16 Fun Facts About The Carol Burnett Show

CBS
CBS

After a short stint in the New York theater world, comedienne Carol Burnett landed a job as a regular on The Garry Moore Show in 1959. She caught the attention of CBS executives, who offered her her own series in 1967. With her husband Joe Hamilton at the helm, Burnett broke new ground as the first female host of a TV variety show. The Carol Burnett Show ran for 11 seasons and earned a handful of Emmy Awards in the process. To celebrate the legendary comedienne's 85th birthday, here are some fun facts about the show and the folks who made it so side-splittingly hilarious.

1. CAROL BURNETT’S MOTHER WANTED HER TO BE A WRITER.

As Carol Burnett painfully recalled later in life, whenever she’d expressed an interest in a career in the theater as a teen, her mother would always dissuade her and recommend that she would have better luck studying to become a writer. “You can always write, no matter what you look like,” she would add.

2. A TOTAL STRANGER HELPED TO LAUNCH BURNETT’S CAREER.

As she was nearing graduation from UCLA, Burnett and several fellow drama students were invited to a departing professor’s house to perform at his bon voyage party. She performed a scene from the musical Annie Get Your Gun and later that evening, while she was standing in the buffet line, a man she’d never seen before approached her and complimented her performance. He then inquired what she planned to do with her life. She confessed that she dreamed of going to New York one day for a career on the stage, but seeing that she barely had enough gas money to drive back to Los Angeles that evening, it would be a very long time before she’d make it to Broadway. The man told her he’d be happy to lend her $1000 to get her started, with three conditions: that she repay him without interest in five years, that she was never to reveal his identity, and that once she was successful she must pass a similar kindness along to another person in need. (After pondering the offer over the weekend and consulting her mother and grandmother—who advised her to steer clear of the strange man who was probably involved in human trafficking or something worse—she took a chance and accepted his check.)

3. VICKI LAWRENCE CAUGHT BURNETT’S ATTENTION BY WRITING HER A FAN LETTER.


CBS Television - eBay, Public Domain, Wikimedia Commons

When Vicki Lawrence cut her hair in a short “pixie” cut as a high school senior, many of her classmates commented on her resemblance to Carol Burnett. Lawrence’s somewhat overbearing stage mother encouraged her to write Burnett a letter, which she did, enclosing a photo and a newspaper article that mentioned her upcoming appearance in the Inglewood, California Miss Fireball Contest. To her surprise, a seven-months-pregnant Burnett showed up at the pageant to cheer her on. When Burnett had her baby, Lawrence took some flowers to the hospital, thinking she’d just drop them off. But when the nurse on duty saw her, she immediately mistook her for Burnett’s real-life half-sister Chrissie and exclaimed, “Wait until you see the baby!” and ushered her into Carol’s room.

4. LAWRENCE ENDED UP PLAYING BURNETT’S SISTER ON THE SHOW.

When they were casting The Carol Burnett Show, the star remembered the teen and hired her despite her lack of experience. At first her only role was in the recurring “Carol and Sis” sketch, in which Lawrence played “Chrissie,” Burnett’s younger sister. Lawrence recalled in her 1995 autobiography that Burnett was very nurturing to all her co-stars, making sure everyone got their share of the best jokes, but it was Harvey Korman who took her under his wing in the beginning and taught her about timing, dialects, and working with props.

5. THE Q&A AT THE BEGINNING WAS BURNETT’S HUSBAND’S IDEA.


By CBS Television - eBay, Public Domain, Wikimedia Commons

Joe Hamilton was not only Carol Burnett’s husband, he was also the show’s executive producer. It was traditional at the time (and still is, in some cases) to have a stand-up comic step onstage before a show to tell some jokes and “warm up” the audience. Hamilton was wary of going that route, however; as Burnett later recalled, “He worried, ‘What if the guy is funnier than the rest of you?’” He thought it would be a good ice-breaker if Burnett herself went out front before the proceedings to welcome the audience and answer a couple of questions. Over the next 11 seasons, the question that she was asked the most was “Can you do your Tarzan yell?”

6. BURNETT ONCE USED HER TARZAN YELL AS A FORM OF IDENTIFICATION.

While shopping for nylon stockings at New York City’s Bergdorf Goodman one day, the saleswoman recognized Burnett and asked for her autograph for her grandchildren. When it came time to check out, Burnett realized that she didn’t have her credit card or driver’s license in her wallet. She inquired if she could write a check. “I’ll have to see some ID,” replied the woman who’d requested an autograph just moments before. The floor manager intervened and told Burnett that she’d accept her check if Burnett would do her Tarzan yell. Burnett complied, prompting a security guard to kick open a nearby door, burst in and point his gun at her.

