The Struggle for Douaumont

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 227th installment in the series.   

March 2-4, 1916: The Struggle for Douaumont 

As March 1916 began one word was on the lips of people across Europe, on both sides of the battle lines: Verdun. The German onslaught against the fortress city was clearly the greatest offensive since the beginning of the war, fated to be one of the bloodiest battles in history. On March 2 Mildred Aldrich, an American woman living in a small village outside Paris, described the feeling in a letter to a friend: 

We are living these days in the atmosphere of the great battle of Verdun. We talk Verdun all day, dream Verdun all night--in fact, the thought of that great attack in the east absorbs every other idea. Not in the days of the Marne, nor in the trying days of Ypres or the Aisne was the tension so terrible as it is now. No one believes that Verdun can be taken, but the anxiety is dreadful, and the idea of what the defence is costing is never absent from the minds even of those who are firmly convinced of what the end must be. 

Click to enlarge

On the other side Evelyn, Princess Blucher, an Englishwoman married to a German aristocrat living Berlin, recorded German impressions in her diary on March 5, 1916, showing how propaganda could present the same events from diametrically opposed perspectives: 

Verdun is the chief subject of interest at present, and in Germany it is now looked upon as likely to be one of the decisive victories of the war. They say it is only a matter of a few days before the whole fortress is taken, and that the terrific losses among the French fill even them with horror. Whereas on the other hand one reads in the English papers “that the Verdun attack has been a failure.” 

In fact it was only beginning. As February drew to a close the fighting continued with shocking violence, as German infantry led by small units of elite “storm troopers” pressed forward in the face of determined French resistance, while thousands of artillery pieces fought a thundering duel overhead. On February 26 one German officer, fighting in the vicinity of the Caures Woods where two battalions of “chasseurs a pied” under Colonel Emile Driant made their last stand, painted a picture of terrible conditions, both manmade and natural, in his diary:

On the edge of the Caures Wald the first French positions. Here it was possible to see the wonders of war. Our artillery had caused craters 10m wide and 6m deep. The dead lay all around, including a young Leutnant with his whole group… It is a picture of sorrow that I will never forget. In the French 2nd line a machine gun had operated until the last moment. This murderous weapon had made the advance of our 87 (I.R.) [infantry regiment] very difficult. It was freezing in the tents tonight; I did not sleep a single minute. 

The same day, a French soldier fighting near Fort Douaumont, a key stronghold lost to the Germans the day before, described the confusion prevailing amidst hellish scenes on the battlefield, as the German infantry pressed forward despite huge losses: 

The guns are firing at 200 and 300 yards, and shrapnel is exploding with a crash, scything them down. Our men hold their ground; our machine guns keep to their work, and yet they advance… At a given moment the Boches are quite close to us. Despite the noise of the guns one can hear their oaths and their shouts as they strike… Everything is on fire – the wood near by, the village of Douaumont, Verdun, the front of Bezonvaux, and the back of Thiaumont. There is fire everywhere. The acrid smell of carbonic acid and blood catches at our throats, but the battle goes on. 

By the end of February the French Second and Tenth Armies had arrived to reinforce the exhausted defenders, and the German offensive seemed to be losing its initial momentum, as the attackers now faced the difficulty of moving the huge heavy artillery pieces (some – the 420-millimeter “Big Berthas” – weighing 47 tons) forward over primitive roads turned to expanses of mud by the melting snow. 

Aided by the turn in the weather, the new French commander at Verdun, General Philippe Petain, managed to stabilize the front temporarily, while organizing the non-stop convoy of 3,500 trucks, which in the next week alone would deliver 190,000 troops and 25,000 tons of supplies along the last open road connecting Verdun to the outside world, later known as the “Voie Sacree” or “Sacred Way” (below). By June 1916 the number of vehicles making the endless round trip between Verdun and Bar-le-Duc to the south would rise to 12,000, tended by an army of mechanics and road engineers. 

But the commander of the German Fifth Army, the German Crown Prince Wilhelm, was determined to prevail. Thus in many places German troops ended up desperately hanging on to hard-won positions even when they were exposed to French artillery fire (especially from hills on the western bank of the Meuse, still in French hands), resulting in almost as many casualties among the attackers as the defenders. 

