Russians Advance on Erzurum

The First World War was an unprecedented catastrophe that shaped our modern world. Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 220th installment in the series.

January 17, 1916: Russians Advance on Erzurum

As fighting in other theatres died down during the winter months, a long period of stasis on the Caucasian front suddenly ended with a surprise attack by the Russian Caucasian Army, which sprang into action against the understrength Ottoman Third Army in Eastern Anatolia and scored a major victory at the Battle of Köprüköy from January 11-19, 1916. This set the stage for an advance on the ancient city of Erzurum (above), occupying a key strategic position at the gateway to central Anatolia, the Turkish heartland.

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Following its disastrous defeat at Sarikamish, the Ottoman Third Army had withdrawn down the Aras River valley to strong defensive positions around the small village of Köprüköy, nestled between the imposing ridges of the eastern Pontic Mountains. However the Ottoman high command was unable to send reinforcements to the badly depleted Third Army, as all available manpower was needed to fight off the Allied attack at Gallipoli; thus the Third Army lacked the defensive reserves needed to plug the gaps in case of an enemy breakthrough.

With the approval of theatre commander Grand Duke Nicholas, who had been relieved as commander in chief of all the Russian armies and sent to the Caucasus in August 1915, the Russian commander General Yudenich staged a flurry of diversionary attacks on January 11 before unleashing the main assault on a weak spot in the Turkish line near the Cakir-Baba ridge on January 14. The diversionary attacks succeeded in distracting the Turks, who moved their only reserve away from the intended area for the main attack; the Russians rebuffed a counterattack by these forces on January 13.

Beginning before dawn on January 14, the Russian soldiers waded through snow higher than their waists along the southern slope of Cakir-Baba, regrouped, and seized the strategic Kozincan heights by the following day, leaving almost nothing between them and the village of Köprüköy on the Aras River. With a breakthrough tantalizingly close, Yudenich threw his Cossack reserve into the fight in hopes they could slog through the snow and surround the enemy – but the Turks withdrew just in time, retreating to the fortifications of Erzurum by January 17.

Overall the Ottoman Third Army suffered 20,000 casualties out of a total 65,000 men, while the Russian Caucasian Army lost just 12,000 out of 75,000. More importantly, the first great prize of the campaign in East Anatolia, Erzurum, was within reach.

A British war correspondent, Philips Price, recorded the aftermath of the battle and the Turks’ hasty retreat to Erzurum: “We saw many signs of the Turkish retreat, as we continued our way. Through the snow on the roadside protruded a number of objects, camels’ humps, horses’ legs, buffaloes’ horns, and men’s faces, with fezzes and little black beards, smiling at us the smile of death, their countenances frozen as hard as the snow around them.”

Meanwhile both sides had to continue enduring harsh winter conditions in the incredibly primitive environment of the eastern Anatolian mountains, which the Russian Cossacks were especially well suited for, according to Price:

Snug little zemliankas, dug into the earth and covered with grass, dotted the plateau and the sheltered hillsides. From the holes, that served as doorways, hairy Cossack faces looked out on wintry scenes of snow and rock. Here the reserves were waiting to be ordered up to the front. Mankind in this country becomes a troglodyte in winter… so they build themselves huts, half buried in the ground and covered with straw, where they can keep warm and rest for a few days… A deathly silence reigns over the white expanse of snow; and only the wolfish bark of a miserable pariah dog tells one there is any life at all.

Suffering Behind the Lines

The Russian advance in Anatolia could only serve to heighten the Ottoman government’s paranoia about Armenian subversion behind the lines, reinforcing their commitment to carrying out their genocidal policy of massacres and death marches against the Armenian civilian population.

The Armenian Genocide was no secret, openly discussed by the Ottoman Empire’s own allies. For example on January 11, 1916 Karl Liebknecht, a socialist member of the German Reichstag, asked a question addressed to the government:

Is the Imperial Chancellor aware of the fact that during the present war hundreds of thousands of Armenians in the allied Turkish empire have been expelled and massacred? What steps has the Imperial Chancellor taken with the allied Turkish government to bring about the necessary atonement, to create a humane situation for the rest of the Armenian population in Turkey, and to prevent similar atrocities from happening again?

