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12 Brazzle-Dazzle Facts About Pete's Dragon

Walt Disney Productions
Walt Disney Productions

Forty years ago, on November 3, 1977, Pete's Dragon was released in theaters across America. Though it was a box office disappointment at the time, it has since turned into a beloved classic for the generations of audiences who grew up with Pete and Elliott. In honor of its 40th anniversary, check out these brazzle-dazzle facts about the Disney classic.

1. ELLIOTT WAS VOICED BY VETERAN ACTOR CHARLIE CALLAS.

Charlie Callas was a comedian known for his rubbery face long before Jim Carrey was around.

2. IT WAS HELEN REDDY’S FIRST LEADING ROLE IN A FILM.

You’d assume that working with an invisible dragon would be pretty challenging for anyone, let alone someone new to the film industry, but Helen Reddy enjoyed the experience. “I only had one actual scene with the dragon," she explained, "and during rehearsals I worked with a latex model of his head so that I would be familiar with the dimensions during filming.”

3. REDDY’S BALLAD IN THE MOVIE WAS NOMINATED FOR AN OSCAR.

Reddy's "Candle on the Water" was nominated for Best Original Song. It lost to “You Light Up My Life.”

4. DON BLUTH SUPERVISED ELLIOTT'S ANIMATION.

The project notoriously called for a lot of overtime hours, and a couple of years after Pete's Dragon was released, animator Don Bluth left Disney. He went on to animate and direct The Secret of NIMH (1982), An American Tail (1986), The Land Before Time (1988), and All Dogs Go to Heaven (1989), among others.

5. CALIFORNIA DOUBLED FOR MAINE.

The movie may look like it takes place in Maine, but neither the cast nor crew went anywhere near the Pine Tree State. The landscape scenes were courtesy of Disney’s Golden Oak Ranch in Canyon Country, California, while the Passamaquoddy town square and wharf area was constructed on the Disney Burbank Studio lot, partly from an old Western set. Even the harbor was constructed on-set.

6. ACTOR SEAN MARSHALL HAD NO FORMAL ACTING BACKGROUND.

Despite this, he beat hundreds of kids who auditioned to play Pete. “I think Disney always went for kind of the natural,” he said.

7. MARSHALL BECAME AN ALL-AMERICAN POLE VAULTER IN COLLEGE. 


redmorgankidd via YouTube

He partially attributes his athletic success to his role in the film, saying that the training he went through for the part, especially ballet, made him more of an athlete.

8. THE LIGHTHOUSE BEACON COULD BE SEEN FOR MILES.

Nora and Lampie’s lighthouse was equipped with a real lighthouse lens and a wickstand that could create a beacon that was visible for 18 to 24 miles. Constructed on California's Morro Bay, Disney had to obtain permission from the U.S. Coast Guard to actually light the lamp. There were plans to eventually move the lighthouse to Disneyland, but it became too deteriorated.

9. MICKEY ROONEY AND RED BUTTONS DID SOME AD-LIBBING.

The scene where Mickey Rooney and Red Buttons drunkenly walk to the cave to see Elliott turned into a massive ad-lib session, with each comedian trying to outdo the other with pratfalls and slapstick. “The director said, ‘That was fantastic, but we can’t have a 20-minute scene where you two are just walking through the cave. We’ve got to re-shoot it,’” Marshall recalled.

10. IT WAS A DISAPPOINTMENT AT THE BOX OFFICE.

The film only made $18 million in the U.S., which was a real disappointment to Disney. The studio was hoping to experience the same level of success it had had with another movie that mixed live action and animation—Mary Poppins.

11. THE SODIUM VAPOR PROCESS WAS USED TO MIX ANIMATION AND LIVE ACTION SCENES.

Invented by Ub Iwerks, the co-creator of Mickey Mouse, the process involved using a camera with a prism installed that separated the sodium vapor lights from the rest of the color. This projected a yellow light onto the screen behind the actor, which could later be subtracted out, and any background could be added in its place.

12. THERE’S A GOOFY YELL TUCKED AWAY IN THE FILM.

It’s when Dr. Terminus (Jim Dale) accidentally sends himself flying via harpoon. Listen for it at 1:13 below.

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6 Times There Were Ties at the Oscars
getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards' near-90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. BEST ACTOR // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde (female writer Frances Marion won Best Screenplay for the film), and Beery won for The Champ, which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. BEST DOCUMENTARY SHORT SUBJECT // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. BEST ACTRESS // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. BEST DOCUMENTARY FEATURE // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. BEST SHORT FILM (LIVE ACTION) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars Richard E. Grant (Girls, Withnail & I) as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. BEST SOUND EDITING // 2013

The latest Oscar tie happened only three years ago, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg said to the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

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Mister Rogers Is Now a Funko Pop! and It’s Such a Good Feeling, a Very Good Feeling
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Amazon

It’s a beautiful day in this neighborhood for fans of Mister Rogers, as Funko has announced that, just in time for the 50th anniversary of Mister Rogers’ Neighborhood, the kindest soul to ever grace a television screen will be honored with a series of Funko toys, some of them limited-edition versions.

The news broke at the New York Toy Fair, where the pop culture-loving toy company revealed a new Pop Funko! in Fred Rogers’s likeness—he’ll be holding onto the Neighborhood Trolley—plus a Mister Rogers Pop! keychain and a SuperCute Plush.

In addition to the standard Pop! figurine, there will also be a Funko Shop exclusive version, in which everyone’s favorite neighbor will be wearing a special blue sweater. Barnes & Noble will also carry its own special edition, which will see Fred wearing a red cardigan and holding a King Friday puppet instead of the Neighborhood Trolley.

 

Barnes & Noble's special edition Mister Rogers Funko Pop!
Funko

Mister Rogers’s seemingly endless supply of colored cardigans was an integral part of the show, and a sweet tribute to his mom (who knitted all of them). But don’t go running out to snatch up the whole collection just yet; Funko won’t release these sure-to-sell-out items until June 1, but you can pre-order your Pop! on Amazon right now.

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