This marked the emergence of a fatal dynamic that would ultimately undermine chief of the general staff Erich von Falkenhayn’s plan for a battle of attrition, which had envisioned German troops making a series of incremental, conservative gains and then holding strong defensive positions against French counterattacks. Unfortunately, Falkenhayn apparently never conveyed this nuance to Crown Prince Wilhelm, who believed he was simply responsible for capturing Verdun, whatever the price. 

The price was steep both in terms of casualties and morale. Another German officer described seemingly interminable French shelling near the village of Vacherauville (not to be confused with the fort of the same name, on the opposite bank of the River Meuse) on the night of February 28-29, 1916: 

Had a night like never before. As I had left my coat behind when I had gone out on patrol, and my batman had not come forward with me, I had to spend the night in the trench with just a blanket. I had to squat the whole night, could not go out as we were under constant artillery fire. So, along with the uncomfortable position and the freezing cold, we had to accept the fact that each of the incoming shells could have our name on it. The mud was flung into our trench and faces; the trench itself was not deep enough as it had been hastily dug. How long this night was for us it is easy to imagine. Thank God for the dawn and keeping us alive during the night. 

However the situation hardly improved during the day on February 29, according to the same account, which illustrates how gruesome events became part of everyday life on the battlefield: 

Unfortunately we suffered losses today, a number of brave soldiers wounded and to our great dismay our Battalion Commander was critically wounded, losing both legs and having shell splinters in his throat and head. Unfortunately there was no Doctor or stretcher bearers available. A man with First Aid knowledge announced that it was no use bandaging the wounds. Hauptmann Raffloer was fully conscious and requested that he simply be carried to the rear. He was carried through the ravine and over the dangerous height in a Shelter half. We are totally cut off, by day we can not move at all, and by night just at the risk of our lives. A few hours later the Hauptmann was dead. A dapper and brave soldier. 

In the first four days of March the fiercest fighting was concentrated on the village of Douaumont, which lay at the foot of the recently captured fort of the same name (below, Fort Douaumont at the end of the war) and now became the site of a bitter contest that literally wiped the little settlement off the face of the earth, with nothing left to mark it but a stretch of pulverized stone (top, the outskirts of Douaumont in 1917). 

The struggle for Douaumont village saw the Germans mount three furious assaults over the course of a week, only to find themselves targeted by last-ditch French machine gun crews, carefully concealed in the ruins of the village and prepared to fight until they were wiped out. As the village traded hands again and again, German machine guns firing from Fort Douaumont were joined by the massive “Big Berthas,” which attempted to deal with the French suicide squads in the village by simply removing whatever remained of the village, one earthshaking blow at a time. 

Meanwhile fresh French troops hurried into Douaumont village under cover of night, under Petain’s new deployment system, which rotated units through the Verdun slaughterhouse for a few weeks at a time, in an attempt to spread the losses out as much as possible (by contrast, Falkenhayn held back reserves from the German Fifth Army, forcing German divisions to remain in the front line much longer, suffering higher proportional casualty rates as a result).

Click to enlarge

But the overwhelming German advantage in artillery firepower left little doubt what the final outcome would be. On March 4 units from the German 5th and 25th Divisions completed the bloody mopping up of the last remaining French defenders – capturing one wounded young officer, Captain Charles de Gaulle, who would spend the next 32 months in a German prisoner of war camp, then later gain fame during the Second World War as the leader of the Free French Forces.

Elsewhere at Verdun German troops were finding ways to minimize their exposure to French artillery fire, which was also making it increasingly difficult to bring up supplies. At the same time, both sides were carrying out patrols to test the weakness of their foes’ improvised defenses. On March 4 the same anonymous German officer described the situation near Vacherauville in his diary: 

Last night heavy artillery fire… Unfortunately the Company got nothing [to eat]. The company prolonged the battalion trench, tonight as much of it as possible will be manned. A screen was set up to hide our rear area from the Frenchmen. Had shooting bays dug in the trench walls, the men standing in them would be better protected from the artillery and passage through the trench would be easier. A French patrol had managed to slip between our Schützenschleier (Forward posts) and the trench. When challenged, a Frenchman answered in broken German. An Unteroffizier called out to them in French, they should surrender or we fire. They did not respond and disappeared in the night. 

