13 Fun Facts About Newhart

Shout! Factory
Shout! Factory

After six seasons of The Bob Newhart Show, the series’ titular, buttoned-down star wasn’t anxious to commit to another TV series. But once inspiration for an interesting premise struck him, and the right co-creator and team of writers came on board, Bob Newhart signed on to play Dick Loudon, a former New York City advertising exec who chucked it all and moved to Vermont with his wife to run a bed and breakfast while writing a series of how-to books on the side.

Newhart's ratings were strong enough after the second season for a third to be ordered, but the show's star and his staff knew some serious changes were needed if there was to be a fourth season. Luckily the network gave the series—which premiered 35 years ago—the necessary time to find its footing, and it continued on for a total of eight seasons, which culminated in one of the most memorable series finales in the history of the medium.

1. SOME ACTUAL HOTEL “PEOPLE WATCHING” INSPIRED THE SERIES.

Bob Newhart got the idea for Newhart while dining in the restaurant of a Hilton hotel in Seattle. After observing the various visitors for a while, he concluded that hotel guests are just as nonsensical as the patients Bob Hartley used to treat on The Bob Newhart Show. “I function well with a bunch of crazies around me I can react to,” Newhart told the Los Angeles Times in 2008. He pitched the idea to Barry Kemp, who’d previously worked as a writer on Taxi, and the two worked together on a pilot script. Kemp eventually suggested setting the show in Vermont; Newhart agreed, as “after you’ve done three or four rain jokes, you’ve kind of run out of material as far as Seattle is concerned.”

2. IF YOU’RE EVER IN VERMONT, YOU CAN SPEND THE NIGHT AT THE STRATFORD.

The exterior shots of the Stratford Inn are actually the Waybury Inn in East Middlebury, Vermont. It was built by John Foote in 1810 as a boarding house and tavern for local workers and stagecoach travelers passing through the Green Mountains. It’s still in business, complete with an autographed photo of Bob Newhart in the lobby and a few assorted props from the show on display.

3. MARY FRANN BALKED AT PLAYING THE SMILING, INDULGENT WIFE.

When Mary Frann was hired to play Joanna Loudon, Bob Newhart immediately took her aside and warned her, “You’re going to have a tough job because Suzy (Suzanne Pleshette, Newhart’s previous sitcom wife) and I, we had this wonderful rapport, and they’re going to compare you to it, and it’s going to be tough on you.” After a few seasons, Frann rebelled a bit against her restrictive “straight man” role by relentlessly mugging whenever she was on-camera. Sadly, her efforts had the opposite effect; Newhart would subtly distance himself from her and the camera would follow him.

4. BOB NEWHART AND TOM POSTON WERE OLD FRIENDS.

Tom Poston was a longtime personal friend of Bob Newhart’s who would occasionally pop up on The Bob Newhart Show as Bob’s old college roommate and partner-in-juvenile-pranks, “The Peeper.” Poston landed a regular co-starring role on Newhart as George Utley, the seemingly bumbling handyman who also exhibited unexpected moments of brilliant insight. Barry Kemp originally had Jerry Van Dyke in mind for the role of George, but in the end Newhart convinced Kemp that Poston, whose trademark was subtly underplaying a character, was a better overall fit for the character than Van Dyke’s broad style of comedy.

5. LARRY, DARRYL, AND DARRYL ARRIVED SOONER ON THE SCENE THAN YOU MAY REMEMBER.

The trio of backwoodsmen known as Larry, Darryl, and Darryl actually made their first appearance in the series’ second episode. Dick hired their “company,” Anything for a Buck, to unearth the 300-year-old body of a woman buried in the Stratford Inn’s basement. The audience’s reaction to the brothers did not go unnoticed by Newhart and co-creator Kemp, and they were one of the first additions to the regular cast when Newhart underwent a makeover after season two.

6. THE SHOW WASN’T AFRAID TO MAKE RADICAL CHANGES.

Newhart was one of the rare shows that actually improved after a major retooling and the addition of several new characters. Newhart himself has said that, in hindsight, part of the problem with the first two seasons was that there were two characters that weren’t really working: Kirk Devane (the owner of the Minuteman Café, played by Steven Kampmann) and Leslie Vanderkellen (the Stratford’s original maid, played by Jennifer Holmes). Holmes was the first casualty; her Leslie was a student at Dartmouth who was also an Olympic-caliber skier, and was frankly just too nice to be funny, so she was let go at the end of season one. Kirk’s shtick as a pathological liar became a little too one-note, and his lustful pursuit of Leslie had nowhere to go after her character was axed. The writers tried a few different story lines for Kirk, but nothing seemed to click and Kampmann’s contract was not renewed for season three.

