15 Uncensored Facts About Midnight Cowboy

Jon Voight and Dustin Hoffman in Midnight Cowboy (1969)
Jon Voight and Dustin Hoffman in Midnight Cowboy (1969)
20th Century Fox Home Entertainment

On May 25, 1969, United Artists released the film Midnight Cowboy, starring Jon Voight (Texas transplant Joe Buck) and Dustin Hoffman (the sleazy Ratso Rizzo) as street hustlers in New York City. It was the first studio film to receive an X-rating (the studio refused to edit anything out), and it became the first X-rated movie to be nominated and win a Best Picture Oscar (A Clockwork Orange and Last Tango in Paris followed suit with X-rated nominations). Hoffman and Voight were also nominated for Oscars, and screenwriter Waldo Salt and director John Schlesinger ended up winning gold statuettes for the movie. After the movie became a success, the MPAA demoted its rating to an R.

Based on the novel by James Leo Herlihy, the controversial film managed to gross $44 million—about $200 million by today’s standards. The movie saved the careers of its actors, producers, and Salt, who had been blacklisted and fallen on hard times. It also produced a hit song, Harry Nilsson’s “Everybody’s Talkin’.” Here are 15 facts about the landmark film.

1. John Schlesinger was reluctant to hire Dustin Hoffman.

Like everybody else, the filmmakers associated Dustin Hoffman with Benjamin Braddock, the clean-cut twentysomething he played in The Graduate. “The truth was, I saw The Graduate as a setback, because I was determined not to be a star,” Hoffman told the Los Angeles Times. Hoffman was doing Off Broadway performances during the casting of Midnight Cowboy, so Schlesinger checked him out in a play. Hoffman frequented an automat with fellow thespians Gene Hackman and Robert Duvall; one night Hoffman showed up there with a scruffy beard, disheveled clothes, and a Bowery accent. Schlesinger said to Hoffman, “Why Dustin, you do fit right in,” and he got the part.

2. Mike Nichols tried to talk Dustin Hoffman out of doing the movie.

Dustin Hoffman appears on the set of the film 'Midnight Cowboy' in 1969 in the USA
Dustin Hoffman stars in Midnight Cowboy (1969).
Hulton Archive, Getty Images

Hot off the heels of Mike Nichols’ The Graduate, Hoffman could’ve kept his romantic lead image up, but instead he opted to take a supporting part in Midnight Cowboy. “Mike Nichols, in fact, called me up,” Hoffman told Peter Travers. “And he says, ‘Are you crazy?’ He says, ‘I made you a star. This is an ugly character. It’s a supporting part to Jon Voight.’ He says, ‘What are you doing? Why are you sabotaging?’” But Hoffman stuck to his guns and took the role. “I love the fact I was trying to remain a character actor and that was my desire,” he said.

3. Jon Voight was cast only after the original actor was fired.

Jon Voight auditioned for the role of Joe Buck and really wanted the part, but the producers chose Michael Sarrazin, whose major claim to fame is the 1969 Jane Fonda film They Shoot Horses, Don’t They? “Sometimes I would be offered a role and I would recommend somebody else—I was that kind of person,” Voight told Box Office Mojo. “Yet this one stopped me because the thing I was excited about for this piece wasn’t going to happen. I felt quite sick about it.”

Fortunately for Voight, the producers changed their minds when Sarrazin demanded more money. “It came back to looking at our screen tests back to back,” said Voight. “Apparently, Marion Dougherty, who was the casting director, was in the room and said, ‘Well, there’s no doubt who's the best actor.’ John Schlesinger said, ‘Who?’ And she said, ‘Jon Voight.’ Then, Dustin was called in to look at the tests and apparently he said, ‘When I look at my scene with Michael Sarrazin I look at myself—when I looked at my scene with Jon Voight, I look at Jon.’ That was a huge compliment. I think between these comments, that’s what tipped the balance and then John [Schlesinger] came forward, so I was very fortunate.”

4. Voight worked for scale.

Voight was so desperate to play Joe Buck that he worked for scale: “‘Tell them I'll do this part for nothing,’” Voight told The Telegraph. “They took me at my word, and they gave me minimum for Midnight Cowboy.” At the end of the shoot, they sent him a $14.73 bill for meals on the last day of filming.

5. Hoffman thought the movie would ruin his career.

The actor attended a preview of Midnight Cowboy and noticed “people walked out in droves.”

“Twenty minutes into that movie, Jon Voight has a gay sex scene in the balcony with a kid who was played by Bob Balaban, and people would get up at that point and just walk out of the theater,” Hoffman told Larry King. “We said, ‘We have big problems’ when we heard we got an X-rating and we thought this could end everybody’s career. As a matter of fact, I was talked into doing a movie I wished I hadn’t done, because they had me so frightened that I had buried myself and reversed whatever good The Graduate did.” Hoffman’s agent forced him to star with Mia Farrow in the romantic drama John and Mary to make him “look like a respectable person.”

