20th Century Fox Home Entertainment
20th Century Fox Home Entertainment

11 Magical Facts About Willow

20th Century Fox Home Entertainment
20th Century Fox Home Entertainment

Five years after the release of Return of the Jedi (1983) and four years after Indiana Jones and the Temple of Doom (1984), George Lucas gave audiences the story for another film about an unlikely hero on an epic journey, but this time he had three Magic Acorns and a taller friend instead of a whip and gun to help him along. Willow (1988) was directed by Ron Howard and starred former Ewok and future Leprechaun, Warwick Davis.

Over the past few decades, Willow—which was released 30 years ago today—has become a cult classic that's been passed down from generation to generation. Before you sit down to explore that world again (or for the first time), here are 11 things you might not have know about Willow.

1. IT WAS WRITTEN FOR WARWICK DAVIS.

In an interview with The A.V. Club, Warwick Davis revealed that George Lucas first mentioned the idea for the film to Davis’s mother during the filming of one of the Ewok TV specials in 1983, in which he was reprising his role as Wicket. Lucas had been developing the idea for more than a decade at that point, but working with Davis on Return of the Jedi helped him realize the vision. “George just simply said that he had this idea, and he was writing this story, with me in mind,” Davis said. “He didn't say at that time that it was going to be called Willow. He said, 'It's not for quite yet; it's for a few years ahead, when Warwick is a bit older.'" The role was Davis’s first time not wearing a mask or costume on screen.

2. IT WAS ORIGINALLY CALLED MUNCHKINS.

Five years after he mentioned the idea, Lucas was ready to make his film with Ron Howard directing and a then-17-year-old Davis as the lead. The original title was presumably inspired by the characters from L. Frank Baum's The Wonderful Wizard of Oz, and the subsequent Victor Fleming film.

3. IT WAS CRITICIZED FOR BEING A COPY OF STAR WARS.

Having thought of the two worlds simultaneously, Lucas may have cribbed some of his own work and other well-known stories a little too much for Willow, and some critics noticed. “Without anything like [Star Wars’s] eager, enthusiastic tone, and indeed with an understandable weariness, Willow recapitulates images from Snow White, The Wizard of Oz, Gulliver's Travels, Mad Max, Peter Pan, Star Wars itself, the Hobbit saga, Japanese monster films of the 1950s, the Bible, and a million fairy tales," wrote Janet Maslin of The New York Times. "One tiny figure combines the best attributes of Tinkerbell, the Good Witch Glinda, and the White Rock Girl.”

Later in her review, Maslin continued to point out the similarities between the two films: “When the sorcerer tells Willow to follow his heart, he becomes the Obi-Wan Kenobi of a film that also has its Darth Vader, R2-D2, C-3P0 and Princess Leia stand-ins. Much energy has gone into the creation of their names, some of which (General Kael) have recognizable sources and others (Burglekutt, Cherlindrea, Airk) have only tongue-twisting in mind. Not even the names have anything like Star Wars-level staying power.”

4. IT WAS THE LARGEST CASTING CALL FOR LITTLE PEOPLE IN MOVIE HISTORY.

Lucas had previously cast several little people for roles in Return of the Jedi, and there were more than 100 actors hired to portray Munchkins in The Wizard of Oz. But, according to Davis, the casting call for Willow was the largest ever at the time with between 225 and 240 actors hired for the film.

5. THE DEATH DOGS WERE REAL DOGS IN COSTUME.

The big bad in the film, Bavmorda, has demon dogs that terrorize Willow’s village. The dogs are more boar-like than canine, but they were portrayed by Rottweilers. The prop team outfitted the dogs with rubber masks and used animatronic heads for close-up scenes.

6. IT WAS THE FIRST USE OF MORPHING IN A FILM.

While trying to use magic to turn an animal back into a human, Willow fails several times before eventually getting it right, but he does succeed in turning the animal into another animal, which is shown in stages. To achieve this, the visual effects teamed used a technique known as "morphing."

