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15 Thrilling Facts About Basic Instinct

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Twenty-five years ago—on March 20, 1992—Sharon Stone introduced moviegoers to Catherine Tramell, a novelist and suspected serial killer who stabs her victims with an ice pick while engaged in acrobatic sex acts. Michael Douglas—who starred in another erotic thriller, Fatal Attraction—played her love interest, a San Francisco detective named Nick Curran. Directed by Paul Verhoeven and written by Joe Eszterhas (who would team up again for 1995’s Showgirls), Basic Instinct grossed $352,927,224 worldwide against a $49 million budget, making it the ninth highest-grossing domestic film of 1992. (The much-delayed 2006 sequel, on the other hand, bombed at the box office.)

The controversial movie angered the LGBTQ community (particularly in San Francisco, where filming was protested) because of the psychopathic nature of Stone’s bisexual character, though Stone saw her more as a “party girl,” and Eszterhas thought of her as being omnisexual. Here are 15 not-so-basic facts about the revolutionary thriller.

1. THE SCRIPT SOLD FOR A RECORD $3 MILLION.

Back in the day, spec scripts could sell for millions of dollars. Joe Eszterhas joined that club when he sold Basic Instinct—a script that took him just 13 days to write—for $3 million in 1990. Eszterhas told The A.V. Club that the media liked to focus on a writer’s failures, which occurred when Eszterhas’ Showgirls tanked at the box office. “CBS Evening News came with a helicopter crew and found me on a beach in Florida and interviewed me about the money I got for Basic Instinct,” Eszterhas said. “The other thing that I don’t think was quite fair was that after that whole period, where scripts—mine and Shane Black's and half a dozen other writers’ scripts—went for a lot of money, the media zeroed in on the box office for some of those scripts, and they always zeroed in on the failures … When Basic Instinct went on to earn $400 million worldwide, there were no stories that said, ‘[Executive producer] Mario Kassar paid three million bucks for this.’”

2. CATHERINE AND NICK WERE BASED ON REAL PEOPLE.

Before he became a multimillionaire screenwriter, Eszterhas was a police reporter for Cleveland’s The Plain Dealer. “I met a cop who just liked the action too much,” Eszterhas told Nerve. “He was always in the middle of shootings. He was a great cop on one level, but on another, you suspected he liked it too much. That’s what Nick Curran does in Basic Instinct. As Catherine says in the movie, he got too close to the flame. He loved the flame.”

Tramell also comes from a person Eszterhas knew in Ohio, this time a go-go dancer in Dayton. One night he picked the stranger up and they went back to his hotel room to have some fun. “She reached into her purse, and she pulled out a .22 and pointed it at me,” he told Nerve. “She said, ‘Give me one reason why I shouldn’t pull this trigger.’ I said, ‘I didn’t do anything to hurt you. You wanted to come here, and as far as I know, you enjoyed what we just did.’ And she said, ‘But this is all guys have ever wanted to do with me, and I’m tired of it.’ We had a lengthy discussion before she put that gun down. Those two random characters are where those parts of Basic Instinct come from.”

3. MICHAEL DOUGLAS AND PAUL VERHOEVEN APPROACHED THE MOVIE AS IF IT WERE A DETECTIVE NOVEL.

Verhoeven wanted to make a modern version of an Alfred Hitchcock thriller—except with a lot more sex. “In traditional films, the killer lurks in a house and the victim walks into the kitchen, turns on the radio, makes coffee, opens a book, gets comfortable—and then the killer strikes,” he told The New York Times. “In this film, the killer hides—but on the bed. The situation is the same, but the two people are facing each other in bed, not the kitchen.”

Douglas agreed with the film noir aspect of the movie. “Fatal Attraction was a picture close to home for a lot of people because you could identify with those characters,” he also told the Times. “It was a reality tale, while Basic Instinct is like a detective novel that people like to read in the privacy of their homes. It’s almost Gothic. It’s certainly more dramatic. And the real question here is: Is anybody really worthy of redemption?”

4. THE ICE PICK SCENE GAVE SHARON STONE NIGHTMARES.

In a 1992 interview with Playboy, Stone revealed that she didn’t mind the sex scenes but did mind the violence. “I made my best friend lie by the bed while I did the scene—just lie there by the camera telling me jokes,” she said. “God! They had a paramedic with an oxygen mask there because I’d start to feel like I was going to pass out.”

