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15 Things With Better Odds Than Picking a Perfect March Madness Bracket

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Picking a perfect March Madness bracket is astonishingly difficult. If you made a wild guess for each game—essentially a coin-flip, without taking things like seeding or even hunches into consideration—then your chances of getting a perfect bracket are 1 in 9,223,372,036,854,775,808 (that’s 9.2 quintillion). But the actual odds of picking a perfect bracket are far more fluid. Basketball games aren’t random. Some teams are better than others. A one-seed has never lost to a 16-seed. Annoyingly, Duke will find a way to win.

Statisticians have estimated that with a little knowledge, you can slash your odds to somewhere between 1 in 128 billion (a number cooked up by a DePaul mathematician) and 1 in 2.4 trillion (another figure, as determined by a Duke mathematician). That’s a large window, but even if you err on the side of optimism, you still have an excruciatingly small chance of nailing your bracket.

To illustrate that unfortunate truth, here are 15 examples of things that have better odds than picking a perfect March Madness bracket. Not all of these are perfectly analogous, given the differences in a truly random event, like tossing dice, and making an educated guess on a basketball game. Still, one thing is for certain: You won’t like your odds.

1. GETTING A ROYAL FLUSH IN TEXAS HOLD ‘EM // 1 IN 30,940

In poker, nothing beats a royal flush: Ace, king, queen, jack, 10—all suited. If you drew one every hand, you would always win. This would be a terrific strategy, except for the fact that it relies on some pretty astronomical odds. According to gaming probability website Wizard of Odds (which was a great resource for this list), the chances of getting a royal flush in a game of Texas Hold ‘Em are 1 in 30,940.

In Texas Hold ‘Em, each player is given two cards, which they combine with five shared “community” cards to reach the best possible five-card hand. In other words, you'd have seven cards to make a royal flush. Given the total amount of possible hands one can get, it will likely be a long time before you see that doozy come across the table. Just try your best to play it cool if it ever happens, please.

2. GETTING A ROYAL FLUSH IN TEXAS HOLD ‘ED AND BEATING SOMEONE WHO HAS FOUR ACES // 1 IN 165 MILLION

If merely winning isn’t enough, you may want to consider winning in a way that makes your opponent tearily ask the powers above what he or she did to deserve such an unlikely fate. For that, you’ll want to beat the nearly unbeatable poker hand of four aces with a royal flush.

The odds of that happening in Texas Hold ‘Em? According to the Wizard of Odds, your chances are 1 in 165 million. Amazingly, this very scenario happened in a World Series of Poker event, in 2008:

(The odds given by ESPN of 1 in 2.7 billion are inaccurate, according to the Wizard of Odds, because they didn’t account for the possibility of bad beats and both players getting a royal flush and splitting the pot.)

3. WINNING THE POWERBALL JACKPOT // 1 IN 292,201,338

People love telling you that you’re not going to win Powerball. Even Powerball doesn’t try to hide the fact that hitting the jackpot is a 1-in-292,201,338 shot in the dark. Well, guess what? You’ve got a much better chance at that than you do at picking a perfect March Madness bracket.

4. WINNING A MILLION DOLLARS ON WHEEL OF FORTUNE // 1 IN 8098 PLAYERS

In 2008, Michelle Loewenstein won a million dollars on Wheel of Fortune, becoming the game’s first-ever contestant to do so. This feat was made possible by the wheel’s “million dollar wedge,” which was introduced six months before her win.

Mike Gioia of Particle Bits was suspicious of this timing, and he ran the numbers to find what the odds are of such an event happening. After crunching the numbers (you can check out his process here), he came to the conclusion that 1 in every 8098 players would take home the seven-figure prize. That would be one contestant every 13.8 years. His conclusion? “The odds are so low and her circumstances so peculiar that Michelle Loewenstein's million dollar game is in all likelihood an ABC creation.”

In an affront to math, two other Wheel of Fortune contestants have taken home the million-dollar prize since then.

