD HAVE BEEN CALLED SOMETHING ELSE.

The film is adapted from author Peter Benchley’s bestselling novel of the same name, which Benchley based on a series of shark attacks that occurred off the coast of New Jersey in 1916 and after an incident where a New York fisherman named Frank Mundus caught a 4,500-pound shark off the coast of Montauk in 1964. Other title ideas Benchley had before settling on Jaws were “The Stillness in the Water,” “The Silence of the Deep,” “Leviathan Rising,” and “The Jaws of Death."

2. THE BOOK’S AUTHOR MAKES A CAMEO IN THE MOVIE.

Benchley himself can be seen in a cameo in the film as the news reporter who addresses the camera on the beach. Benchley had previously worked as a news reporter for the Washington Post before penning Jaws.

Steven Spielberg also makes a cameo in the movie: His voice is the Amity Island dispatcher who calls Quint’s boat, the Orca, with Sheriff Brody’s wife on the line.

3. STEVEN SPIELBERG GOT THE DIRECTING JOB BECAUSE OF DUEL.

Spielberg was chosen to direct Jaws by producers Richard Zanuck and David Brown (who had also worked with the then-28-year-old director on his 1974 film The Sugarland Express) because of his film Duel, which featured a maniacal trucker terrorizing a mild-mannered driver. The producers thought the movie was thematically similar to the story for Jaws, making Spielberg a great fit.

4. THERE’S NOT A LOT OF JAWS IN JAWS.


MCA/Universal Home Video

The shark doesn’t fully appear in a shot until one hour and 21 minutes into the two-hour film. The reason it isn’t shown is because the mechanical shark that was built rarely worked during filming, so Spielberg had to create inventive ways (like Quint’s yellow barrels) to shoot around the non-functional shark.

5. IT TOOK A VERY LONG TIME TO MAKE.

Jaws was marred with so many technical problems (including the shark not working and shooting in the Atlantic Ocean) that the originally scheduled 65-day shoot ballooned into 159 days, not counting post-production.

6. AMITY ISLAND WAS ACTUALLY MARTHA’S VINEYARD.

To create the fictional town of Amity, the production shot on location in Edgartown and Menemsha on Martha’s Vineyard in Massachusetts. Strict land ordinances kept the production from building anywhere—Quint’s shack was the one and only set built for the movie, while the defaced Amity Island billboard had to be constructed and taken down all in one day.

7. THE SHARK WEIGHED MORE THAN A TON.

The pneumatically-powered shark, designed and built by production designer Joe Alves, weighed in at 1.2 tons and measured 25 feet in length. Part of the reason that Martha’s Vineyard was chosen as a location was because the surrounding ocean bed had a depth of 35 feet for up to 12 miles offshore, which was perfect for scenes that required the mechanical shark rig to be rested on the shallow ocean floor.

8. SPIELBERG TOOK INSPIRATION FROM HIS LEGAL COUNSEL.

The director nicknamed the shark “Bruce” after his lawyer, Bruce Ramer, who also currently represents other celebrities like Demi Moore, Ben Stiller, and Clint Eastwood.

9. SOME GOOD, OLD-FASHIONED ELBOW GREASE HELPED CREATE THE OPENING SCENE.

The opening scene took three days to shoot. To achieve the jolting motions of the shark attacking the swimmer in the opening sequence, a harness with cables was attached to actress Susan Backlinie’s legs and was pulled by crewmembers back and forth along the shoreline. Spielberg told the crew not to let Backlinie know when she would be yanked back and forth, so her terrified reaction is genuine.

Spielberg went on to spoof his own opening scene for Jaws in his 1979 World War II comedy 1941. The scene features Backlinie once again taking a skinny dip at the beach, but instead of being attacked by a shark she’s scooped up by a passing Japanese submarine.

10. SOME EAVESDROPPING GOT ROY SCHEIDER THE LEAD.

Scheider got the part of Chief Martin Brody after overhearing Spielberg talking to a friend at a Hollywood party about the scene where the shark leaps out of the water and onto Quint’s boat. Scheider was instantly enthralled, and asked Spielberg if he could be in the film. Spielberg loved Scheider from his role in The French Connection, and later offered the actor the part.

