25 Big Facts About Pee-wee Herman

Shout! Factory
Shout! Factory

In the summer of 1985, Paul Reubens introduced America’s youth—and millions of young-at-heart adults—to a new brand of comedy when his slim suit-loving, bow-tied alter ego Pee-wee Herman stormed the box office with Pee-wee’s Big Adventure.

Two sequels, one Saturday morning television series, and one Broadway show later, Pee-wee is still very much a part of the pop culture consciousness. Reubens—who is celebrating his 65th birthday today—helped us uncover 25 things you might not know about Pee-wee Herman. 

1. PEE-WEE HERMAN BEGAN LIFE AS A GROUNDLING.

Pee-wee Herman “came about from an extended improv at The Groundlings,” Reubens says of the character’s origin. “We were just given an assignment to come up with a character that one might encounter in a comedy club and I came up with Pee-wee Herman.” Pee-wee’s first stage appearance was in 1977. 

2. “PEE-WEE” WAS A HARMONICA.

Reubens says the character’s many distinctive traits were "a bunch of stuff all mixed in together. The voice came from a stage production that I was involved in. And then the name came from a kid I knew who was kind of off-the-wall. The name 'Pee-wee' came from a little harmonica I had that said ‘Pee-wee’ on it. I loved the idea of a nickname, because it sounded so real to me. ‘Pee-wee Herman’ sounds like a name that is so odd, how would you make that up? If you were going to make up a name, you’d make up a better name. It seemed real to me; it was a nickname with a last name that’s also a first name … And it went hand-in-hand with what I wanted to do, which was to make people think this was a real person, not an actor.” 

3. PAUL REUBENS IS ALWAYS CREDITED AS “PEE-WEE HERMAN.”


Shout! Factory

To further enforce the idea that Pee-wee Herman is indeed a real person, when Paul Reubens is appearing as Pee-wee Herman, the credits simply list “Pee-wee Herman as Himself.” 

4. PEE-WEE’S SUIT WAS A LOANER. (BUT NOT A REBEL.)

“The director and co-founder of The Groundlings, a man named Gary Austin, loaned me his suit, which I never gave back,” Reubens says of Pee-wee’s now-iconic gray suit. “Someone else gave me a kid’s black bow tie, which I later changed out for a kid’s red bow tie. And the white shoes were mine. That’s just sort of what I put on and I had success with it so I thought, why mess with it? If it ain’t broke ..."

5. PEE-WEE GOT THE GIRL ON THE DATING GAME.

Two years after making his stage debut with The Groundlings, Pee-wee made his first of three appearances on The Dating Game (totally in character) in 1979. “That was a little test experiment I was doing early on,” Reubens recalled to Interview magazine. “I went to a cattle call audition for The Dating Game, and before I even got home they called me back.” On one occasion, he even won the date! 

6. PEE-WEE WAS AN ANGRY HOTEL CLERK IN CHEECH & CHONG’S NEXT MOVIE.

In 1980, Pee-wee made his first big-screen appearance as a not-so-sweet hotel employee in Cheech & Chong’s Next Movie. 

7. THE PEE-WEE HERMAN SHOW WAS A FIRST FOR THE GROUNDLINGS.

On February 7, 1981, Reubens helped to take The Groundlings in a new direction when he premiered The Pee-wee Herman Show at midnight, a stage show that became the group’s first piece of alternative format programming. Shortly thereafter, it moved to The Roxy, where it ran for five months. But it wasn’t an adults-only kind of thing; matinee performances proved to be fun for the whole family. Miss Yvonne, Captain Carl, Jambi, Pterri, and Clocky are some of the characters that were there from the beginning. 

8. HBO WAS THE FIRST NETWORK TO COME CALLING.

Pee-wee gained national attention courtesy of HBO, which aired a taping of one of The Pee-wee Herman Show's performances in 1981.

9. PEE-WEE KICKSTARTED TIM BURTON’S CAREER.


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Following the success of The Pee-wee Herman Show, Warner Bros. approached Reubens about turning Pee-wee into a movie star. Though the studio originally had another director in mind, several people mentioned Tim Burton’s name to Reubens one night at a party. “I screened Frankenweenie and I spoke to Shelley Duvall, who was a friend of mine who was in Frankenweenie,” Reubens recalled to Ain’t It Cool News. “I knew Tim was the director about 15 seconds into Frankenweenie, like the second or third shot of it. I was looking at the wallpaper in this bedroom and the lighting and just going, ‘This is the guy who has style and understands art direction.’ Those were two really important things for me and my baby, I guess, and you know it just happened to luckily all work out." 

