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20 Memorable Virginia Woolf Quotes

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Born on January 25, 1882, Virginia Woolf was a true writer’s writer. With flowing prose and a courageous pen, she dissected every topic from the idiocy of warfare to the joys of sex. We've picked 20 lines that rank among her all-time best—no easy feat.

1. ON RECORDED HISTORY

“Nothing has really happened until it has been described.”

— Said to a young acquaintance,Nigel Nicholson, who later became a successful publisher, memoirist, and politician

2. ON WRITING ABOUT NATURE

“Green in nature is one thing, green in literature another. Nature and letters seem to have a natural antipathy; bring them together and they tear each other to pieces.”

— From her 1928 novel, Orlando: A Biography

3. ON TRANSLATING COMEDY

“Humor is the first of the gifts to perish in a foreign tongue.”

—From the essay collectionThe Common Reader, First Series (1925)

4. ON TIME

“Time, unfortunately, though it makes animals and vegetables bloom and fade with amazing punctuality, has no such simple effect upon the mind of man. The mind of man, moreover, works with equal strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second.”

—From Orlando: A Biography

5. ON BEING AN HONEST WRITER

“If you do not tell the truth about yourself you cannot tell it about other people.”

From The Moment and Other Essays (1947)

6. ON SEXISM

“As long as she thinks of a man, nobody objects to a woman thinking.”

—From Orlando: A Biography

7. ON WRITING FICTION

“Fiction is like a spider’s web, attached ever so lightly perhaps, but still attached to life at all four corners.”

—From her seminal 1929 essay “A Room of One’s Own”

8. ON QUESTIONING THE STATUS QUO

“Let us never cease from thinking—what is this ‘civilisation’ in which we find ourselves? What are these ceremonies and why should we take part in them? What are these professions and why should we make money out of them?”

— From her anti-war essay “Three Guineas” (1938)

9. ON FASHION

“There is much to support the view that it is clothes that wear us and not we, them; we may make them take the mould of arm or breast, but they mould our hearts, our brains, our tongues to their liking.”

—From Orlando: A Biography

10. ON DIET

“One cannot think well, love well, sleep well, if one has not dined well.”

— From “A Room of One’s Own”

11. ON GETTING OLDER

“I don’t believe in ageing. I believe in forever altering one’s aspect to the sun.”

—From her diary (entry dated October 2, 1932)

12. ON ARTISTIC INTEGRITY

“So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say. But to sacrifice a hair of the head of your vision, a shade of its colour, in deference to some Headmaster with a silver pot in his hand or to some professor with a measuring-rod up his sleeve, is the most abject treachery.”

— From “A Room of One’s Own”

13. ON THE UNIVERSE

“When you consider things like the stars, our affairs don’t seem to matter very much, do they?”

—From the novel Night and Day (1919)

14. ON PERSONAL GROWTH

“I am made and remade continually. Different people draw different words from me.”

—From her 1931 novel The Waves

15. ON SOCIETY

“At one and the same time, therefore, society is everything and society is nothing. Society is the most powerful concoction in the world and society has no existence whatsoever.”

—From Orlando: A Biography

16. ON EVALUATING LITERATURE

“The battle of Waterloo was certainly fought on a certain day; but is Hamlet a better play than Lear? Nobody can say. Each must decide that question for himself. To admit authorities… into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions—there we have none.”

—From The Common Reader, Second Series (1935)

17. ON PASSION

“Blame it or praise it, there is no denying the wild horse in us. To gallop intemperately; fall on the sand tired out; to feel the earth spin; to have—positively—a rush of friendship for stones and grasses, as if humanity were over, and as for men and women, let them go hang—there is no getting over the fact that this desire seizes us pretty often.”

—From the novel Jacob’s Room (1922)

18. ON PERSONAL PAST

“Each had his past shut in him like the leaves of a book known to him by heart; and his friends could only read the title.”

—From Jacob’s Room

19. ON WORDS

“Of course, you can catch them and sort them and place them in alphabetical order in dictionaries. But words do not live in dictionaries, they live in the mind. If you want proof of this, consider how often in moments of emotion when we most need words we find none. Yet there is the dictionary; there at our disposal are some half-a-million words all in alphabetical order. But can we use them? No, because words do not live in dictionaries, they live in the mind.

“Look once more at the dictionary. There beyond a doubt lie plays more splendid than Anthony and Cleopatra, poems lovelier than the 'Ode to a Nightingale,' novels beside which Pride and Prejudice or David Copperfield are the crude bunglings of amateurs. It is only a question of finding the right words and putting them in the right order. But we cannot do it because they do not live in dictionaries, they live in the mind.”

—From “Craftsmanship,” a BBC radio address Woolf delivered on April 20, 1937 (listen to a portion of it here)

20. ON LIFE AND ITS INTERRUPTIONS

“I meant to write about death, only life came breaking in as usual.”