The film’s visual effects supervisor, Dennis Muren of Industrial Light & Magic, explained the technique to The Telegraph:

The way things had been up till that time, if a character had to change at some way from a dog into a person or something like that it could be done with a series of mechanical props. You would have to cut away to a person watching it, and then cut back to another prop which is pushing the ears out, for example, so it didn't look fake ... we shot five different pieces of film, of a goat, an ostrich, a tiger, a tortoise, and a woman and had one actually change into the shape of the other one without having to cut away. The technique is much more realistic because the cuts are done for dramatic reasons, rather than to stop it from looking bad.”

7. THE STORY WAS CONTINUED IN SEVERAL NOVELS.

Willow has yet to receive a sequel, but fans of the story can return to the world in a trilogy of books that author Chris Claremont wrote in collaboration with Lucas between 1995 and 2000. According to the Amazon synopsis of Shadow Moon, the first book picks up 13 years after the events of the film, and baby Elora Danan’s friendless upbringing has turned her into a “spoiled brat who seemingly takes joy in making miserable the lives around her. The fate of the Great Realms rests in her hands, and she couldn't care less. Only a stranger can lead her to her destiny.”

8. THERE IS A MISSING SCENE CONCERNING THE MAGIC ACORNS.

Hardcore fans of the film have noticed that there is a continuity error that involves the Magic Acorns Willow was given by the High Aldwin. During an interview with The Empire Podcast, Davis explained that in a scene near the end of the film, he throws a second acorn and is inexplicably out after having only used two of the three Magic Acorns he had been given earlier in the film. Included in the Blu-ray release is the cut scene, in which Willow uses an acorn (his second) in a boat during a storm and accidentally turns the boat to stone. Davis says that his hair is wet in the next scene that did make it into the original version of the film, but the acorn is never referenced.

9. JOHN CUSACK AUDITIONED FOR THE PART OF MADMARTIGAN.

Val Kilmer in 'Willow' (1988)
20th Century Fox Home Entertainment

Val Kilmer famously played the role of the reluctant hero two years after played Iceman in Top Gun (1986), but he was not the only big name to audition for the role. Davis revealed in a commentary track that he once read with John Cusack, who in 1987 had already starred in Sixteen Candles (1984), Stand by Me (1986), and Hot Pursuit (1987).

10. THERE IS A NOD TO SISKEL AND EBERT.

During a battle scene later in the film, Willow and his compatriots have to fight a two-headed beast outside of the castle. The name of the stop motion beast is the Eborsisk, which is a combination of the names of famed film critics, Roger Ebert and Gene Siskel.

11. THE BABY NEVER ACTED AGAIN.

A scene from 'Willow' (1988)
20th Century Fox Home Entertainment

As is the case with most shows and films, the role of the baby Elora was played by twins, in this case Kate and Ruth Greenfield. The IMDb pages for both actresses only has the one credit. In 2007, Davis shared a picture of him posing with a woman named Laura Hopkirk, who said that she played the baby for the scenes shot in New Zealand, but she is not credited online.

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25 Incisive Facts About Jaws
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MCA/Universal Home Video

Daah dun, daah dun, daah dun, dun dun, dun dun, dun dun. Today is the 43rd anniversary of Steven Spielberg’s original blockbuster, Jaws. Here are 25 fascinating facts you may not have known about the Oscar-winning shark flick.

1. THE BOOK COULD HAVE BEEN CALLED SOMETHING ELSE.

The film is adapted from author Peter Benchley’s bestselling novel of the same name, which Benchley based on a series of shark attacks that occurred off the coast of New Jersey in 1916 and after an incident where a New York fisherman named Frank Mundus caught a 4,500-pound shark off the coast of Montauk in 1964. Other title ideas Benchley had before settling on Jaws were “The Stillness in the Water,” “The Silence of the Deep,” “Leviathan Rising,” and “The Jaws of Death."

2. THE BOOK’S AUTHOR MAKES A CAMEO IN THE MOVIE.

Benchley himself can be seen in a cameo in the film as the news reporter who addresses the camera on the beach. Benchley had previously worked as a news reporter for the Washington Post before penning Jaws.

Steven Spielberg also makes a cameo in the movie: His voice is the Amity Island dispatcher who calls Quint’s boat, the Orca, with Sheriff Brody’s wife on the line.

