© 2002 FOX BROADCASTING COMPANY/FOX
© 2002 FOX BROADCASTING COMPANY/FOX

17 Future Stars Who Appeared on The X-Files

© 2002 FOX BROADCASTING COMPANY/FOX
© 2002 FOX BROADCASTING COMPANY/FOX

It didn’t take long for The X-Files to make household names of its stars, David Duchovny and Gillian Anderson, after its original premiere in September 1993. But take a look back at the beloved sci-fi series’ original run and you’re bound to see a lot more familiar faces.

1. BRYAN CRANSTON // PATRICK CRUMP IN “DRIVE” (NOVEMBER 15, 1998)

Thirteen years before he starred in Nicolas Winding Refn’s Drive, Bryan Cranston starred in a sixth season episode of The X-Files with the same title. He plays Patrick Crump, a desperate man who has been infected with a deadly pathogen and takes Mulder hostage while Scully rushes to find an antidote. Though cast in the role of antagonist, Cranston quickly established his knack for balancing virtues with vices—a talent the episode’s writer, Vince Gilligan, recalled when he was casting the role of Walter White in Breaking Bad years later. “I worked with a lot of great people on The X-Files, but one of the absolute highlights was Bryan, and I knew I wanted to work with him again,” Gilligan told The Star-Ledger. “So when [Walter White] came along, I knew he had the chops.”

2. AARON PAUL // DAVID WINKLE IN “LORD OF THE FLIES” (DECEMBER 16, 2001)

After one-off roles on Beverly Hills, 90210, Melrose Place, and 3rd Rock from the Sun, Cranston’s future Breaking Bad co-star made a memorable appearance during The X-Files’ ninth (and final) season as the leader of a Jackass-like crew of pranksters who may have a monster-of-the-week among them.

3. JANE LYNCH // ANNE LOKENSGARD IN “LORD OF THE FLIES” (DECEMBER 16, 2001)

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Jane Lynch appeared in the same episode as Aaron Paul, playing the mother of Dylan Lokensgard, Paul’s frequent bullying target. But both Lynch and her on-screen son have a secret, which is the episode’s big twist.

4. AND 5. JACK BLACK AND GIOVANNI RIBISI // BART LIQUORI AND DARIN PETER OSWALD IN “D.P.O.” (OCTOBER 6, 1995)

Jack Black and Giovanni Ribisi played friends and video game virtuosos in The X-Files’ third season, one of whom may have learned how to harness the power of lightning. Mulder and Scully make their way to Oklahoma to investigate.

6. RYAN REYNOLDS // JAY “BOOM” DEBOOM IN “SYZYGY” (JANUARY 26, 1996)

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In season three, Ryan Reynolds made a brief appearance as a high school jock who learns the hard way that bad things can happen when you hang around with teenage Satanists.

7. FELICITY HUFFMAN // DR. NANCY DA SILVA IN “ICE” (NOVEMBER 5, 1993)

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Early on in the premiere season, Mulder and Scully are sent to Alaska to investigate the unexplained deaths of a team of geophysicists. They’re accompanied by a team of doctors, Felicity Huffman among them. In a very The Thing-like turn of events, it’s determined that someone in the group may have been infected by the same parasite that likely killed the team of researchers.

8. SHIA LABEOUF // RICHIE LUPONE IN “THE GOLDBERG VARIATION” (DECEMBER 12, 1999)

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Long before he trapped himself in an elevator in the name of art, Shia LaBeouf was a cute kid actor with some surprisingly sophisticated chops. In season seven’s “The Goldberg Variation,” he plays Richie, a sickly kid whose neighbor (played by Sex and the City star Willie Garson) endangers his own life in order to help pay for Richie’s medical bills.

9. BRADLEY WHITFORD // DR. DANIEL TREPKOS IN “FIREWALKER” (NOVEMBER 18, 1994)

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In season two’s “Firewalker,” Bradley Whitford plays the somewhat unhinged head of team of scientists who are studying the inside of a volcano. But weird things start happening after a former team member intercepts a transmission which shows the project’s chief seismologist being killed inside of the volcano, and a shadowy figure inside the cave with him (which would be impossible—at least humanly—given the uninhabitable temperatures).