The characters weren’t the only thing to change on Newhart. At the beginning of season two, they began recording the show on film rather than videotape (at Newhart’s request). Season three brought several more major changes, including the addition of brothers Larry, Darryl, and Darryl as the new owners of the Minuteman Café, and Leslie’s vain, spoiled cousin Stephanie Vanderkellen (Julia Duffy) as the hotel’s reluctant new maid.

The writers also decided that there weren’t unlimited laughs to be found in the publishing world, so in addition to writing how-to books, Dick Loudon began hosting a local talk show, Vermont Today. The producer of that show was uppity yuppie Michael Harris, played by Peter Scolari. The quirky new characters combined with the oddball talk show guests gave Newhart an element of surrealism reminiscent of Green Acres, and the previously middling ratings steadily improved.

7. THE STARS KNEW HOW TO GET THE AUDIENCE TO LAUGH WITH THEM AND AT THEM.

Unlike most sitcom stars, Newhart preferred to go out and do his own audience warm-up before each episode was filmed. It helped him keep in touch with his stand-up roots and relieved any pre-show jitters. Tom Poston had his own crowd-bonding ritual: he would purposely blow a line in his first scene and then utter an expletive. The studio audience would roar with laughter, and he would consider them sufficiently “loose” enough to appreciate the rest of the show.

8. “LARRY” WORE A LUCKY QUARTER IN HIS EAR.

William Sanderson, who played Larry, graduated from Memphis State University with a BBA and JD, but the acting bug bit him before he sat for the bar exam. Despite this educational pedigree, Sanderson remained very much a good ol’ Memphis boy at heart. While working on Newhart he sipped Jack Daniels and read the Bible in his dressing room between takes, and he constantly chewed tobacco. He had a habit of leaving his spittle cups all over the set, to the disgust of his co-workers.

The part of Larry was actually written with veteran character actor Tracey Walter in mind, but Walter was asked to audition for the role and in the end Sanderson (who had worked with Walter in Coal Miner’s Daughter) managed to steal the part away from him. Sanderson partially attributed his success to the lucky coin he’d worn in his ear at the audition (and which he continued to wear while in character), because he’d done the same when he had auditioned for Coal Miner’s Daughter.

9. THE DARRYLS WEREN’T ALLOWED TO SPEAK TO THE PRESS.


Shout! Factory

Tony Papenfuss (First Darryl) and John Voldstad (Second Darryl) are both classically trained actors who had years of stage experience on their resumes when they landed their Newhart parts. Both actors’ agents actually advised them against accepting the roles, since they were non-speaking parts. (Did they mind never getting to talk? “They never said anything to me about it,” Sanderson told PennLive.com in 2015.) One aspect the duo was less enthusiastic about was the fact that MTM Enterprises, who owned the characters, would not let the actors appear in public in character, nor were they allowed to talk to the press.

10. ART IMITATED LIFE IN AT LEAST ONE EPISODE.

Steven Kampmann lived in Vermont for several years after graduating from the University of Pennsylvania. While still working on Newhart, he talked to the writers about an article he’d read in the Burlington Free Press about recent UFO sightings in Richford, Vermont. That news story was the basis for the season one episode entitled “Heaven Knows Mr. Utley.” Interestingly enough, that area of Vermont is still reportedly being visited by extra-terrestrials.

11. BOB NEWHART PREFERRED A LESS IS MORE APPROACH.

Bob Newhart was reportedly as laid back in real life as his character appeared to be on the show. Watch carefully and you’ll notice that in most scenes he remains fairly stationary, either standing behind the check-in desk or sitting down on the sofa. He preferred to let the other cast members do all the walking around; the less he had to do, other than delivering his lines, the better. He also didn’t waste time once the final “Cut!” was called; he traditionally left the set once filming wrapped and headed straight for home while still wearing his stage wardrobe. Someone from the wardrobe department would stop by the Newhart home later and collect “Dick’s” clothes and return them to the studio.