3. STEVEN SPIELBERG GOT THE DIRECTING JOB BECAUSE OF DUEL.

Spielberg was chosen to direct Jaws by producers Richard Zanuck and David Brown (who had also worked with the then-28-year-old director on his 1974 film The Sugarland Express) because of his film Duel, which featured a maniacal trucker terrorizing a mild-mannered driver. The producers thought the movie was thematically similar to the story for Jaws, making Spielberg a great fit.

4. THERE’S NOT A LOT OF JAWS IN JAWS.


MCA/Universal Home Video

The shark doesn’t fully appear in a shot until one hour and 21 minutes into the two-hour film. The reason it isn’t shown is because the mechanical shark that was built rarely worked during filming, so Spielberg had to create inventive ways (like Quint’s yellow barrels) to shoot around the non-functional shark.

5. IT TOOK A VERY LONG TIME TO MAKE.

Jaws was marred with so many technical problems (including the shark not working and shooting in the Atlantic Ocean) that the originally scheduled 65-day shoot ballooned into 159 days, not counting post-production.

6. AMITY ISLAND WAS ACTUALLY MARTHA’S VINEYARD.

To create the fictional town of Amity, the production shot on location in Edgartown and Menemsha on Martha’s Vineyard in Massachusetts. Strict land ordinances kept the production from building anywhere—Quint’s shack was the one and only set built for the movie, while the defaced Amity Island billboard had to be constructed and taken down all in one day.

7. THE SHARK WEIGHED MORE THAN A TON.

The pneumatically-powered shark, designed and built by production designer Joe Alves, weighed in at 1.2 tons and measured 25 feet in length. Part of the reason that Martha’s Vineyard was chosen as a location was because the surrounding ocean bed had a depth of 35 feet for up to 12 miles offshore, which was perfect for scenes that required the mechanical shark rig to be rested on the shallow ocean floor.

8. SPIELBERG TOOK INSPIRATION FROM HIS LEGAL COUNSEL.

The director nicknamed the shark “Bruce” after his lawyer, Bruce Ramer, who also currently represents other celebrities like Demi Moore, Ben Stiller, and Clint Eastwood.

9. SOME GOOD, OLD-FASHIONED ELBOW GREASE HELPED CREATE THE OPENING SCENE.

The opening scene took three days to shoot. To achieve the jolting motions of the shark attacking the swimmer in the opening sequence, a harness with cables was attached to actress Susan Backlinie’s legs and was pulled by crewmembers back and forth along the shoreline. Spielberg told the crew not to let Backlinie know when she would be yanked back and forth, so her terrified reaction is genuine.

Spielberg went on to spoof his own opening scene for Jaws in his 1979 World War II comedy 1941. The scene features Backlinie once again taking a skinny dip at the beach, but instead of being attacked by a shark she’s scooped up by a passing Japanese submarine.

10. SOME EAVESDROPPING GOT ROY SCHEIDER THE LEAD.

Scheider got the part of Chief Martin Brody after overhearing Spielberg talking to a friend at a Hollywood party about the scene where the shark leaps out of the water and onto Quint’s boat. Scheider was instantly enthralled, and asked Spielberg if he could be in the film. Spielberg loved Scheider from his role in The French Connection, and later offered the actor the part.

11. RICHARD DREYFUSS WASN’T THE FIRST CHOICE TO PLAY HOOPER.

Spielberg initially approached Jon Voight, Timothy Bottoms, and Jeff Bridges to play oceanographer Matt Hooper. When none of them could commit to the role, Spielberg’s friend George Lucas suggested Richard Dreyfuss, whom Lucas has directed in American Graffiti. Dreyfuss would later accept the part because he thought he was terrible in the title role of the film The Apprenticeship of Duddy Kravitz a year earlier.

12. ROBERT SHAW WASN’T THE FIRST CHOICE TO PLAY QUINT.

When actors Lee Marvin and Sterling Hayden—the first and second choices to play the grizzled fisherman Quint, respectively—both turned Spielberg down, producers Zanuck and Brown recommended English actor Robert Shaw, whom they had previously worked with on 1973's The Sting.