5. HITTING A STOPPING HAND IN BLACKJACK BY SAYING “HIT ME!” 10 TIMES IN A ROW (IN A SIX-DECK GAME) // 1 IN 100,000,000

The Wizard of Odds ran a 100-million hand simulation and found that the chances of you reaching a stopping hand (17-21) while playing basic blackjack strategy and by drawing 10 cards is 1 in 100,000,000.

Who knows what would have happened if Austin Powers hadn’t lived so dangerously:

6. SEEING THE SAME ROULETTE COLOR 20 TIMES IN A ROW // 1 IN 3,091,873

According to Roulette Star, the chances of making like Ron Popeil—”Set it and forget it!”—at the roulette table are extremely slim. You have better odds with European roulette, where there is no green double-zero. Across the pond, the chances of a roulette streak of 20 reds or blacks is 1 in 1,813,778.

Either way, it still gives you a much better shot than picking a perfect bracket.

7. A ROULETTE WHEEL HITTING THE SAME NUMBER SEVEN TIMES IN A ROW // 1 IN 3 BILLION

In 2012, something truly remarkably supposedly happened at the Rio in Las Vegas: a roulette wheel hit the same number seven times in a row. Twitter user Jeff Romano was there to document it:

At 3 billion to 1 odds, this seems too good to be true. Caesar’s Las Vegas Blog pointed out that this was likely the result of a glitch in the table’s sensor device that is linked to the display and not an actual occurrence of chance. They checked in with the hotel and were able to confirm this. The house wins again, unfortunately.

8. HITTING JACKPOT ON A (STANDARD) SLOT MACHINE

On a classic slot machine (meaning one with three wheels, each with 64 “stops”), How Stuff Works estimates that the odds of hitting a jackpot are 1 in 262,144. Newer slot machines are jam-packed with more options, and are often more than a digital simulacrum of their simpler predecessors. Because of this, calculating those odds is far more complicated. Nonetheless, we’d be willing to bet that the chances are much better than picking that elusive perfect bracket.

9. THROWING DICE 154 TIMES IN CRAPS BEFORE CRAPPING OUT // 1 IN 5.6 BILLION

In 2009, Patricia DeMauro set a craps world record by rolling a pair of dice 154 times before crapping out. When it was all said and done, the New Jersey grandmother’s hot streak lasted four hours and 18 minutes.

Craps is complicated, so tabulating the odds of something like this happening is rather difficult. A seven would have ended her streak, and a UNLV professor told TIME that the chances of DeMauro rolling 154 times in a row without landing on a seven would be 1 in 1.56 trillion. However, you're allowed to roll sevens between points without having to stop, so she may have hit a few during her run that didn’t affect her streak. Because of these variables, the best way to find out the actual odds of DeMauro’s feat is through advanced computer simulations. The American Statistical Association did just that with a model called a Markov chain, and they found the odds to be 1 in 5.6 billion.

10. PLAYER WINS 20 HANDS IN A ROW IN BACCARAT // 1 IN 1.4 MILLION

Baccarat is a surprisingly simple game given the high stakes at which it is usually played. (Click here for an explanation.) A dealer pulls two hands from a “shoe” (six or eight decks shuffled together), and the players place bets on value of the dealer’s hand versus the “player hand.” You're also allowed to bet on the somewhat rare occurrence of a tie.

According to the Wizard of Odds, if you bet on the player hand 20 times in a row, the chances of you winning are 1 in 1.4 million. Meanwhile …

11. YOU BET ON THE DEALER IN BACCARAT 20 TIMES IN A ROW AND WIN EACH TIME // 1 IN 800,000

Betting on the dealer 20 times in a row gives gives you some much sweeter odds.

12. YOU BET RANDOMLY 20 TIMES IN A ROW IN BACCARAT AND WIN EACH TIME // 1 IN 1,048,576

Finally, the Wizards of Odds ran the numbers of a random baccarat bet streak, and they figure you will have a slightly better go at it than if you bet on the player hand every single time.