10. PEE-WEE’S BIG ADVENTURE WAS SUPPOSED TO BE A REMAKE OF POLLYANNA.

The original concept for Pee-wee’s Big Adventure took much of its storyline from Disney’s classic Pollyanna, with Pee-wee as Pollyanna. Ultimately, this idea was scrapped in favor of the stolen bike road trip idea, though Reubens was able to recycle many of the original ideas for Big Top Pee-wee.

11. PEE-WEE’S BIKE SOLD FOR $36,600 ON EBAY.

In 2014, an original bike that was used in Pee-wee’s Big Adventure went up for auction on eBay. The seller was hoping to get $15,000 for the iconic prop; he ended up selling it for $36,600. Which isn’t quite "a hundred million, trillion, billion dollars,” but it’s still impressive.

12. PEE-WEE’S BIG ADVENTURE CLEANED UP AT THE BOX OFFICE.


YouTube

Shot on a budget of approximately $7 million, Pee-wee’s Big Adventure earned nearly $41 million at the box office. Which, not surprisingly, led to a sequel—1988’s Big Top Pee-wee

13. THE ORIGINAL CONCEPT FOR PEE-WEE’S PLAYHOUSE WAS AN ANIMATED SERIES. 

Following the financial success of Pee-wee’s Big Adventure, CBS came to Reubens about creating a children’s series around the character—only they wanted it to be animated. “I'd had the stage show originally, so I was much more interested in doing something closer to that, something live-action,” Reubens told Rolling Stone. “So when they suggested doing a cartoon, I said ‘I'm not really interested in that; let's do a real kids' show.’ I was a big Howdy-Doody freak growing up—I was actually on one show when I was a kid, in the audience—and was more interested in doing something like that. Howdy-Doody, Captain Kangaroo, a lot of the local kids' shows that were on a long time ago—those were the influences.” 

14. CYNDI LAUPER SANG THE PEE-WEE’S PLAYHOUSE THEME SONG.

Though the series’ theme song is credited to Ellen Shaw, Cyndi Lauper admitted in her autobiography that she is the voice behind it.

15. THE PLAYHOUSE WELCOMED A NUMBER OF SOON-TO-BE STARS.

A number of burgeoning stars got their starts on Pee-wee’s Playhouse. Among them: Phil Hartman, S. Epatha Merkerson, and Natasha Lyonne. Both Laurence Fishburne and Jimmy Smits also made early-career appearances.

16. ROB ZOMBIE AND JOHN SINGLETON WERE PEE-WEE’S PRODUCTION ASSISTANTS.


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Pee-wee’s Playhouse had plenty of talent behind the camera, too. Five years before he wrote and directed Boyz n the Hood—for which he earned two Oscar nominations—John Singleton was a P.A. on the Playhouse set. Around the same time he formed White Zombie—and 17 years before he moved into the director’s chair with House of 1000 Corpses—Rob Zombie held the same title. 

17. PHIL HARTMAN LEFT AFTER ONE SEASON TO JOIN THE CAST OF SATURDAY NIGHT LIVE.

Phil Hartman, Reubens’ longtime friend and collaborator (they co-wrote Pee-wee’s Big Adventure together), left the Playhouse—where he played Captain Carl—after the first season to join Saturday Night Live.

18. MISS YVONNE’S HAIR WON AN EMMY.


Shout! Factory

Two Emmys, actually. One in 1987 and another in 1989. The show won a total of 15 Emmys throughout its five-season run. 

19. JAMBI SPOKE GIBBERISH.

On Shout! Factory’s Pee-wee’s Playhouse Blu-ray collection, writer John Paragon describes Jambi’s famous “Mekka lekka hi mekka hiney ho. Mekka lekka hi mekka chahny ho” chant as gibberish. “So I’m in The Groundlings and we’re doing a sketch and it’s customers in a Hawaiian restaurant and I’m wearing a Hawaiian shirt and doing Hawaiian gibberish. So that’s where that line came from. It was supposed to be bad Hawaiian.” 

