12 Larger-Than-Life Facts About Carol Channing

Carol Channing circa 1970.
Carol Channing circa 1970.
John Downing/Express/Getty Images

Legendary Broadway star Carol Channing died January 15, 2019, just two weeks shy of her 98th birthday. Her long, storied career includes her hit Broadway shows Gentlemen Prefer Blondes and Hello, Dolly!, and her lovably wacky roles in Thoroughly Modern Millie and Alice in Wonderland. Her 70+ year entertainment presence has garnered a Tony (plus two honorary ones), a Golden Globe, and an Academy Award nomination.

1. AS A YOUNG GIRL IN SAN FRANCISCO, CHANNING FELL IN LOVE WITH THE THEATER.

Carol Channing in her 'Hello, Dolly!' costume in 1979.
Carol Channing in her 'Hello, Dolly!' costume in 1979.
Monti Spry/Central Press/Hulton Archive/Getty Images

Born in Seattle on January 31, 1921, Channing moved with her family to San Francisco shortly after birth. Her father worked as editor-in-chief of several Christian Science newspapers, and as a young child, she accompanied her mother to the Curran Theatre to help distribute these newspapers backstage. Channing recalled a powerful feeling that overcame her as she felt the theater was a sacred place. "I stood there and realized—I'll never forget it because it came over me so strongly—that this is a temple," she told The Austin Chronicle in 2005. "This is a cathedral. … This is for people who have gotten a glimpse of creation and all they do is recreate it. I stood there and wanted to kiss the floorboards." She used her weekly allowance of 50 cents to buy tickets to see live theater in San Francisco.

2. HER FIRST BIG STARRING BROADWAY ROLE WAS IN GENTLEMEN PREFER BLONDES.

In 1949, Channing landed her first lead role in a Broadway musical, playing Lorelei Lee in Gentlemen Prefer Blondes. "Bye Bye Baby" and "Diamonds Are a Girl's Best Friend" became the most well-known songs from the show, though Channing often performed another of her character's big numbers, "I'm Just a Little Girl from Little Rock," throughout the years. The part made her a star. In the 1953 film adaptation, Marilyn Monroe played Lorelei Lee, a role that also cemented her celebrity status.

3. SHE PERFORMED HELLO, DOLLY! MORE THAN 5000 TIMES.

In January 1964, Channing originated the role of matchmaker and general busybody Dolly Gallagher Levi in the Broadway musical Hello, Dolly! The show was a huge success, and Channing later starred in Broadway revivals and in touring productions, performing the musical more than 5000 times. Even if she was sick, she almost always chose to go on stage, feeling healed by the audience’s positive energy.

4. CHANNING WAS INCREDIBLY BITTER WHEN BARBRA STREISAND WAS CAST AS DOLLY IN THE FILM VERSION.

Streisand's performance on Broadway as Fanny Brice in Funny Girl is legendary, but one musical swept the 1964 Tony Awards, and that was Hello, Dolly! Channing's musical won 10 Tonys (out of 11 nominations), including a statuette for Channing's Dolly over Streisand's Fanny. A few years later, however, when casting for the movie version, the screenwriter felt Channing's outsized personality (as evidenced in her performance in 1967's Thoroughly Modern Millie) wouldn't play well for an entire movie. Streisand, who was only 25 at the time, was cast as the middle-aged matchmaker. "I felt suicidal; I felt like jumping out a window," Channing told a newspaper years later. "I felt like someone had kidnapped my part." In her 2002 autobiography Just Lucky I Guess, Channing admitted that even though she views Streisand as a great creative force and that she admires her, the bitterness remains. "Her movie of Dolly was the biggest financial flop Twentieth Century-Fox ever had," Channing wrote. "There! I said it."

5. HER SUCCESS IN HELLO, DOLLY! ALLOWED HER TO BEFRIEND PRESIDENTIAL FAMILIES.

A year after JFK's assassination, Jackie Kennedy and her two kids saw Hello, Dolly! and met Channing backstage. In the summer, Channing would visit the Kennedy family in Hyannis Port every other weekend on her days off. After Channing sang an adapted version of "Hello, Dolly" for Lyndon Johnson's 1964 election campaign, she became friends with Lyndon and Lady Bird Johnson, later visiting the Johnsons' family ranch.