13. GETTING A PERFECT 29 HAND IN CRIBBAGE // 1 IN 216,580

It is possible to get a perfect hand in cribbage, one that shows all four fives and the Jack of whatever suit matches the turned-up card. According to Cribbage Corner, your chances are only 1 in 216,580, and those are even worse if you are playing a three- or four-person game. For that, your odds are 1 in 649,740.

14. WINNING \$50,000 PLAYING PLINKO ON THE PRICE IS RIGHT // 1 IN 59,049

Sure, you may be confident that you know how much that NordicTrack costs. You may have even have hammered out a perfect strategy for the Showcase Showdown. But should you get invited to come on down and be the next contestant on The Price is Right and find yourself staring down the barrel of a Plinko board, the odds of you winning the \$50,000 jackpot are 1 in 59,049, according to The Price is Right Blog.

(Note: This figure is in accordance with the old Bob Barker-era Plinko maximum win total, which was \$50,000.)

15. MATCHING PAUL THE OCTOPUS’S WORLD CUP WIN STREAK // 1 IN 256

For the 2010 World Cup, Paul the Octopus slithered into our hearts by picking the correct winner of eight-straight matches, including the final. Paul was stationed at Sea Life Centre in Oberhausen, Germany, and before each match, Paul’s handlers placed two food-filled boxes in his habitat. Each box had a flag from one of the competing nations, and whichever one Paul selected would be the “winner.”

According to +Plus Magazine, the odds of someone (or some octopus) randomly selecting eight winning teams in a row is 1 in 256. Whether Paul was lucky or clairvoyant is a matter for another day, but his feat is far from impossible.

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11 Fun Facts About A Fish Called Wanda
MGM Home Entertainment

In 1988, the British heist comedy A Fish Called Wanda had audiences in the UK and across the pond rolling in the aisles. Thirty years later, the Oscar-winning ensemble movie about a clueless (but don’t call him stupid) weapons expert, a bumbling barrister, a quick-witted femme fatale, and a stuttering con artist remains a cult favorite. Starring John Cleese, Kevin Kline, Michael Palin, Jamie Lee Curtis, and of course, the eponymous fish, the film is packed with smart writing, silly slapstick, and some of the strongest comic performances of its starring actors’ careers. Here are 11 facts about A Fish Called Wanda for your unreserved enjoyment (just don’t ask us to repeat the part in the middle).

1. IT WAS DIRECTOR CHARLES CRICHTON’S FIRST FILM IN TWO DECADES.

Back in the 1950s, Charles Crichton was a famous director of Ealing Comedies—a series of comedy films produced by London’s Ealing Studios—who was known for his work on films like The Titfield Thunderbolt (1953), Hue and Cry (1947), and The Lavender Hill Mob (1951). By 1988, however, he hadn’t directed a feature film in two decades (though he had worked on TV shows and documentary shorts). He came out of semi-retirement to work on what would become his final film at the behest of John Cleese.

2. CRICHTON AND JOHN CLEESE SPENT FIVE YEARS WRITING THE FILM.

A Fish Called Wanda was years, even decades, in the making. Cleese and Crichton first met and began discussing ideas for a comedy heist film, inspired by The Lavender Hill Mob, all the way back in 1969. Though they parted ways professionally, Cleese continued to look for opportunities to collaborate on a film with Crichton. More than a decade later, he finally got his chance when he found himself working with Crichton on a series of business management training videos.

Though Crichton was already in his late seventies, Cleese managed to convince the semi-retired director to brainstorm ideas for a feature film with him. For the next few years, the two met periodically to throw around ideas and work on the script. All in all, the entire scriptwriting and pre-production process took more than five years and cost \$150,000 of Cleese’s own money.

3. IT WAS INSPIRED BY THE EALING COMEDIES.

Unsurprisingly, A Fish Called Wanda was heavily indebted to the Ealing Comedies, especially Crichton’s own The Lavender Hill Mob, a heist comedy which starred Alec Guinness and Stanley Holloway as a pair of bumbling bank robbers. Cleese, however, claimed the parallels between the Ealing Comedies and A Fish Called Wanda were unintentional, but embraced the comparison.