13. A LOCAL MARTHA’S VINEYARD FISHERMAN WAS THE REAL QUINT.

Shaw based his performance of Quint on Martha’s Vineyard native and fisherman Craig Kingsbury, a non-actor who appears in the film as Ben Gardner. Kingsbury helped Shaw with his accent and allegedly told Shaw old sea stories that the actor incorporated into his improvised dialogue as Quint.

14. GREGORY PECK FORCED A SCENE TO BE CUT FROM THE MOVIE.

In early drafts of the screenplay, Quint was originally introduced while causing a disturbance in a movie theater while watching John Huston’s 1958 adaptation of Moby Dick. The scene was shot, but actor Gregory Peck—who plays Captain Ahab in that movie—owned the rights to the film version of Moby Dick and wouldn’t let the filmmakers on Jaws use the footage, so the sequence was cut.

15. THE BOOK WAS VERY DIFFERENT FROM THE MOVIE.

Early drafts of the screenplay featured a subplot where Hooper has an affair with Chief Brody’s wife, which was carted over from the book. Another detail left out of the movie from the book was that Mayor Vaughn was under pressure from the mafia, not local business owners, to keep Amity’s beaches open because of their real estate investments on the island.

16. SPIELBERG ADDED AN OFFSCREEN IMPROV MOMENT.

The scene where Brody’s son Sean mimics his father’s movements at the dinner table was based on a real thing that happened between Scheider and child actor Jay Mello in between takes. Spielberg loved the off-the-cuff moment so much that he re-staged it and put it in the movie.

Another iconic moment was also a spontaneous one: Brody’s famous “You’re gonna need a bigger boat” line was entirely improvised by Scheider on the day of shooting.

17.  ROBERT SHAW PUT HIS OWN SPIN ON THE INDIANAPOLIS SPEECH.


MCA/Universal Home Video

Quint’s U.S.S. Indianapolis speech wasn’t in the novel, and the backstory of Quint being a sailor on the ship first appeared in an uncredited rewrite of the script by playwright Howard Sackler. Later, writer-director (and Spielberg’s friend) John Milius expanded the characteristic into a multi-page monologue, which was then whittled down and spruced up by actor Robert Shaw (himself a playwright) on the day of shooting.

18. SOME REAL SHARK FOOTAGE WAS USED.

Zanuck demanded that real shark footage be used in the movie, and Spielberg used it sparingly. He hired experts Ron and Valerie Taylor to shoot underwater footage of 14-foot sharks off the coast of Australia. For scale, they hired a little person actor named Carl Rizzo to appear as Hooper in a mini shark cage in hopes that they could create the illusion of a shark attacking the character. After trying to get the right shot for about a week, the sharks would only swim around the cage. Then, during a take when Rizzo wasn’t in the cage, a shark became entangled in the cage’s bridle, causing it to thrash and roll around. This footage was included in the final film.

19. DESPITE ALL THE BLOODY SHARK ATTACKS, THE MOVIE IS RATED PG.

Jaws was initially rated R by the MPAA. But after some of the more gruesome frames of the shot showing the severed leg of the man attacked by the shark in the estuary were trimmed down, the film was given a PG-rating (the PG-13-rating wasn’t created until after Spielberg’s own film, Indiana Jones and the Temple of Doom, caused the MPAA to change the system in 1984). The poster for the film still reads that the movie “MAY BE TOO INTENSE FOR YOUNGER CHILDREN.”

20. SPIELBERG DIDN’T DIRECT SOME OF THE FINAL SCENES.

Spielberg didn’t direct the shot of the shark exploding. In fact, he had already returned to Los Angeles to begin post-production on the film after the film’s grueling shooting schedule and left the shot up to the production’s second unit.

21. THE POSTER IMAGE CAME ABOUT BY CHANCE.

The film’s iconic poster image was designed by artist Roger Kastel for the paperback edition of Benchley’s book. Kastel modeled the image of the massive shark emerging from the bottom of the frame after a great white shark diorama at the American Museum of Natural History. The female swimmer at the top was actually a model that Kastel was sketching at his studio for an ad in Good Housekeeping. He asked her to stay an extra half-hour and had her pose for the image by standing on a stool and pretending to swim.