12. NEWHART’S WIFE WAS ALLEGEDLY THE GENIUS BEHIND THAT CLASSIC CLOSING SCENE.

Newhart writer Dan O’Shannon has gone on record disputing the story, but both Bob Newhart and Suzanne Pleshette have explained the genesis for the final episode as follows: At the end of season six, Bob Newhart was seriously considering calling it quits with the series. He was unhappy with CBS over several issues and felt that he and his crew weren’t being treated fairly. He and his wife, Ginny, were at a Christmas party when he finally voiced his intention to quit aloud. Ginny quickly suggested that he should end the show on a dream sequence, since there were so many inexplicable things about the show: “You should wake up in bed with Suzy and explain that you’d had a dream about owning an inn.”

As luck would have it, Suzanne Pleshette was at the same party and Bob was able to discuss the idea with her later that evening. She immediately agreed, but ended up waiting two more years to do it since Newhart settled his issues with CBS and stayed with the show for two more seasons.

13. THE CLOSING SCENE WAS THE RESULT OF A MASTERFUL STEALTH OPERATION.

The filming of that classic scene in the series finale was conducted with the utmost secrecy. A fake final act was written and included in the script given to the rest of the cast. The Hartleys’ Chicago bedroom set was built on a separate stage and Suzanne Pleshette was confined to a dressing room for six hours so that no one would see her. There was no rehearsal for scene, and the rest of the cast wasn’t let in on the secret until 20 minutes before it was actually filmed. After that slice of television history was in the can, Suzanne slipped out quietly without attending the wrap party, even though she had been invited. She later stated that she would have felt uncomfortable, particularly around Mary Frann, since that concluding scene basically negated every previous episode of the series.

Additional sources: Chicago Tribune, February 3, 1985 Orange Coast Magazine, February 1987 Emmy TV Legends interview with Suzanne Pleshette
Telephone interview with Terry Bolo, Julia Duffy's stand-in for six seasons

8 Surprising Facts About Eddie Murphy

David Shankbone via Flickr // CC BY 2.0, Wikimedia Commons
David Shankbone via Flickr // CC BY 2.0, Wikimedia Commons

Few entertainers have enjoyed the kind of success comedian Eddie Murphy has had. Born in Brooklyn, New York on April 3, 1961, Murphy originally found fame on Saturday Night Live, then went on to dominate the box office throughout much of the 1980s with hits like 48 Hrs., Trading Places, Beverly Hills Cop I and II, The Golden Child, Eddie Murphy: Raw, and Coming to America, which went unrivaled in Hollywood. Switching from his trademark role of a streetwise, fast-talking fish out of water, Murphy moved on to a string of successful family comedies (The Nutty Professor, Doctor Dolittle) in the 1990s and beyond.

Having taken some time off following the lukewarm reception to Bruce Beresford's 2016 drama Mr. Church, in which Murphy starred, the 58-year-old is coming back into the spotlight with the Netflix biopic Dolemite Is My Name, a return to Saturday Night Live (on December 21), and a sequel to Coming to America (coming in December 2020). The actor also plans on a return to stand-up comedy after a 32-year hiatus. In the meantime, check out some lesser-known facts about Murphy’s life and career, including his plans for a cartoon series and an idea to cross paths with Crocodile Dundee.

1. Eddie Murphy wasn’t always live on Saturday Night Live.

Eddie Murphy stars in 'Dolemite Is My Name' (2019)
Eddie Murphy stars in Dolemite Is My Name (2019).
François Duhamel, Netflix

After enjoying success as a stand-up comedian, Murphy arrived on Saturday Night Live in 1980 at age 19, where he spent four seasons drawing renewed interest to the show that had once been declared “Saturday Night Dead” by critics following the departure of original cast members Bill Murray, Dan Aykroyd, and John Belushi, and series creator Lorne Michaels. By the time Murphy was ready to depart the show in 1984 to pursue feature films—1982’s 48 Hrs. and 1983’s Trading Places had been hits—SNL's producers were so desperate to hold on to their star attraction that they offered Murphy a deal to essentially stick around for a portion of the 1983-1984 season. Murphy would appear live in studio in 10 of the 20 scheduled shows and tape 15 sketches that they could insert throughout the season.