“I knew that my memory of all these great Ealing films was very present, although I wasn’t consciously trying to write an Ealing comedy,” Cleese explained. “But I do remember when we interviewed Johnny Jympson when we were looking for an editor, and Johnny’d read it, and he came in and sat down, and Charlie said, ‘What’d you think?’ and Johnny was almost nervous and he hemmed and hawed a little bit and then he said very uncertainly, ‘Well, it’s an Ealing comedy, isn’t it?’ and we both said, ‘Yes!’”

4. THE ACTORS HELPED SHAPE THEIR CHARACTERS.

Cleese encouraged Kevin Kline, Michael Palin, and Jamie Lee Curtis to contribute ideas and help develop their characters. Curtis, in particular, was responsible for major changes to Wanda’s personality. "She was a sexually brazen, cold-hearted manipulator, who simply wanted money,” Curtis told The New York Times. “I didn't find that real. I decided she didn't altogether know what she wanted, but finds a wonderful power in manipulating people and feels personal satisfaction in trying to fool them. She plays a slightly different role for each man, yet she enjoys being herself, and she's not cold-hearted, not vicious.''

Curtis told The New York Times she reveled in the rare opportunity to shape her own character: ''Most films, one person is in charge, and you're afraid even to raise your hand with a suggestion,'' she explained. ''That's frustrating if you're a bright person and trust your instincts. But this was totally a collaborative effort, and I'm afraid it's spoiled me.'' She was, apparently, so enthusiastic a contributor over the course of a two-week rehearsal period that Palin gave her a shirt that read, “Wait, I have an idea.”

5. KEVIN KLINE’S CHARACTER WAS INSPIRED BY A LOS ANGELES SELF-HELP GURU.

In A Fish Called Wanda, Kline’s Otto is a pseudo-intellectual who constantly misinterprets everything from the teachings of Buddhist philosophy to the writings of Nietzsche. According to Cleese, his character was inspired by the real-life self-help guru Zen Master Rama, sometimes called the “yuppie guru.”

“I got the real key to the character out of Los Angeles Magazine,” Cleese explained in an interview. “I found a double-page spread for a guru, and I’m pretty sure his name was Zen Master Rama, and he looked about 32 and very unsure of himself, and he had a funny sort of hairstyle like a dandelion at the end of September. But the key thing was the line across the top of this two page advertisement for the seminars he ran at weekends, which was ‘Buddhism gives you the competitive edge.’ And I thought this was unbelievably funny.”

6. CLEESE’S CHARACTER WAS NAMED AFTER CARY GRANT.

Cleese named his character Archie Leach after movie star Cary Grant, who was born Archibald Leach. Though Cleese’s bumbling lawyer has little in common with the famously debonair Grant, Cleese explained that he chose the name because he and Grant shared a hometown, and because it was the closest he would ever get to “being Cary Grant.”

7. THE ORIGINAL ENDING WAS MUCH DARKER.

A Fish Called Wanda started off as a much darker comedy, but test audiences in America were apparently uncomfortable with the film’s cruelty, and lack of romantic payoff, so Crichton and his cast went in for a few re-shoots. In addition to softening Palin’s character a bit, they ended up re-shooting the film’s ending three times.

“We played the whole movie with this very sort of dark intent—it was a very black comedy—and of course, when they tested the movie in America, it tested very funny, except that people didn’t like that there was no real love story,” Curtis said, further explaining:

“The original ending of the movie was much darker. The costume designer and I had a really great time costuming this character, and in a department store in London on sale, we found a pair of shark shoes, and we bought them because we just thought, ‘Well, she’s just a shark.’ And we wore them in that last scene, and literally the last shot of the movie was going down my leg and freeze framing on the shark shoe. And right then, you knew she was going to take him for everything. The minute they got off the plane, she was going to bop him on the head, take the stuff, and leave.”