10. LUCY LIU // KIM HSIN IN “HELL MONEY” (MARCH 29, 1996)

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A series of mysterious deaths in San Francisco’s Chinatown find Mulder and Scully (unsurprisingly) divided on exactly what's happening: Mulder thinks it’s paranormal, Scully thinks it’s the work of a cult. Their investigation leads them to Lucy Liu, the leukemia-stricken daughter of an immigrant the agents are looking to question.

11. JOHN HAWKES // PHILLIP PADGETT IN “MILAGRO” (APRIL 18, 1999)

Rumor has it that The X-Files creator Chris Carter had this sixth season episode written specifically for Oscar-nominated actor John Hawkes, and it’s easy to see why. His trademark ease in front of the camera—even when the script calls for him to rip out his own beating heart—can elevate any material.

12. BOKEEM WOODBINE // SAMMOM ROQUE IN “THE LIST” (OCTOBER 20, 1995)

YouTube

In The X-Files’ third season, Fargo star Bokeem Woodbine played a prison inmate who is keeping a list of the five people a recently-executed inmate promised to come back and kill after his death. His attempt to use the list as collateral for being transferred to another prison doesn’t work out the way he planned.

13. LUKE WILSON // SHERIFF HARTWELL IN “BAD BLOOD” (FEBRUARY 22, 1998)

In the same year that he appeared in Wes Anderson’s Rushmore, Luke Wilson co-starred in what Gillian Anderson called one of her favorite episodes of The X-Files. “Bad Blood” was a comedic take on the very different perspectives of Mulder and Scully, most memorably seen in the way that Gillian Anderson saw the episode’s guest star versus Mulder’s view of him (as seen in the video above). Bonus points for Wilson being a vampire.

14. OCTAVIA SPENCER // NURSE OCTAVIA IN “MILLENNIUM” (NOVEMBER 28, 1999)

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Blink and you might just miss Octavia Spencer. Thirteen years before she won a Best Supporting Actress Oscar for The Help, the actress had a tiny role—playing a nurse, also named Octavia—in The X-Files’ seventh season.

15. SETH GREEN // EMIL IN “DEEP THROAT” (SEPTEMBER 17, 1993)

Seth Green guest starred on the second episode of The X-Files as a teenage stoner who has his own theories about what the UFO he saw really is.

16. KATHY GRIFFIN // BETTY TEMPLETON/LULU PFEIFFER IN “FIGHT CLUB” (MAY 7, 2000)

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Kathy Griffin had audiences seeing double when she played doppelgängers who create mayhem whenever they’re in close proximity to each other.

17. DONAL LOGUE // SPECIAL AGENT TOM COLTON IN “SQUEEZE” (SEPTEMBER 24, 1993)

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Early on in the series, Donal Logue—as FBI Special Agent Tom Colton—pays a visit to Scully, his former colleague, to warn her what working with “Spooky” Mulder could do to her professional reputation. She seems to have survived the ordeal.

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11 Screenwriters Who Hated Their Own Movies
John Phillips, Getty Images
John Phillips, Getty Images

Even the most successful screenwriters don’t always get what they want after a film is completed. Here are 11 scribes who didn't hold back when it came to reviewing their own films.

1. QUENTIN TARANTINO // NATURAL BORN KILLERS (1994)

During the early 1990s, Quentin Tarantino sold his screenplay for Natural Born Killers to Oliver Stone and used the money to fund his debut film, Reservoir Dogs, which was released in 1992. Two years later, Stone released the film with Woody Harrelson and Juliette Lewis in starring roles.

While it was a box office hit, Tarantino despised the production because of the changes and alterations to much of his original content. "I hate that f*cking movie," Tarantino told The Telegraph in 2013. "If you like my stuff, don't watch that movie."

Years after its release, the producers of Natural Born Killers sued Tarantino when he tried to publish the original screenplay as a book, as he had done with his original script for True Romance. The producers believed that Tarantino forfeited his rights when he sold it to them, but a judge ruled in Tarantino's favor.