22. JAWS WAS HUGE.

Jaws was the first movie released in more than 400 theaters in the United States, and the first movie to gross over $100 million at the box office. It was the highest grossing movie of all time until Star Wars was released two years later.

23. SPIELBERG INCLUDED A NOD TO HIS PREVIOUS MOVIE.

The faint roaring sound that is heard after the shark is blown up was also used by Spielberg in Duel, when that film’s villainous truck falls off a cliff.

24. IT ORIGINALLY ENDED JUST LIKE MOBY DICK.

The original ending in the script had the shark dying of harpoon injuries inflicted by Quint and Brody à la Moby Dick, but Spielberg thought the movie needed a crowd-pleasing finale and came up with the exploding tank as seen in the final film. The dialogue and foreshadowing of the tank were then dropped in as they shot the movie.

25. THE MAIN THEME MUSIC IS EASY TO PLAY.

The sole music notes played for composer John Williams’s Jaws theme are E and F. Jaws marked the second time Williams worked with Spielberg after his film The Sugarland Express, and Williams has composed the music for every Spielberg movie since with the exception of 1985's The Color Purple and 2015's Bridge of Spies.

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20 Things You Might Not Know About Garfield
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Everyone’s favorite lazy, lasagna-loving cat made his debut 40 years ago, but Garfield is still just as popular today. The comic strip spawned a TV show plus a number of video games, feature films, books, and, of course, holiday specials—not to mention one very memorable car window craze. We sat down with Garfield creator Jim Davis to nail down a solid list of 20 things you might not know about the wisecracking feline.

1. JIM DAVIS ORIGINALLY INTENDED TO FOCUS THE STRIP ON JON.


Courtesy of Jim Davis

“I ran some early ideas at a local paper,” Jim Davis tells Mental Floss, “to see how I felt about it and I called the strip Jon. It was about him, but he had this wise cat who, every time, came back zinging him. He always had the great payoff. At the time, I worked for T.K. Ryan—the cartoonist for Tumbleweeds—and I showed it to him and told him how every time I got to the punch line the cat zings him. And T.K. said, 'Well, what does that tell you, Jim?'" he laughs. “The strip must be about the cat. Go with it.”

2. JON WAS A CARTOONIST IN THE VERY FIRST COMIC STRIP, BUT IT WAS NEVER REALLY MENTIONED AGAIN.

“I didn’t want to tread on the fact that Jon’s a cartoonist because my biggest fear was getting a little too inside," Davis says. "That it would be a little too easy for me to write. I didn’t want to lose the readers just for my own enjoyment, or for a handful of peers. Also, I purposely gave him a job right off the top for the reason that The Adventures of Ozzie and Harriet never explained what Ozzie did for a living. Nobody ever knew because he was always in the house with Harriet and Ricky and David. Just hanging around. So I thought I would give Jon a job right off the top to avoid being asked what he does for a living in interviews.”

3. GARFIELD WAS NAMED AFTER DAVIS'S GRANDFATHER, JAMES A. GARFIELD DAVIS ...

... who was named after President James A. Garfield. That’s quite a connection. Now just imagine a fat, wisecracking, lasagna-eating cat as the President of the United States of America. (Sounds like a dead-ringer for William Howard Taft!)

4. GARFIELD IS SET IN DAVIS'S HOMETOWN OF MUNCIE, INDIANA, BUT THAT'S ALSO MOSTLY LEFT UNSAID.


Courtesy of Jim Davis

“I would like for readers in Sydney, Australia to think that Garfield lives next door,” Davis says. “Dealing with eating and sleeping, being a cat, Garfield is very universal. By virtue of being a cat, really, he’s not really male or female or any particular race or nationality, young or old. It gives me a lot more latitude for the humor for the situations.” The farm that Davis grew up on reportedly had 25 cats, several of which he based the Garfield character on.