11. RICHARD DREYFUSS WASN’T THE FIRST CHOICE TO PLAY HOOPER.

Spielberg initially approached Jon Voight, Timothy Bottoms, and Jeff Bridges to play oceanographer Matt Hooper. When none of them could commit to the role, Spielberg’s friend George Lucas suggested Richard Dreyfuss, whom Lucas has directed in American Graffiti. Dreyfuss would later accept the part because he thought he was terrible in the title role of the film The Apprenticeship of Duddy Kravitz a year earlier.

12. ROBERT SHAW WASN’T THE FIRST CHOICE TO PLAY QUINT.

When actors Lee Marvin and Sterling Hayden—the first and second choices to play the grizzled fisherman Quint, respectively—both turned Spielberg down, producers Zanuck and Brown recommended English actor Robert Shaw, whom they had previously worked with on 1973's The Sting.

13. A LOCAL MARTHA’S VINEYARD FISHERMAN WAS THE REAL QUINT.

Shaw based his performance of Quint on Martha’s Vineyard native and fisherman Craig Kingsbury, a non-actor who appears in the film as Ben Gardner. Kingsbury helped Shaw with his accent and allegedly told Shaw old sea stories that the actor incorporated into his improvised dialogue as Quint.

14. GREGORY PECK FORCED A SCENE TO BE CUT FROM THE MOVIE.

In early drafts of the screenplay, Quint was originally introduced while causing a disturbance in a movie theater while watching John Huston’s 1958 adaptation of Moby Dick. The scene was shot, but actor Gregory Peck—who plays Captain Ahab in that movie—owned the rights to the film version of Moby Dick and wouldn’t let the filmmakers on Jaws use the footage, so the sequence was cut.

15. THE BOOK WAS VERY DIFFERENT FROM THE MOVIE.

Early drafts of the screenplay featured a subplot where Hooper has an affair with Chief Brody’s wife, which was carted over from the book. Another detail left out of the movie from the book was that Mayor Vaughn was under pressure from the mafia, not local business owners, to keep Amity’s beaches open because of their real estate investments on the island.

16. SPIELBERG ADDED AN OFFSCREEN IMPROV MOMENT.

The scene where Brody’s son Sean mimics his father’s movements at the dinner table was based on a real thing that happened between Scheider and child actor Jay Mello in between takes. Spielberg loved the off-the-cuff moment so much that he re-staged it and put it in the movie.

Another iconic moment was also a spontaneous one: Brody’s famous “You’re gonna need a bigger boat” line was entirely improvised by Scheider on the day of shooting.

17.  ROBERT SHAW PUT HIS OWN SPIN ON THE INDIANAPOLIS SPEECH.


MCA/Universal Home Video

Quint’s U.S.S. Indianapolis speech wasn’t in the novel, and the backstory of Quint being a sailor on the ship first appeared in an uncredited rewrite of the script by playwright Howard Sackler. Later, writer-director (and Spielberg’s friend) John Milius expanded the characteristic into a multi-page monologue, which was then whittled down and spruced up by actor Robert Shaw (himself a playwright) on the day of shooting.

18. SOME REAL SHARK FOOTAGE WAS USED.

Zanuck demanded that real shark footage be used in the movie, and Spielberg used it sparingly. He hired experts Ron and Valerie Taylor to shoot underwater footage of 14-foot sharks off the coast of Australia. For scale, they hired a little person actor named Carl Rizzo to appear as Hooper in a mini shark cage in hopes that they could create the illusion of a shark attacking the character. After trying to get the right shot for about a week, the sharks would only swim around the cage. Then, during a take when Rizzo wasn’t in the cage, a shark became entangled in the cage’s bridle, causing it to thrash and roll around. This footage was included in the final film.

19. DESPITE ALL THE BLOODY SHARK ATTACKS, THE MOVIE IS RATED PG.

Jaws was initially rated R by the MPAA. But after some of the more gruesome frames of the shot showing the severed leg of the man attacked by the shark in the estuary were trimmed down, the film was given a PG-rating (the PG-13-rating wasn’t created until after Spielberg’s own film, Indiana Jones and the Temple of Doom, caused the MPAA to change the system in 1984). The poster for the film still reads that the movie “MAY BE TOO INTENSE FOR YOUNGER CHILDREN.”