Baron von Stumm, head of the German foreign office’s political department, responded to Liebknecht’s question with an answer that can only be described as a tour de force in euphemism:

The Imperial Chancellor is aware that some time ago the Sublime Porte, compelled by the rebellious machinations of our enemies, evacuated the Armenian population in certain parts of the Turkish empire and allocated new residential areas to them. Due to certain repercussions of these measures, an exchange of ideas is taking place between the German and the Turkish governments. Further details cannot be disclosed.

Liebknecht then returned to the attack but according to the official transcript was dismissed on grounds of parliamentary procedure: “‘Is the Imperial Chancellor aware of the fact that Professor Lepsius virtually spoke of an extermination of the Turkish Armenians…’ (The President rings his bell. – Speaker attempts to continue speaking. – Calls: Silence! Silence!) President: ‘That is a new question that I cannot permit.’” Indeed, the German government was determined to turn a blind eye to the atrocities committed by their ally.

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However the record of these events survived in the testimony of the few who managed to endure the death marches, only to be dumped in a string of smaller concentration camps in the Syrian desert, where they awaited final deportation to the main concentration camps (often described as “death camps”) at Deir-ez-Zor and Rasalyn. One young Armenian girl, Dirouhi Kouymjian Highgas, later described one of the smaller camps:

As far as the eye could see were acres and acres of tents. They all looked alike. Most of the tents consisted only of two sticks pounded into the ground, with dirty, ragged blankets thrown over them. The condition of the refugees was indescribable. They were half-clothed human skeletons, either squatting in a stupor in front of their tents, or lying on the ground with their mouths open, gasping for air, or shuffling aimlessly around, staring blankly into the distance. They did not acknowledge our arrival in any way.

Here she would have the frightening experience of seeing her own father breaking in despair:

In the evenings, we sat in our tent… We tried to sleep through moans and screams of the sick and dying. We were using any available place for toilets. The human smells, the stench of rotting flesh and other undefinable odors that hung in the air were unbearable. One night, I was awakened by the sound of my father crying. He was sobbing just like a child. I reached out to him and wiped his tears away with my fingers, and curled up on my mat, to sleep… It was almost too much sadness for a little nine-year-old girl to bear. But I didn’t move. I told myself I had to be brave. I must not allow myself to break down, adding yet another problem to my already overburdened family…

While the Armenians were subjected to state-sanctioned mass murder (along with Greeks and Assyrian Christians in some places), it’s worth noting that other Anatolian populations, including Turks and Kurds, also suffered widespread starvation and disease due to the disruptions caused by the war. Henry H. Riggs, an American missionary, painted a chilling picture of the conditions for Kurdish refugees fleeing the Russian advance in eastern Anatolia:

Many of these people had actually been driven out of their village homes by the advance of the Russians, and some had fled from places where the Russians had not yet arrived rather than await the coming of the foe… The sufferings of these Kurdish exiles, however, were hardly less pitiable than those of the Armenians… The mortality among them was terrible, and those who reached the region of Harpoot were – many of them – utterly broken and hopeless… Epidemic soon took hold among them, and one of the women who had gone down to help came back one day with the report that the Kurds were dying like flies…

Similarly Ephraim Jernazian, an Armenian pastor who was protected because of his connection to foreign missionaries, later recalled the universal suffering in Urfa, in what is now southeastern Turkey:

From 1916 through 1918 Urfa was plagued with famine. Many of the local poor and refugees died of starvation. In the evening at every doorstep could be seen people looking almost like skeletons, whimpering weakly, in Turkish, “Ahj um… Ahj um…” or in Arabic, “Zhu’an… Zhu’an…” or in Armenian, “Anoti yem… Anoti yem… [I am hungry… I am hungry.]” It was unbearable. As the night wore on, silence prevailed. Early in the morning when we opened our doors, in front of every house we would see dead from starvation a Turk here, a Kurd there, an Armenian here, an Arab there.