2. PAUL RUDNICK // SISTER ACT (1992)

During the late 1980s, playwright and novelist Paul Rudnick tried his hand at screenwriting between stage productions. He pitched Sister Act to Touchstone Pictures, which is owned by the Walt Disney Company, with Bette Midler in mind for the lead role. Though Midler passed on it, Whoopi Goldberg signed on to play the lovable lounge singer pretending to be a nun.

After months of rewrites and tedious studio notes, Rudnick was not happy with the final screenplay because it was nothing like what he originally wrote or intended the film to be. In fact, he was so unhappy with the movie that he asked Disney to remove his name and use the pseudonym “Joseph Howard” instead.

“Good or bad, it was no longer my work, so I asked to have my name removed from the credits,” Rudnick wrote in The New Yorker in 2009. “The studio was unhappy with that, and I got a series of urgent calls offering me a videocassette of the final cut and asking me to watch it and reconsider. I refused, because, even if the movie was terrific, it wasn’t my script ... Disney agreed that I could use a pseudonym, pending its approval.” He continued, “I can’t vouch for the original film, for one reason. Sister Act may very well be just fine, but I’ve never been able to watch it."

3. KURT SUTTER // PUNISHER: WAR ZONE (2008)

Before Marvel’s The Punisher made a comeback as a TV series on Netflix in 2017, Sons of Anarchy creator Kurt Sutter was hired to write a sequel to The Punisher starring Thomas Jane and John Travolta. In 2007, Sutter started writing a new script and wanted to ground the antihero in a grittier reality and move the character from Florida to New York City.

However, after Jane dropped out of the project, Marvel Studios wanted to start over with a new sequel that felt more like the comic book version of Frank Castle instead of the more realistic idea that Sutter envisioned. The end result was so far removed from what Sutter had written that he asked for his name to be removed from what would turn into Punisher: War Zone.

“I threw away the first draft written by Nick Santora and did a page one rewrite,” Sutter wrote of the project in 2008. “I changed the locations, the characters, the story. I dropped Frank in a real New York City with real villains, real cops, real relationships. To me, the Punisher deserved more than the usual comic book redress. It shouldn’t just follow the feature superhero formula. Apparently, I was the only one who shared that vision.”

4. AND 5. LANA AND LILLY WACHOWSKI // ASSASSINS (1995)

During the mid-1990s, Lana and Lilly Wachowski sold the screenplays for Assassins and The Matrix to producer Joel Silver for $1 million per film. Assassins was the first to go into production, and Richard Donner signed on to direct with Sylvester Stallone and Antonio Banderas attached to co-star.

Although Assassins was one of the hottest unproduced screenplays at the time (you can read the Wachowskis' original version here), Donner didn’t like the darker tone and artsy symbolism, so he hired screenwriter Brian Helgeland to do a page-one rewrite to make it into a standard action thriller instead. The Wachowskis were not happy with the decision to tone down their screenplay, so the siblings wanted their names to be taken off the project, but the Writers Guild of America denied their request.

“The film was not really based on the screenplay,” Lana said in a 2003 interview. “The one thing that sort of bothered us is that people would blame us for the screenplay and it’s like Richard Donner is one of the few directors in Hollywood that can make whatever movie he wants exactly the way he wants it. No one will stop him and that’s essentially what happened. He brought in Brian Helgeland and they totally rewrote the script. We tried to take our names off of it but the WGA doesn’t let you. So our names are forever there.”

If there’s a silver lining to this story it’s that the experience with Assassins led the Wachowskis to want more control over their work—so they decided to become directors; they made their directorial debut with Bound in 1996.

6. BRET EASTON ELLIS // THE INFORMERS (2008)

Although Bret Easton Ellis co-wrote the screenplay for the film adaptation for The Informers, from his own novel, the final cut was not exactly how he envisioned it. Ellis was upset that the tone of the story went from dark humor to something more melodramatic. He blamed Australian director Gregor Jordan for The Informers's missteps.

“You need [a director] who grew up around here,” Ellis said. “You also need someone with an Altman-esque sense of humor, because the script is really funny. The movie is not funny at all, and there are scenes in the movie that should be funny that we wrote as funny, and they’re played as we wrote them, but they’re directed in a way that they're not funny. It was very distressing to see the cuts of this movie and realize that all the laughs were gone. I think Gregor was looking at it as something else. I think we had this miscommunication during pre-production that it’s not supposed to be played like an Australian soap opera.”