20. SPIELBERG DIDN’T DIRECT SOME OF THE FINAL SCENES.

Spielberg didn’t direct the shot of the shark exploding. In fact, he had already returned to Los Angeles to begin post-production on the film after the film’s grueling shooting schedule and left the shot up to the production’s second unit.

21. THE POSTER IMAGE CAME ABOUT BY CHANCE.

The film’s iconic poster image was designed by artist Roger Kastel for the paperback edition of Benchley’s book. Kastel modeled the image of the massive shark emerging from the bottom of the frame after a great white shark diorama at the American Museum of Natural History. The female swimmer at the top was actually a model that Kastel was sketching at his studio for an ad in Good Housekeeping. He asked her to stay an extra half-hour and had her pose for the image by standing on a stool and pretending to swim.

22. JAWS WAS HUGE.

Jaws was the first movie released in more than 400 theaters in the United States, and the first movie to gross over $100 million at the box office. It was the highest grossing movie of all time until Star Wars was released two years later.

23. SPIELBERG INCLUDED A NOD TO HIS PREVIOUS MOVIE.

The faint roaring sound that is heard after the shark is blown up was also used by Spielberg in Duel, when that film’s villainous truck falls off a cliff.

24. IT ORIGINALLY ENDED JUST LIKE MOBY DICK.

The original ending in the script had the shark dying of harpoon injuries inflicted by Quint and Brody à la Moby Dick, but Spielberg thought the movie needed a crowd-pleasing finale and came up with the exploding tank as seen in the final film. The dialogue and foreshadowing of the tank were then dropped in as they shot the movie.

25. THE MAIN THEME MUSIC IS EASY TO PLAY.

The sole music notes played for composer John Williams’s Jaws theme are E and F. Jaws marked the second time Williams worked with Spielberg after his film The Sugarland Express, and Williams has composed the music for every Spielberg movie since with the exception of 1985's The Color Purple and 2015's Bridge of Spies.

Additional Sources:
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20 Things You Might Not Know About Garfield
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Everyone’s favorite lazy, lasagna-loving cat made his debut 40 years ago, but Garfield is still just as popular today. The comic strip spawned a TV show plus a number of video games, feature films, books, and, of course, holiday specials—not to mention one very memorable car window craze. We sat down with Garfield creator Jim Davis to nail down a solid list of 20 things you might not know about the wisecracking feline.

1. JIM DAVIS ORIGINALLY INTENDED TO FOCUS THE STRIP ON JON.


Courtesy of Jim Davis

“I ran some early ideas at a local paper,” Jim Davis tells Mental Floss, “to see how I felt about it and I called the strip Jon. It was about him, but he had this wise cat who, every time, came back zinging him. He always had the great payoff. At the time, I worked for T.K. Ryan—the cartoonist for Tumbleweeds—and I showed it to him and told him how every time I got to the punch line the cat zings him. And T.K. said, 'Well, what does that tell you, Jim?'" he laughs. “The strip must be about the cat. Go with it.”

2. JON WAS A CARTOONIST IN THE VERY FIRST COMIC STRIP, BUT IT WAS NEVER REALLY MENTIONED AGAIN.

“I didn’t want to tread on the fact that Jon’s a cartoonist because my biggest fear was getting a little too inside," Davis says. "That it would be a little too easy for me to write. I didn’t want to lose the readers just for my own enjoyment, or for a handful of peers. Also, I purposely gave him a job right off the top for the reason that The Adventures of Ozzie and Harriet never explained what Ozzie did for a living. Nobody ever knew because he was always in the house with Harriet and Ricky and David. Just hanging around. So I thought I would give Jon a job right off the top to avoid being asked what he does for a living in interviews.”

3. GARFIELD WAS NAMED AFTER DAVIS'S GRANDFATHER, JAMES A. GARFIELD DAVIS ...

... who was named after President James A. Garfield. That’s quite a connection. Now just imagine a fat, wisecracking, lasagna-eating cat as the President of the United States of America. (Sounds like a dead-ringer for William Howard Taft!)

4. GARFIELD IS SET IN DAVIS'S HOMETOWN OF MUNCIE, INDIANA, BUT THAT'S ALSO MOSTLY LEFT UNSAID.


Courtesy of Jim Davis

“I would like for readers in Sydney, Australia to think that Garfield lives next door,” Davis says. “Dealing with eating and sleeping, being a cat, Garfield is very universal. By virtue of being a cat, really, he’s not really male or female or any particular race or nationality, young or old. It gives me a lot more latitude for the humor for the situations.” The farm that Davis grew up on reportedly had 25 cats, several of which he based the Garfield character on.