5. DAVIS MAINTAINS COMPLETE CONTROL OVER GARFIELD'S FINAL PRODUCT, BUT HE NO LONGER DRAWS THE DAILY COMIC STRIP.

“I’m sitting here working on the writing right now,” he says. “I see gags and I work with assistants on the strip and stuff like that. We do roughs and it all filters through me so that it has one voice. We all get together occasionally in the same room and draw and work on shapes of fingers and gestures and expressions and things like that so that if any one of us draws it, you can’t tell which one did it.”

6. HE REGRETS AT LEAST ONE LICENSED GARFIELD ITEM.

According to Slate, Garfield merchandise brings in $750 million to $1 billion annually. Davis’s creation has been adapted and licensed more times than anyone could probably count, and of all of those items, there's one that Davis isn't thrilled with. “A few years ago there was a Zombie Garfield,” he says. “It was really gnarly and I thought, 'Oh, this will be fun.' So I did it and it sold okay. It was really interesting. But then I looked at it later and I go, ‘It did nothing for the character’s advancement.’ I figured I just did it because it was cool and everybody was doing it at the time. I just didn’t have a warm, fuzzy feeling after doing it. But those T-shirts go away," he laughs.

7. GARFIELD HOLDS THE GUINNESS WORLD RECORD FOR BEING THE WORLD'S MOST WIDELY SYNDICATED COMIC STRIP.

Garfield is syndicated in more than 2500 newspapers and journals. The cat also has more than 16 million fans on Facebook. That’s one seriously popular feline.

8. GARFIELD'S CHARACTER DESIGN HAS CHANGED MANY TIMES OVER THE YEARS.

There's one constant, though: The fat cat has always been—and will always be—fat. “If he lost weight, that would effectively end Garfield as we know it,” Davis says. “Garfield sends a healthy message in that he’s not perfect. He knows that and he’s cool with that. He’s happy with himself. If everybody were, there would probably be fewer disorders of all natures. He’s not perfect. In fact, he’s the imperfection in all of us underneath. I think that makes him probably easier to identify with than a slim, athletic character in the comics.”

9. DAVIS REALLY ENJOYED SCARING KIDS WITH GARFIELD'S HALLOWEEN ADVENTURE.

"It was such a challenge to try to think of something that could be scary, but fortunately we got to work with animation—we could marry scary sounds with scary music and scary images, and set the stage for a scary experience," Davis says. "Even down to the use of the actor’s voice. C. Lindsay Workman [who voices the old man that tells Garfield and Odie about the vengeful ghost pirates] was just a great character actor. I think we took our time to build to a scary scene where the ghost pirates invaded the house to look for the buried treasure. We tried to throw as many elements together as possible to create a situation where, at least for a few minutes, it could create a scary situation for the young viewers."

10. CREATING THE GHOST PIRATES IN THE HALLOWEEN TV SPECIAL WAS MUCH MORE DIFFICULT THAN YOU MIGHT THINK.

“We did it in our own art department (here at Paws, Inc.) because we wanted to make it just right,” the Garfield creator told us. “It was done with a white, chalky pencil on a rough texture so that everything would be really grainy. Back then, we animated on real film, so in order to get that glow we did what’s called a double burn. We exposed the film twice to overexpose the ghosts, and that gave it that eerie glow. We were totally in control of the process and the results turned out very well.”

11. IN 2011, A FULL-LENGTH STAGE MUSICAL CALLED GARFIELD LIVE WAS STAGED IN MUNCIE.

The musical was supposed to start touring the United States in September 2010, but was delayed until January 2011, when it premiered in Muncie. Davis wrote Garfield Live, while Michael Dansicker and Bill Meade handled the music and lyrics.

12. DAVIS LOVED THE CASTING OF BILL MURRAY AS THE VOICE OF GARFIELD IN 2004'S GARFIELD: THE MOVIE.


Muncie Magazine

“It was because of Bill Murray’s attitude [that he was cast],” Davis tells us. “It wasn’t really so much his voice. It was the fact that he embodies the attitude that Garfield has always displayed in the strip. Lorenzo [Music] obviously wasn’t a choice since he passed away years ago, and when the producers said, ‘Bill Murray would like to do the voice,’ I thought, ‘Oh, cool.’ My biggest concern about doing a CGI Garfield with live action was that people wouldn’t buy into the fact that this was our Garfield—the Garfield we’d known all these years. But I thought that as soon as they heard Bill Murray’s voice they’d get it. There will be that emotional tag going with his voice. That will establish the fact that, ‘Yes, this character has attitude.’”