6. SHE PARTNERED WITH DESI ARNAZ FOR HER OWN TV SHOW.

In 1966, Channing filmed a pilot episode for The Carol Channing Show with Desilu, Lucille Ball’s production company that she had originally founded with ex-husband Desi Arnaz. Directed and produced by Arnaz, the episode never turned into a series, which Channing attributes to the mismatch between her comedic style and the I Love Lucy writers who wrote the episode.

7. CHANNING APPEARED ON TV SHOWS RANGING FROM THE LOVE BOAT TO SESAME STREET TO THE ADDAMS FAMILY.

Channing guest-starred on TV shows like Sesame Street, singing a "Hello, Dolly" variation called "Hello, Sammy," as well as The Red Skelton Show, The Muppet Show, The Love Boat, Magnum, P.I., and The Drew Carey Show. She also appeared on classic TV game shows What's My Line? and Hollywood Squares, and voiced characters on The Addams Family and The Magic School Bus.

8. SHE THOUGHT SHE WAS PART AFRICAN-AMERICAN FOR MOST OF HER LIFE.

In Just Lucky I Guess, Channing revealed that before she went to college, her mother told her that her father was born in the south and that his mother was African-American. Channing hadn’t revealed that she was part black until 2002, but eight years later she backtracked on Wendy Williams's talk show. She explained that she doesn’t know for certain if she’s part black or not because when her mother claimed her father was half black, she was angry at him and may have wanted to get back at him for something. Plus, the census records from 1890, which should hold the key to her father's parentage, were destroyed in a fire, so that portion of Channing's heritage may always remain a mystery.

9. SHE RELEASED A GOSPEL ALBUM IN MEMORY OF HER FATHER.

Carol Channing with her memoir in 2003.
Carol Channing with her memoir in 2003.
Jessica Silverstein/Getty Images

In 2009, Channing released a gospel album, For Heaven's Sake, in memory of her father, who sang gospel songs to her when she was growing up. Channing included spirituals like "Joshua Fit' the Battle of Jericho" and classic Americana songs that her father had taught her. "I can hear my father's voice harmonizing with me every time I sing them although he's long gone," she said in 2010.

10. AT 82 YEARS OLD, CHANNING MARRIED HER CHILDHOOD SWEETHEART.

Carol Channing and her husband Harry Kullijan in May 2003.
Carol Channing and her husband Harry Kullijan in May 2003.
Jessica Silverstein/Getty Images

In 2003, at 82 years old, Channing married her fourth husband, Harry Kullijian. The couple had met in middle school but lost touch over the decades. In her autobiography, Channing devoted a passage to describing her "first love" experience with Kullijian, whom she "went steady" with for two years. "I was so in love with Harry I couldn’t stop hugging him," she wrote. He heard about the passage in the book and contacted her, and they got engaged two weeks after their reunion. They remained together until his death in 2011.

11. SHE FOUNDED A NON-PROFIT TO SUPPORT ARTS EDUCATION.

Carol Channing in 2004.
Carol Channing in 2004.
Kevin Winter/Getty Images

In 2004, Channing received an honorary doctorate from California State University, Stanislaus. Inspired to support arts programs in schools, she founded the Dr. Carol Channing and Harry Kullijian Foundation for the Arts with her husband. Now called the American Foundation for Arts Education, the non-profit works to make arts part of schools' core curriculums. Channing herself visited schools and taught master classes.

12. JOHNNY DEPP’S DREAM ROLE IS TO PLAY CHANNING.

Carol Channing performs in 2003.
Carol Channing performs in 2003.
Giulio Marcocchi/Getty Images

Johnny Depp has mentioned a couple of times that he'd love to play Channing in a biopic; in 2009 he called it a "dream role," and in 2013 he reiterated that point. "I mean it. She's fantastic," he told reporters. Depp's appreciation runs deep: he also revealed that he used to dress up as her as a kid. Channing, for her part, loves the idea. "Men have been imitating me for as long as I can remember," she quipped. "In fact, most of the impersonations I have seen have had a five o'clock shadow."

This story first ran in 2016.