In 2010, Ellis again commented on the woes of The Informers during a Q&A at the Savannah College of Art and Design, saying: “That movie doesn't work for a lot of reasons but I don't think any of those reasons are my fault."

7. KELLY MARCEL // FIFTY SHADES OF GREY (2015)

In early 2013, Universal Pictures acquired the film rights to E.L. James's bestselling novel, Fifty Shades of Grey. The studio envisioned a new film franchise and hired Saving Mr. Banks screenwriter Kelly Marcel to adapt the book. While the movie studio promised Marcel creative freedom to explore the book’s characters and themes, the author had the final approval over the screenplay, director, and cast. James was unhappy with Marcel’s work and wanted the movie to be more like her novel.

“I very much wanted to do something different with the screenplay, and when I spoke to the studio and the producers and made that quite clear, they were very enthusiastic about that and kind of loved the things I wanted to do,” she explained on the Bret Easton Ellis Podcast in 2015. “I wanted to remove a lot of the dialogue. I felt it could be a really sexy film if there wasn’t so much talking in it.”

Marcel didn’t return to write the film's sequels, Fifty Shades Darker and Fifty Shades Freed, and never even bothered to watch the original. “My heart really was broken by that process, I really mean it,” Marcel said. “I just don’t feel like I can watch it without feeling some pain about how different it is to what I initially wrote.”

8. JOE ESZTERHAS // JADE (1995)

During the 1990s, screenwriter Joe Eszterhas was the toast of Hollywood after Basic Instinct became a smash hit. His screenplays would sell for upwards of $4 million apiece, with Paramount Pictures acquiring the film rights to Jade for $1.5 million after Eszterhas turned in a mere two-page outline. However, after William Friedkin signed on to direct, the screenplay was completely changed with Friedkin doing an uncredited rewrite. Eszterhas was not happy that his work was butchered.

"I stared in disbelief," Eszterhas wrote in his autobiography, Hollywood Animal, about watching Jade for the first time. "I watched entire plot points and scenes and red herrings that weren't in my script. I heard dialogue that not only wasn't mine but was terrible to boot."

9. GORE VIDAL // CALIGULA (1979)

Although he was paid $200,000 for the screenplay for Caligula in 1979, novelist and screenwriter Gore Vidal was not happy with Penthouse Magazine founder and film producer Bob Guccione after he changed the film from a political satire to a $17 million piece of mainstream porn. Vidal was also very unhappy with the film’s director, Tinto Brass, with whom he had several clashes during production. Guccione sided with Brass and kicked Vidal off the set, while Vidal requested that his name be taken off the project altogether.

Eventually, Brass also walked off Caligula after butting heads with Guccione; Brass, too, asked for his name to be taken off the movie. The end result was Brass receiving a bizarre “Principal Photographer” credit, while Vidal got an even stranger “Based on an Original Screenplay by Gore Vidal” attribution.

“When I asked to see the first rushes, I was told by the Italian producer, ‘But, darling, you will hate them!,'" Vidal told Rolling Stone in 1980. "To which I said, ‘If Gore Vidal hates Gore Vidal's Caligula, who will like it?’ This was never answered. I quit the picture. Meanwhile, the director told the press that nothing of my script was left, except my name in the title.” Vidal later continued, “I threatened legal proceedings to remove the name. Finally, it was agreed that I would get no credit beyond a note that the screenplay was based upon a subject by Gore Vidal. But a fair amount of damage has been done.”

10. GUINEVERE TURNER // BLOODRAYNE (2005)

Screenwriter Guinevere Turner is mostly known for her thoughtful, character-driven movies like American Psycho, Go Fish, and The Notorious Bettie Page. She was even a staff writer and story editor on the hit Showtime TV series The L Word during the mid-2000s. With such an impressive resume, it was a little surprising that German director Uwe Boll, who is known as one of the worst directors of all time and the “schlock maestro” of movies like Alone in the Dark and Postal, commissioned Turner to write the film adaptation of the video game BloodRayne in 2005.