“We basically just did a private show that was one Eddie sketch after another that we taped with a studio audience,” writer Pam Norris told Tom Shales and James Andrew Miller for their 2002 book, Live From New York: The Complete, Uncensored History of Saturday Night Live as Told by Its Stars, Writers, and Guests. “And then those were later put into the shows.”

2. Eddie Murphy hosted Saturday Night Live while he was still a cast member.

Before departing SNL, Murphy was scoring box office hits, including his debut in 1982’s 48 Hrs. His co-star, Nick Nolte, was scheduled to host SNL on December 11 to promote that film. When Nolte fell ill the week of the show, Murphy was selected to host at the last minute—the only time a then-current cast member took over hosting duties. “This summer, Nick and I had the opportunity to work together in a motion picture called 48 Hrs.,” Murphy told the audience during his introduction. “Uh, Nick and I grew together, and Nick taught me a lot about myself, and a lot about acting, and he’s a real great guy. You know, we were sitting around in Paramount’s lot this summer, and I said, ‘Nick, why don’t you come and host Saturday Night Live?’ and he said, ‘Yeah, sure, Eddie, anything for you.’ That’s the kind of guy Nick was. When Nick got here, got off the plane, he vomited on my shirt. And we realized Nick was too sick to do the show. And that’s too bad, because Nick was gonna be in some real great stuff tonight. But I know you folks tuned in to see one of the stars of 48 Hrs. host the show, and dammit, you’re gonna see it. ‘Cause I’m gonna host the show. Live, from New York, it’s the Eddie Murphy Show!”

3. Fred Rogers liked Eddie Murphy’s impression of him.

While on Saturday Night Live, Murphy repeatedly returned to a sketch character named Mister Robinson, a less-than-wholesome version of Mister Rogers. Rather than be dismayed by the parody, Rogers was reportedly very amused by it. He once visited Murphy at Rockefeller Center where SNL was broadcast and met Murphy in his dressing room to congratulate him on the character.

4. There was almost an Eddie Murphy Saturday morning cartoon.

In 1987, at the height of Murphy’s powers in the entertainment industry, he was nearly granted one of the biggest honors of any performer: his own Saturday morning cartoon series. Murphy was reportedly in discussions with Hanna-Barbera for a series—the premise was never disclosed—that would presumably have offered a G-rated interpretation of his comic sensibilities.

The idea was not without precedent. One of Murphy’s comic inspirations, the similarly adult-oriented Richard Pryor, headlined Pryor’s Place, a children's show that ran on CBS for one season beginning in 1984. The untitled Murphy production never saw the light of day, though Murphy did eventually find his way back in the Hanna-Barbera fold. He was set to voice the title character in Hong-Kong Phooey, a live-action and computer-animated adaptation of the ‘70s cartoon featuring a martial arts-proficient dog, in 2011. That project was also shelved.

5. Eddie Murphy’s Beverly Hills Cop character almost met Crocodile Dundee.

Eddie Murphy stars in 'Beverly Hills Cop' (1984)
Eddie Murphy stars in Beverly Hills Cop (1984).
Paramount Home Entertainment

Released in 1984, Beverly Hills Cop was a gigantic hit, with its $235 million in ticket sales beating even Ghostbusters to become America's highest grossing film of the year. Murphy starred as Axel Foley, a Detroit police detective whose investigation of his friend’s murder leads him to a culture clash in Beverly Hills. The film spawned two sequels in 1987 and 1994. For the third installment, Paramount kicked around the idea of teaming Murphy’s Foley with Paul Hogan’s Crocodile Dundee character, the star of his own fish-out-of-water franchise. The idea was suggested by Brandon Tartikoff, Paramount’s then-president. Another idea would have Foley in London and working with a Scotland Yard inspector played by Sean Connery. The 1994 film ultimately featured Foley attempting to solve his boss’s murder and chasing a lead back to an amusement park in California.

6. Eddie Murphy shot a Beverly Hills Cop television pilot.

Though the Beverly Hills Cop sequels were not as well-received as the original, the role was still important to both Paramount and Murphy. In 2013, the studio launched a pilot for a television series that would see Foley become the chief of police in Detroit and spar with his cop son, Aaron Foley (Brandon T. Jackson). Murphy appeared in the pilot and was expected to recur throughout the series, but CBS failed to pick it up. Murphy is now expecting to shoot a fourth Beverly Hills Cop feature film once he finishes the Coming to America sequel.

