What Happens to Films Selected for Preservation by the Library of Congress?

iStock
iStock

On Wednesday morning, the Library of Congress announced its latest slate of movies selected for permanent safekeeping in the National Film Registry. As always, the picks varied widely. The National Film Registry’s class of 2017 includes Dumbo (1941), The Goonies (1985), Die Hard (1988), Field of Dreams (1989), and Titanic (1997), plus the home movies of a Mexican-American family of life in Corpus Christi, Texas in the 1920s.

Originally established in 1988, the National Film Preservation Act tasks the board with selecting American films that are “culturally, historically, or aesthetically" significant. They can pick up to 25 per year, and the movies must be at least 10 years old. The National Film Preservation Board is made up of representatives from a number of industry organizations, including the Academy of Motion Picture Arts and Sciences, the Directors Guild of America, and the National Society of Film Critics. With the new selections, there are 725 films in the registry.

Selection for the registry is an honor, of course, but what does it mean beyond that? How does the Library of Congress, the U.S. legislature’s storage agency for documents and media, go about preserving movies?

According to Steve Leggett, program coordinator for the National Film Preservation Board, selection implores the Library of Congress to get the best possible copy of the film in its original format and store it in their vaults at the National Audio-Visual Conservation Center in Culpeper, Virginia. This ensures the film will be available to future generations.

For Hollywood movies, the process is usually pretty easy. “We simply ask the studio to donate a copy,” Leggett told Mental Floss in 2015. In some cases, that isn’t even necessary. The Library of Congress has more than 1 million films on file, many of them sent by studios or filmmakers for the sake of copyright registry. When the original Star Wars was selected in 1989, Leggett says, congressional librarians simply checked that the 35 millimeter print submitted with Lucasfilm’s copyright application was in good shape. It was, so no further action was needed.

For older and more esoteric selections like newsreels, silent films, documentaries, and early technical achievements in filmmaking, Leggett says the library often seeks out a copy from the community of preservationists. Universities, private foundations, and hobbyists that preserve old films might get a call from the Library of Congress if they have a good copy of a National Film Registry selection. In rare cases, the library will barter for the film, using redundant materials on its shelves. Other times, it will make a copy or pay the archivist to make a new 35 millimeter copy for them. The Culpeper facility stores nitrate prints, the original film stock for many early movies, in specialty lockers because the material is highly volatile and flammable.

Silent films can be tricky because studios often released, revised, and then re-released versions of the film. When one is selected, Library of Congress archivists collect as many aspects and versions of the film as they can, which might mean contacting several studios and archivists.

Of particular challenge in 2015 was the induction of Symbiopsychotaxiplasm: Take One, William Greaves’s quasi-documentary of his 1968 theatrical project staged in Central Park. The film was screened often through the years, as Greaves gained a cult following. It was released on DVD in 2006, but the National Film Preservation Act specified that the library should seek a copy in the original format, which it didn’t have. Leggett said Greaves’s 1968 original cut was “lost,” but the library worked with the late filmmaker's estate to create a new 35 millimeter version that resembled it.

The Audio-Visual Conservation Center itself, buried on a mountainside, has storage space controlled to stay cool and dry. “A film could survive for hundreds of years there,” Leggett says. He admits the audiovisual center wouldn’t survive a nuclear strike—in the event of World War III, the world might lose its best copy of Buster Keaton’s The General—“but it did survive an earthquake with all materials intact.”

5 Clues Daenerys Targaryen Will Die in the Final Season of Game of Thrones

HBO
HBO

by Mason Segall

The final season of HBO's epic Game of Thrones is hovering on the horizon like a lazy sun and, at the end of the day, fans have only one real question about how it will end: Who will sit the Iron Throne? One of the major contenders is Daenerys of the thousand-and-one names, who not only has one of the most legitimate claims to the throne, but probably deserves it the most.

However, Game of Thrones has a habit of killing off main characters, particularly honorable ones, often in brutal and graphic ways. And unfortunately, there's already been some foreshadowing that writers will paint a target on Daenerys's back.

5. THE PROPHECIES

Carice van Houten in 'Game of Thrones'
Helen Sloan, HBO

What's a good fantasy story without a few prophecies hanging over people's heads? While the books the show is based on have a few more than usual, the main prophecy of Game of Thrones is Melisandre's rants about "the prince that was promised," basically her faith's version of a messiah.

Melisandre currently believes both Daenerys and Jon Snow somehow fulfill the prophecy, but her previous pick for the position died a grisly death, so maybe her endorsement isn't a good sign.

4. TYRION'S DEMANDS FOR A SUCCESSOR

Peter Dinklage and Emilia Clarke in a scene from 'Game of Thrones'
HBO

A particular scene in season seven saw Tyrion advising Daenerys to name a successor before she travels north to help Jon. She challenges him, "You want to know who sits on the Iron Throne after I'm dead. Is that it?" But that's exactly it. Tyrion is more than aware how mortal people are and wants to take precautions. He's seen enough monarchs die that he probably knows what warning signs to look for.

3. A FAMILY LEGACY

David Rintoul as the Mad King in 'Game of Thrones'
HBO

Daenerys is the daughter of the Mad King Aerys II, a paranoid pyromaniac of a monarch. More than once, Daenerys has been compared to her father, particularly in her more ruthless moments. Aerys was killed because of his insanity and arrogance. If Daenerys starts displaying more of his mental illness, she might follow in his footsteps to the grave.

2. HER DRAGONS AREN'T INVINCIBLE

Emilia Clarke in 'Game of Thrones'
HBO

The fall and subsequent resurrection of the dragon Viserion was one of the biggest surprises of season seven. Not only did it destroy one of Daenerys's trump cards, but it proved that her other two dragons were vulnerable as well. Since the three-headed dragon is the sigil of her house, this might be an omen that Daenerys is next on the chopping block.