8. CLEESE CUT A BIG CHUNK OF THE CATHCART TOWERS SCENE.

In addition to changing the ending, Cleese cut several minutes from the film’s penultimate scene, in which Archie tries to get the stuttering Ken (Palin) to telling him where Wanda, Otto, and the diamonds are. Ken, whose stutter gets worse under pressure, can’t seem to utter the two words “Cathcart Towers.”

Initially, the scene was a Monty Python-esque series of increasingly absurd stunts—Ken attempting to sing the words (which remains in the final film), Archie trying to feed a tissue through a typewriter, Ken writing in toothpaste on a window—but Cleese worried the scene, which arrives at the climax of the film, was overly long and dragging the plot down, and so deleted most of it.

9. ONE AUDIENCE MEMBER LAUGHED HIMSELF TO DEATH.

Ole Bentzen, a Belgian audience member, was so tickled by the scene in which Ken has French fries stuck up his nose, that he actually laughed himself to death. The scene reminded him of a similar experience at a family dinner, in which his family had shoved cauliflower up their noses to great comic effect. He began laughing so hard, his heart rate escalated dangerously, causing a fatal heart attack.

10. IT WAS NOMINATED FOR THREE OSCARS.

Comedy movies rarely fare well at the Oscars, but A Fish Called Wanda was an exception. The film was nominated for three awards: for Best Original Screenplay (for Cleese and Crichton), Best Director, and Best Supporting Actor for Kevin Kline, who took home the statuette.

11. IT WAS THE TOP VIDEO RENTAL OF 1989.

A Fish Called Wanda beat a number of higher-budget blockbuster movies, including Die Hard (1988) and Coming to America (1988), as well as the Oscar-winning Rain Man (1988), to become the top video rental of 1989. Its success was due, in part, to an advertising partnership with Cadbury Schweppes, which plastered grocery stores for weeks with ads for the film.

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12 EGOT Winners (and 25 Almost-EGOTS)
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Life should have been good for Miami Vice’s Philip Michael Thomas in 1985. He was the star of one of television’s biggest hits, had released his first album as part of a multimillion dollar deal with Atlantic Records, and was making a name for himself in the fashion world (or at least trying to) with his very own women’s clothing line. But Thomas still had loftier goals, both in mind and on the gold medallion he was so fond of wearing. That dream was an EGOT.

Though Thomas swore that the engraved letters E, G, O, and T on his prized necklace stood for energy, growth, opportunity, and talent, those around the then-36-year-old actor unanimously gave a different translation: Emmy, Grammy, Oscar, and Tony—the four awards Thomas had intended to win over the next few years. It’s now more than 30 years later and Thomas has yet to even be nominated for any one of those accolades.

While an EGOT may seem an unlikely reality for Thomas, it’s not an impossibility for all artists. If John Legend can beat out Benedict Cumberbatch to win this year's Emmy for Outstanding Lead Actor in a Limited Series or a Movie for Jesus Christ Superstar Live in Concert, he'll become the 13th member of the EGOT winners' circle—and one of its youngest. Here are the 12 current members, a couple of SHEGOTS, plus several artists who are just one award away.

1. RICHARD RODGERS

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Before there was even a name for it, American composer Richard Rodgers became the first person to EGOT (yes, the acronym can also be used as a verb) when he won an Emmy for the television documentary Winston Churchill: The Valiant Years. His Oscar came in 1945, when his “It Might as Well Be Spring” from State Fair was named Best Song. He earned Grammys in both 1960 and 1962, for the original cast recordings of The Sound of Music and No Strings, respectively. Between 1950 and 1962, he won six Tony Awards, three of them in that first year for South Pacific. The same year, South Pacific also earned Rodgers a Pulitzer Prize for Drama, which we guess makes him a PEGOT.