French artillery located on the western bank of the Meuse was now inflicting unacceptable casualties on the flank of the German Fifth Army, helping bring German casualties to over 25,000 by the end of February. Meeting with Falkenhayn, Crown Prince Wilhelm and his chief of staff, Lieutenant General Konstantin Schmidt von Knobelsdorf, demanded a new offensive to clear the French from the western bank of the Meuse, in order to permit the main German offensive to go forward. Falkenhayn, mindful of Germany’s manpower limitations, nevertheless reluctantly agreed; the attack on the western bank, vastly expanding the scope of the battle, was scheduled for March 6, 1916. 

Germans Resume Unrestricted U-boat Wafare

At the end of February 1916 the German navy resumed the U-boat campaign against merchant shipping in the Atlantic Ocean and Mediterranean Sea, in a fresh attempt to bring Britain to its knees by cutting it off from outside supplies, especially munitions manufactured in the United States. However this once again risked an open breach with the world’s largest neutral power, something Germany could scarcely afford. 

The first unrestricted U-boat campaign had lasted from February to September 1915, when Kaiser Wilhelm II canceled it in the face of intense diplomatic pressure from the U.S., following the sinking of the Lusitania in May 1915. However the flood of American-made supplies to Britain and France only grew, increasingly paid for with loans from American banks. 

Click to enlarge

In her diary Evelyn, Princess Blucher, recorded growing anxiety and anger among the Germans over this (unofficial) U.S. support for the Allies:  “‘If America keeps on,’ the Germans say (some of them, of course), ‘we’re done for. America is actually keeping things going. If America will stop providing the Allies with munitions, we can still win.’” 

Under pressure from Falkenhayn and Grand Admiral Alfred von Tirpitz, the champion of the German navy, in February 1916 the Kaiser consented to the resumption of unrestricted U-boat warfare, allowing German submarines to sink armed merchantmen in the war zone around the British Isles without warning. 

Click to enlarge

Predictably, the announcement was greeted with consternation in the U.S., where President Woodrow Wilson and Secretary of State Robert Lansing insisted on the right of Americans to travel on merchant ships, even if the vessels were carrying defensive weapons and therefore technically warships.

Far from bowing to American demands to withdraw the order, on March 4 the Kaiser secretly expanded the targeting criteria to include any merchant ships in the war zone, and any armed merchant ships outside the war zone. However, he still insisted that enemy passenger ships not be targeted, precipitating a final falling-out with Tirpitz, who objected that it was too difficult for U-boat commanders to distinguish the different kinds of ships, adding that passenger ships could in any event also carry weapons. On March 12, 1916 Tirpitz submitted his resignation yet again – and this time it was accepted. 

Click to enlarge

Meanwhile ordinary soldiers and merchant sailors boarding ship for Britain or France put their faith in their captains and the Royal Navy, which deployed scores of destroyers to scour the sea lanes, and was now developing a new weapon, the depth charge, to strike at German submarines below the surface. On December 3, 1915 A Canadian lieutenant, Clifford Almon Wells, described the precautionary measures taken aboard the transport Lapland as it crossed the Atlantic: 

To-day we are fairly in the danger zone. Our company’s machine gun is mounted aft, while other guns are mounted forward. The decks are lined with men armed rifles… To-night every man must sleep on deck by the life-boat or raft to which he has been assigned. All portholes are darkened at night and every precaution is taken to render the ship invisible.