Like Riggs, Jernazian observed that food shortages were always followed by outbreaks of epidemic disease, spreading quickly among people made even more vulnerable by starvation. Ironically this presented a respite of sorts for persecuted Armenians, as their neighbors were too sick to torment them:

During the years of famine, the deplorable conditions became worse as various diseases began to spread. The typhus epidemic especially did its destructive work. Every day, in addition to the refugees, from fifty to one hundred townspeople died of typhus alone. Urfa presented a pitiful picture. When famine and typhus began to snatch victims from all classes, it seemed that for a while harassment of the few Armenians here and there was forgotten. Starving Armenians and Turks were begging side by side in front of the same market and together were gathering grass from the fields.

See the previous installment or all entries.


Jon Snow's Game of Thrones Fate Could Have Spelled Divorce for Showrunner David Benioff

Christopher Polk, Getty Images for Turner
Christopher Polk, Getty Images for Turner

The emotional toll that Game of Thrones's twists and turns takes on its fans has been well-documented. Between the TV show's massive body count and its never-ending series of other shocking moments, the show has left viewers shaken to theirs core for the past eight years (which is part of its massive appeal). But one of Game of Thrones's most heartbreaking moments—the death of Jon Snow at the hands of Alliser Thorne and other members of the Night's Watch in the fifth season—didn't leave just fans crushed. It nearly cost showrunner David Benioff his marriage.

While being interviewed on Jimmy Kimmel Live! in 2015, The Romanoffs star Amanda Peet, who has been married to Benioff since 2006, told Kimmel that she was close to divorcing Benioff for killing off Jon Snow.

"I made him promise me, I begged him … I said, 'I've heard all this stuff … [Kit Harington] got a haircut, I don't want to divorce you, what's happening?'" Peet recalled. Benioff assured his wife that Jon wasn't going to die, but obviously that wasn't true—or at least not at the time. "I don't love you anymore," Peet (jokingly) told her husband. "I said, 'If you kill him, that's it.'"

As we all know, the sixth season saw Jon brought back to life, but Peet likely had no idea it was going to happen due to the intense secrecy of the show. "It's a little like being married to someone in the CIA or something," the actress stated. "He's in bed and he has his earphones and we angle the computer so that I can't see the dailies."

Though Jon's resurrection may have saved their marriage, who knows how Peet will feel about how it all ends when Game of Thrones's eighth and final season premieres on April 14, 2019.

20 Surprising Facts About Benedict Cumberbatch

Larry Busacca, Getty Images
Larry Busacca, Getty Images

If Benedict Cumberbatch isn't careful, he might just run out of dream roles to play. Since the earliest days of his career, the 42-year-old actor has made no secret that there were two roles at the top of his character bucket list: Hamlet and Patrick Melrose, the protagonist at the center of Edward St Aubyn's critically acclaimed series of novels.

In 2015, Cumberbatch took the stage in London to do the whole "to be or not to be" thing. (More on that later.) In 2018, he starred in Patrick Melrose, Showtime's television adaptation of the book series, and earned both Golden Globe and Emmy nominations for the role. Now, Cumberbatch is back on the small screen—and bald—for the HBO movie Brexit, which premieres on January 19th.

1. He made his stage debut playing a "very bossy" Joseph in a Nativity play.

In a 2010 interview with London Theatre, Cumberbatch shared that his first stage performance found him playing “a very bossy Joseph in the Nativity play at primary school. Apparently I pushed Mary offstage because she was taking too long. Actresses eh!”

2. He thinks his name sounds like "a fart in a bath."

There’s something very regal-sounding about a name like Benedict Cumberbatch, but it’s not one that necessarily rolls right off the tongue. The Washington Post once identified the actor as “Bandersnatch Cummerbund” (though later clarified that it was a joke). But there have been plenty of other mix-ups—like the time a television show ID'ed him as “Benedict Cumberpatch” (which sort of has a nice ring to it).

Cumberbatch had a feeling that his name might cause problems in his career, which is why he began his career as Benedict Carlton (which is his middle name). Ultimately, it was his agent who convinced him to use Cumberbatch, even though the actor said the surname sounds like “a fart in a bath.”

3. He toyed with the idea of becoming a lawyer.

Though he grew up in a family of actors, Cumberbatch wasn’t always planning to live his life out in front of a camera. In fact, it was because of his parents’ chosen profession that they encouraged him to pursue a more stable calling, which led him to want to become a criminal lawyer.