6. Voight knew the film was destined to become a classic.

Voight and Schlesinger wrapped filming in Texas and Voight noticed how red the director’s face was. Voight thought Schlesinger was having a heart attack and asked him if he was okay. “He looked up at me and said, ‘What have we done? What will they think of us?’ After all, we had made a film about a dishwasher who lives in New York and f*cks a lot of women,” Voight told Esquire. “In the moment he’d finished it, he was shaking. All of a sudden, he saw it as banal and vulgar. He’s having an anxiety attack and I grabbed his shoulders to shake him out of it. I said, ‘John, we will live the rest of our artistic lives in the shadow of this great masterpiece.’ He said, ‘You think so?’ I said, ‘I’m absolutely sure of it.’ The only reason I said such an extravagant thing was because I wanted to get him out of it and nothing would take him out of it but that. But the statement turned out to be true.”

7. Voight and Hoffman were competitive with each other.

What made the chemistry between Hoffman and Voight work so well is they were constantly competing with one another. Hoffman became a movie star before Voight did, and that brought some jealousy to the set. “We were like Marvin Hagler and Sugar Ray Leonard, two fighters going at it,” Hoffman told the Los Angeles Times. “We knew the movie depended on the bond between us. All through shooting, we’d say to each other, out of the side of our mouths, like a fighter in a clinch, ‘Buddy, is that the best you can do?’”

8. Hoffman placed pebbles in his shoe to acquire Ratso’s limp.

“Why pebbles? It’s not like you’re playing a role on Broadway for six months where you’re so used to it, limping becomes second nature,” Hoffman told Vanity Fair. “The stone makes you limp, and you don’t have to think about it.”

9. Schlesinger came out during the movie’s production.

In the late 1960s, one's sexuality wasn't often discussed in the open. But the British director fell in love with Michael Childers, who worked as his assistant on the movie. “We were one of Hollywood’s first out couples,” Childers told Vanity Fair. “He took me everywhere. I felt a little bit uncomfortable at times, but John never did. He said, ‘F*ck ‘em.’”

“John was totally torn up, because part of him wanted to just embrace this, and another part of him was in terror,” the film’s producer, Jerome Hellman, said. “He had these fantasies that if he were openly gay on a film set, that if he tried to give the crew an order, they would turn on him. I said to him, ‘John, look, you’re the director. It’s your movie. I’m the producer, but I’m your partner. There’s nobody who can challenge your authority. If someone speaks out of line to you, they’ll be fired the same minute.’”

10. The famous “I’m Walkin’ Here” line was improvised.

The scene in which Joe and Ratso attempt to walk across the street and almost get hit by a cab was filmed guerilla-style, with a camera in a van across the street. “It was a difficult scene, logistically, because those were real pedestrians and there was real traffic, and Schlesinger wanted to do it in one shot—he didn’t want to cut,” Hoffman explained. “He wanted us to walk, like, a half a block, and the first times we did it the signal turned red. Schlesinger was getting very upset. He came rushing out of the van, saying, ‘Oh, oh, you’ve got to keep walking.’ ‘We can’t, man. There’s f*cking traffic.’ ‘Well, you’ve got to time it.’”

They figured out how to properly time the walk but then almost got run over by a cab. “I guess the brain works so quickly, it said, in a split of a second, ‘Don’t go out of character,’” Hoffman said. “So I said, ‘I’m walking here,’ meaning, ‘We’re shooting a scene here, and this is the first time we ever got it right, and you have f*cked us up.’ Schlesinger started laughing. He clapped his hands and said, ‘We must have that, we must have that,’ and re-did it two or three times, because he loved it.”

11. Hoffman threw up on set while trying to cough.

Talk about Method: Ratso has a deadly cough (consumption), and in a particular scene Hoffman got sick in real life. “Because I was so nervous that I was going to come across fraudulent and not have the right cough, I tried to do the cough as realistically as I could,” Hoffman told Vanity Fair. “Each time, I tried to do it more realistically until, finally, I did it so realistically I threw up all over Jon. My lunch came up. All over his cowboy boots. Jon looked down. He said, ‘Man, why’d you do that?’ He thought I did it on purpose.”

12. Schlesinger didn’t think anybody would make the movie today.

In 1994, the director found himself at a dinner party with a studio executive. “I said, ‘If I brought you a story about this dishwasher from Texas who goes to New York dressed as a cowboy to fulfill his fantasy of living off rich women, doesn’t, is desperate, meets a crippled consumptive who later pisses his pants and dies on a bus, would you—’ and he said, ‘I’d show you the door,’” Vanity Fair reported in 2000.

