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13 Riotous Facts About V For Vendetta

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Based on the classic dystopian graphic novel series by Alan Moore and David Lloyd, V for Vendetta starred Hugo Weaving as V, a Guy Fawkes mask-wearing anarchist intent on destroying British Parliament in a totalitarian England of the future. Along the way he saves Evey, played by Natalie Portman, and successfully draws her into his revolutionary plans.

Here are some facts about the movie to remember, particularly on the fifth of November.

1. THE GRAPHIC NOVEL WAS INSPIRED BY MARGARET THATCHER.

“Our attitude toward Margaret Thatcher’s ultra-conservative government was one of the driving forces behind the fascist British police state we created in Vendetta,” illustrator David Lloyd explained of his and Moore’s original story, which was written in the early 1980s. “The destruction of this system was V’s primary reason for existence.”

2. THE WRITER OF ROAD HOUSE GOT THE FIRST CRACK AT ADAPTING THE STORY.

Hilary Henkin (Road House, Romeo is Bleeding) wrote an early adaptation of the graphic novel, which was singled out as one of Hollywood's best unproduced scripts in a 1993 Los Angeles Times article. Her script was described as a “wild, over-the-top saga” and a cross between Les Misérables and A Clockwork Orange. In 1998, Henkin was nominated for an Oscar for co-writing Wag the Dog (1997).

3. ANDY AND LANA WACHOWSKI WROTE A SCRIPT FOR V FOR VENDETTA BEFORE THEY WORKED ON THE MATRIX TRILOGY.

The Wachowskis acquired the rights to V for Vendetta in the mid-1990s, then promptly wrote their own screenplay. After directing the three Matrix films, the Wachowskis weren’t interested in returning to directing right away, but they did make alterations to their Vendetta script, including moving the story forward in time and making Evey older.

4. IT WAS JAMES MCTEIGUE'S DIRECTORIAL DEBUT.

James McTeigue was first assistant director on the Matrix movies, as well as on Star Wars Episode II: Attack of the Clones (2002), and was picked by the Wachowskis to take charge. "A lot of the filmmaking process is about trust, and at the point that those guys said, 'We want you to direct it,' they were about trusting me to go off and give it the vision it needed to be directed with, so they kind of left me alone," said McTeigue. "They were there if I needed them, and sometimes I’d go, 'Hey, what do you think about this?' and they’d put their two cents worth in, and I could either take it on board or leave it at the door."

5. ALAN MOORE DECLINED TO WATCH THE FILM, OR BE CREDITED ON IT.

Moore had read the screenplay and considered it “rubbish.” Moore believed DC Comics and the film industry had knowingly stolen from him. Conversely, David Lloyd praised the movie moments after he had seen it for the first time, declaring it a “fantastic representation” of the work they did, according to McTeigue.

6. JAMES PUREFOY WAS FIRED AS V THREE WEEKS INTO FILMING.

James Purefoy (A Knight’s Tale, Resident Evil) was allegedly not a “dynamic enough presence” for the filmmakers. Purefoy denied rumors that his departure had anything to do with being uncomfortable wearing a mask all the time and swore that “it was genuine creative differences.” He was replaced by Hugo Weaving (The Adventures of Priscilla, Queen of the Desert, The Matrix), who broke the ice with Natalie Portman over a “very nice Thai meal.”

7. NATALIE PORTMAN AND JAMES MCTEIGUE DID SOME HOMEWORK.

McTeigue studied Gillo Pontecorvo's The Battle of Algiers (1966), which dived into the Algerian revolution against the French. Portman watched the documentary The Weather Underground (2002), about the late 1960s/1970s American radicals, as well as read the autobiography of former Israeli prime minister Menachem Begin, who was shaped by his imprisonment by Soviets, as well as Antonia Fraser’s Faith and Treason, a book on the Gunpowder Plot of 1605.

8. IT WAS MOSTLY FILMED IN GERMANY.

Producer Joel Silver claimed moving most of the production there was economically advantageous for the studio. V’s “Shadow Gallery” was filmed at Babelsberg Studio in the Berlin suburb of Potsdam, the site of Nosferatu (1922) and Metropolis (1927). John Hurt, who played High Chancellor Adam Sutler, found it “strange” to play an Adolf Hitler-type character in the middle of Berlin, sometimes in locations where Hitler gave speeches.

9. THE FILM RECEIVED UNPRECEDENTED PERMISSION TO CLOSE DOWN DOWNING STREET.

It took nine months of negotiating with 14 government departments for the filmmakers to gain permission to film on Whitehall, London's famous thoroughfare that runs from Trafalgar Square to the Parliament Buildings. The film shot three nights in a row between midnight and 5 a.m.