“[Acting is] a very odd, peripatetic, crazed, out of your control work and social schedule,” Cumberbatch told The Mirror in 2015. “It's very hard to plan a family life, let alone know where the next paycheck is coming from so they worked very, very hard as my parents, and actors, to afford me an education whereby I had the opportunity and the privilege to try and channel myself towards other goals.

“For a while, I wanted to be a barrister because there's definitely a crossover with criminal law—with trying to persuade an audience and a jury and a judge of the case and your client's story so I did go down that route for a little bit. I think they would have been very happy if I ended up there."

He spoke with Vulture about his legal leanings, too, and noted that, “I would've loved the performance of court, the idea of persuading people, storytelling and all that. It parallels beautifully with acting, lots of frustrated, amateur dramatics going on in court all the time. I think lots of barristers literally perform in amateur dramatic societies and are very good actors. It's a massive crossover."

4. His parents on Sherlock are also his parents in real life.

Speaking of Cumberbatch’s parents: While both Timothy Carlton and Wanda Ventham are familiar faces as actors in their own right, fans of Sherlock might also be quick to recognize them as Sherlock and Mycroft Holmes’s parents.

In 2014, Cumberbatch told the Press Association that he was a little nervous about working with his parents, as “They’re Equity card carrying members but you know it was nerve-wracking because they are actors as well and yet they were brilliant and they were fantastic.”

5. He spent a year teaching in India.

During a gap year, Cumberbatch decided to volunteer his time and teach English at a Tibetan monastery in Darjeeling, India. “I’d always been fascinated by the idea of meditation and what it meant,” he told Lion’s Roar. “In India, I went on a retreat with a lama—several days of incantation to clear and purify the mind—along with a dozen other people. It was incredible, and I kind of floated out of there after two weeks."

Though teaching and acting may seem unrelated, many of the skills and practices Cumberbatch learned during that time eventually helped him in his acting career. “Stillness is an essential part of acting,” he said, “so I already had a certain amount of focus in that beforehand. A still point is a very, very hard place to find, especially among the usual kind of pulped sheep pushed around by the blinking flashing world of modern technology.”

6. He was kidnapped in South Africa.

While filming the 2005 miniseries To the Ends of the Earth, Cumberbatch experienced another kind of epiphany when he nearly lost his life. The actor and two of his co-stars took a day off to learn how to scuba dive near Mozambique. On their way back from the outing, the actor explained, “The three of us were trying to change the tire. These six men appeared suddenly from the eucalyptus. They said: 'Put your hands on your head, don't look at us,' and were frisking us for drugs, money, weapons. Then they bundled us into the car. They dragged me up and put me in the boot of the car.”

Like so many of the quick-thinking characters he has played, Cumberbatch realized his only option was to try and argue his way out of the situation:

“I said: ‘If you leave me in here, it’s not the lack of air, it’s the small space. There’s a problem with my heart and my brain.’

“I just tried to explain to them: ‘I will die, possibly have a fit, and it will be a problem for you. I will be a dead Englishman in your car. Not good.’

“They shut the boot and had an argument, and then pulled me out. So I kind of thank God I had the presence of mind to give them the idea that it would be better to keep me alive. And the other two hadn’t been harmed.”

In a way, the incident became the impetus for Cumberbatch to pursue his dreams even more aggressively. “It taught me that you come into this world as you leave it, on your own,” he said. “It’s made me want to live a life slightly less ordinary.”

7. Julian Assange tried to talk him out of starring in The Fifth Estate.

Benedict Cumberbatch as Julian Assange in 'The Fifth Estate' (2013)
DreamWorks

In 2013, a very white-haired Cumberbatch played the role of WikiLeaks founder Julian Assange in Bill Condon’s The Fifth Estate. In preparing for the role, Cumberbatch—ever the dutiful actor—reached out to Assange about arranging a meeting. Assange’s response, which went viral, was rather epic. Though he assured Cumberbatch that he would very much enjoy meeting him, and that he believed they would get along, he spent the bulk of his word count telling the actor why making the film was a terrible idea:

“You will be used, as a hired gun, to assume the appearance of the truth in order to assassinate it. To present me as someone morally compromised and to place me in a falsified history. To create a work, not of fiction, but of debased truth.

“Not because you want to, of course you don't, but because, in the end, you are a jobbing actor who gets paid to follow the script, no matter how debauched.