By the time she had to loop some of her sequences in post-production, Stone “had seen the film and recognized that Catherine was like a carnivorous cat on the kill,” she said. “That’s how I understood the energy of it. Once I got that—once I understood the roar of the kill—I told them I didn’t want to loop it one bit at a time like they usually do. I wanted to do it all at once. I wanted all the lights in the room turned off. I wanted to just do it. When they turned the lights back on, you could have knocked Paul off his chair with a feather.”

5. VERHOEVEN GOT AWAY WITH LONG SEX SCENES BECAUSE IT WAS A THRILLER.

Basic Instinct was slapped with an NC-17 rating, and Verhoeven, whose contract required a R-rating, had to go back to the MPAA eight times before they’d lower the rating to a R. “Because it was a thriller, the idea that Sharon Stone could kill him during sex was always an element of protection,” the director told Rolling Stone. “So we could show sex and nudity much longer than normal, because there was another element there—the element of threat.”

Mike Medavoy, the head of the movie’s distributor, TriStar, talked Verhoeven into the lesser rating. “If we make Basic Instinct as an NC-17, it could make $50 million or $250 million—I have no idea,” Medavoy told Verhoeven. “But if we make it as an R, it will certainly make $150 million. So let's do that.” “And it made sense, at least from a business point of view, so I had to adapt to that,” Verhoeven said. “But going back and forth between the studio or the editing room and the MPAA, having to go back and change more and more frames ... it was very unpleasant. Strangely enough, the shot of Sharon Stone spreading her legs was never a problem.”

Verhoeven ended up cutting about 40 seconds of material, which showed up in the European version. “Actually, I didn’t have to cut many things, but I replaced things from different angles, made it a little more elliptical, a bit less direct,” Verhoeven explained to The New York Times.

6. THE LEG-CROSSING SCENE WAS NOT IN THE SCRIPT.

Basic Instinct's most famous scene is undoubtedly the interrogation scene, where Stone notoriously crosses and uncrosses her legs. But Eszterhas didn't write it. The scene has been parodied many times throughout the past 20-plus years, including a 2015 bit with Douglas on James Corden. “Paul Verhoeven decided that scene would be more fun if Sharon didn’t wear any underwear that day,” Eszterhas wrote in his 2005 memoir, Hollywood Animal. “In other words, the most famous moment of any of my films was Paul Verhoeven’s. I am a militant and militantly insufferable screenwriter who insists that the screenwriter is as important as the director, who insists the director serves the screenwriter’s vision, and whose most famous and most memorable screen moment was created by the director, Paul Verhoeven.”

During a Story Expo Q&A, Eszterhas again talked about that famous scene. “I think it was brilliant for Paul to do it that way,” Eszterhas said. “I deny that’s the reason why the movie was a hit … In some ways I’m really sorry I didn’t write the damn scene.”

7. STONE PLAYED THE INTERROGATION SCENE AS IF SHE WERE PLAYING A GAME.

Instead of allowing the male law enforcement to intimidate her character, Stone played the role with confidence. “The ruse they use—‘We have the power, we’re going to show you’—didn’t cut the mustard with [Catherine],” Stone told Playboy. “Her attitude was, ‘You're so powerful. Aren’t you cute!’ And, of course, she had all the power. These men put her in a position where she was alone in a chair in the center of an empty room—surrounded. That would be a very intimidating position to be in unless she disarmed them, which she did. At the police station she could have been stricken and scared. But instead she thought, ‘This is going to be fun. Oh, so you want me to sit in the middle of the room here? Oh, charming. Why is that? You want to make sure you can look up my dress? OK, you can look up my dress.’ It was a game.”

8. ESZTERHAS REGRETS “GLAMORZING SMOKING” IN THE MOVIE.

In 2001, Eszterhas was diagnosed with throat cancer, and he lost a significant amount of his larynx. He wrote an op-ed in The New York Times in 2002 about the hazards of smoking, especially in the movies. “Sharon Stone’s character smokes; Michael Douglas’s is trying to quit,” he wrote. “She seduces him with literal and figurative smoke that she blows into his face. In the movie’s most famous and controversial scene, she even has a cigarette in her hand.” He said Big Tobacco loved the movie so much that they launched a Basic brand of cigarettes. “I think smoking should be as illegal as heroin … So I say to my colleagues in Hollywood: What we are doing by showing larger-than-life movie stars smoking onscreen is glamorizing smoking. What we are doing by glamorizing smoking is unconscionable. A cigarette in the hands of a Hollywood star onscreen is a gun aimed at a 12- or 14-year-old.”