13. Me And Earl And The Dying Girl pays tribute to Midnight Cowboy.

Alfonso Gomez-Rejon's 2015 Sundance hit Me and Earl and the Dying Girl features two friends who turn The Criterion Collection movies into film school comedies. One of those films is Midnight Cowboy, renamed as 2:48 p.m. Cowboy. In the film, Greg (Thomas Mann) and Earl (RJ Cyler) portray Ratso and Buck, respectively.

Midnight Cowboy became my favorite movie,” Cyler said in a featurette on Greg and Earl’s films. “Now I can’t stop watching it. I’m addicted to it. I’ll be in my trailer. ‘RJ, whatcha doing?’ ‘Watching Midnight Cowboy with some ramen noodles right now.’ It’s just so quirky the way the parody was made, and not just because I got to wear a beautiful cowboy hat.”

14. There’s a speakeasy bar in Austin named after the film.

Midnight Cowboy the bar is located inside a former oriental massage parlor that was busted by the FBI, hence the seedy name. It has a red light—not a sign—outside to mark the place. In order to drink there, you need to make a reservation online, and when you get there, you buzz the box and give the password “Harry Craddock.” They have rules, though: no talking on your cell phone inside the bar, and no “excessive displays of public affection.”

15. A Chicago theater turned it into a stage production.

Chicago’s Lifeline Theatre puts on a lot of literary adaptations, and in 2016 they presented a stage version of Midnight Cowboy, based on the book.

Updated for 2019.

10 Unforgettable Facts About The Notebook On Its 15th Anniversary

Ryan Gosling and Rachel McAdams star in The Notebook (2004).
Ryan Gosling and Rachel McAdams star in The Notebook (2004).
New Line Cinema

In 1996, Nicholas Sparks published his first book, The Notebook. He would go on to write several more romance novels, many of which would be adapted into films. But 2004’s film adaption of The Notebook remains the highest-grossing Sparks adaptation, making $115 million worldwide against a $25 million budget. It was Rachel McAdams's breakout lead role (it was released just a few months after Mean Girls); it solidified Ryan Gosling as a “hey girl” heartthrob; and it swept all eight categories it was nominated for at the 2005 Teen Choice Awards, winning in categories like Choice Movie Love Scene and Choice Movie Liplock.

The book and movie follow a young couple named Noah (Gosling) and Allie (Adams) in 1940s North Carolina (the movie was filmed in South Carolina). Despite some obstacles, the couple fall in love, marry, and spend the next 60 years together. In present day, it’s revealed that Allie, now an old woman (played by Gena Rowlands), has Alzheimer’s, and her doting husband (James Garner, as an elderly Noah) helps her remember their storied past. In 2003, Sparks published a loose sequel called The Wedding, featuring the characters Allie and Noah. Here are 10 facts about the beloved romance, which arrived in theaters 15 years ago today.

1. It was based on a true story.

Nicholas Sparks’s book was based on his then-wife Cathy's grandparents, who spent more than 60 years together. Cathy was close to her grandparents, and visited them frequently. The grandparents were too ill to attend their wedding, in 1989, so the newly-married couple brought the wedding to them. They dressed up in their wedding clothes and surprised them at their house. Cathy's grandparents told the Sparks how they met and fell in love, decades ago.

“But though their story was wonderful, what I most remember from that day is the way they were treating each other,” Sparks wrote on his website. “The way his eyes shined when he looked at her, the way he held her hand, the way he got her tea and took care of her. I remember watching them together and thinking to myself that after 60 years of marriage, these two people were treating each other exactly the same as my wife and I were treating each other after 12 hours. What a wonderful gift they’d given us, I thought, to show us on our first day of marriage that true love can last forever.”

Unfortunately for Nicholas and Cathy, their love didn’t last forever—they divorced in 2015

2. Nicholas Sparks thinks the book was successful because it was relatable.


Photo by Jason Merritt/Getty Images

“It seems that nearly everyone I spoke with about the novel knew a ‘Noah and Allie’ in their own life,” Sparks wrote on his website. He also said the book was short enough (224 pages) for people to read it quickly. “I think that readers also appreciate that the novel didn’t include foul language and its love scene was tasteful and mild compared to what’s found in many other novels,” he said. “These factors made people feel comfortable about recommending it to others.”

3. The screenwriter had to work hard to make the characters seem real.

The Notebook screenwriter Jeremy Leven had the daunting task of adapting Sparks's book into a script. “The problem with the book is that it’s melodramatic and sweet, and you have to find a way to appeal to an audience that is apprehensive about yet another sweet movie,” Leven told The Harvard Crimson. “So you have to give it an edge, make it real, and make the choices the characters face real.” That “edge” probably includes the love scene in the rain.

