Every time we so much as touch a toe out of state, I’ve put cemeteries on our travel itinerary. From garden-like expanses to overgrown boot hills, whether they’re the final resting places of the well-known but not that important or the important but not that well-known, I love them all. After realizing that there are a lot of taphophiles out there, I’m finally putting my archive of interesting tombstones to good use.
Two hundred and thirteen years ago, a lifetime of political slights and injuries came to a head when Alexander Hamilton and Aaron Burr dueled in Weehawken, New Jersey, on July 11, 1804. Thanks to that catchy little Broadway musical by Lin-Manuel Miranda, you probably know how the story ends: Burr fired a single bullet that killed Hamilton and his own political career all in one fell swoop.
Burr made himself scarce for years after the infamous incident, fleeing the country for various locations in Europe before settling back in the U.S. under an assumed name. (In addition to killing Hamilton, Burr also had a pesky treason charge hanging over his head.) Hamilton, however, has been pretty easy to find: For more than two centuries, he's been resting at the Trinity Church cemetery at Broadway and Wall Street in Manhattan. And George Washington's right-hand man had quite a few visitors—especially the day of his funeral.
The final farewell to Hamilton was extremely well attended; it probably helped that New York City declared July 14 a city-wide day of mourning. During the funeral procession from Angelica and John Church’s house (on what is now Park Place) to Trinity Church, “the sidewalks were congested with tearful spectators, and onlookers stared down from every rooftop,” wrote Hamilton biographer Ron Chernow. “There were no hysterical outbursts, only a shocked hush that deepened the gravity of the situation.”
After a eulogy delivered by Gouverneur Morris, Hamilton’s friend and the author of the preamble to the Constitution, Hamilton was laid to rest—but not beneath the grand grave marker that denotes his final resting place now. The large tomb, topped with an urn at each corner and an obelisk in the middle, was donated in 1806 by the Society of the Cincinnati, a Revolutionary War fraternal group of which Hamilton was President General.
It seems obelisks were a common theme for memorializing Hamilton. Another organization Hamilton belonged to, the Saint Andrew’s Society, had a 14-foot marble obelisk [PDF] with a flaming urn erected at the spot where Hamilton fell. Sadly, the monument was repeatedly vandalized, including by souvenir hunters chipping away pieces to add to their collections. By 1820, it was completely gone except for a plaque. The plaque ended up at a junk store before it was eventually donated to the New-York Historical Society.
Just as the cenotaph at the duel site slowly faded away, so did the mourners who paid their respects at Hamilton’s grave site. Visitors likely picked up again after Eliza Hamilton died in 1854, but aside from that, their plot at the Trinity Church cemetery was much quieter before the Broadway hit.
But Alexander isn’t the only Hamilton at Trinity getting love from the public these days. Previously forgotten to the annals of history, Eliza Hamilton’s contributions and sacrifices have been brought to light in recent years by Chernow’s biography and Miranda’s musical. As a result, she has just as many fans as her husband—if not more. “She tends to get more gifts than he does," Trinity archivist Anne Petrimoulx told NPR in 2016. "I think the musical makes people identify more with Eliza than with Alex."
Peruse all the entries in our Grave Sightings series here.