2. HELEN HAYES

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In 1977, 15 years after Rodgers inaugurated the honor, actress Helen Hayes joined him as the first female EGOT—an honor that took her 45 years to achieve, the longest of any of her EGOT peers. Her road began in 1932, when she won the Oscar for The Sin of Madelon Claudet (she won a second Oscar for 1970’s Airport). Her first Tony came in 1947, for Happy Birthday, followed by another in 1958 for Time Remembered. And she won a Best Actress Emmy in 1953 for an episode of Schlitz Playhouse of Stars. But it would take more than two decades for her to nab that elusive second letter, which she did for Best Spoken Word Recording for Great American Documents.

3. RITA MORENO

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Seven months after Hayes earned her EGOT, actress Rita Moreno did the same when she won her first of two consecutive Emmys for a guest spot on The Muppet Show in 1977 (the following year she won one for an appearance on The Rockford Files). But Moreno did it in about a third the time of Hayes, 16 years, which was an EGOT record until Lopez smashed it last night. Her Oscar came in 1961 as Best Supporting Actress in West Side Story, followed by a Best Recording for Children Grammy in 1972, for The Electric Company. In 1975, Moreno nabbed a Tony playing Googie Gomez in Terrence McNally’s The Ritz, a role she reprised in the 1976 big-screen version.

4. JOHN GIELGUD

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Unlike his three predecessors, the Oscar wasn’t the first award John Gielgud won to earn his EGOT. Instead it was the Tony, which he first won in 1948 for The Importance of Being Earnest. He won a second Tony in 1961, as the director of Big Fish, Little Fish. Next came the Grammy, in 1979, for his dramatic recording of Ages of Man. In 1981, Gielgud took home the Best Supporting Actor Oscar for his iconic role as Dudley Moore’s butler/sidekick in Arthur. And when he won the Emmy in 1991, for Outstanding Lead Actor in Summer’s Lease, he was 87 years old, making him the oldest EGOT-getter.

5. AUDREY HEPBURN

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Unfortunately, Audrey Hepburn didn’t live long enough to enjoy her EGOT. Two of her awards—her 1994 Grammy for the children’s album Audrey Hepburn’s Enchanted Tales and her 1993 Emmy for the informational Gardens of the World with Audrey Hepburn—were awarded after her passing on January 20, 1993, which made her the first posthumous EGOT recipient. She did, however, have the chance to bask in the glow of her 1953 Oscar for Roman Holiday, and a Tony for Ondine one year later.

6. MARVIN HAMLISCH

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There’s a distinctively heavy emphasis on the “O” in composer Marvin Hamlisch’s EGOT, as he is the most Academy Award-winning of the bunch, with a total of three. All of them were awarded in 1973—two for The Way We Were and one for his score for The Sting. It was “The Way We Were” that earned him his first of four Grammys, too, in 1974. His collaboration with Barbra Streisand continued, and earned him two Emmys in 1995, for Barbra: The Concert. Hamlisch’s Tony came in 1976 for A Chorus Line, the musical that also got him a Pulitzer Prize, making him the only other PEGOT on this list.

7. JONATHAN TUNICK

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Composer/conductor Jonathan Tunick’s path to EGOT glory was a straight shot over the course of 20 years: In 1977 he won an Oscar for A Little Night Music, followed by an Emmy for Music Direction in 1982 for Night of 100 Stars, a 1988 Grammy for Best Instrumental Arrangement for Cleo Laine’s “No One is Alone,” and, finally, a 1997 Tony for Best Orchestrations for Titanic.

8. MEL BROOKS

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Yes, Mel Brooks can do it all. In June of 2001 he became the world’s eighth EGOT winner, just a few weeks shy of his 75th birthday, when he earned three Tony Awards—for Best Musical, Best Original Score, and Best Book of a Musical—for The Producers. It was The Producers that brought Brooks his Oscar as well, for Best Original Screenplay (albeit 33 years earlier). Brooks’s first award came in 1967, when he won the Emmy for writing The Sid Caesar, Imogene Coca, Carl Reiner, Howard Morris Special. Beginning in 1997, he won three consecutive Emmys, this time as a guest actor on the sitcom Mad About You. It was during that same period that he also won his first of three Grammys, in 1998 for Best Spoken Comedy Album for The 2000 Year Old Man in the Year 2000. In a 2013 NPR interview, Brooks mentioned this crowning achievement, saying, “I'm an EGOT, so I don't need any more [awards].”