15 Facts About Bill & Ted’s Excellent Adventure on Its 30th Anniversary

MGM
MGM

In 1989, a couple of slackers from San Dimas, California hopped inside a time-traveling phone booth and gathered a gaggle of key figures from the past so they wouldn’t fail their high school history class. In 1991, they were at it again. Now, 30 years after Keanu Reeves and Alex Winter first cemented their place in sci-fi history as the lovable duo, the long-awaited threequel—Bill & Ted Face the Music—has been officially confirmed. Here are 15 things you might not know about the most excellent original film.

1. Bill and Ted were born in an improv class.

The idea for the characters of Bill and Ted came about in 1983, when UCLA classmates Ed Solomon and Chris Matheson formed a student improv workshop with a few of their peers. “One day, we decided to do a couple of guys who knew nothing about history, talking about history,” Solomon recalled to Cinemafantastique in a 1991 interview. “The initial improv was them studying history, while Ted’s father kept coming up to ask them to turn their music down.” (Solomon played Ted, Matheson was Bill.)

2. Originally, it was Bill & Ted & Bob.

When the skit originated, there was a third character, Bob. But “Bob” wasn’t as into it as Solomon and Matheson, so the trio became a duo.

3. Bill wanted to be Ted and Ted wanted to be Bill.

It’s hard to imagine anyone but Keanu Reeves playing Ted Logan, or another actor besides Alex Winter in the role of Bill S. Preston, Esq., but each actor actually auditioned for the opposite role. But when Solomon and Matheson saw their audition tapes, they thought the opposite would work better. In an online chat with Moviefone, Reeves claimed that he didn’t even know their roles had been switched until after he had been cast. “I got a call saying that I got the part,” Reeves recalled. “So I went to the wardrobe fitting… assuming I was playing Bill, and I get there and Alex Winter, who eventually played Bill, went to the wardrobe fitting thinking he was playing Ted. Then we were informed that that wasn't the case.”

4. Pauly Shore also wanted to be Ted.


Getty Images

Pauly Shore was among the hundreds of actors who auditioned for the role of Ted. In 1991, Shore hosted an MTV special, Bill & Ted’s Bogus Premiere Party, in which Shore corners Reeves in a back room to talk about his failed audition. Lucky for America, Shore did go on to find fame apart from Bill & Ted, and bring the phrase, “Hey, Bu-ddy!” into the popular lexicon.

5. No, Bio-Dome is not Bill & Ted's threequel.

Speaking of Pauly Shore ... For years, rumors circulated that the script for 1996’s Bio-Dome—starring Shore and Stephen Baldwin—was actually written as the third film in the Bill & Ted franchise. In 2011, Winter laid this rumor to rest when he told /Film that the story is “total urban legend as far as I know. No one involved in that movie had anything to do with Bill & Ted. So unless they were just going to try and reboot the franchise with that concept and different actors, I can’t see a connection.”

6. Keanu Reeves and Alex Winter weren't quite nerdy enough.

The casting of Reeves and Winter posed a problem for the script. “Bill and Ted were conceived in our minds as these 14-year-old skinny guys, with low-rider bellbottoms and heavy metal T-shirts,” Solomon told Cinefantastique. “We actually had a scene that was even shot, with Bill and Ted walking past a group of popular kids who hate them. But once you cast Alex and Keanu, who look like pretty cool guys, that was hard to believe.”

7. George Carlin was a happy accident.


Getty Images

In a 2013 Reddit AMA, Alex Winter called the casting of George Carlin (as Rufus, Bill and Ted’s mentor) “a very happy accident. They were going after serious people first. Like Sean Connery. And someone had the idea, way after we started shooting, of George. That whole movie was a happy accident. No one thought it would ever see the light of day.”

8. The time machine was originally a van.

In Solomon and Matheson’s original script, it was a 1969 Chevy van that served as Bill and Ted’s time machine. But in the course of rewriting the script for Warner Bros., who showed early interest in producing the project, there was concern that a motor vehicle as time machine would ring too closely as a rip-off of Back to the Future, which arrived in theaters in 1985. It was director Stephen Herek who suggested a phone booth, as he thought it could lend itself to something akin to a roller coaster in the visuals. (The phone booth’s similarity to Doctor Who’s TARDIS was apparently not a big concern to the studio.)