9. STONE DIDN’T FEEL COMFORTABLE AROUND DOUGLAS.

Stone told Playboy she didn’t think he felt at ease around her either, but it worked for the movie. “I think that kind of discomfort lends itself to this kind of movie,” she said. “Tension is good. I basically didn’t get to know Michael. There was something about the mystery of not knowing each other that lent itself to this situation. It’s odd, because now I have this very intimate bond with a stranger.” Despite that, Stone described working with him as “primal.” “It was all about watching him, observing his movements, provoking him. If one were to believe in karma, I would say there is some karmic circle yet unfulfilled between the two of us. Our energy together was strong. It still isn't comfortable for me, but I think it works very well for our work together.”

10. VERHOEVEN DIDN’T THINK THE MOVIE WAS JUST ABOUT SEX.

“I always thought the movie was about evil,” Verhoeven told The New York Times. “I always thought that with an economy falling down, with the dangers of life all around you—the danger of AIDS, the danger of crime—people are more aware of the fact that evil is an existing, everyday factor in your life. But this is my intuition. I don’t want to push it. As an artist, as a director, it’s sometimes better not to be too clear with yourself about what you’re doing. Otherwise you might be pushing too hard.”

11. STONE MANIPULATED THE DIRECTOR TO GET THE PART.

Thirteen actresses besides Stone were considered for Catherine, but only Stone was willing to do it. Just as Catherine manipulates men, Stone manipulated the director to get the role. Back then Stone wasn’t a big name, and didn’t read for the part fearing she’d be disappointed. She finally read the script and knew she was right for the role but didn’t want to call Verhoeven—whom she had worked with on Total Recall—and ask if she could audition for him. “I wouldn’t ask, because I didn’t want him to test me just because he felt obligated,” she told Playboy. One day Verhoeven had her come in to dub lines for an airplane version of Total Recall, so she wore a tight Catherine-esque dress to demonstrate to Verhoeven that she could play the maneater part. “I was being cool. Very cool,” she said. “I didn’t want him to think I was insane, but I did want to give him a general idea that I could transform myself. Men are visually stimulated—and that’s usually enough, at least at first.” The dress worked, and Stone tested with Douglas and won the role.

12. ESZTERHAS QUIT THE PROJECT BUT CAME BACK LATER ON.

Eszterhas felt Verhoeven was compromising his script. “My intention when I wrote the script was that it be a psychological mystery with the love scenes done subtly,” Eszterhas told the Los Angeles Times in 1990. “Every love scene in my script begins with the words: ‘It is dark; we can’t see clearly.’”

He then thought Verhoeven and Douglas ganged up on him. “Michael was leading the fight, feeling that Catherine was one-upping his character all the time, and that there was no redemption, and he wanted the movie to end with him shooting and killing her,” Eszterhas told the London Screenwriters’ Festival. “Paul backed him up. I said, ‘If you want to do this I won’t be involved in killing my own child. It would make it into a bad TV movie.’ In my mind, this was film noir, not a morality tale, and that’s what made it unique and daring. Paul stood up and said, ‘I am the director, you are the writer, you do what I tell you!’ I said, ‘Like f*ck you do!’”

A few months later, Verhoeven called Eszterhas and decided to return to his version of the script. “He said he hadn’t understood the ‘basement’ of my script, as he called it, that it was about good and evil,” Eszterhas said. “He not only went back to my draft, he actually held a press conference and said this. For a director to mumble these words is quite something; for him to hold a press conference is mind-boggling.”

13. IT WAS “BASIC HORROR” FOR STONE TO SEE HERSELF ON THE SCREEN.

Having abandoned herself so completely to the character, when Stone finally saw the film on the big screen she “couldn't believe that it was me. I couldn't remember doing all the things I had done,” she confessed to Playboy.

“Halfway through the movie, it was as if I were impaled. I was just sitting there, mouth open, staring at the screen, listening to my heartbeat and wondering how long it would be before it was over, wondering who I should call first to tell them never to see this movie. It was basic horror. It’s one thing when you take enormous risks and go way out on a limb in life. It’s another thing when someone plays it back for you.” After struggling on the sidelines for so many years, she knew Basic Instinct was the “opportunity of a lifetime.” “I’m either gonna play this part and it’s gonna rock things, or I’m gonna be hanging my head in shame at the supermarket. There was no gray area. It was an all-or-nothing roll of the dice.”