Of course submarines were just one threat posed by the crossing, which also exposed them to the fury of the elements. Another Canadian, Billy Gray, recalled sailing through a North Atlantic storm in a letter home: 

It started in Wednesday night and blew a regular gale head on, for thirty-six hours. There is no use in my trying to describe it for I can’t. Suffice it to say she was a real storm. My clothes are not dry yet, being soaked through and through. Everyone was seasick, and if I could describe the indescribable horror of men crowded together as they were in those days, I know you wouldn’t believe me. Oh! it was horrible. Sick by hundreds lying around anywhere gasping for air. Some slept on the decks in a drenched condition, spray sweeping over them… The stench below was something to remember… One man of the crew was killed, washed off the ladder leading to the crow’s nest into the forward winches. Broken neck. He was buried this a.m. 

But as elsewhere, horror could alternate with beauty in strange and unexpected ways. A few days later the changeable sea presented a very different scene to Gray: 

Just at present we are cleaving our way into a road of silver, for the moon is shining directly over our bows, and it is a wonderful sight apparently moving up a shimmering carpet… A carpet of silver and grey lace, like one of those red and black ones from the sidewalk to a church door at weddings, dancing ahead and only the lap, lap, lap of the waters as one stands on the fo’castle.

See the previous installment or all entries.

17 Things to Look for the Next Time You Watch Office Space

20th Century Fox Home Entertainment
20th Century Fox Home Entertainment

Twenty years ago (yes, you’re really that old) Office Space forever changed how we look at cubicle life. Like a much funnier Dilbert meets Beavis and Butt-head meets the then-largely misunderstood world of Silicon Valley, the comedy movie from Beavis creator Mike Judge ably skewered everything from didactic middle-management bosses to chain restaurant uniforms. And it gave us a charming Jennifer Aniston love story plus a rap mini-music video dedicated to the destruction of malfunctioning printers.

For all that and more, the 1999 film that originally performed poorly at the box office has become a widely quoted cult sensation. Here are the interesting facts and references to look for the next time you watch Office Space.

1. It was shot very, very far from Silicon Valley.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Office Space keeps its setting purposefully vague, but the opening driving shots clue a perceptive viewer into the location: Notice the sign for Preston Road on Highway 289 in the background, which indicates that we’ve been dropped around Plano, Texas. The movie was shot in and around Austin, where Mike Judge lives, making him something of a Hollywood outsider. But Office Space is clearly attuned to the rituals and lingo of Silicon Valley’s tech scene. In fact, Judge worked as an engineer in the California area in the 1980s, which would go on to inform much of his satire, especially his popular HBO show Silicon Valley.

2. It was Mike Judge's first foray into movies ... and it didn't work out as planned.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Starting out as a self-taught animator in Texas, Judge made his name in entertainment with cartoons that aired on Saturday Night Live and, eventually, turned into his own MTV show. Beavis and Butt-head premiered in 1993, when the cable network’s scripted offerings were still in their infancy, and quickly became both a commercial hit and a cause of nationwide controversy. He went on to co-create Fox’s slightly more family-friendly King of the Hill, but Office Space marked his live-action directorial debut in film (he previously helmed the movie adaptation Beavis and Butt-head Do America). Made on an estimated $10 million budget, it earned only slightly more than that at U.S. theaters. Sadly, that failure has become something of a pattern for Judge’s movie work: Future efforts Idiocracy and Extract failed to catch on with initial audiences, though the former has also grown into a cult hit.

3. It didn't exactly make Ron Livingston a household name.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Office Space had all the makings of a breakout for its handsome, top-billed star, who was coming off a smaller part in the comedy phenomenon Swingers. But given its early commercial disappointment, he continued to seek out smaller parts and interesting, left-field projects like Adaptation. and The Cooler. He finally got his mainstream cred as the boyfriend of Carrie Bradshaw on Sex and the City (he's the one who broke up with her via Post-it note) with the massively popular horror flick The Conjuring. He's currently starring in two series: A Million Little Things and Loudermilk.

4. Initech has a very symbolic statue.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

The statue outside the Initech office shows a square peg in a round hole. No coincidence, it’s a reference to the common idiom referring to an individualist who doesn’t fit into a particular social mold. That could describe Livingston’s Peter, his co-worker friends, Jennifer Aniston’s Joanna—or, more self-referentially, Judge himself, who has always made movies and series about outsiders.