13. THERE'S A GREAT LINK BETWEEN GARFIELD VOICE ACTOR LORENZO MUSIC AND BILL MURRAY.

Lorenzo Music provided the voice of Garfield in all of the cat’s TV specials from 1982 to 1991, as well as during the 1988 to 1994 run of Garfield and Friends. Music also provided the voice of Peter Venkman in The Real Ghostbusters. Murray, of course, played Venkman in the Ghostbusters films and would, in 2004, provide the voice of Garfield in Garfield: The Movie. “I didn’t know about the relationship with Ghostbusters until years later."

14. THE MACY'S PARADE ONCE CITED SHAMU THE WHALE AS THE PARADE'S LARGEST BALLOON, BUT DAVIS SAYS GARFIELD WAS LARGER.

“In the Macy’s Thanksgiving Day Parade, they had published that their biggest balloon ever, by volume of gas, was Shamu the Whale with over 18,000 cubic feet," Davis says. "The fact is that the Garfield balloon was filled with 18,907 cubic feet of helium. So we just confirmed that the Garfield balloon, in fact, was the largest one by volume of gas.”

15. THERE ARE ONLY THREE COUNTRIES IN THE WORLD WHERE GARFIELD IS NOT NAMED GARFIELD.

“In Sweden, Garfield is known as Gustav,” the Garfield creator says. “There are only three countries in the whole world where he’s not Garfield and they’re all in the Nordics.” The other two are Norway and Finland.

16. THE STUCK ON YOU GARFIELD PLUSH WITH SUCTION CUPS WAS THE RESULT OF A MISUNDERSTANDING.


Amazon

In the 1990s, it wasn't unusual to see a number of cars with little Garfield plushes stuck to the windows with suction cups. But that wasn't the original design—or the intended use. “I designed the first Stuck on You doll with Velcro on the paws, thinking that people would stick it on curtains,” Davis says. “It came back as a mistake with suction cups. They didn’t understand the directions. So I stuck it on a window and said, 'If it’s still there in two days, we’ll approve this.' Well, they were good suction cups and we released it like that. It never occurred to me that people would put them on cars.”

17. THE GARFIELD COMIC STRIP BOOKS HAVE BEEN HUGE HITS.

“The 11 Garfield comic strip books have all been number one on the New York Times Bestseller List,” Davis says. “At one time there were seven on the list simultaneously. At that point, they changed the way the list was done because other publishing houses were complaining that their authors couldn’t get on the list because of Garfield. Garfield at Large (1980) was number one for two solid years. Over 100 weeks.” The title of every compilation book is a reference to either food or Garfield’s weight.

18. STEVEN SPIELBERG AND STEPHEN KING ARE AMONG THE MANY CELEBRITIES WHO OWN ORIGINAL GARFIELD STRIPS.

They both contacted Davis personally for the strips; the cartoonist happily obliged.

19. DESPITE GARFIELD BEING INSANELY POPULAR FOR DECADES, DAVIS IS STILL MOSTLY ANONYMOUS.


Muncie Magazine

“Being a cartoonist, you really enjoy a lot of anonymity,” he says. “You take a half-dozen of the biggest cartoonists and walk them down any street, nobody would notice them. They only know their characters. So I just hide behind Garfield. The only time anyone knows the name or spots me is if I’m out on book tour and I’m meant to do publicity. We don’t suffer any of the kind of attention problems that I think people do on TV or in movies. It’s not a big deal. I’m sitting here in the countryside of East Central Indiana, so it’s pretty quiet.”

20. DAVIS'S FATHER'S FAVORITE COMIC STRIP WASN'T GARFIELD.

Davis's father and namesake, who passed away in 2016, liked Garfield but preferred another comic strip: Beetle Bailey. “Nobody else knew that until today,” Davis tells us.

This article originally appeared in 2014.

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