20. LAURENCE FISHBURNE HAD A DARK TAKE ON COWBOY CURTIS.


Shout! Factory

During his original audition for Cowboy Curtis, Laurence Fishburne didn’t get the note that the tone of the show was rather silly. “I was in the D.C. area making Gardens of Stone, and I got this call that Paul wanted to see me,” Fishburne recalled to Entertainment Weekly. “I had almost no hair on my head because I had been doing this military picture. I [auditioned as] a Yul Brynner-esque kind of cowboy—very dark and serious. [Reubens and Paragon] both looked at me like, 'Could you lighten it up?'"

21. SEASON THREE HAD JUST THREE EPISODES.

Because of a 1988 strike by the Writers Guild of America, the third season of Pee-wee’s Playhouse is comprised of just three episodes—two regular episodes and one primetime special, Pee-wee’s Playhouse Christmas Special.

22. BIG TOP PEE-WEE MARKED THE BIG-SCREEN DEBUT OF BENICIO DEL TORO.

After a couple of small television roles, Benicio Del Toro landed his first feature film playing “Duke the Dog-Faced Boy” in Big Top Pee-wee. The film also marked the big-screen debut of Dustin Diamond, who would make his first appearance as Saved by the Bell’s “Screech Powers” just a few months after Big Top Pee-wee’s release.

23. DANNY ELFMAN HAD TO COMPOSE AN ALL-NEW SCORE FOR BIG TOP PEE-WEE.


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Like Tim Burton, Pee-wee’s Big Adventure marked the first feature film gig for Danny Elfman. Though the music he created for the first film is iconic, because Big Top Pee-wee was produced by a different studio, he was not allowed to use any of the elements from the original score and had to create a new one.

24. PEE-WEE CAME TO BROADWAY IN 2010.


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On October 26, 2010, Pee-wee was back—this time on Broadway—for a limited-run stage show.

25. PEE-WEE’S BIG HOLIDAY WAS PEE-WEE’S FIRST FILM IN 28 YEARS.

In 2016, Netflix released Pee-wee’s Big Holiday, Pee-wee Herman’s first film in 28 years. Officially, Netflix summarized the plot as follows: “A chance encounter with a mysterious stranger (Joe Manganiello) points Pee-wee toward his destiny—and his first-ever holiday!” For his part, Reubens told Mental Floss, “It’s a road picture and it’s an adventure story. It’s similar in tone and structure to Pee-wee’s Big Adventure in that it is a road picture—I’m trying to get somewhere. I live in a real little small town and I don’t get much excitement.”

13 Great Rockumentaries Every Music (and Movie) Fan Should See

The Criterion Collection
The Criterion Collection

More people are watching documentaries these days, which likely means that more people are rocking their faces off with nonfiction. Far from Ken Burns’s soothing tones, these music-filled films demand amplification and an unseemly amount of perspiration.

Rock documentaries are tricky beasts. Though they often have the built-in advantage of following around famous people, they aren’t immune to boredom and eye-rolling faux depth. Keeping it simple by showcasing the music can be good, but it’s no way to be great. The best of the best manage to deliver a stellar soundscape, offer a backstage pass to the real humans who make it, and hold our ears even if we aren’t already devoted fans. If a little history gets made in the process, even better.

Grab a seat next to Penny Lane on the bus. Here are 13 of the best documentaries that every music—and film—fan should add to their Must Watch list.

1. WHAT’S HAPPENING! THE BEATLES IN THE U.S.A. (1964)

A singular piece of filmmaking where nonfiction talent met transcendent musical genius on the threshold of gargantuan stardom, this is the best Beatles documentary ever produced. Directed by legendary documentarians Albert and David Maysles, the film captures the band’s first frivolous jaunt through America, where they raised the screaming decibel level in The Ed Sullivan Show theater and goofed off in hotel rooms. It’s an explosion of youth before they changed music forever.

2. DON’T LOOK BACK (1967)

Another marriage of style, skill, and subject, Don't Look Back helped shape how the rockumentary genre could provide insights into the people who shape our popular culture. That so many iconic moments emerged from D.A. Pennebaker’s watershed work, which strolled with Bob Dylan through England in 1965, is a testament to the legendary musician's infinite magnetism. The cue cards, singing with Joan Baez in a hotel room on the edge of breaking up, the Mississippi voter registration rally, and on and on. Since it portrayed fame’s effect on the artist, the art, and the audience, most every other rock doc has been chasing its brilliance.

