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Sanford Greene // Marvel Comics
Sanford Greene // Marvel Comics

The 4 Most Interesting Comics of the Week

Sanford Greene // Marvel Comics
Sanford Greene // Marvel Comics

Every week I write about the most interesting new comics hitting comic shops, bookstores, digital, and the web. Feel free to comment below if there's a comic you've read recently that you want to talk about or an upcoming comic that you'd like me to consider highlighting.

1. Power Man and Iron Fist #1

By David Walker, Sanford Greene and Lee Loughridge
Marvel Comics

Sanford Greene // Marvel Comics

Luke Cage and Danny Rand (a.k.a. Power Man and Iron Fist) are, along with Cage’s wife Jessica Jones, the backbone of Marvel’s new Netflix-verse of original programming. The pair have a long history together dating back to the late 1970s, when their flailing individual series were combined in order to stave off cancelation.

In recent years, the two characters have operated mostly separately—Danny in his own Iron Fist book, and Luke as the leader of The Mighty Avengers. This new Power Man & Iron Fist series comes with the added visibility provided by Cage’s appearance in Jessica Jones and his own upcoming show, but it is also led by an exciting creative team who are at a pivotal breakout point in their careers.

Writer David Walker took critics and fans by surprise with his 2014 comic adaption of Shaft for Dynamite Comics, which led to a job writing DC’s new Cyborg series. Sanford Greene, like Walker, has been working in comics for a number of years, but his star has been on the rise recently, especially after a turn on the Secret Wars tie-in Runaways. Both men are black, which is worth noting because comics publishers have a history of claiming diversity among their characters while still hiring white, male creators to work the books.

2. Frontier #11

By Eleanor Davis
Youth in Decline

Elanor Davis // Youth in Decline

Youth in Decline’s anthology Frontier dedicates each issue to one indie creator to tell a single-issue story, and their latest showcases one of its biggest contributors to date. Eleanor Davis is the New York Times bestselling author of 2014’s How To Be Happy. She is an accomplished and versatile cartoonist who has created award-winning comics for children as well as thought-provoking and challenging comics for adults.

“BDSM” in Frontier #11 tells a short story about two adult film actresses and deals with some thorny issues surrounding sexual submissiveness. Victoria and Lexa meet while filming an S&M video, and their attraction is apparent even as it blossoms in front of an all-male film crew who instruct them to degrade and hurt each other. Davis’s minimalist black-and-white art packs a lot of “acting” into each spare pen drawing, and the reader knows exactly what Vic and Lexa are really feeling even when they are trying not to show it.

Frontier #11 is available only through Youth in Decline’s website. For fans of up-and-coming indie cartoonists, it’s worth subscribing to this anthology because they have some really exciting contributors coming up.

3. Tomb Raider #1

By Mariko Tamaki, Philip Sevy and Michael Atiyeh
Dark Horse Comics

Dark Horse Comics

Tomb Raider continues to be a multimedia hit twenty years after the first video game turned its main character, Lara Croft, into a cultural icon. The newest game, Rise of the Tomb Raider, came out this past November, and Dark Horse has been steadily releasing tie-in comics. These have featured an impressive lineup of talented female writers, which is fitting for a character that has evolved from her original iteration as eye candy for boys into a legitimate feminist icon for girls.

Corinna Bechko, Rhianna Pratchett, and Gail Simone have all written for the comic, and this new series boasts a highly interesting and exciting choice: Mariko Tamaki, the award-winning writer of young adult graphic novels like Skim and This One Summer.

Tamaki is joined by artist Philip Sevy, a relative newcomer who brings some dynamic layouts. This issue sees Croft get caught up in search of a mushroom that can grant immortality (it may sound silly but it is played pretty straight in the comic). Tamara picks up some threads from the Rise of the Tomb Raider video game and builds on what Simone, Bechko, and Pratchet have been doing in the previous comics.

4. The Outside Circle

By Patti LaBoucane-Benson, Kelly Mellings and John Rauch
Anansi

Anansi

In The Outside Circle, Pete and his brother Joey are Canadian Aboriginals who are victims of a system that leaves them prone to the dangers of drug addiction and gang violence. When Pete is sent to jail for killing his mother’s abusive boyfriend in an act of self-defense, he sets into motion a series of events that lead both his and his brother’s life to ruin. As Joey ends up in a group home, Pete works his way towards rehabilitation through a traditional Native healing circle.