7. LYLE WAGONNER WAS THE FIRST CENTERFOLD IN PLAYGIRL MAGAZINE.

Joe Hamilton was looking for a handsome, “Rock Hudson-type” when casting the announcer for his wife’s show. Former encyclopedia salesman Lyle Waggoner landed the job not only due to his devastating good looks, but also because he had a good sense of humor about how pretty he was. He was even good-natured about the teasing he got from his castmates after posing for the centerfold of Playgirl magazine’s premiere issue in 1973.

8. HARVEY KORMAN WAS THE FIRST CAST MEMBER HIRED.

The producers wanted a “Harvey Korman-type” for Burnett’s second banana, but didn’t bother to actually ask Korman if he was interested in the job because he was already a regular on The Danny Kaye Show, and most likely he wouldn’t leave a steady job for an unproven new show. Burnett herself spotted Korman in the CBS parking lot one day and “practically threw him over the hood of a car” begging him to join her show. Unbeknownst to her, Kaye’s show was about to get the axe after a four-year run, so Korman cheerfully accepted her offer shortly after that first meeting.

9. TIM CONWAY RARELY FOLLOWED HIS SCRIPT.

Conway had been a frequent guest star on the show, and when Lyle Waggoner decided to leave the show in 1974 (he felt that he was being “underused”), Conway was hired to replace him the following year. Conway was legendary for veering off-script and ad-libbing for lengthy stretches, to the amusement of some of his co-stars (Korman) and annoyance of others (Lawrence, who sometimes resented Conway’s disruptions and spotlight-hogging). Lawrence finally slipped her own ad-lib in on one memorable occasion, as Conway rambled on and on about an elephant during a “Family” sketch. Her NSFW remark brought the rest of the cast to their knees and was said to be Dick Clark’s favorite all-time outtake on his Bloopers and Practical Jokes TV show.

10. MRS. WIGGINS WAS ORIGINALLY WRITTEN AS AN ELDERLY WOMAN.

Conway created the Mr. Tudball/Mrs. Wiggins characters and wrote (or ad-libbed) many of their sketches. His original concept had Mrs. Wiggins being ancient, slow, and forgetful. But costume designer Bob Mackie decided that Burnett had played too many “old lady” characters on the show and designed a very voluptuous look for her instead. He explained at the time that he had certain “ditzy” CBS secretaries in mind when he stitched the curvy costume together.

11. THE SHOW THAT BECAME MAMA’S FAMILY STARTED OUT AS A MUCH DARKER ONE-OFF SKETCH.

A sketch called “The Reunion,” which originally aired in March of 1974, featured the characters that eventually became known as “The Family.” In this initial installment, Roddy McDowall played Phillip Harper, the successful younger brother of Eunice, returning home for a visit after winning a Pulitzer Prize. The family members were far crankier and more argumentative (and perhaps more representative of actual family life as they talked over one another and changed topics as soon as a thought occurred to them) than the cartoonish characters they eventually came to be on the syndicated series Mama’s Family. The piece proved to be so popular that 30 more “Family” sketches appeared over the next four seasons, with such guest stars as Alan Alda and Betty White turning up as members of the extended Harper family.

12. IT WAS BURNETT’S IDEA TO MAKE EUNICE AND HER FAMILY SOUTHERN.

The creators of "The Family" sketch were The Carol Burnett Show staff writers Jenna McMahon and Dick Clair. McMahon hailed from Kansas City, Missouri, and envisioned the Harpers to be of typical Midwestern stock, but as Burnett read the initial script she heard her own Texan and Arkansan family members speaking. She started speaking the lines with a pronounced Southern drawl, and Vicki Lawrence soon followed suit.

13. DICK VAN DYKE WAS A REGULAR FOR A SHORT TIME.

Harvey Korman left The Carol Burnett Show at the end of season 10 to star in his own sitcom on ABC.  (The Harvey Korman Show was cancelled after five episodes.) Dick Van Dyke was brought in as a replacement, but he was never a very good fit. As Burnett commented after the fact, “When Harvey put on a wig and a dress, he became a woman; when Dick Van Dyke did it, he was Dick Van Dyke in a wig and a dress.” Van Dyke wasn’t overjoyed with the job, either; he lived in Arizona at the time and the monthly 4000-mile commute was exhausting. He was released from his contract in November 1977.