10. PORTMAN’S HEAD-SHAVING SCENE HAD TO BE SHOT IN ONE TAKE.

McTeigue utilized three cameras for the scene. "It was a one-shot deal, and that was the most stressful thing about the experience," said Portman. She also claimed that her shaved head made her more recognizable to onlookers.

11. THE CINEMATOGRAPHER DIED BEFORE THE FILM'S RELEASE.

Oscar-nominated cinematographer Adrian Biddle (The Princess Bride, Thelma and Louise) passed away on December 7, 2005, at the age of 53, following a heart attack. V for Vendetta, which was released in the U.S. on March 17, 2006, was his last movie.

12. IT TOOK 200 HOURS TO BUILD THE DOMINOES.

Four professional domino assemblers prepared the 22,000 dominoes in the Netherlands before the two-day shoot.

13. IT WAS SUPPOSED TO COME OUT IN TIME FOR GUY FAWKES DAY.

The plan was to release the film on November 5th—early trailers said to “remember, remember the 5th of November”—before it got delayed in post-production. Instead it came out on St. Patrick’s Day weekend, and was number one at the box office, making over $25.6 million in its first few days.

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Revisit Your Teen Years With Vintage Sweet Valley High Editions
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The '80s and '90s were a special time to be a reading-obsessed child. Young adult series like The Baby Sitter’s Club and Sweet Valley High were in their prime (and spawning plenty of spinoffs and blatant knockoffs), with numerous books a year—Sweet Valley High creator Francine Pascal published 11 books in her series in 1984 alone.

You can't find original Sweet Valley High books on the shelves anymore (unless you want to read the tweaked re-release versions published in 2008), but fans of Jessica and Elizabeth no longer have to trawl eBay looking for nostalgic editions of their favorite installments of the series. Always Fits, a website that sells gifts it describes as “nostalgic, feminine, feminist and wonderful,” has tracked down as many vintage teen series from the '80s and '90s as it can, including a number of Sweet Valley High books.

A stack of Sweet Valley High books
Always Fits

The collection of books was sourced by the Always Fits team from vintage shops and thrift stores, and covers editions released between 1983 and 1994 (the series ran until 2003). While you can’t get a shiny new copy of books like Double Love, you can pretend that the slightly worn editions have been sitting on the bookshelf of your childhood bedroom all along.

Each of the Sweet Valley High books comes with an enamel pin inspired by the cover for one of the series's classic titles, Secrets. Unfortunately, you can’t pick and choose which installment you want—you’ll have to content yourself with a mystery pick, meaning that you may get In Love Again instead of Two-Boy Weekend. Hopefully you’re not trying to fill in that one hole from your childhood collection. (You may not be able to get Kidnapped by the Cult!, but it appears that Crash Landing!, with its amazingly ridiculous paralysis storyline, is available.)

The Sweet Valley High book-and-pin set is $18, or you can get a three-pack of random '80s books for the same price.

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10 Things You Might Not Know About Love Connection
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Between September 19, 1983 and July 1, 1994, Chuck Woolery—who had been the original host of Wheel of Fortune back in 1975—hosted the syndicated, technologically advanced dating show Love Connection. (The show was briefly revived in 1998-1999, with Pat Bullard as host.) The premise featured either a single man or single woman who would watch audition tapes of three potential mates discussing what they look for in a significant other, and then pick one for a date. The producers would foot the bill, shelling out $75 for the blind date, which wasn’t taped. The one rule was that between the end of the date and when the couple appeared on the show together, they were not allowed to communicate—so as not to spoil the next phase.

A couple of weeks after the date, the guest would sit with Woolery in front of a studio audience and tell everybody about the date. The audience would vote on the three contestants, and if the audience agreed with the guest’s choice, Love Connection would offer to pay for a second date.

The show became known for its candor: Couples would sometimes go into explicit detail about their dates or even insult one another’s looks. Sometimes the dates were successful enough to lead to marriage and babies, and the show was so popular that by 1992, the video library had accrued more than 30,000 tapes “of people spilling their guts in five-minutes snippets.”

In 2017, Fox rebooted Love Connection with Andy Cohen at the helm; the second season started airing in May. But here are a few things you might not have known about the dating series that started it all.

1. AN AD FOR A VIDEO DATING SERVICE INSPIRED THE SHOW.

According to a 1986 People Magazine article, the idea for Love Connection came about when creator Eric Lieber spied an ad for a video dating service and wanted to cash in on the “countless desperate singles out there,” as the article states. “Everyone thinks of himself as a great judge of character and likes to put in two cents,” Lieber said. “There’s a little yenta in all of us.”