Turner wrote the screenplay in a few weeks and turned in a first draft to Boll, who was really excited about her work and decided to film it right away. However, he only ended up filming about 20 percent of the script and let the actors "take a crack at it" with improv and ad-lib work.

To no one’s surprise, BloodRayne turned out to be terrible, while Turner later said she was the only one “laughing out loud” during its premiere at Mann’s Chinese Theater in Los Angeles. “It’s like a $25 million movie, and it blows! I mean, it’s like the worst movie ever made,” she admitted in the Tales From The Script documentary.

BloodRayne was later nominated for two Golden Raspberry Awards for Worst Director and Worst Picture.

11. J.D. SHAPIRO // BATTLEFIELD EARTH (2000)

In 1997, John Travolta commissioned screenwriter J.D. Shapiro to adapt Scientology founder L. Ron Hubbard’s 1982 novel Battlefield Earth: A Saga of the Year 3000 for the big screen. Shapiro wrote a darker version of the novel, which resulted in him getting fired from the project altogether for refusing to change its tone.

However, much of what he wrote ended up in the final movie, so Shapiro ended up with a writer’s credit, much to his dismay. Battlefield Earth was released in the year 2000 and went on to be known as the worst movie of the decade. Shapiro even penned an open letter to apologize for his involvement.

"Let me start by apologizing to anyone who went to see Battlefield Earth,” he wrote in the New York Post in 2010. “It wasn’t as I intended—promise. No one sets out to make a train wreck. Actually, comparing it to a train wreck isn’t really fair to train wrecks, because people actually want to watch those."

Although Shapiro hated Battlefield Earth, he was a good sport about its failure. He even showed up to accept a Golden Raspberry Award for Worst Screenplay in 2001.

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David Lynch's Amazon T-Shirt Shop is as Surreal as His Movies
Dominique Faget, AFP/Getty Images
Dominique Faget, AFP/Getty Images

David Lynch, the celebrated director behind baffling-but-brilliant films like Eraserhead, Blue Velvet, Mulholland Drive, and Twin Peaks, is now selling his equally surreal T-shirts on Amazon.

As IndieWire reports, each shirt bears an image of one of Lynch’s paintings or photographs with an accompanying title. Some of his designs are more straightforward (the shirts labeled “House” and “Whale” feature, respectively, drawings of a house and a whale), while others are obscure (the shirt called “Chicken Head Tears” features a disturbing sculpture of a semi-human face).

This isn’t the first time Lynch has ventured into pursuits outside of filmmaking. Previously, he has sold coffee, designed furniture, produced music, hosted daily weather reports, and published a book about his experience with transcendental meditation. Art, in fact, falls a little closer to Lynch’s roots; the filmmaker trained for years at the Pennsylvania Academy of the Fine Arts before making his mark in Hollywood.

Lynch’s Amazon store currently sells 57 T-shirts, ranging in size from small to triple XL, all for $26 each. As for our own feelings on the collection, we think they’re best reflected by this T-shirt named “Honestly, I’m Sort of Confused.”

Check out some of our favorites below:

T-shirt that says "Honestly, I'm Sort of Confused"
"Honestly, I'm Sort of Confused"

Buy it on Amazon

T-shirt with a drawing of a sleeping bird on it
"Sleeping Bird"

Buy it on Amazon

T-shirt that says Peace on Earth over and over again. The caption is pretty on the nose.
"Peace on Earth"

Buy it on Amazon

T-shirt with an image of a screaming face made out of turkey with ants in its mouth
"Turkey Cheese Head"

Buy it on Amazon

T-shirt with an odd sculpted clay face asking if you know who it is. You get the idea.
"I Was Wondering If You Know Who I Am?"

Buy it on Amazon

T-shirt with an image of a sculpted head that is not a chicken. It is blue, though.
"Chicken Head Blue"

Buy it on Amazon

T-shirt with a drawing of a lobster on it. Below the drawing, the lobster is labeled with the word lobster. Shocking, I know.
"Lobster"

Buy it on Amazon

T-shirt with an abstract drawing of what is by David Lynch's account, at least, a cowboy
"Cowboy"

Buy it on Amazon

[h/t IndieWire]

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