3. GIMME SHELTER (1970)

The rockumentary has evolved to be as diverse as the sonic landscape itself, which is why Popstar: Never Stop Never Stopping can send up the current scene just like This Is Spinal Tap! did in the 1980s. Still, 1970 feels like the year that defined the rockumentary. Another Maysles joint, this profound doc captured The Rolling Stones touring at a time when they were one of the biggest bands in the world and only getting bigger. The music is powerful and immediate, and the film closes with their appearance at the Altamont Free Concert, which turned deadly when—after a day of skirmishes between concertgoers and the Hell’s Angels acting as security—a fan with a gun was stabbed to death when he tried to get on stage during “Under My Thumb.”

4. WOODSTOCK (1970)

The other 1970 film that helped define the genre allowed thousands to claim they’d been to the biggest concert event of the generation without actually going. If rock ‘n’ roll emerged from unruly teenage years into conflicted young adulthood in the 1960s, nothing stamped that image in henna ink better than Woodstock and the documentary that accompanied it. The bands that appear are legendary: Crosby, Stills & Nash; The Who; Joe Cocker singing The Beatles; Janis Joplin; Jimi Hendrix; and many more. It’s a fly-by of the three days of peace and music that you could play on repeat with summery ease.

5. ZIGGY STARDUST AND THE SPIDERS FROM MARS (1973)

Rock doc royalty D.A. Pennebaker captured David Bowie’s final performance in his red-domed sci-fi persona at London's Hammersmith Odeon with a flair that captures the frenetic energy of the room. The crowd is as much a part of the moment as the band is, as the camera places you in the middle of a transitional moment in music history. To see Bowie that close up now is a wonder. And, naturally, the music is out of this world.

6. THE DECLINE OF WESTERN CIVILIZATION (1981)

Instead of following the famous, Penelope Spheeris’s debut dug its nails deep into the Los Angeles punk scene at the turn of the decade. Black Flag, The Circle Jerks, and other bands your parents have never heard of perform mosh pit-sparking anthems and show off their living conditions like a grungy proto-version of MTV Cribs. There’s a purity here missing from most music docs—a chronicle of people whose passion far, far outweighs their paychecks, and a screening that led the LAPD to request that the movie never be shown in LA again.

7. SIGN "☮" THE TIMES (1987)

Having Prince at the center of your concert doc is a shortcut to ensuring it’s one of the best of all time. There’s the music, of course. Hits like “Little Red Corvette” and “U Got the Look,” and Sheila E. beating the hell out of her drum kit. There’s also The Purple One's inexhaustible energy and stage presence. As a bonus, the film jumps between concert footage and (instead of candid hotel conversations) a sci-fi narrative where we get to go to Prince Planet. It’s a rocky, disorienting experience that could have only been held so tightly together by a master showman.

8. MADONNA: TRUTH OR DARE (1991)

It might be hard to explain to a younger audience just how dominant Madonna was as an artist coming out of the 1980s or the kind of landmark event this film represented because of her status. The travelogue of her Blonde Ambition Tour was like peeking into the insane world of the ultra-famous—not least because Madonna was dating Warren Beatty at the time and part of the film involves her hanging out with Al Pacino, Lionel Richie, and more. There are threats that the Canadian police will arrest her for simulating masturbation in her show, the Pope trying to get the tour canceled in Italy, and a slightly awkward return home to see family. All par for the course for someone whose personal life was carved up for public consumption.

9. RHYME & REASON (1997)

An unparalleled look into the lyricism and lifestyle of rap musicians from the genre’s rise through its global domination of the 1990s, the concert and party footage is fantastic, and the number of interviews is staggering. Peter Spirer spoke with more than 80 rap and hip-hop artists to craft a snapshot of what life was like for a group of musicians who discovered their voices could echo across the world as well as those who followed after to even greater success. Instead of going deep on one person behind the music, it’s a historical document of the culture itself as seen through the eyes of those at its very center.