4. Rachel McAdams and Ryan Gosling didn't get along—at first.


Melissa Moseley/New Line Cinema

Even though they played lovers in the movie and then began dating in real life, the couple clashed during production. Director Nick Cassavetes told MTV a story about an incident when Gosling and McAdams weren’t getting along on the set one day: “Ryan came to me, and there’s 150 people standing in this big scene, and he says, ‘Nick come here,’” Cassavetes shared. “And he’s doing a scene with Rachel and he says, ‘Would you take her out of here and bring in another actress to read off camera with me?’ I said, ‘What?’ We went into a room with a producer; they started screaming and yelling at each other ... The rest of the film wasn’t smooth sailing, but it was smoother sailing.”

5. McAdams and Gosling's on-screen chemistry probably wasn't real.

“[Our later relationship] certainly wasn’t something that either of us had expected would come out of that filmmaking experience,” McAdams said, “which goes to show you that you can engineer chemistry on-screen just by telling the audience that these two people love each other.” She said it was attributed to the acting. “As an actor you don’t have to feel it. You don’t have to feel anything. Just imagine it.”

6. Jessica Biel was bummed she didn't get to play Allie.


Photo by Theo Wargo/Getty Images for NBC

Unlike Gosling, McAdams had to audition for the role of Allie, and so did Jessica Biel. “I was in the middle of shooting Texas Chainsaw Massacre, and I auditioned with Ryan Gosling in my trailer—covered in blood,” Biel told Elle. “That’s one that I wanted so badly. But there’s a million that get away. We’re gluttons for punishment. It’s just rejection.”

7. McAdams felt a lot of pressure to deliver a great performance.

The actress told Film Monthly she knew she had to be good in the movie, because she had to carry it. “At first I put way too much pressure on myself and realized that it wasn’t getting me anywhere,” she said. “I was just a ball of stress, and eventually the character kicked in where she’s sort of free-spirited, doesn’t care what people think, and chases down those things she wants.” She eventually found the right balance.

8. James Marsden thought the movie was going to be "schmaltzy."


Melissa Moseley/New Line Cinema

James Marsden played Allie’s fiancé—and Noah’s rival—Lon Hammond Jr. The actor told Out Magazine how he tries not to make a bad movie, but they sometimes turn out that way. “Then there are some movies that I’ve been in that I was sure people would laugh at, that have become huge,” he said. “I thought The Notebook was going to be a schmaltzy Movie of the Week–type thing, and here we are!”

9. Nick Cassavetes was the fourth choice to direct the movie.

New Line Cinema acquired the rights to Sparks's novel in 1995, before the book was even published. In 1998, Variety reported that Steven Spielberg wanted to direct the film. Jim Sheridan was also interested, but he decided to direct In America instead. In 2001, The Mask of Zorro and GoldenEye director Martin Campbel almost signed on, but in 2002 New Line brought Cassavetes aboard.

10. James Garner ruined his first take shooting with Gena Rowlands.


Melissa Moseley/New Line Cinema

Nick Cassavetes—son of legendary director John Cassavetes—cast his mother, the great Gena Rowlands, as the elderly Allie. Garner recalled the first day he and Gena filmed together. “She's going to come out and I’m sitting on the porch in a chair or something. And I hear Nick say, ‘Okay, mom. Action.’ Well, I ruined that take because I just broke up. That was so funny. That tickled me to death. But he showed his mother great respect. He was gentle with her and worked with her. What I loved about it is that she listened to him. Here’s a professional actress who’s one of the best ever, and she’s listening to her son tell her about things. I really admired that in both of them.”

This story has been updated for 2019.

Alexander Skarsgård Could Have Played Thor in the Marvel Cinematic Universe

Larry Busacca, Getty Images
Larry Busacca, Getty Images

Marvel fans may have trouble imagining Thor played by anyone other than Chris Hemsworth, but apparently, Alexander Skarsgård was pretty darn close to getting the role. How close, you ask? He tried on the costume, held the hammer, and even filmed an audition in the garb.

In 2009—just a year after True Blood premiered—the actor told MTV that he met with Marvel Studios president Kevin Feige and Thor director Kenneth Branagh about the part. “Yeah, I met with Kevin [Feige] a few times and the director,” he said. “There was definitely some truth in that, yeah.”

When the MTV interviewer said he thought the actor had the perfect look to bring Thor to life, Skarsgård simply replied, “So did I.”

But before you start to feel too sorry for Skarsgård, let's not forget the number of impressive roles the True Blood alum has landed. At the moment, he’s playing Perry Wright in HBO’s Big Little Lies, for which he won both an Emmy and a Golden Globe.

As for the Thor role, Hemsworth went on to play the God of Thunder in multiple films, and although his future in the MCU is not certain after Avengers: Endgame, the Australian actor confirmed he’d love to keep playing the character.

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