14. KATHLEEN TURNER WAS A MODEL FOR CATHERINE.

For her role as a femme fatale-type character, Stone referenced Barbara Stanwyck in Double Indemnity and Kathleen Turner in Body Heat. “Kathleen Turner is a great, great actress whom I have always enjoyed watching,” Stone told Playboy. “You never know what she’s going to do. So, yes, I thought of her when I did my part. I thought, if Kathleen Turner did this, she wouldn't draw a line here, she’d go further. I also thought of Judy Davis. If she did this part, we’d be rocked right out of our seats. I saw Impromptu regularly while I was making the movie, thinking, she has great courage. I want to be like her.”

15. STONE AND ESZTERHAS HAD A ONE-NIGHT STAND.

In Hollywood Animal, Eszterhas recounted the time he slept with Stone after the movie came out. “I’m glad I nailed her, though. Not because nailing her felt all that good (it was okay). But because as a result of Sharon Stone’s presence in my life, I met and married Naomi, my one true love,” he wrote.

He’s referring to the filming of Sliver (Eszterhas wrote the script), when Stone had an affair with producer William McDonald, who left his wife of five months, Naomi Baka, for Stone. The couple got engaged but eventually Stone dumped him. On the plus side, Eszterhas swooped in and hooked up with Naomi; they are still married today.

Eszterhas said neither he nor Stone “attached too much significance to our one-night stand.” “I figured that since I had written the biggest hit of her life for her, she was just saying thank you. And I knew that Sharon thought she was flattering me that night by treating me as if I were the director [she wouldn’t sleep with Verhoeven] and not a screenwriter, but still. Basic Instinct had been the number one box office hit of the year … in the whole world! I felt I deserved her.”

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10 Fun Facts About Spice World
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Hulton Archive, Getty Images

In 1996, the Spice Girls took the world by storm when they released the song “Wannabe” from their debut album, Spice. Their mantra of “Girl Power” inspired a generation of young women to “Spice Up Your Life.” After Spice sold 31 million copies worldwide, the inevitable next step was the Girls starring on the big screen. So 20 years ago, on January 23, 1998, Columbia Pictures unleashed Spice World on American moviegoers.

In their film debut, the Girls—Melanie Brown (Scary Spice), Melanie Chisholm (Sporty Spice), Emma Bunton (Baby Spice), Geri Halliwell (Ginger Spice), and Victoria Beckham (Posh Spice)—played comical versions of themselves. The plot revolved around them trying to perform their biggest show yet, at London's Royal Albert Hall, while a tabloid newspaper reporter spied on them. And their best friend went into labor. And Ginger Spice kissed an alien.

Director Bob Spiers recruited several British luminaries to cameo, with Roger Moore, Bob Hoskins, Elvis Costello, Jennifer Saunders, and Elton John among those who appeared in the film. The Spice Girls were so popular that Prince Charles and his sons, Princes William and Harry, attended the Spice World premiere.

The movie, budgeted at $25 million, grossed a robust $100 million worldwide, despite Roger Ebert giving it a half-star rating and writing that the Girls were “so detached they can’t even successfully lip-synch their own songs.”

Spice World was nominated for seven Razzies, and won one: Worst Actress, an honor shared by all five Girls. In a 2007 UK poll, it was voted the worst film ever made. But over the years the film has endured. Esquire suggested it was better than The Beatles’s A Hard’s Day Night, and the podcast How Did This Get Made? spent more than an hour debating the film’s ridiculous plot.

Though the best-selling girl group of all time disbanded in 2000, Spice World remains a relic of Spice Mania. On its 20th anniversary, here are 10 fun facts about the film.

1. IT TOOK ONLY A YEAR FROM THE IDEA TO THE FINISHED FILM.

Prince Charles and Prince Harry pose with Spice Girls Victoria Beckham Mel C
WALTER DHLADHLA, AFP, Getty Images

Barnaby Thompson, one of the film’s producers, started a production company with Annie Lennox’s husband at the time, Uri Fruchtmann. Lennox and the Girls shared the same manager, Simon Fuller. Over lunch, Fuller, Fruchtmann, Thompson, and Fuller’s brother Kim decided they’d make the movie. "We finished it within a year of that lunch," Thompson told The Telegraph. "That lunch was on November 1, 1996 and we delivered the film exactly a year later, November 1, 1997."