10. THE DEVIL AND DANIEL JOHNSTON (2005)

For those who don’t know Daniel Johnston’s music, this doc is a crash course not only in its stripped-down, anti-folk vibes but the head it all comes spilling out of. Instead of romanticizing or ignoring his bipolar disorder, Jeff Feuerzeig’s movie engages with it directly, drawing beautiful gems from a troubled mind. An absolute masterpiece, it’s less a vision of a musician giving glimpses into his real life than it is a vision of a human being who makes music.

11. AWESOME; I F*CKIN’ SHOT THAT! (2006)

Rockumentaries follow two major formats: the raw concert doc that’s like a ticket to a show you couldn’t attend, and the profile where artists drop quotables in between performances. They’re safe and familiar, which is probably why the Beastie Boys gave both styles the middle finger in favor of a grand experiment. A year before YouTube launched, the rap trio gave 50 fans in their Madison Square Garden audience camcorders to capture the concert. The result is a genuine, fans’-eye-view of the experience, and a chaotic mashup of perspectives.

12. THE PUNK SINGER (2013)

It’s astonishing how much time and ground Sini Anderson’s portrait of Bikini Kill leader Kathleen Hanna covers. It’s so much that labeling her Bikini Kill’s leader is woefully reductive. Artist, pioneer, feminist, activist, and a dozen other titles swirl around Hanna’s sweat-covered brow as we get to know her both as an artist and as a person. It’s also a punk fever dream of riot grrrl greatness, featuring incendiary archival footage and excellent talks with members of Le Tigre, Bikini Kill, and Julie Ruin, as well as Carrie Brownstein and the Beastie Boys’s Adam Horovitz (who is also Hanna’s husband).

13. JANIS: LITTLE GIRL BLUE (2015)

A fairly recent addition to the pantheon, Amy J. Berg’s doc is a stirring tour of archival footage of the gravel-throated songstress. Narrated by musician Cat Power, instead of losing perspective to the fog of history, a blend of modern conversations and ghosts from the past offer fresh eyes and ears to create a heartsick celebration of one of music history's most beloved artists, whose career was cut woefully short.

20 Memorable Elvis Presley Quotes

Hulton Archive/Getty Images
Hulton Archive/Getty Images

More than 40 years after his death, Elvis Presley remains a rock ‘n' roll icon and has yet to be ousted from his position as “The King.” Yet the Tupelo, Mississippi-born, Memphis, Tennessee-raised superstar never took his fame for granted, nor did he forget his roots. Here are 20 memorable quotes about Elvis’s life and legacy.

ON AMBITION

“Ambition is a dream with a V8 engine.”

ON MAINTAINING YOUR VALUES

“It's not how much you have that makes people look up to you, it's who you are.”

“Values are like fingerprints. Nobody's are the same, but you leave 'em all over everything you do.”

ON THE MUSIC INDUSTRY

“I happened to come along in the music business when there was no trend.”

“I've never written a song in my life. It's all a big hoax.”

“I don't know anything about music. In my line you don't have to.”

ON THE ARMY

“After a hard day of basic training, you could eat a rattlesnake.”

“The army teaches boys to think like men.”

ON TRUTH

“Truth is like the sun. You can shut it out for a time, but it ain't goin' away.”

ON THOSE LEGENDARY DANCE MOVES

“Rock and roll music, if you like it, if you feel it, you can't help but move to it. That's what happens to me. I can't help it.”

“Some people tap their feet, some people snap their fingers, and some people sway back and forth. I just sorta do 'em all together, I guess.”

ON KEEPING POSITIVE

“When things go wrong, don't go with them.”

ON STARDOM

“If you let your head get too big, it'll break your neck.”

“I have no use for bodyguards, but I have very specific use for two highly trained certified public accountants.”

“The image is one thing and the human being is another. It's very hard to live up to an image, put it that way.”

“The Lord can give, and the Lord can take away. I might be herding sheep next year.”

ON LOVE

“Sad thing is, you can still love someone and be wrong for them.”

ON THE PITFALLS OF HOLLYWOOD

“I sure lost my musical direction in Hollywood. My songs were the same conveyer belt mass production, just like most of my movies were.”

ON GETTING OLDER

“Every time I think that I'm getting old, and gradually going to the grave, something else happens.”

ON LEAVING A LEGACY

“Do something worth remembering.”

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