5. DAVIS MAINTAINS COMPLETE CONTROL OVER GARFIELD'S FINAL PRODUCT, BUT HE NO LONGER DRAWS THE DAILY COMIC STRIP.

“I’m sitting here working on the writing right now,” he says. “I see gags and I work with assistants on the strip and stuff like that. We do roughs and it all filters through me so that it has one voice. We all get together occasionally in the same room and draw and work on shapes of fingers and gestures and expressions and things like that so that if any one of us draws it, you can’t tell which one did it.”

6. HE REGRETS AT LEAST ONE LICENSED GARFIELD ITEM.

According to Slate, Garfield merchandise brings in $750 million to $1 billion annually. Davis’s creation has been adapted and licensed more times than anyone could probably count, and of all of those items, there's one that Davis isn't thrilled with. “A few years ago there was a Zombie Garfield,” he says. “It was really gnarly and I thought, 'Oh, this will be fun.' So I did it and it sold okay. It was really interesting. But then I looked at it later and I go, ‘It did nothing for the character’s advancement.’ I figured I just did it because it was cool and everybody was doing it at the time. I just didn’t have a warm, fuzzy feeling after doing it. But those T-shirts go away," he laughs.

7. GARFIELD HOLDS THE GUINNESS WORLD RECORD FOR BEING THE WORLD'S MOST WIDELY SYNDICATED COMIC STRIP.

Garfield is syndicated in more than 2500 newspapers and journals. The cat also has more than 16 million fans on Facebook. That’s one seriously popular feline.

8. GARFIELD'S CHARACTER DESIGN HAS CHANGED MANY TIMES OVER THE YEARS.

There's one constant, though: The fat cat has always been—and will always be—fat. “If he lost weight, that would effectively end Garfield as we know it,” Davis says. “Garfield sends a healthy message in that he’s not perfect. He knows that and he’s cool with that. He’s happy with himself. If everybody were, there would probably be fewer disorders of all natures. He’s not perfect. In fact, he’s the imperfection in all of us underneath. I think that makes him probably easier to identify with than a slim, athletic character in the comics.”

9. DAVIS REALLY ENJOYED SCARING KIDS WITH GARFIELD'S HALLOWEEN ADVENTURE.

"It was such a challenge to try to think of something that could be scary, but fortunately we got to work with animation—we could marry scary sounds with scary music and scary images, and set the stage for a scary experience," Davis says. "Even down to the use of the actor’s voice. C. Lindsay Workman [who voices the old man that tells Garfield and Odie about the vengeful ghost pirates] was just a great character actor. I think we took our time to build to a scary scene where the ghost pirates invaded the house to look for the buried treasure. We tried to throw as many elements together as possible to create a situation where, at least for a few minutes, it could create a scary situation for the young viewers."

10. CREATING THE GHOST PIRATES IN THE HALLOWEEN TV SPECIAL WAS MUCH MORE DIFFICULT THAN YOU MIGHT THINK.

“We did it in our own art department (here at Paws, Inc.) because we wanted to make it just right,” the Garfield creator told us. “It was done with a white, chalky pencil on a rough texture so that everything would be really grainy. Back then, we animated on real film, so in order to get that glow we did what’s called a double burn. We exposed the film twice to overexpose the ghosts, and that gave it that eerie glow. We were totally in control of the process and the results turned out very well.”

11. IN 2011, A FULL-LENGTH STAGE MUSICAL CALLED GARFIELD LIVE WAS STAGED IN MUNCIE.

The musical was supposed to start touring the United States in September 2010, but was delayed until January 2011, when it premiered in Muncie. Davis wrote Garfield Live, while Michael Dansicker and Bill Meade handled the music and lyrics.