5. You can tell a lot about Bill Lumbergh from his vanity plate.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Everything you need to know about Division V.P. Bill Lumbergh (Gary Cole) is established in an early shot of him pulling into his reserved parking space at Initech in a blue Porsche with a customized license plate that reads, “MY PRSHE.” Low-key. (Also notice the lack of any regional designation on the license plates in the film.)

6. "TPS" has a real meaning.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Lumbergh’s single-minded obsession with the details of “TPS reports” drives much of the cubicle-set humor, but what exactly is a TPS report? Potential meanings abound, especially given that companies love an abbreviation, but Judge revealed that TPS refers to Test Program Set reports, which dated back to his engineering days.

7. The food at Chotchkie's sounds less than appetizing.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

A sign at the restaurant promotes its “shrimp poppers,” a food name that leaves a lot to the imagination. Later, chipper server Brian highlights “pizza shooters” and “extreme fajitas.” Whatever a pizza shooter is, it can’t be good.

8. Diedrich Bader had a very specific look in mind for Lawrence.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Diedrich Bader, who plays everyone’s favorite beer-guzzling neighbor Lawrence, came to his Office Space role with clear inspiration. “What I really wanted to look like was somebody who loved the Allman Brothers,” he told The A.V. Club in 2012. Sounds about right.

9. There's a real Milton out there.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Judge based the vengeful staffer, also the focus of several of his animated shorts, on one of his real-life co-workers when he was an engineer. Judge asked the man how he was doing, and he responded that he was going to quit his job because his desk had been moved around too many times.

10. Jennifer Aniston helped the movie get made.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

The cast of Office Space has one instantly recognizable name: Jennifer Aniston, who was by then of course already a superstar for playing Rachel on NBC’s Friends. In a reunion for the film, Judge thanked Aniston just for signing on (though he added that she was great in the part), saying, “It helped us put the studio at ease a little bit—at least they had one famous person."

11. Michael Bolton has embraced the punchlines about him.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Peter’s co-worker Michael Bolton (played by David Herman) hates the fact that he shares a name with a musician who is, in his words, a “no-talent ass-clown." While the real-life Bolton initially seemed peeved about the mockery, he now signs Office Space DVDs for fans.

12. Chotchkie's is a thinly veiled TGI Fridays.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

The chain restaurant by the office is notable not just for its fried food but for its emphasis on “flair” worn by the servers (15 pieces of flair is the minimum). Office Space is clearly mocking TGI Fridays, whose staff used to dress with seemingly endless buttons and ornamentation. TGI Fridays actually phased out flair by 2005, supposedly as a result of the movie.

13. Y2K makes a cameo.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Peter tells Joanna while having lunch that in his job he updates software for the “2000 switch.” In 1999, the impending change of the millennium was in fact a massive headache for tech companies and their programming of dates, a phenomenon that became known as Y2K.

14. The movie reintroduced red Swingline staplers.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Milton’s beloved red stapler was actually painted that color by the prop department, so that it would pop on the screen. As it was one of the more hilarious throughlines in Office Space, viewers started to seek it out in real life. The brand Swingline, which had phased out red staplers, decided to bring the product back. Design-minded executive assistants everywhere can thank Judge.

15. Mike Judge is hiding in plain sight.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

In an uncredited role, the writer and director plays Joanna’s boss at Chotchkie's, reprimanding her about her lack of flair. (Though it’s hard to recognize him under the mustache and wig.)

16. Judge is a not-so-secret hip-hop head.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Hip-hop is repeatedly played and referenced throughout Office Space, particularly gangsta rap, which was ascendant in the '90s. The famous printer-smashing sequence is set to the Geto Boys’ “Damn It Feels Good to Be a Gangsta.” Also notice Michael Bolton rapping along to Scarface while driving in the movie’s opening. Judge has cleverly curated hip-hop in much of his work, from rap videos in Beavis and Butt-head to a collaboration with Danny Brown for Silicon Valley.

17. Milton foreshadows the climax a lot.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Milton mentions the possibility of burning down the Initech office several times before actually doing it, making it perhaps the least surprising act of arson depicted in film.