2. CONTESTANTS WERE GIVEN SOMETHING CALLED A PALIO SCORE.

Staff members would interview potential contestants and rate them on a PALIO score, which stands for personality, appearance, lifestyle, intelligence, and occupation. Depending on the results, the staff would rank the potential guests as either selectors or selectees.

3. IN 1987, THE FIRST OF MANY LOVE CONNECTION BABIES WAS BORN.

John Schultz and Kathleen Van Diggelen met on a Love Connection date, which didn’t end up airing. “They said, ‘John, she’s so flat, if you can’t rip her up on the set, we can’t use you,’” he told People in 1988. “I said, ‘I can’t do that.’” However, they got married on an episode of Hollywood Squares. As the article stated, “Their son, Zachary, became the first baby born to a Love Connection-mated couple.”

4. IT LED TO OTHER DATING SHOWS, LIKE THE BACHELOR.

Mike Fleiss not only created The Bachelor and The Bachelorette, but he’s also responsible for reviving Love Connection. “I always had a soft spot for that show,” Fleiss told the Los Angeles Times in 2017. He said he was friends with Lieber and that the show inspired him to “venture into the romance TV space.” “I remember it being simple and effective,” he said about the original Love Connection. “And I remember wanting to find out what happened on those dates, the he said-she said of it all. It was intriguing.”

5. A FUTURE ACTOR FROM THE SOPRANOS WAS A CONTESTANT.

Lou Martini Jr., then known as Louis Azzara, became a contestant on the show during the late 1980s. He and his date, Angela, hit it off so well that they couldn’t keep their hands off one another during the show. Martini famously talked about her “private parts,” and she referred to him as “the man of my dreams.” The relationship didn’t last long, though. “I had just moved to LA and was not ready to commit to anything long-term," Martini commented under the YouTube clip. "The show was pushing me to ask her to marry me on the show!" If Martini looks familiar it’s because he went on to play Anthony Infante, Johnny Sack’s brother-in-law, on four episodes of season six of The Sopranos.

6. BEFORE THE SHOW WENT OFF THE AIR, A LOT OF CONTESTANTS GOT MARRIED.

During the same Entertainment Weekly interview, the magazine asked Woolery what the show’s “love stats” were, and he responded with 29 marriages, eight engagements, and 15 children, which wasn’t bad considering 2120 episodes had aired during its entire run. “When you think that it’s someone in our office putting people together through questionnaires and tapes, it’s incredible that one couple got married, much less 29,” he said.

7. CHUCK WOOLERY WAS AGAINST FEATURING SAME SEX COUPLES.

In a 1993 interview with Entertainment Weekly, the interviewer asked him “Would you ever have gay couples on Love Connection?” Woolery said no. “You think it would work if a guy sat down and I said, ‘Well, so where did you meet and so and so?’ then I get to the end of the date and say, ‘Did you kiss?’ Give me a break,” he said. “Do you think America by and large is gonna identify with that? I don’t think that works at all.” What a difference a quarter-century makes. Andy Cohen, who is openly gay, asked Fox if it would be okay to feature gay singles on the new edition of Love Connection. Fox immediately agreed.

8. ERIC LIEBER LIKED THE SHOW’S “HONEST EMOTIONS.”

When asked about the show's winning formula, Lieber once said: “The show succeeds because we believe in honest emotions. And, admit it—we’re all a little voyeuristic and enjoy peeking into someone else’s life.”

9. IN LIVING COLOR DID A HILARIOUS PARODY OF THE SHOW.

In the first sketch during In Living Color's pilot—which aired April 15, 1990—Jim Carrey played Woolery in a Love Connection parody. Robin Givens (played by Kim Coles) went on a date with Mike Tyson (Keenan Ivory Wayans) and ended up marrying him during the date. (As we know from history, the real-life marriage didn’t go so well.) The audience had to vote for three men: Tyson, John Kennedy Jr., and, um, Donald Trump. Tyson won with 41 percent of the vote and Trump came in second with 34 percent.

10. A PSYCHOLOGIST THOUGHT THE SHOW HAD A “MAGICAL HOPEFULNESS” QUALITY.

In 1986, People Magazine interviewed psychologist and teacher Dr. Richard Buck about why people were attracted to Love Connection. “Combine the fantasy of finding the perfect person with the instant gratification of being on TV, and the two are a powerful lure,” he said. “There’s a magical hopefulness to the show.”

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