12. DAVIS LOVED THE CASTING OF BILL MURRAY AS THE VOICE OF GARFIELD IN 2004'S GARFIELD: THE MOVIE.


Muncie Magazine

“It was because of Bill Murray’s attitude [that he was cast],” Davis tells us. “It wasn’t really so much his voice. It was the fact that he embodies the attitude that Garfield has always displayed in the strip. Lorenzo [Music] obviously wasn’t a choice since he passed away years ago, and when the producers said, ‘Bill Murray would like to do the voice,’ I thought, ‘Oh, cool.’ My biggest concern about doing a CGI Garfield with live action was that people wouldn’t buy into the fact that this was our Garfield—the Garfield we’d known all these years. But I thought that as soon as they heard Bill Murray’s voice they’d get it. There will be that emotional tag going with his voice. That will establish the fact that, ‘Yes, this character has attitude.’”

13. THERE'S A GREAT LINK BETWEEN GARFIELD VOICE ACTOR LORENZO MUSIC AND BILL MURRAY.

Lorenzo Music provided the voice of Garfield in all of the cat’s TV specials from 1982 to 1991, as well as during the 1988 to 1994 run of Garfield and Friends. Music also provided the voice of Peter Venkman in The Real Ghostbusters. Murray, of course, played Venkman in the Ghostbusters films and would, in 2004, provide the voice of Garfield in Garfield: The Movie. “I didn’t know about the relationship with Ghostbusters until years later."

14. THE MACY'S PARADE ONCE CITED SHAMU THE WHALE AS THE PARADE'S LARGEST BALLOON, BUT DAVIS SAYS GARFIELD WAS LARGER.

“In the Macy’s Thanksgiving Day Parade, they had published that their biggest balloon ever, by volume of gas, was Shamu the Whale with over 18,000 cubic feet," Davis says. "The fact is that the Garfield balloon was filled with 18,907 cubic feet of helium. So we just confirmed that the Garfield balloon, in fact, was the largest one by volume of gas.”

15. THERE ARE ONLY THREE COUNTRIES IN THE WORLD WHERE GARFIELD IS NOT NAMED GARFIELD.

“In Sweden, Garfield is known as Gustav,” the Garfield creator says. “There are only three countries in the whole world where he’s not Garfield and they’re all in the Nordics.” The other two are Norway and Finland.

16. THE STUCK ON YOU GARFIELD PLUSH WITH SUCTION CUPS WAS THE RESULT OF A MISUNDERSTANDING.


Amazon

In the 1990s, it wasn't unusual to see a number of cars with little Garfield plushes stuck to the windows with suction cups. But that wasn't the original design—or the intended use. “I designed the first Stuck on You doll with Velcro on the paws, thinking that people would stick it on curtains,” Davis says. “It came back as a mistake with suction cups. They didn’t understand the directions. So I stuck it on a window and said, 'If it’s still there in two days, we’ll approve this.' Well, they were good suction cups and we released it like that. It never occurred to me that people would put them on cars.”

17. THE GARFIELD COMIC STRIP BOOKS HAVE BEEN HUGE HITS.

“The 11 Garfield comic strip books have all been number one on the New York Times Bestseller List,” Davis says. “At one time there were seven on the list simultaneously. At that point, they changed the way the list was done because other publishing houses were complaining that their authors couldn’t get on the list because of Garfield. Garfield at Large (1980) was number one for two solid years. Over 100 weeks.” The title of every compilation book is a reference to either food or Garfield’s weight.

18. STEVEN SPIELBERG AND STEPHEN KING ARE AMONG THE MANY CELEBRITIES WHO OWN ORIGINAL GARFIELD STRIPS.

They both contacted Davis personally for the strips; the cartoonist happily obliged.

19. DESPITE GARFIELD BEING INSANELY POPULAR FOR DECADES, DAVIS IS STILL MOSTLY ANONYMOUS.


Muncie Magazine

“Being a cartoonist, you really enjoy a lot of anonymity,” he says. “You take a half-dozen of the biggest cartoonists and walk them down any street, nobody would notice them. They only know their characters. So I just hide behind Garfield. The only time anyone knows the name or spots me is if I’m out on book tour and I’m meant to do publicity. We don’t suffer any of the kind of attention problems that I think people do on TV or in movies. It’s not a big deal. I’m sitting here in the countryside of East Central Indiana, so it’s pretty quiet.”

20. DAVIS'S FATHER'S FAVORITE COMIC STRIP WASN'T GARFIELD.

Davis's father and namesake, who passed away in 2016, liked Garfield but preferred another comic strip: Beetle Bailey. “Nobody else knew that until today,” Davis tells us.

This article originally appeared in 2014.

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