2. THE GIRLS STOPPED TRAFFIC IN FRANCE.

By May 1997, the Girls had four number-one singles in the UK, and were one of the most popular music groups in the world. To create anticipation for Spice World, the producers took the women to the Cannes Film Festival, even though the film hadn’t been shot yet. "We put out a photo call notice," publicist Dennis Davidson said. "The traffic on the Croisette came to a standstill, there was a screaming crowd, people hanging out of the windows, it was totally insane." An estimated 5000 to 10,000 people showed up to see the pop stars. The film shot around London between June and August of 1997.

3. RICHARD E. GRANT’S DAUGHTER FORCED HIM TO DO THE MOVIE.

Richard E. Grant attends 'Their Finest' after party during the 60th BFI London Film Festival at on October 13, 2016.
John Phillips, Getty Images for BFI

Richard E. Grant’s 9-year-old daughter was a fan of the Spice Girls and when he was offered the part of the Girls’ manager, Clifford, she told him he had to do it, despite his concerns about “my acting credibility.” “And she’d say, ‘No, no, you have to. You have to because I want to meet them,’” Grant told Vulture in 2014. “So I did, and she was so thrilled. I had school playground credibility for about two semesters and then of course you dip into the other side when they go, ‘No, I was never a Spice Girls fan!’ Now that generation has all come back around again going, ‘Yeah, we love the Spice Girls!’”

4. SHAKESPEARE HELPED CAST ALAN CUMMING.

Alan Cumming played a less-than-Shakespearean role in the movie as a paparazzo-like guy named Piers Cuthbertson-Smyth. Ginger Spice was the one who suggested him to the casting department. “I remember seeing Alan Cumming performing as Hamlet [at the Donmar Warehouse],” she told The Telegraph. “When it came to Spice World, however many years later, it came to casting and we were going through pictures and I was like, ‘Let’s pick him, I saw him in Hamlet.’ It was brilliant to have that caliber of actors to be in our funny movie.”

5. YOU CAN VISIT THE SPICE BUS.

The Spice Girls arrive atop a double decker bus for a screening of their new movie 'Spice World' in New York.
HENNY RAY ABRAMS, AFP, Getty Images

The 1978 British Leyland Bristol VRTSL3 double decker bus, covered with the Union Jack on the outside and a swing on the inside, made its debut in the movie. Though a bomb destroyed it at the end of the movie, in real life it was saved. However, after filming ended the bus fell into disrepair, until the Island Harbour Marina, located on the Isle of Wight, purchased the beauty and restored it to its original state. They put it on permanent display in July 2014. The only thing the bus is missing is Meat Loaf driving it.

6. WITHNAIL AND I CONVINCED ELVIS COSTELLO TO MAKE A CAMEO.

In an interview with The A.V. Club, Elvis Costello said he loved Richard E. Grant’s film Withnail and I. “You know, I thought, ‘If I go to IMDb, I’m only a couple of clicks away from Withnail!,’” he said. Costello, who plays a barman in the movie, said he found his role to be “ironic.” “I’d only quit drinking a couple of years before, so I think the idea of being a barman was sort of ironic in my mind.”

7. THE PRODUCTION MADE SURE THE GIRLS DIDN’T READ THE SCRIPT.

Kim Fuller wrote the script (with additional writing from Jamie Curtis), which was originally titled Five. He knew the Girls might not like the script, or even read it. He gathered the ladies in a hotel in London. “I went in and said, ‘Look, turn your phones off, this is serious. I’m going to read you the story,’” he said.

They liked the story, and Ginger Spice contributed script ideas, even when she was in Bali. “I was spending hours on the phone trying to get it all sorted out and make sure that it was right,” she said. “By the time that we started, it was almost perfect.”

8. BUT THEY DIDN’T STICK TO THE SCRIPT.

Fuller said he gave them daily script pages and then they rehearsed it. “You needed to catch them at the right moment, when the energy is there,” Fuller said. “They’re not going to do 20 takes of one line, you know, so you had to think quickly on your feet.” In the Spice World documentary, Mel B confessed that she and the Girls interpreted the script. “We contributed our own little sparkle on top of it,” she said. “There were some times when we’d say the lines wrong just to make us laugh,” Baby Spice added. But those improvisations caused the script supervisor to almost quit.

"The script lady went beserk and nearly resigned because we kept changing everything," Fuller told The Telegraph. "There were a lot of flowers and we consoled her for a while and everything was fine after that."

