David Bowie’s 100 Favorite Books Offer a Peek Inside the Artist’s Mind

RALPH GATTI/AFP/Getty Images
RALPH GATTI/AFP/Getty Images

David Bowie will always be remembered as a seminal figure in the worlds of music, fashion, and film, and as a legendary pop culture icon. But he was also a voracious reader who often read a book a day.

In 2013, as part of the Art Gallery of Ontario’s “David Bowie Is” exhibition, curators Geoffrey Marsh and Victoria Broackes compiled a list of David Bowie's 100 favorite books, which ranges from innovative works like Alfred Döblin’s Berlin Alexanderplatz to classics like Gustave Flaubert's Madame Bovary to contemporary novels like Michael Chabon’s Wonder Boys, plus several music history titles.

Below is a complete list of Bowie’s favorite 100 books. How many have you read?

Interviews With Francis Bacon by David Sylvester

Billy Liar by Keith Waterhouse

Room At The Top by John Braine

On Having No Head by Douglass Harding

Kafka Was The Rage by Anatole Broyard

A Clockwork Orange by Anthony Burgess

City Of Night by John Rechy

The Brief Wondrous Life Of Oscar Wao by Junot Díaz

Madame Bovary by Gustave Flaubert

The Iliad by Homer

As I Lay Dying by William Faulkner

Tadanori Yokoo by Tadanori Yokoo

Berlin Alexanderplatz by Alfred Döblin

Inside The Whale And Other Essays by George Orwell

Mr. Norris Changes Trains by Christopher Isherwood

Dictionary Of Subjects And Symbols In Art by James A. Hall

David Bomberg by Richard Cork

Blast by Wyndham Lewis

Passing by Nella Larsen

Beyond The Brillo Box: The Visual Arts in Post-Historical Perspective by Arthur C. Danto

The Origin Of Consciousness In The Breakdown Of The Bicameral Mind by Julian Jaynes

In Bluebeard’s Castle by George Steiner

Hawksmoor by Peter Ackroyd

The Divided SelfAn Existential Study in Sanity and Madness by R. D. Laing

The Stranger by Albert Camus

Infants Of The Spring by Wallace Thurman

The Quest For Christa T by Christa Wolf

The Songlines by Bruce Chatwin

Nights At The Circus by Angela Carter

The Master And Margarita by Mikhail Bulgakov

The Prime Of Miss Jean Brodie by Muriel Spark

Lolita by Vladimir Nabokov

Herzog by Saul Bellow

Puckoon by Spike Milligan

Black Boy by Richard Wright

The Great Gatsby by F. Scott Fitzgerald

The Sailor Who Fell From Grace With The Sea by Yukio Mishima

Darkness At Noon by Arthur Koestler

The Waste Land by T.S. Eliot

McTeague by Frank Norris

Money by Martin Amis

The Outsider by Colin Wilson

Strange People by Frank Edwards

English Journey by J.B. Priestley

A Confederacy Of Dunces by John Kennedy Toole

The Day Of The Locust by Nathanael West

1984 by George Orwell

The Life And Times Of Little Richard by Charles White

Awopbopaloobop Alopbamboom: The Golden Age of Rock by Nik Cohn

Mystery Train: Images of America in Rock 'n' Roll Music by Greil Marcus

Beano (comic, ’50s)

Raw (comic, ’80s)

White Noise by Don DeLillo

Sweet Soul Music: Rhythm And Blues And The Southern Dream Of Freedom by Peter Guralnick

Silence: Lectures And Writing by John Cage

Writers At Work: The Paris Review Interviews edited by Malcolm Cowley

The Sound Of The City: The Rise Of Rock And Roll by Charlie Gillett

Octobriana And The Russian Underground by Petr Sadecky

The Street by Ann Petry

Wonder Boys by Michael Chabon

Last Exit To Brooklyn by Hubert Selby, Jr.

A People’s History Of The United States by Howard Zinn

The Age Of American Unreason by Susan Jacoby

Metropolitan Life by Fran Lebowitz

The Coast Of Utopia by Tom Stoppard

The Bridge by Hart Crane

All The Emperor’s Horses by David Kidd

Fingersmith by Sarah Waters

Earthly Powers by Anthony Burgess

The 42nd Parallel by John Dos Passos

Tales Of Beatnik Glory by Ed Sanders

The Bird Artist by Howard Norman

Nowhere To Run: The Story Of Soul Music by Gerri Hirshey

Before The Deluge by Otto Friedrich

Sexual Personae: Art And Decadence From Nefertiti To Emily Dickinson by Camille Paglia

The American Way Of Death by Jessica Mitford

In Cold Blood by Truman Capote

Lady Chatterley’s Lover by D. H. Lawrence

Teenage by Jon Savage

Vile Bodies by Evelyn Waugh

The Hidden Persuaders by Vance Packard

The Fire Next Time by James Baldwin

Viz (comic magazine, early ’80s)