The fictional hardships Pete and Joey experience are based on years of true stories that writer Patti LaBoucane-Benson has encountered over the years working at the Native Counseling Services of Alberta. LaBoucane-Benson is Métis (Métis are indigenous Canadians of mixed First Nations and European ancestry), and this book is a result of her PhD study of a healing program for Aboriginal men. An academic study turned into a comic may not sound like exciting reading, but The Outside Circle holds together pretty well as a work of fiction thanks to the accomplished artwork of Kelly Mellings and John Rauch. The Outside Circle was released last year but may not have appeared in your local comic shop. It continues to be available on Amazon and elsewhere online.

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BEHROUZ MEHRI/AFP/Getty Images
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10 Amazing Facts About Stan Lee
BEHROUZ MEHRI/AFP/Getty Images
BEHROUZ MEHRI/AFP/Getty Images

Comic book legend Stan Lee’s life has always been an open book. The co-creator of some of the greatest superheroes and most beloved stories of all time has become just as mythical and larger-than-life as the characters in the panels. In 2015, around the time of Marvel’s 75th anniversary, Lee had the idea to reflect on his own life, as he said, “in the one form it has never been depicted, as a comic book … or if you prefer, a graphic memoir.”

The result, published by the Touchstone imprint of Simon & Schuster in 2015, was Amazing Fantastic Incredible: A Marvelous Memoir—which was written by Lee with Peter David and features artwork by cartoonist and illustrator Colleen Doran. Here are 10 things we learned about Lee, on his 95th birthday.

1. HIS WIFE IS ALSO HIS BARBER.

As a bit of a throwaway fact, Stanley Martin Lieber (Stan Lee) reveals the secret of his slicked back mane on the second page of his memoir. “My whole adult life, I’ve never been to a barber,” he writes. “Joanie always cuts my hair.”

2. HIS CONFIDENCE COMES FROM HIS MOTHER.

Amazing Fantastic IncredibleCourtesy POW! Entertainment[2].jpg

Stan Lee writes that as a child he loved to read books by Mark Twain, Sir Arthur Conan Doyle, Jules Verne, H.G. Wells, and others, and his mother often watched him read. “I probably got my self-confidence from the fact that my mother thought everything I did was brilliant.”

3. YOUNG STAN LEE WROTE OBITUARIES.

Before writing about the fantastic lives of fictional characters, Stan Lee wrote antemortem obituaries for celebrities at an undisclosed news office in New York. He says that he eventually quit that job because it was too “depressing.”

4. CAPTAIN AMERICA WAS HIS FIRST BIG BREAK.

A week into his job at Timely Comics, Lee got the opportunity to write a two-page Captain America comic. He wrote it under the pen name Stan Lee (now his legal name) and titled it "Captain America Foils the Traitor’s Revenge." His first full comic script would come in Captain America Issue 5, published August 1, 1941.

5. HE WROTE TRAINING FILMS FOR THE ARMY WITH DR. SEUSS.

After being transferred from the army’s Signal Corps in New Jersey, Lee worked as a playwright in the Training Film Division in Queens with eight other men, including a few who went on to be very famous: Pulitzer Prize-winning author William Saroyan, cartoonist Charles Addams (creator of The Addams Family), director Frank Capra (Mr. Smith Goes to Washington [1939] and It’s a Wonderful Life [1946]) and Theodor Geisel, better known as Dr. Seuss.

6. HE DEFIED THE COMICS CODE AUTHORITY WITH AN ANTI-DRUG COMIC.

In 1971, Lee received a letter from the Department of Health, Education, and Welfare asking him to put an anti-drug message in one of his books. He came up with a Spider-Man story that involved his best friend Harry abusing pills because of a break-up. The CCA would not approve the story with their seal because of the mention of drugs, but Lee convinced his publisher, Martin Goodman, to run the comic anyway.

7. AN ISSUE AT THE PRINTERS TURNED THE HULK GREEN.

The character was supposed to be gray, but Lee writes that the printer had a hard time keeping the color consistent. “So as of issue #2,” Lee writes, “with no explanation, he turned green.”

8. HIS WIFE DESTROYED HIS PRIZED TYPEWRITER.


Rich Polk/Getty Images for Entertainment Weekly

According to Lee, during an argument, Joanie destroyed the typewriter he used to write the first issues for characters including Spider-Man and The Fantastic Four. “This happened before eBay," he writes. "Too bad. I could’ve auctioned the parts and made a mint.”

9. A FIRE DESTROYED HIS INTERVIEWS AND LECTURES.

When Lee moved his family to Los Angeles, he set up a studio in Van Nuys where he stored videotapes of his talks and interviews, along with a commissioned bust of his wife. The building was lost to a blaze that the fire department believed was arson, but no one was ever charged with the crime.