9. THE GIRLS RECORDED AN ALBUM WHILE FILMING.

Their first album was such a massive hit that they needed to record their sophomore album to keep up the momentum. In order to fit in filming the movie and recording Spiceworld (one word), they had a mobile studio on set. They ended up writing some of the album’s—and movie’s—songs during production.

“It was quite good doing the album at the same time as the film because we were always hyperactive after a day on set and that meant we could go in the mobile studio and vibe off each other,” Posh told The Telegraph. They managed to film during the day and record at night. Virgin Records released the album on November 3, 1997, and most of Spiceworld’s songs made it into the movie, which meant there was an unofficial soundtrack.

10. MEL C LOVES THE MOVIE.

Melanie Chisholm (Sporty Spice) at the premiere of 'Spice World'
Brenda Chase, Getty Images

Mel C told The Telegraph that the film was difficult for her to watch, but when her daughter and friends wanted to watch it at a birthday party, Mel changed her mind. “I sat down with them and I actually really enjoyed it,” she said. “I laughed out loud. It brought back so many memories, and I think enough time has passed for me to be able to watch myself. You know in a way, it is brilliant. It’s very tongue-in-cheek, very silly. And the thing that I really realized was there was so much of us in it. It was very, very real.”

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Here's The Full List of 2018 Oscar Nominations
Universal Pictures
Universal Pictures

There are only two things that can get Hollywood’s biggest stars out of bed at 5 a.m.: an early call time or Academy Award nominations. The nominees for the 90th annual Oscars were announced on Tuesday morning, and represented a great year in movies.

Guillermo del Toro’s merman-meets-woman love story The Shape of Water leads this year’s nominees with a total of 13 nominations, followed by Martin McDonagh’s divisive Three Billboards Outside Ebbing, Missouri, which received nine nominations.

Jordan Peele and Greta Gerwig both made some Oscar history with their nominations for Best Director: Peele is the fifth black director to compete for the statuette (joining John Singleton, Lee Daniels, Steve McQueen, and Barry Jenkins—none of whom have won the award) while Gerwig is the fifth woman to be nominated for the prize (in 2010, Kathryn Bigelow became the first female Best Director winner with The Hurt Locker).

The Academy Awards will be hosted by Jimmy Kimmel for a second time, and will air on March 4, 2018. Which movies will you be rooting for on Oscar night?

BEST PICTURE

Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

LEAD ACTOR

Timothée Chalamet, Call Me by Your Name
Daniel Day-Lewis, Phantom Thread
Daniel Kaluuya, Get Out
Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.

LEAD ACTRESS

Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Meryl Streep, The Post

SUPPORTING ACTOR

Willem Dafoe, The Florida Project
Woody Harrelson, Three Billboards Outside Ebbing, Missouri
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World
Sam Rockwell, Three Billboards Outside Ebbing, Missouri

SUPPORTING ACTRESS

Mary J. Blige, Mudbound
Allison Janney, I, Tonya
Lesley Manville, Phantom Thread
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water

DIRECTOR

Christopher Nolan, Dunkirk
Jordan Peele, Get Out
Greta Gerwig, Lady Bird
Paul Thomas Anderson, Phantom Thread
Guillermo del Toro, The Shape of Water

ANIMATED FEATURE

The Boss Baby, Tom McGrath, Ramsey Ann Naito
The Breadwinner, Nora Twomey, Anthony Leo
Coco, Lee Unkrich, Darla K. Anderson
Ferdinand, Carlos Saldanha
Loving Vincent, Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

ANIMATED SHORT

Dear Basketball, Glen Keane, Kobe Bryant
Garden Party, Victor Caire, Gabriel Grapperon
Lou, Dave Mullins, Dana Murray
Negative Space, Max Porter, Ru Kuwahata
Revolting Rhymes, Jakob Schuh, Jan Lachauer

ADAPTED SCREENPLAY

Call Me by Your Name, James Ivory
The Disaster Artist, Scott Neustadter & Michael H. Weber
Logan, Scott Frank & James Mangold and Michael Green
Molly’s Game, Aaron Sorkin
Mudbound, Virgil Williams and Dee Rees

ORIGINAL SCREENPLAY

The Big Sick, Emily V. Gordon & Kumail Nanjiani
Get Out, Jordan Peele
Lady Bird, Greta Gerwig
The Shape of Water, Guillermo del Toro, Vanessa Taylor
Three Billboards Outside Ebbing, Missouri, Martin McDonagh