15 Facts About Bill & Ted’s Excellent Adventure on Its 30th Anniversary

MGM
MGM

In 1989, a couple of slackers from San Dimas, California hopped inside a time-traveling phone booth and gathered a gaggle of key figures from the past so they wouldn’t fail their high school history class. In 1991, they were at it again. Now, 30 years after Keanu Reeves and Alex Winter first cemented their place in sci-fi history as the lovable duo, the long-awaited threequel—Bill & Ted Face the Music—has been officially confirmed. Here are 15 things you might not know about the most excellent original film.

1. Bill and Ted were born in an improv class.

The idea for the characters of Bill and Ted came about in 1983, when UCLA classmates Ed Solomon and Chris Matheson formed a student improv workshop with a few of their peers. “One day, we decided to do a couple of guys who knew nothing about history, talking about history,” Solomon recalled to Cinemafantastique in a 1991 interview. “The initial improv was them studying history, while Ted’s father kept coming up to ask them to turn their music down.” (Solomon played Ted, Matheson was Bill.)

2. Originally, it was Bill & Ted & Bob.

When the skit originated, there was a third character, Bob. But “Bob” wasn’t as into it as Solomon and Matheson, so the trio became a duo.

3. Bill wanted to be Ted and Ted wanted to be Bill.

It’s hard to imagine anyone but Keanu Reeves playing Ted Logan, or another actor besides Alex Winter in the role of Bill S. Preston, Esq., but each actor actually auditioned for the opposite role. But when Solomon and Matheson saw their audition tapes, they thought the opposite would work better. In an online chat with Moviefone, Reeves claimed that he didn’t even know their roles had been switched until after he had been cast. “I got a call saying that I got the part,” Reeves recalled. “So I went to the wardrobe fitting… assuming I was playing Bill, and I get there and Alex Winter, who eventually played Bill, went to the wardrobe fitting thinking he was playing Ted. Then we were informed that that wasn't the case.”

4. Pauly Shore also wanted to be Ted.


Getty Images

Pauly Shore was among the hundreds of actors who auditioned for the role of Ted. In 1991, Shore hosted an MTV special, Bill & Ted’s Bogus Premiere Party, in which Shore corners Reeves in a back room to talk about his failed audition. Lucky for America, Shore did go on to find fame apart from Bill & Ted, and bring the phrase, “Hey, Bu-ddy!” into the popular lexicon.

5. No, Bio-Dome is not Bill & Ted's threequel.

Speaking of Pauly Shore ... For years, rumors circulated that the script for 1996’s Bio-Dome—starring Shore and Stephen Baldwin—was actually written as the third film in the Bill & Ted franchise. In 2011, Winter laid this rumor to rest when he told /Film that the story is “total urban legend as far as I know. No one involved in that movie had anything to do with Bill & Ted. So unless they were just going to try and reboot the franchise with that concept and different actors, I can’t see a connection.”

6. Keanu Reeves and Alex Winter weren't quite nerdy enough.

The casting of Reeves and Winter posed a problem for the script. “Bill and Ted were conceived in our minds as these 14-year-old skinny guys, with low-rider bellbottoms and heavy metal T-shirts,” Solomon told Cinefantastique. “We actually had a scene that was even shot, with Bill and Ted walking past a group of popular kids who hate them. But once you cast Alex and Keanu, who look like pretty cool guys, that was hard to believe.”

7. George Carlin was a happy accident.


Getty Images

In a 2013 Reddit AMA, Alex Winter called the casting of George Carlin (as Rufus, Bill and Ted’s mentor) “a very happy accident. They were going after serious people first. Like Sean Connery. And someone had the idea, way after we started shooting, of George. That whole movie was a happy accident. No one thought it would ever see the light of day.”

8. The time machine was originally a van.

In Solomon and Matheson’s original script, it was a 1969 Chevy van that served as Bill and Ted’s time machine. But in the course of rewriting the script for Warner Bros., who showed early interest in producing the project, there was concern that a motor vehicle as time machine would ring too closely as a rip-off of Back to the Future, which arrived in theaters in 1985. It was director Stephen Herek who suggested a phone booth, as he thought it could lend itself to something akin to a roller coaster in the visuals. (The phone booth’s similarity to Doctor Who’s TARDIS was apparently not a big concern to the studio.)