10. HIS FAVORITE MARVEL FILM CAMEO WAS BASED ON ONE FROM THE COMICS.

Beginning with the first Spider-Man film in 2002, Stan Lee has made quick cameos in Marvel films as a service to the fans. He says that his appearance in Fantastic Four: Rise of the Silver Surfer (2007) was inspired by the story of Reed and Sue Richards’ wedding in Fantastic Four Annual Volume 1 #3, in which he and artist/writer Jack Kirby attempt to crash the ceremony but are thwarted.

All images courtesy of Touchstone unless otherwise noted.

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Space Goat Publishing
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These Evil Dead 2 Comics Will Look Groovy on Your Bookshelf
Space Goat Publishing
Space Goat Publishing

Bruce Campbell has been quoted as saying the gallons of fake blood poured into his face during filming of the 1987 cult classic horror film Evil Dead 2: Dead by Dawn led to a week of red-tinged mucus leaking out of his nostrils. Fortunately, no Campbells were harmed in the making of two new comic collections from Space Goat Productions that are now being funded on Kickstarter. The Evil Dead 2 Omnibus features over 300 pages of stories set in the Necronomicon-plagued universe featured in numerous comic book miniseries; The Art of Evil Dead 2 reveals never-before-seen production art from both the comics and ancillary projects.

The campaign is the latest from Space Goat, the Bellingham, Washington-based company that’s made a cottage (or cabin) industry from products spinning out of the Sam Raimi-directed film, which is celebrating its 30th anniversary this year. In addition to the new collections, the publisher has also issued an Evil Dead 2 coloring book; a comic where Campbell’s demon-fighting hero, Ash Williams, encounters Adolf Hitler; and a forthcoming board game where players can navigate Deadite threats while shaking their head at Ash’s questionable competency. (No matter the iteration, he seems ill-equipped to deal with the threat of his own possessed and lopped-off hand.)

According to Space Goat publisher Shon Bury, licensing the Evil Dead 2 property from rights holders StudioCanal in 2015 has been a buoy in navigating the difficult waters of comic book publishing. (Even Marvel, which rakes in billions through its film franchises, struggles to sell more than 60,000 to 70,000 copies of its most popular monthly titles.) One day into its Kickstarter launch, the Evil Dead titles had reached 50 percent of their $20,000 funding goal.

“It’s definitely our flagship on the publishing side,” Bury tells Mental Floss. “The board game is our top seller in the Evil Dead category, and the coloring book sells really well. They’re our evergreen products.”

The cover to 'The Art of Evil Dead 2' from Space Goat Publishing
Space Goat Publishing

Exploring Ash’s adventures in other media comes with a few caveats. While Space Goat is free to explore the characters and situations portrayed in Evil Dead 2, incorporating ideas from the rest of the series (including 1993’s Army of Darkness or the Starz series Ash vs. Evil Dead) is generally off-limits. And while the StudioCanal rights include a likeness of Campbell, the actor has veto power over how he’s depicted on the page. “For some reason, he doesn’t like the dimple on his chin to be drawn,” Bury says. “But he’s very insistent that the scar on his face from the movie is always there.”

Other actors featured in the film—like Richard Domeier, the future home-shopping host who portrayed “Evil Ed”—may not have granted their likeness rights, but his Deadite character design is part of the deal. “You want to inoculate the owner or licensor of the rights,” Bury says. “So we submit drawings and they might say, ‘No, too close to the actor.’”

That development process is part of what makes up The Art of Evil Dead 2, one-half of Space Goat’s current Kickstarter project that follows a successful Evil Dead 2 board game launch in 2016. The campaigns, Bury says, help target Ash fans with material that might not get enough attention if it were released directly to retailers. “Kickstarter is basically social media. It’s direct engagement, our way of saying to fans, ‘Hey, you’re really going to like this.’”

Bury expects fans to be just as enthused about Evil Dead 2: The Doppelganger Wars, a limited series due for release in 2018 that sees Ash and sidekick Annie Knowby enter the mirror dimension glimpsed at in Evil Dead 2 to discover the true origins of both the demon-summoning Necronomicon and the cult surrounding it. A meeting with H.P. Lovecraft may also be on deck, along with other narratives that would carry the license through the end of the publisher’s current agreement with StudioCanal in late 2019.

Still to be decided: whether Ash will ever encounter the werewolves of The Howling, Space Goat’s latest horror license. “Those conversations have occurred,” Bury says. “It would be a natural. But it’s also challenging because the royalties [for the licenses] double.” 

Digital versions of The Art of Evil Dead 2 and the Evil Dead Omnibus will be available to backers pledging $20 beginning in December. Softcover, hardcover, and Necronomicon slipcase editions ($30 and up) ship in May 2018. The Kickstarter runs through November 25.

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