— From her diary (entry dated February 17, 1922)

BONUS: A COMMON MISQUOTE

“You cannot find peace by avoiding life.”

These wise words are often mistakenly cited as Woolf’s. In reality, another writer came along and gave them to her—57 years after she died! Here’s what went down: In 1998, author Michael Cunningham released his Pulitzer Prize-winning novel The Hours. This story includes a fictionalized version of Virginia Woolf, who delivers the above line.

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By Benjamin D. Maxham, Public Domain, Wikimedia Commons
11 Simple Facts About Henry David Thoreau
By Benjamin D. Maxham, Public Domain, Wikimedia Commons
By Benjamin D. Maxham, Public Domain, Wikimedia Commons

In his book Walden, Henry David Thoreau declared his love of nature, simplicity, and independence. Although most people know about Thoreau’s time in Walden Woods, as well as his Transcendentalism, abolitionist views, and writing on civil disobedience, there’s a lot more to uncover about him. In honor of his birthday (he would’ve turned 201 years old today), here are 11 things you might not have known about Henry David Thoreau.

1. WE’RE PROBABLY MISPRONOUNCING HIS NAME.

Born in Concord, Massachusetts in 1817, David Henry Thoreau switched his first and middle names after graduating from Harvard. His legal name, though, was always David Henry. Although most people today pronounce Thoreau’s surname with the emphasis on the second syllable, he most likely pronounced it “THOR-oh.” Ralph Waldo Emerson’s son, Edward, wrote that the accent in Thoreau’s name was on the first syllable, and other friends called him “Mr. Thorough.”

2. HE INVENTED A MACHINE TO IMPROVE PENCILS.

In the 1820s, Thoreau’s father started manufacturing black-lead pencils. Between teaching students, surveying land, and working as a handyman, Thoreau made money by working for his family’s pencil business. After researching German techniques for making pencils, he invented a grinding machine that made better quality plumbago (a mixture of the lead, graphite, and clay inside a pencil). After his father died, Thoreau ran the family’s pencil company.

3. HE ACCIDENTALLY BURNED HUNDREDS OF ACRES OF WOODS.

In 1844, a year before moving into a house in Walden Woods, the 26-year-old Thoreau was cooking fish he had caught with a friend in the woods outside Concord. The grass around the fire ignited, and the flames burned between 100 and 300 acres of land, thanks to strong winds. Even years later, his neighbors disparagingly called him a rascal and a woods burner. In an 1850 journal entry, Thoreau described how the earth was “uncommonly dry”—there hadn’t been much rain—and how the fire “spread rapidly.” Although he initially felt guilty, he wrote that he soon realized that fire is natural, and lightning could have sparked a fire in the woods just as easily as his cooking accident did.

4. HIS HOUSE AT WALDEN POND LATER BECAME A PIGSTY.

After Thoreau left the home he built in Walden Woods in 1847, the structure went through multiple iterations. He sold the house to Emerson (it was on land that Emerson already owned), and Emerson sold it to his gardener. The gardener never moved in, so the house was empty until a farmer named James Clark bought it in 1849. Clark moved it to his nearby farm and used it to store grain. In 1868, the roof of the building was removed from the base and used to cover a pigsty. In 1875, the rest of the structure was used as a shed before its timber was used to fix Clark’s barn. Today, you can see replicas of Thoreau’s house near Walden Pond in Massachusetts.

5. HE AND HIS BROTHER WERE CAUGHT IN A LOVE TRIANGLE.

In 1839, Thoreau wrote in his journal about how he fell in love with Ellen Sewall, an 18-year-old from Cape Cod. In 1840, Thoreau’s older brother John proposed marriage to Sewall but was rejected. So, like any good brother, Thoreau wrote a letter to Sewall, proposing that she marry him instead. Sewall rejected him too, probably due to her family disapproving of the Thoreau family’s liberal views on Christianity.

Despite the aforementioned marriage proposal, some historians and biographers speculate that Thoreau was gay. He never married, reportedly preferred celibacy, and his journals reveal references to male bodies but no female ones.

6. DESPITE POPULAR MISCONCEPTION, HE WASN’T A LONER.

Historians have debunked the misconception that Thoreau was a selfish hermit who lived alone so he could stay away from other people. Rather than being a loner, Thoreau was an individualist who was close to his family members and lived with Emerson’s family (on and off) for years. To build his cabin in the woods, he got help from his friends including Emerson and Bronson Alcott, the father of Louisa May Alcott. During his stay in the woods, he frequently entertained guests, visited friends, and walked to the (nearby) town of Concord. At his funeral at Concord’s First Parish Church, a large group of friends attended to mourn and celebrate his life.