9. Some Nintendo lover has that phone booth.

As part of a promotion for 1991’s Bill & Ted's Excellent Video Game Adventure, Nintendo Power magazine gave away Bill & Ted’s phone booth as a contest prize. The lucky winner was one Kenneth Grayson, who Reddit tracked down for an AMA in 2011. Grayson spent much of the chat answering questions about whether or not any X-rated activities had ever taken place in the phone booth.

10. The script was written in four days. By hand.

In 1984, Solomon and Matheson wrote the script over the course of just four days. They wrote it by hand, on note paper, during a series of meetings at a couple of local coffee shops. The 2005 box set, Bill & Ted’s Most Excellent Collection, features some of their handwritten notes.

11. Sci-fi wasn't part of the plan.

Keanu Reeves, Dan Shor, and Alex Winter in Bill & Ted's Excellent Adventure (1989)
MGM

Though Matheson is the son of legendary sci-fi writer Richard Matheson, author of I Am Legend, he didn’t intend for Bill & Ted to be a science-fiction movie. “I try to consciously fight it, out of a desire to break away, but maybe I have a predilection toward that because of my dad,” Matheson told Starlog Magazine of the inevitable fantasy elements that emerged. “He’s a great writer and craftsman, and always has suggestions.” In fact, it was the elder Matheson’s idea that the time travel story be its own movie. “We were going to write a sketch film, with this as one of the skits, but my dad said, ‘That sounds like a whole movie,’” Matheson recalled, “And he was right!”

12. Bill and Ted almost traveled straight to television.

Shortly after principal photography on the film was completed in 1987, the film’s financiers, De Laurentiis Entertainment Group, went bankrupt. A straight-to-cable release was the most likely path for the time-traveling comedy until Orion Pictures and Nelson Entertainment bought the rights in 1988 for a 1989 release. Because of the delay to theaters, references to the year—which had been filmed as “1987”—had to be dubbed for 1988, resulting in a few scenes where the actors’ lips don’t quite match the sound.

13. Their journeys continued in a variety of media.

In addition to the 1991 sequel, Bill & Ted’s Bogus Journey, the Bill & Ted franchise includes 1990’s Bill & Ted’s Excellent Adventures, an animated series for which Reeves, Winter, and Carlin provided the voices. It lasted for one season. The title was revived as a live-action series in 1992, which included none of the original cast and ran for just seven episodes. In 1991, Marvel Comics launched Bill and Ted’s Excellent Comic Book, written by Evan Dorkin.

14. Back in the late 1980s, you could eat Bill and Ted.

As a tie-in to the animated series, you could—for a short while—actually start your morning with a bowl of Bill & Ted’s Excellent Cereal, which was touted as “A Most Awesome Breakfast Adventure.”

15. Bill and Ted will ride again.

Over the past several years there has been a lot of buzz about a third Bill & Ted movie coming to theaters. In 2011, Winter tweeted that the script had been completed and that he was getting ready to read it. When asked about the possibility of a threequel in 2013, Reeves told the Today Show, “I'm open to the idea of that. I think it’s pretty surreal, playing Bill and Ted at 50. But we have a good story in that. You can see the life and joy in those characters, and I think the world can always use some life and joy.” Several references to the possible project have been made since then, and it's now been confirmed that the third film, Bill and Ted Face the Music, is currently in pre-production.

According to The Hollywood Reporter, via a report from the Cannes Film Festival, Matheson and Solomon co-wrote the script and Dean Parisot (Galaxy Quest) is attached to direct. Reeves and Winter will, of course, be reprising their roles, which "will see the duo long past their days as time-traveling teenagers and now weighed down by middle age and the responsibilities of family. They’ve written thousands of tunes, but they have yet to write a good one, much less the greatest song ever written." Excellent!

6 Times There Were Ties at the Oscars

getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards's more than 90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. Best Actor // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde, and Beery won for The Champ (writer Frances Marion won Best Screenplay for the film), which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. Best Documentary Short Subject // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. Best Actress // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. Best Documentary Feature // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. Best Short Film (Live Action) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars current Oscar nominee Richard E. Grant as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. Best Sound Editing // 2013

The latest Oscar tie happened in 2013, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg told the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

SECTIONS

arrow
LIVE SMARTER