CINEMATOGRAPHY

Blade Runner 2049, Roger Deakins
Darkest Hour, Bruno Delbonnel
Dunkirk, Hoyte van Hoytema
Mudbound, Rachel Morrison
The Shape of Water, Dan Laustsen

BEST DOCUMENTARY FEATURE

Abacus: Small Enough to Jail, Steve James, Mark Mitten, Julie Goldman
Faces Places, JR, Agnès Varda, Rosalie Varda
Icarus, Bryan Fogel, Dan Cogan
Last Men in Aleppo, Feras Fayyad, Kareem Abeed, Soren Steen Jepersen
Strong Island, Yance Ford, Joslyn Barnes

BEST DOCUMENTARY SHORT SUBJECT

Edith+Eddie, Laura Checkoway, Thomas Lee Wright
Heaven is a Traffic Jam on the 405, Frank Stiefel
Heroin(e), Elaine McMillion Sheldon, Kerrin Sheldon
Knife Skills, Thomas Lennon
Traffic Stop, Kate Davis, David Heilbroner

BEST LIVE ACTION SHORT FILM

DeKalb Elementary, Reed Van Dyk
The Eleven O’Clock, Derin Seale, Josh Lawson
My Nephew Emmett, Kevin Wilson, Jr.
The Silent Child, Chris Overton, Rachel Shenton
Watu Wote/All of Us, Katja Benrath, Tobias Rosen

BEST FOREIGN LANGUAGE FILM

A Fantastic Woman (Chile)
The Insult (Lebanon)
Loveless (Russia)
On Body and Soul (Hungary)
The Square (Sweden)

FILM EDITING

Baby Driver, Jonathan Amos, Paul Machliss
Dunkirk, Lee Smith
I, Tonya, Tatiana S. Riegel
The Shape of Water, Sidney Wolinsky
Three Billboards Outside Ebbing, Missouri, Jon Gregory

SOUND EDITING

Baby Driver, Julian Slater
Blade Runner 2049, Mark Mangini, Theo Green
Dunkirk, Alex Gibson, Richard King
The Shape of Water, Nathan Robitaille, Nelson Ferreira
Star Wars: The Last Jedi, Ren Klyce, Matthew Wood

SOUND MIXING

Baby Driver, Mary H. Ellis, Julian Slater, Tim Cavagin
Blade Runner 2049, Mac Ruth, Ron Bartlett, Doug Hephill
Dunkirk, Mark Weingarten, Gregg Landaker, Gary A. Rizzo
The Shape of Water, Glen Gauthier, Christian Cooke, Brad Zoern
Star Wars: The Last Jedi, Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

PRODUCTION DESIGN

Beauty and the Beast, Sarah Greenwood; Katie Spencer
Blade Runner 2049, Dennis Gassner, Alessandra Querzola
Darkest Hour, Sarah Greenwood, Katie Spencer
Dunkirk, Nathan Crowley, Gary Fettis
The Shape of Water, Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

ORIGINAL SCORE

Dunkirk, Hans Zimmer
Phantom Thread, Jonny Greenwood
The Shape of Water, Alexandre Desplat
Star Wars: The Last Jedi, John Williams
Three Billboards Outside Ebbing, Missouri, Carter Burwell

ORIGINAL SONG

"Mighty River" from Mudbound, Mary J. Blige
"Mystery of Love" from Call Me by Your Name, Sufjan Stevens
"Remember Me" from Coco, Kristen Anderson-Lopez, Robert Lopez
"Stand Up for Something" from Marshall, Diane Warren, Common
"This Is Me" from The Greatest Showman, Benj Pasek, Justin Paul

MAKEUP AND HAIR

Darkest Hour, Kazuhiro Tsuji, David Malinowski, Lucy Sibbick
Victoria and Abdul, Daniel Phillips and Lou Sheppard
Wonder, Arjen Tuiten

COSTUME DESIGN

Beauty and the Beast, Jacqueline Durran
Darkest Hour, Jacqueline Durran
Phantom Thread, Mark Bridges
The Shape of Water, Luis Sequeira
Victoria and Abdul, Consolata Boyle

VISUAL EFFECTS

Blade Runner 2049, John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer
Guardians of the Galaxy Vol. 2, Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick
Kong: Skull Island, Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus
Star Wars: The Last Jedi,  Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlon
War for the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

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