9. MIKE NICHOLS

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Mike Nichols earned his EGOT in the same year as Mel Brooks, though it took him a full 40 years to get there (versus Brooks’s 34). The late comedian-turned-director’s path began with a 1961 Best Comedy Performance Grammy for An Evening With Mike Nichols And Elaine May. In 1964, he won his first of nine Tony Awards for Barefoot in the Park (his second came a year later for The Odd Couple). In 1967 he was named Best Director at the Oscars for The Graduate. And in 2001 he won his first two of four Emmys—for Outstanding Directing and Outstanding Made for Television Movie—for Wit.

10. WHOOPI GOLDBERG

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If Philip Michael Thomas invented the idea of the EGOT, Tracy Morgan—as Tracy Jordan—brought the phrase back into popular use on 30 Rock, when he set the same goal and even wore the necklace. And they even got real-life EGOT winner Whoopi Goldberg to play along and poke fun at the debate over whether she should truly be included as her Emmy is a Daytime one. (“It still counts,” she told Tracy. “Girl’s gotta eat!”) Goldberg's first award was a 1985 Grammy for Best Comedy Recording of Whoopi Goldberg—Original Broadway Show Recording. Next came a 1990 Best Supporting Actress Oscar for Ghost. In 2002 she got her E and T: an Emmy for hosting Beyond Tara: The Extraordinary Life of Hattie McDaniel and a Tony as co-producer of Thoroughly Modern Millie, which won Best Musical.

11. SCOTT RUDIN

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Scott Rudin is the first producer to EGOT. He earned his gold medallion in 2012 when The Book of Mormon: Original Broadway Cast Recording earned a Grammy for Best Musical Theater Album (an award Rudin shares with fellow EGOT Robert Lopez). Rudin’s first award—an Emmy—came in 1984, for the kid’s show He Makes Me Feel Like Dancin’. He earned his first of 15 Tony Awards in 1994 for Passion, and his most recent in 2017 for Hello, Dolly!. While Rudin is probably best known as a film producer, he’s only got one Oscar to his credit, a 2007 Best Picture statue for the Coen brothers’ No Country for Old Men.

12. ROBERT LOPEZ

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In 2014, songwriter Robert Lopez became the newest EGOT when he and his wife, Kristen Anderson-Lopez, took home the Oscar for Best Original Song for Frozen’s “Let It Go.” (The pair won a second statuette earlier this year for the song "Remember Me" from Coco.) In addition to being the newest member of the EGOT winners' circle, he is also the youngest member of the club (he's 43 years old now, but had just turned 39 when he was "inducted.") Lopez is also the fastest artist to achieve the honor, taking just 10 years to earn all four awards, beginning with a 2004 Tony Award for Best Score for Avenue Q, followed by two Daytime Emmys in 2008 and 2010 for Outstanding Achievement in Music Direction and Composition for Wonder Pets. In 2012, Lopez and Rudin shared the Grammy for The Book of Mormon, making them the first pair of EGOTs to have a shared award get them into the circle.

(SH)EGOTS

Though the official number of EGOT winners is 12, it’s worth noting that there are a handful of other rather famous faces who have also earned all four awards ... but because at least one of them is a special or honorary award only—not a competitive one—their inclusion in the official club is questionable. Let’s call them SHEGOTs?

1. BARBRA STREISAND

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Amazingly, the only Tony Award that Barbra Steisand has on her mantel is a non-competitive one; in 1970, she was named Star of the Decade.

2. LIZA MINNELLI

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Liza Minnelli may have been handed a Grammy Legend Award in 1990—but this legend has no competitive Grammy to speak (or sing) of.