7. Eddie Murphy has a deep vault of music he’s recorded.

Though he drew a mixed response to his musical albums in the 1980s, Murphy has never stopped recording music. Following the release of “Party All the Time,” the performer has been steadily using home recording studios to produce material. Speaking with Netflix’s Present Company podcast in 2019, Murphy said there are a lot of songs left unreleased. “I’ve never stopped doing music … I stopped putting it out, though, because the audience gets weirded out by it. And I don’t want to be that guy.”

8. Barack Obama may have gotten him back into stand-up.

Murphy is expected to return to stand-up comedy beginning in 2020, a move that may be the result of a massive $70 million Netflix deal. But according to Murphy, resuming that career might be the product of a meeting with Barack Obama. He met up with the President in 2015, when Murphy was accepting the Mark Twain Prize for American Humor. Obama asked when he would be doing comedy again. “When you go into the Oval Office and the President asks when you are doing stand-up, it’s time to do some jokes,” Murphy said.

15 Fascinating Facts About Candyman

PolyGram Filmed Entertainment
PolyGram Filmed Entertainment

Helen Lyle (Virginia Madsen) is a Chicago graduate student with a deep fascination with urban legends, which she and her friend Bernadette (Kasi Lemmons) are using as the basis for a thesis project. After they stumble across the local legend of Candyman, a well-to-do black artist who fell in love with a white woman in the late 1800s and was murdered for it, Helen wants to learn more. When she’s told that Candyman still haunts Chicago's Cabrini-Green housing project, and that his spirit can be summoned by repeating his name into a mirror five times, Helen does just that … and all hell breaks loose.

What began as a low-budget indie film has morphed into a contemporary classic of the horror genre, and essential Halloween viewing. In 1992, English filmmaker Bernard Rose—who got his start working as a gopher on The Muppet Show—turned Clive Barker’s short story “The Forbidden” into Candyman. Here are 15 things you might not have known about Candyman.

1. Eddie Murphy was considered for the lead in Candyman.

Though the role of Candyman turned Tony Todd into a horror icon, he wasn’t the only actor in consideration for the film’s title role: Eddie Murphy was also reportedly a contender for the part. Though it’s unclear exactly why he wasn’t cast, sources have reported that it had to do with everything from his height (at 5 feet 9 inches, he wouldn’t seem nearly as intimidating as the 6-foot-5 Todd) to his salary demands.

2. An unexpected pregnancy landed Virginia Madsen the lead.

Virginia Madsen stars in 'Candyman'
PolyGram Filmed Entertainment

When asked by HorrorNewsNetwork about how she got the role of Helen in Candyman, Virginia Madsen shared that it was almost by accident: She was supposed to play Bernie, Helen’s friend and classmate, the role that eventually went to Kasi Lemmons.

“I was actually very good friends with Bernard [Rose] and his wife Alexandra,” Madsen said. “She is a wonderful actress, who actually brought Clive Barker’s short story ‘The Forbidden’ to her husband. She thought this would be a great film, and he could direct her. She was supposed to be Helen. I was going to play [Kasi Lemmons'] part, until they made the character African American. Then I was out.

“Right before shooting, Alexandra found out she was pregnant. It was great for me, but it was so sad for her because this was her role; she found this story and really wanted it. So when I was asked to step in I felt like ‘I can’t take my friend’s role.’ She actually came over one day and said ‘It would just kill me to see someone else play this role, you have to be the one who plays it.’ So with her blessing I took on the role. I really tried to work my butt off just to honor her.”

3. Candyman could have starred Sandra Bullock.

On the film’s DVD commentary, producer Alan Poul said that had Madsen been unable to step into the role of Helen, the part would have likely been offered to Sandra Bullock, who was still a relative unknown actress at that point. Though she had played the role of Tess McGill in the television adaptation of Working Girl, she was still a couple of years away from Speed (1994), the role that launched her into stardom.

4. Candyman's title sequence was groundbreaking.

The film’s opening credits feature a great aerial view of Chicago, which was pretty revolutionary for its time. “We did that with an incredible new machine called the Skycam, which can shoot up to a 500mm lens with no vibration,” Rose told The Independent. “You've never seen that shot before, at least not done that smoothly.”