“Your skills play into the hands of people who are out to remove me and WikiLeaks from the world.

“I believe that you should reconsider your involvement in this enterprise.”

The film went forward as planned, with Cumberbatch in the lead (though it was a critical and box office failure, which likely pleased Assange).

8. He is easily starstruck.

When asked during a Reddit AMA whether he’s ever been starstruck while meeting or working with a fellow actor, Cumberbatch admitted that it happens all the time: “Uhhhhhhhh. Every time I've met someone famous who I've been in the audience of,” he said. “I have the same butterflies and inability to be cool. I approach them as a fellow member of the human race as the next person in their audience does. I've been doing this for 10 odd years, and so to meet people who thrilled me with their work for my entire life in such a concentrated manner as has happened over the last few years has been mind-blowing.”

9. Ted Danson was really, really excited to meet him.

While Cumberbatch may get nervous every time he meets an acting hero, one well-known actor who was pretty excited to meet Cumberbatch was Cheers star Ted Danson. When asked during a Reddit AMA to share the “weirdest encounter you've had with a fan,” Cumberbatch answered: “Ted Danson at a pre-Oscar party screaming across a floor of people like Leonardo DiCaprio, Ray Liotta, Kristen Stewart, Kirsten Dunst, et al while pushing past them and knocking their drinks. ‘OH MY GOD! OH MY GOD! IT'S F***ING SHERLOCK HOLMES!’”

10. He wasn't immediately sold on playing Sherlock Holmes.

Though playing the titular “consulting detective” in Sherlock is the role that brought Cumberbatch global recognition, saying yes to the part wasn’t exactly a no-brainer for the actor. While speaking at a BAFTA event in 2014, Cumberbatch admitted that he was actually a little hesitant to sign on for the project. “I heard about it and thought that sounds like an idea to [re-franchise] something to make money,” he said. “It could be a bit cheap and cheesy. Then I found out who was involved and realized it wouldn’t be cheap and cheesy.

“My mum had done a few episodes of Coupling with Steven [Moffat] and Mark Gatiss was a huge hero of mine when I was a student in League Of Gentleman,” Cumberbatch continued, “so I knew the stable was good. I thought I would read it and then I fell in love with it.”

11. The BBC wasn't sure Cumberbatch was "sexy" enough to pull off Sherlock.


BBC

It’s funny to think about now, considering Cumberatch’s massive worldwide fanbase, but just as the actor wasn’t immediately sold on playing Sherlock Holmes, the BBC wasn’t sure the actor was a great match for the role—because they wanted someone with sex appeal. While speaking at the Hay Festival in 2014, Sherlock co-creator Steven Moffat talked about the BBC’s track record in determining which actors might connect with audiences—Cumberbatch being one of them.

“They said of casting David Tennant as Casanova, ‘Damn, you should have cast someone sexier,’” Moffat said. “With Benedict Cumberbatch, we were told the same thing. ‘You promised us a sexy Sherlock, not him.’”

Sue Vertue, a fellow producer on Sherlock (and Moffat's wife), relayed a similar tale to Entertainment Weekly just a few months prior to Moffat’s comments, telling the magazine: “When we first cast [Cumberbatch], people were saying, ‘You promised us a sexy one!’ People weren’t thinking of Benedict in that light at all.” His name, apparently, posed another problem: “When people said, ‘Who’s playing Sherlock Holmes?’ and we’d say, ‘Benedict Cumberbatch,’ everyone looked very vague,” Vertue said. “Then we’d always have to spell his name.”

12. He is (distantly) related to Sir Arthur Conan Doyle.

It turns out that Sherlock Holmes may have been the role Cumberbatch was born to play. In 2017, researchers at Ancestry.com made the rather fascinating discovery that Cumberbatch and Sherlock Holmes creator Sir Arthur Conan Doyle are sixteenth cousins, twice removed. The ancestral link between the two is former Duke of Lancaster John of Gaunt, who was Doyle’s 15th great-grandfather and Cumberbatch’s 17th great-grandfather.

13. He also has a family link to Alan Turing.

Amazingly, the Conan Doyle connection wasn’t the first time Cumberbatch’s ancestry was linked to one of his characters. In 2014, the same team of researchers determined that Cumberbatch was the 17th cousin of Alan Turing, the computer scientist/codebreaker he played in Morten Tyldum’s The Imitation Game (2014)—a role that earned Cumberbatch an Oscar nomination in 2015.