3. JAMES EARL JONES

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Though he's been a Hollywood icon for decades, James Earl Jones's only Oscar win was an honorary one in 2012. He did receive a Best Actor nomination in 1971 for The Great White Hope, but lost out to George C. Scott for Patton. (It's worth noting that Scott had alerted the Academy ahead of time that he refused the nomination, so it was hardly surprising that he wasn't there to accept the actual award.)

4. ALAN MENKEN

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Composer/songwriter Alan Menken won the Tony for Best Original Score for the Broadway version of Newsies in 2012, but his 1990 Emmy for his contribution to "Wonderful Ways to Say No," an anti-drug cartoon special, was an honorary one—leaving him one official award short of an EGOT.

5. HARRY BELAFONTE

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In 2014, Harry Belafonte was awarded the Academy's Jean Hersholt Humanitarian Award—putting him in the elite class of a half-dozen (SH)EGOTs.

6. QUINCY JONES

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Music producer Quincy Jones may be one of the world's most award-winning artists, but a competitive Oscar has so far eluded him. Like Belafonte, the only Academy Award he has won is the Jean Hersholt Humanitarian Award (which he received in 1994). Beyond that, he is a seven-time Oscar nominee.

ALMOST EGOTS

While there are are a number of artists who came close to EGOT'ing during their lifetimes—including Robin Williams (who was short a Tony), Jessica Tandy (she was missing a Grammy), Henry Fonda (who was minus an Emmy), and Leonard Bernstein (who never won an Oscar)—the EGOT dream is still alive for dozens of artists.

1. JOHN LEGEND

If John Legend wins an Emmy this year, he'll become the 13th official member of the EGOT winners' circle.

2. JULIE ANDREWS

It's hard to believe that Julie Andrews has yet to win a Tony Award (though she's been nominated for three). If and when she does, she can add EGOT to her resume.

3. AND 4. ANDREW LLOYD WEBBER AND TIM RICE

Like Legend, Andrew Lloyd Webber and Tim Rice are just an Emmy short of an EGOT—which could change this year.

5. LIN-MANUEL MIRANDA

The Hamilton creator came so close to EGOT'ing last year. But something tells us it won't be long before he's inducted into this elite group of artists.

6. MARTIN SCORSESE

He may be one of the world's most acclaimed filmmakers, but it took him more than a quarter-century to earn his first (and so far only) Oscar. Hopefully a Tony will be next.

7. FRANCES MCDORMAND

Just below the EGOT, there's what is known as the Triple Crown of Acting: a performer who has won an Oscar, Emmy, and a Tony (but is missing a Grammy). Frances McDormand is among that group.

8. VIOLA DAVIS

Like McDormand, Viola Davis is part of the Triple Crown club.

9. RANDY NEWMAN

It took 20 years and 16 nominations, but Randy Newman finally became an Oscar winner in 2002 when he won the award for Best Original Song for "If I Didn't Have You" from Monsters, Inc. He still needs a Tony though.

10. AL PACINO

He's one of the most celebrated actors alive, but Al Pacino is no Grammy winner.

11. JOHN WILLIAMS

The iconic composer may hold the record for the most Oscar nominations for a living person, but John Williams has yet to receive a single Tony Award nomination.

12. CHER

The iconic singer is one Tony Award short of an EGOT.

13. ELTON JOHN

The "Rocket Man" singer is one Emmy Award away from an EGOT.

14. MAGGIE SMITH

Dame Maggie Smith may not have a Grammy Award, but she's a Triple Crown-winning actor who has earned the right to be addressed as "Dame."

15. COMMON

Rapper/poet/singer/producer Common only needs a Tony Award to complete his EGOT.

16. AND 17. RON HOWARD AND BRIAN GRAZER

Longtime producing partners Ron Howard and Brian Grazer have seemingly conquered every medium, but neither one has yet to win a Tony (though Grazer has come closer; he was nominated in 2008).

18. AND 19. TREY PARKER AND MATT STONE

The South Park creators are just an Oscar short of the EGOT goalpost.

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