5. Not all of the film's creepy details sprung from Clive Barker's imagination.

While investigating one of Candyman’s crime scenes, Helen and Bernie discover that the design of the apartment’s medicine cabinet made it a possible point of entry for an intruder. This was not a made-up piece of horror movie fiction: While researching the film, Rose learned that a series of murders had been committed in Chicago in this very way.

6. Bernard Rose sees Candyman as a romantic figure.

Tony Todd stars in 'Candyman'
PolyGram Filmed Entertainment

Viewers may think of Candyman as one of the horror genre’s most terrifying villains, but Rose said that “the idea always was that he was kind of a romantic figure. And again, romantic in sort of the Edgar Allan Poe sense—it's the romance of death. He's a ghost, and he's also the resurrection of something that is kind of unspoken or unspeakable in American history, which is slavery, as well. So he's kind of come back and he's haunting what is the new version of the racial segregation in Chicago.

“And I think there's also something very seductive and very sweet and very romantic about him, and that's what makes him interesting. In the same way there is about Dracula. In the end, the Bogeyman is someone you want to surrender to. You're not just afraid of. There's a certain kind of joy in his seduction. And Tony was always so romantic. Tony ties him in so elegantly and is such a gentleman. He was wonderful.”

7. The bees in the film were bred specifically to appear onscreen.

No, that is not CGI! The bees that play a key role in Candyman are indeed real. So that they looked appropriately terrifying, but were less dangerous to the cast and crew, the filmmakers used newborn bees—they were just 12 hours old—so that they looked fully grown, but had less powerful stingers.

8. Tony Todd was stung 23 times, and got a bonus each time it happened.

Photo of Tony Todd in 'Candyman'
PolyGram Filmed Entertainment

In addition to allowing the filmmakers to cover his face with bees, Todd actually agreed to film a scene in which he had a mouthful of bees—and that, too, was all real. He told TMZ that he wore a dental dam to prevent any bees from sliding into his throat—which doesn’t mean that he didn’t suffer a sting or two … or 23, to be exact, over the course of three Candyman movies. Though it might have been worth it. “I had a great lawyer,” he told TMZ. “A thousand dollars a pop.”

9. The bees weren't great news for Virginia Madsen.

Madsen, too, had to get up close and personal with those bees—a fact that almost forced her to pass on the role. “When Bernie was first asking me to do the role I said, ‘Well, I can’t. I’m allergic to bees,’” she told HorrorNewsNetwork. “He said ‘No you’re not allergic to bees, you’re just afraid.’ So I had to go to UCLA and get tested because he didn’t believe [me]. I was tested for every kind of venom. I was far more allergic to wasps. So he said, ‘We’ll just [have] paramedics there, it will be fine!’ You know actors, we’ll do anything for a paycheck! So fine, I’ll be covered with bees.

“So we a had a bee wrangler and he pretty much told us you can’t freak out around the bees, or be nervous, or swat at them, it would just aggravate them. They used baby bees on me. They can still sting you, but are less likely. When they put the bees on me it was crazy because they have fur. They felt like little Q-tips roaming around on me. Then you have pheromones on you, so they’re all in love with you and think you’re a giant queen. I really just had to go into this Zen sort of place and the takes were very short. What took the longest was getting the bees off of us. They had this tiny ‘bee vacuum,’ which wouldn’t harm the bees. After the scene where the bees were all over my face and my head, it took both Tony and I 45 minutes just to get the bees off. That’s when it became difficult to sit still. It was cool though, I felt like a total badass doing it.”

10. Philip Glass composed the score, but was disappointed in the movie.

When Philip Glass signed on to compose the score for Candyman, he apparently envisioned the final film being something totally different. According to Rolling Stone, “What he'd presumed would be an artful version of Clive Barker's short story ‘The Forbidden’ had ended up, in his view, a low-budget slasher.” Glass was reportedly disappointed in the film, and felt that he had been manipulated. Still, the haunting music is considered a classic score—and Glass’s own view of it seems to have softened over time. “It has become a classic, so I still make money from that score, get checks every year,” he told Variety in 2014.