1. THAT VISION

Emilia Clarke in 'Game of Thrones'
HBO

All the way back in season two, Daenerys received a vision in the House of the Undying of the great hall in King's Landing ransacked and covered in snow. Before she could even touch the iron throne, she was called away by her dragons and was confronted by her deceased husband and son. This is a clear indication that she might never sit the throne, something that would only happen if she were dead.

10 Surprising Facts About Peter Dinklage

Larry Busacca, Getty Images for Sundance Film Festival
Larry Busacca, Getty Images for Sundance Film Festival

The modern man of Game of Thrones’s ancient world, the solitary railroad enthusiast of The Station Agent, the non-elf of Elf. Peter Dinklage is one of a kind. A leading man with strength, vulnerability, and a cartoonishly thick head of hair, he’s delivered a slew of memorable roles marked by a sardonic sense of humor.

He has also survived a seven-year bloodbath in Westeros. So far. We have to wait almost a year to learn his ultimate fate on Game of Thrones, but we can get to some facts about the Emmy and Golden Globe winner right now.

1. HIS FIRST TASTE OF ACTING CAME IN FIFTH GRADE.

Like more than a few of his colleagues, Peter Dinklage caught the acting bug as an adolescent, appearing in a lead role in a performance of The Velveteen Rabbit in fifth grade. “When you get your first solo bow, that feels pretty good,” Dinklage told People. Despite its lack of rabbits, he also credited watching Sam Shepard’s True West in 1984 as a major inspiration to pursue acting as a profession.

2. HE REFUSED TO PLAY STEREOTYPICAL ROLES—EVEN WHEN MONEY WAS TIGHT.

When Dinklage was surviving the salad days in a New York City apartment filled with rats, he had offers to play elves and leprechauns, but he turned down those paychecks out of principle. It created a short-term setback (at least when it came to paying rent), but his tenacity eventually paid off with roles like the one in Elf that challenged clichés. He was even careful when Game of Thrones came calling, recognizing the way dwarves normally look in fantasy projects. “[Tyrion Lannister’s] somebody who turned that on its head,” he told The New York Times. “No beard, no pointy shoes, a romantic, real human being."

3. HE WAS IN A PUNK-FUNK-RAP BAND.

What does that genre blend sound like? Hard to say, but the band was called Whizzy, and they played CBGB, where Dinklage got the notable scar along the side of his face. "I was jumping around onstage and got accidentally kneed in the temple," he told Playboy. "I was like Sid Vicious, just bleeding all over the stage. Blood was going everywhere. I just grabbed a dirty bar napkin and dabbed my head and went on with the show. We didn’t care much about personal safety."

4. HIS MOM TOLD HIM HE WAS GOING TO LOSE THE GOLDEN GLOBE TO GUY PEARCE.

Peter Dinklage in 'Game of Thrones'
HBO

Before Dinklage won the Golden Globe for Game of Thrones in 2012, he spoke with his mom back in New Jersey, who told him, “Have fun, but have you seen Mildred Pierce? Guy Pearce is so good. He’s gonna win.” He wryly noted how moms keep us all humble.

5. HE’S AN OUTSPOKEN VEGETARIAN.

Dinklage has been a vegetarian since childhood, and he has used his fame as a platform to speak out on animal rights issues. That includes telling Game of Thrones fans to stop adopting Huskies after the breed’s popularity (and abandonment rate) shot through the roof thanks to the show’s dire wolves.

6. HE STARRED IN THE SAME MOVIE TWICE.

In Death at a Funeral, Dinklage played Peter, the American man who surprises a family by showing up at the patriarch’s funeral claiming to be the old man’s lover. Directed by Frank Oz with a stellar British ensemble, the movie was popular enough to warrant an American remake, and Dinklage returned to play the same role with a completely different cast and Neil LaBute as director.

7. HE SAW A STRANGER DIE.

One morning in Los Angeles, Dinklage was walking down Melrose Avenue when he met eyes with a man on a motorcycle who pulled out into traffic, got hit by a car, and died. “It was in the morning, so there was no one around, you know?” he told Esquire. “It was empty, so there was this quiet moment where it was like I was the only person in the world who knew this guy was dead."

8. THE SWORD FIGHTS ON GAME OF THRONES DON’T MAKE HIM FEEL COOL.

Smiting foes on the field of battle would be enough to make a lot of actors feel powerful, but not Dinklage. “The fight scenes are all a big lie,” he told Playboy. “The whole time you’re trying not to get hit in the eye with a sword, and you wish you had on a welding helmet.” To drive the point home, he explained one shot where he cuts a knight’s leg off involved him swinging a blunt sword at a 70-year-old amputee.

9. HE GREW UP NEXT TO BRUCE SPRINGSTEEN’S MANAGER.

Dinklage's family’s next-door neighbor in Brookside, New Jersey, was The Boss’s manager, which meant Springsteen regularly played guitar just one house down. Dinklage’s parents also heard Springsteen play at a wedding in a surfboard factory but complained that he was “too loud.”

10. HE READS THE GAME OF THRONES SCRIPTS IN A SPECIAL WAY.

Actors Emilia Clarke, Sean Bean, and Peter Dinklage speak during the 'Game of Thrones' panel at the HBO portion of the 2011 Winter TCA press tour held at the Langham Hotel on January 7, 2011 in Pasadena, California
Frederick M. Brown, Getty Images

Specifically, he reads them backwards. “The first thing I really do when I get the scripts is I go to the last page of the last episode and then look backward until I find my name to see if I survive,” he told Entertainment Weekly.

SECTIONS

arrow
LIVE SMARTER