9. Some Nintendo lover has that phone booth.

As part of a promotion for 1991’s Bill & Ted's Excellent Video Game Adventure, Nintendo Power magazine gave away Bill & Ted’s phone booth as a contest prize. The lucky winner was one Kenneth Grayson, who Reddit tracked down for an AMA in 2011. Grayson spent much of the chat answering questions about whether or not any X-rated activities had ever taken place in the phone booth.

10. The script was written in four days. By hand.

In 1984, Solomon and Matheson wrote the script over the course of just four days. They wrote it by hand, on note paper, during a series of meetings at a couple of local coffee shops. The 2005 box set, Bill & Ted’s Most Excellent Collection, features some of their handwritten notes.

11. Sci-fi wasn't part of the plan.

Keanu Reeves, Dan Shor, and Alex Winter in Bill & Ted's Excellent Adventure (1989)
MGM

Though Matheson is the son of legendary sci-fi writer Richard Matheson, author of I Am Legend, he didn’t intend for Bill & Ted to be a science-fiction movie. “I try to consciously fight it, out of a desire to break away, but maybe I have a predilection toward that because of my dad,” Matheson told Starlog Magazine of the inevitable fantasy elements that emerged. “He’s a great writer and craftsman, and always has suggestions.” In fact, it was the elder Matheson’s idea that the time travel story be its own movie. “We were going to write a sketch film, with this as one of the skits, but my dad said, ‘That sounds like a whole movie,’” Matheson recalled, “And he was right!”

12. Bill and Ted almost traveled straight to television.

Shortly after principal photography on the film was completed in 1987, the film’s financiers, De Laurentiis Entertainment Group, went bankrupt. A straight-to-cable release was the most likely path for the time-traveling comedy until Orion Pictures and Nelson Entertainment bought the rights in 1988 for a 1989 release. Because of the delay to theaters, references to the year—which had been filmed as “1987”—had to be dubbed for 1988, resulting in a few scenes where the actors’ lips don’t quite match the sound.

13. Their journeys continued in a variety of media.

In addition to the 1991 sequel, Bill & Ted’s Bogus Journey, the Bill & Ted franchise includes 1990’s Bill & Ted’s Excellent Adventures, an animated series for which Reeves, Winter, and Carlin provided the voices. It lasted for one season. The title was revived as a live-action series in 1992, which included none of the original cast and ran for just seven episodes. In 1991, Marvel Comics launched Bill and Ted’s Excellent Comic Book, written by Evan Dorkin.

14. Back in the late 1980s, you could eat Bill and Ted.

As a tie-in to the animated series, you could—for a short while—actually start your morning with a bowl of Bill & Ted’s Excellent Cereal, which was touted as “A Most Awesome Breakfast Adventure.”

15. Bill and Ted will ride again.

Over the past several years there has been a lot of buzz about a third Bill & Ted movie coming to theaters. In 2011, Winter tweeted that the script had been completed and that he was getting ready to read it. When asked about the possibility of a threequel in 2013, Reeves told the Today Show, “I'm open to the idea of that. I think it’s pretty surreal, playing Bill and Ted at 50. But we have a good story in that. You can see the life and joy in those characters, and I think the world can always use some life and joy.” Several references to the possible project have been made since then, and it's now been confirmed that the third film, Bill and Ted Face the Music, is currently in pre-production.

According to The Hollywood Reporter, via a report from the Cannes Film Festival, Matheson and Solomon co-wrote the script and Dean Parisot (Galaxy Quest) is attached to direct. Reeves and Winter will, of course, be reprising their roles, which "will see the duo long past their days as time-traveling teenagers and now weighed down by middle age and the responsibilities of family. They’ve written thousands of tunes, but they have yet to write a good one, much less the greatest song ever written." Excellent!

SECTIONS

arrow
LIVE SMARTER