Private Eye (satirical magazine, ’60s – ’80s)

Selected Poems by Frank O’Hara

The Trial Of Henry Kissinger by Christopher Hitchens

Flaubert’s Parrot by Julian Barnes

Le Chants de Maldordor by Comte de Lautréamont

On The Road by Jack Kerouac

Mr. Wilson’s Cabinet of Wonder by Lawrence Weschler

Zanoni by Edward Bulwer-Lytton

Transcendental Magic: Its Doctine and Ritual by Éliphas Lévi

The Gnostic Gospels by Elaine Pagels

The Leopard by Giuseppe Tomasi di Lampedusa

Inferno by Dante Alighieri

A Grave for a Dolphin by Alberto Denti di Pirajno

The Insult by Rupert Thomson

In Between the Sheets by Ian McEwan

A People’s Tragedy: The Russian Revolution 1890-1924 by Orlando Figes

Journey Into the Whirlwind by Eugenia Ginzburg

[h/t Mashable]

 

J.K. Rowling Almost Killed Off Ron Weasley in the Harry Potter Series

Jaap Buitendijk, © 2011 WARNER BROS. ENTERTAINMENT INC. HARRY POTTER PUBLISHING RIGHTS © J.K.R.
Jaap Buitendijk, © 2011 WARNER BROS. ENTERTAINMENT INC. HARRY POTTER PUBLISHING RIGHTS © J.K.R.

Author J.K. Rowling "seriously" considered killing off one of the core characters in the Harry Potter series, and the reason why is much more sinister than you might think. Rowling once admitted that she almost killed off Ron Weasley “out of sheer spite.”

Rowling wasn't shy about killing off some beloved characters over the years, including headmaster Albus Dumbledore and loyal house-elf Dobby, but she never considered killing off one-third of the main gang of Harry, Ron, and Hermione until she "wasn't in a very happy place," about halfway through penning the series.

Daniel Radcliffe interviewed Rowling as a special feature for the Harry Potter and the Deathly Hallows: Part 2 DVD, and during the course of their conversation the author revealed that Ron had a vicious wand pointed at his neck for a little while. 

"Funnily enough, I planned from the start that none of them would die. Then midway through, which I think is a reflection of the fact that I wasn't in a very happy place, I started thinking I might polish one of them off. Out of sheer spite," Rowling said. "But I think in my absolute heart of heart of hearts, although I did seriously consider killing Ron, [I wouldn't have done it].

"It's a real relief to be able to talk about it all," the author added.

Given the story-altering effect Ron's death would’ve had on both Hermione and Harry, we're glad Rowling found it in her heart to let the red-haired wizard live.

Can You Tell an Author’s Identity By Looking at Punctuation Alone? A Study Just Found Out.

iStock.com/RyersonClark
iStock.com/RyersonClark

In 2016, neuroscientist Adam J Calhoun wondered what his favorite books would look like if he removed the words and left nothing but the punctuation. The result was a stunning—and surprisingly beautiful—visual stream of commas, question marks, semicolons, em-dashes, and periods.

Recently, Calhoun’s inquiry piqued the interest of researchers in the United Kingdom, who wondered if it was possible to identify an author from his or her punctuation alone.

For decades, linguists have been able to use the quirks of written texts to pinpoint the author. The process, called stylometric analysis or stylometry, has dozens of legal and academic applications, helping researchers authenticate anonymous works of literature and even nab criminals like the Unabomber. But it usually focuses on an author's word choices and grammar or the length of his or her sentences. Until now, punctuation has been largely ignored.

But according to a recent paper led by Alexandra N. M. Darmon of the Oxford Centre for Industrial and Applied Mathematics, an author’s use of punctuation can be extremely revealing. Darmon’s team assembled nearly 15,000 documents from 651 different authors and “de-worded” each text. “Is it possible to distinguish literary genres based on their punctuation sequences?” the researchers asked. “Do the punctuation styles of authors evolve over time?”

Apparently, yes. The researchers crafted mathematical formulas that could identify individual authors with 72 percent accuracy. Their ability to detect a specific genre—from horror to philosophy to detective fiction—was accurate more than half the time, clocking in at a 65 percent success rate.

The results, published on the preprint server SocArXiv, also revealed how punctuation style has evolved. The researchers found that “the use of quotation marks and periods has increased over time (at least in our [sample]) but that the use of commas has decreased over time. Less noticeably, the use of semicolons has also decreased over time.”

You probably don’t need to develop a powerful algorithm to figure that last bit out—you just have to crack open something by Dickens.

SECTIONS

arrow
LIVE SMARTER