14. He has been rendered in chocolate on more than one occasion.


UKTV/FLICKR

In a somewhat bizarre promotional campaign by Britain’s UKTV in 2015, Cumberbatch narrowly beat out David Tennant by a margin of just one percent to be named “TV Dishiest Drama Actor.” The prize? Having a life-sized statue, made entirely of Belgian chocolate, created in the actor’s likeness.

It took a team of eight people more than 250 man-hours to construct the delicious doppelgänger, dubbed “Benedict Chocobatch." In 2016, he was recreated in the sweet stuff again, though this time as an edible chocolate bunny/Benedict hybrid that fans could actually purchase … and eat.

15. He turned Hamlet into "the most in-demand show of all time."

In 2015, Cumberbatch achieved one of his lifetime dreams when it was announced that he would play Hamlet in a 12-week run at London’s Barbican theater. Tickets ended up selling out almost as fast as one could say “To be or not to be.” As The Telegraph reported in 2014:

"The curtain does not go up on the production for another year, but Cumberbatch's Hamlet is nevertheless outselling the next most popular show, the current run of A Streetcar Named Desire at the Young Vic, by four to one. The show has even registered 214 per cent more ticket searches in the hours after tickets were released than Beyoncé and Jay Z’s global On the Run tour.

Hamlet tickets went on sale at 10am on August 11 and within minutes fans were expressing frustration at finding themselves more than 20,000 places back in the queue."

16. He's the leading man in a lot of fan fiction.

In addition to being a leading man on the stage and both the small and big screens, Cumberbatch plays a starring role in a lot of fan fiction. A lot of fan fiction! In 2013, The Mirror estimated that approximately 100 million words of fan fiction had been written about the Sherlock star. Considering that was six years ago, the word count has certainly only grown.

17. Simon Pegg convinced him that he might have radiation poisoning.

Benedict Cumberbatch stars in 'Star Trek Into Darkness' (2013)
Paramount Pictures

While filming Star Trek: Into Darkness, Simon Pegg decided to have a little fun with Cumberbatch by convincing him that he was at risk for radiation exposure. According to Pegg, it worked. He recounted the story to The Sun in 2013:

"I don't like seeing people get embarrassed. But we were filming in a nuclear facility and one day I said that Chris [Pine] needed neutron cream—otherwise he'd get sunburn. He said, 'What?' And I said, 'Yeah, you'll get a rash from ambient radiation in the air.' From there the trick spread to other cast members. Finally, we got Benedict. He had this speech and he kept f***ing it up. Afterwards he said, 'Guys, I'm ever so sorry —I've got a real headache. I think the ions were getting to me.' He was so convinced."

18. He has a rare genetic mutation.

If Cumberbatch’s eyes seem to regularly change color, you’re not imagining things: The actor was born with both central heterochromia and sectoral heterochromia—two rare-but-harmless genetic mutations that affect his eyes. Each of his eyes has multiple colors (a mix of blue, green, and gold) because of the central heterochromia, and the sectoral heterochromia is the reason why he has a brown “freckle” on his right eye.

But ask the actor what his favorite part of his body is, and the eyes have got it. “I guess as an actor your eyes are vital in conveying any internal thought process or feeling, and for that I have my mum to thank,” he said.

19. He's not cool with "Cumberbitches."

When Cumberbatch’s massive contingency of female fans dubbed themselves “Cumberbitches,” the actor took issue with the pejorative moniker. “It’s not even politeness,” he said of his distaste for the term. “I won’t allow you to be my bitches. I think it sets feminism back so many notches. You are ... Cumberpeople."

20. He has been a vocal proponent of closing the gender pay gap.

Equal pay in Hollywood is a hot-button topic, and Cumberbatch has made his stance on the issue very clear by stating that he won’t work on a project if his female co-stars aren’t being paid the same. "Equal pay and a place at the table are the central tenets of feminism," Cumberbatch told Radio Times. "Look at your quotas. Ask what women are being paid, and say: 'If she’s not paid the same as the men, I’m not doing it.'"

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