7. HE WAS A MINIMALIST.

Long before tiny houses were trendy, Thoreau wrote about the benefits of living a simple, minimalist lifestyle. In Walden, he wrote about giving up the luxuries of everyday life in order to quiet the mind and have time for thinking. “My greatest skill has been to want but little,” he wrote. Thoreau also related his love of simplicity to the craft of writing: “It is the fault of some excellent writers ... that they express themselves with too great fullness and detail. They give the most faithful, natural, and lifelike account of their sensations, mental and physical, but they lack moderation and sententiousness.”

8. HE TOOK COPIOUS NOTES.

Although he was a minimalist, Thoreau wrote an abundance of notes and ideas in his journals, essays, and letters. He jotted down his observations of nature, writing in detail about everything from how plant seeds spread across the land to the changing temperature of Walden Pond to animal behavior. In addition to his plethora of notes and environmental data, Thoreau also collected hundreds of plant specimens and birds’ eggs.

9. HE WAS PRAISED FOR HIS ORIGINALITY.

In 1862, newspapers widely reported the news of Thoreau’s death. Obituaries for the 44-year-old writer appeared in The Boston Transcript, The Boston Daily Advertiser, The Liberator, The Boston Journal, The New-York Daily Tribune, and The Salem Observer. The obituaries describe Thoreau as an “eccentric author” and “one of the most original thinkers our country has produced.”

10. HE DONATED HIS COLLECTIONS TO THE BOSTON SOCIETY OF NATURAL HISTORY.

After Thoreau’s death, the Boston Society of Natural History got a huge gift. Thoreau, a member, gave the society his collections of plants, Indian antiquities, and birds’ eggs and nests. The plants were pressed and numbered—there were more than 1000 species—and the Native American antiquities included stone weapons that Thoreau had found while walking in Concord.

11. DON HENLEY OF THE EAGLES IS A HUGE FAN.

As a big fan of both Thoreau and Transcendentalism, musician Don Henley of the Eagles started The Walden Woods Project in 1990 to stop 68 acres of Walden Woods from being turned into offices and condominiums. The project succeeded in saving the woods, and today The Walden Woods Project is a nonprofit organization that conserves Walden Woods, preserves Thoreau’s legacy, and manages an archive of Thoreau’s books, maps, letters, and manuscripts. In an interview with Preservation Magazine, Henley described the importance of preserving Walden Woods: “The pond and the woods that inspired the writing of Walden are historically significant not only because they were the setting for a great American classic, but also because Walden Woods was Henry David Thoreau's living laboratory, where he formulated his theory of forest succession, a precursor to contemporary ecological science.”

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Quentin Blake, courtesy Christie's Images Ltd. 2018
Matilda Illustrator Quentin Blake Is Auctioning Items From His Personal Collection of Drawings
Quentin Blake, courtesy Christie's Images Ltd. 2018
Quentin Blake, courtesy Christie's Images Ltd. 2018

When you think of Roald Dahl's classic books, chances are you're actually imagining Quentin Blake's work. Blake is the award-winning illustrator behind the signature imagery in beloved books like The BFG, Matilda, and The Twits. Now, Blake is auctioning off some of his drawings from his private collection through Christie's, giving the public a chance to own art intimately connected with these canonical children's books.

The illustrations on offer were completed by Blake over a period of some 40 years. They include preliminary studies, alternative versions of illustrations that made it into books like The Twits and The Enormous Crocodile (Blake's first collaboration with Dahl), and other related art. In addition to illustrations he drew for Dahl, there's artwork he created for his own books, for other authors, for hospitals (like the watercolor above, an alternative version of a drawing he made for the Rosie Birth Centre at Addenbrooke's Hospital, in Cambridge, UK), and for public exhibitions.

Below are just a few of the pieces available, currently ranging in starting bids from around $600 to more than $15,000.

A watercolor image of a witch dressed in black
"The Grand High Witch," 
an alternative illustration of the character from The Witches created for Blake's 2016 Roald Dahl Centenary Portraits project
Quentin Blake

A watercolor of a father with his arm around his son, holding a kite
"Danny and His Father," an alternative illustration of the characters from Danny the Champion of the World that Blake produced for his Roald Dahl Centenary Portraits
Quentin Blake

Four illustrations showing the BFG with his ears in different positions
“The BFG showing how he flaps his ears,” a preliminary drawing for the 1982 edition of The BFG
Quentin Blake

A watercolor of the BFG holding Sophie in the palm of his hand
“Sophie and the BFG,” an alternative illustration of the characters from The BFG created for the Roald Dahl Centenary Portraits
Quentin Blake

Take a look at the rest here before the auction ends on July 12. Proceeds from the auction will go to three nonprofits: The House of Illustration, Roald Dahl's Marvellous Children's Charity, and Survival International.

All images courtesy Christie's Images Ltd. 2018

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