11. Many of the film's scenes were shot at Cabrini-Green.

In 2011, the last remaining high-rise in the Cabrini-Green housing project was demolished. Over the years, the property—which opened in 1942—gained a notorious reputation around the world for being a haven for violence, drugs, gangs, and other criminal activities. While the project’s real-life history weaves its way into the narrative of Candyman, it only makes sense that Rose would want to shoot there. Which he did. But in order to gain permission to shoot on location, he had to agree to cast some of the residents as extras.

“I went to Chicago on a research trip to see where it could be done and I was shown around by some people from the Illinois Film Commission and they took me to Cabrini-Green,” Rose said. “And I spent some time there and I realized that this was an incredible arena for a horror movie because it was a place of such palpable fear. And rule number one when you're making a horror movie is set it somewhere frightening. And the fear of the urban housing project, it seemed to me, was actually totally irrational because you couldn't really be in that much danger. Yes, there was crime there, but people were actually afraid of driving past it. And there was such an aura of fear around the place and I thought that was really something interesting to look into because it's sort of a kind of fear that's at the heart of modern cities. And obviously, it's racially motivated, but more than that—it's poverty motivated.”

12. Candyman's producers were worried that the movie would be considered racist.

During pre-production, Candyman’s producers began to worry that the film might draw criticism for being racist, given that its villain was black and it was largely set in an infamous housing project. “I had to go and have a whole set of meetings with the NAACP, because the producers were so worried,” Rose told The Independent. “And what they said to me when they'd read the script was 'Why are we even having this meeting? You know, this is just good fun.' Their argument was 'Why shouldn't a black actor be a ghost? Why shouldn't a black actor play Freddy Krueger or Hannibal Lecter? If you're saying that they can't be, it's really perverse. This is a horror movie.'”

13. Still, some filmmakers complained that it was racist.

In a 1992 story in the Chicago Tribune, some high-profile black filmmakers expressed their disappointment that the film seemed to perpetuate several racist stereotypes. “There’s no question that this film plays on white middle-class fears of black people,” director Carl Franklin (Out of Time, Devil in a Blue Dress) said. “It unabashedly uses racial stereotypes and destructive myths to create shock. I found it hokey and unsettling. It didn't work for me because I don’t share those fears, buy into those myths.”

Reginald Hudlin, who directed House Party, Boomerang, and Marshall, described the film as “worrisome,” though he didn’t want to speak on the record about his specific issues with the film. “I've gotten calls about [the movie], but I think I'm going to reserve comment,” he said. “Some of my friends are in it and I may someday want to work for TriStar.”

For Rose, those assessments may have been hard to hear, as his goal in adapting Barker’s story and directing it was to upend the myths about inner cities. “[T]he tradition of oral storytelling is very much alive, especially when it's a scary story,” he told The Independent. “And the biggest urban legend of all for me was the idea that there are places in cities where you do not go, because if you go in them something dreadful will happen—not to say that there isn't danger in ghettos and inner city areas, but the exaggerated fear of them is an urban myth.”

14. Candyman is still the role that Virginia Madsen is most recognized for (especially at airports).

Kasi Lemmons and Virginia Madsen in 'Candyman'
PolyGram Filmed Entertainment

Though she earned a Best Supporting Actress nomination in 2005 for Alexander Payne’s Sideways, in 2012 Madsen said that Candyman is still the role she is most recognized for—especially at airports.

“More people recognize me from that movie than anything I’ve done,” she told HorrorNewsNetwork. “It means a lot to me. It was after years of struggling. As an actor, you always want a film that’s annual, like It’s a Wonderful Life or A Christmas Story. I just love that I have a Halloween movie. Now it’s kind of legend this story. People have watched it since they were kids, and every Halloween it’s on, and they watch it now with their kids. That means a lot to me. The place I get recognized the most is the airport security for some reason. Every person in airport security has seen Candyman. Maybe it makes them a little afraid of me.”

15. There was an actual Candyman killer.

Though the Chicago-based legend of Candyman is a work of fiction, there was an actual serial killer known as “Candyman” or “The Candy Man.” Between 1970 and 1973, Dean Corll kidnapped, tortured, and murdered at least 28 young boys in the Houston area. Corll earned his sweet nickname from the fact that his family owned a candy factory.

SECTIONS

arrow
LIVE SMARTER