14. BURNETT’S “WENT WITH THE WIND” CURTAIN ROD DRESS WAS BOB MACKIE’S BRAINSTORM.

Burnett’s Gone with the Wind parody has made many “funniest shows of all time” lists over the years, and one of the defining moments of the sketch was when Carol (as "Starlett O’Hara”) descends the stairs at Tara wearing the green velvet drapes with the curtain rod still in them and admits, “I saw it in a window and I couldn’t resist.” The original script called for Burnett to have the curtains tossed haphazardly over her shoulders, but Mackie decided that it would be funnier to create an actual dress and leave the hanger intact across her shoulders. He is slightly bitter all these years later that of all his magnificent creations, that “joke” dress has become his signature piece; of all the memorable glamorous gowns he’s created for celebrities over the decades, that curtain rod dress is the one that hangs in the Smithsonian.

15. CONWAY’S FAMOUS “DENTIST” SKIT WAS BASED ON AN ACTUAL INCIDENT.

When Conway was in the Army having some work done on his teeth, the dentist accidentally injected his own thumb with Novocain. Conway exaggerated the experience to hilarious effect in a classic skit that left Harvey Korman struggling to contain his laughter. During a 2013 interview, Conway told Conan O’Brien that Korman actually wet himself from laughing so hard.

16. THERE WAS ONLY ONE CELEBRITY GUEST THAT BURNETT WAS NEVER ABLE TO BOOK.

Over the 11 seasons the show ran, a veritable “Who’s Who” of the entertainment industry did a guest turn, from Steve Martin to Julie Andrews to then-governor Ronald Reagan to Robin Williams to Ethel Merman. The only guest who Burnett dearly wanted to have but never did get was Bette Davis. Davis was willing to appear but demanded more money that the show had budgeted. Joe Hamilton advised his wife that if they gave in to Davis’s demand, it would set an unpleasant precedent.

Additional Sources:
Vicki!: The True-Life Adventures of Miss Fireball, by Vicki Lawrence
This Time Together, by Carol Burnett
Let’s Bump Up the Lights (The Carol Burnett Show DVD extra)

8 Sequels That Received Oscar Nominations for Best Picture

Jasin Boland, Warner Bros. Entertainment Inc.
Jasin Boland, Warner Bros. Entertainment Inc.

It’s rare when a movie sequel manages to stand up to the original entry in a film series. Even rarer? When a sequel is so good that it nabs an Oscars nomination for Best Picture. Here are eight movies that did just that.

1. Mad Max: Fury Road (2015)

When Mad Max: Fury Road was released in theaters in 2015, no one thought that it would be a critical darling—or an awards contender . But when the Academy Award nominations were announced in 2016, the latest entry in George Miller’s Mad Max franchise earned a whopping 10 nominations, including Best Picture and Best Director. Fury Road is the fourth installment in the series and was the first to hit theaters in 30 years (since the release of 1985’s Mad Max Beyond Thunderdome). It’s also the first movie in the franchise to receive any recognition from the Academy.

2. Toy Story 3 (2010)

A still from 'Toy Story 3' (2010)
Disney/Pixar

In 2011, Toy Story 3 was nominated for five Oscars, including Best Picture and Best Animated Feature. Though The King’s Speech ended up taking the night’s top prize, Toy Story 3 (which was named Best Animated Feature) made history that night, as it was the third ever animated movie to score a Best Picture nod; 1991’s Beauty and the Beast and 2009’s Up are the other two films to earn the same accolade.

3. The Lord of the Rings: The Return of the King (2003)

Although the first two installments in The Lord of the Rings trilogy—2001’s The Fellowship of the Ring and 2002’s The Two Towers—were each nominated for Best Picture, it was the final movie that ended up winning the Academy Award in 2004. In fact, The Return of the King won 11 Oscars that year, sweeping every category in which it was nominated, and tying Ben-Hur and Titanic for the most awards received in one night.

4. The Lord of the Rings: The Two Towers (2002)

In 2003, The Two Towers won two of the six Oscars for which it was nominated, for Best Sound Editing and Best Visual Effects. Rob Marshall’s musical Chicago beat it out for Best Picture.  

5. The Silence of the Lambs (1991)

Anthony Hopkins as Hannibal Lecter in 'The Silence of the Lambs' (1991)
20th Century Fox Home Entertainment

In 1992, The Silence of the Lambs made a clean sweep of the “Big Five” categories: Best Picture, Best Director for Jonathan Demme, Best Actor for Sir Anthony Hopkins, Best Actress for Jodie Foster, and Best Adapted Screenplay for Ted Tally. Although The Silence of the Lambs isn’t a direct sequel to Michael Mann’s 1986 film Manhunter, it’s based on the sequel novel to author Thomas Harris’s Red Dragon, on which Manhunter was based. It also features the character Hannibal Lecter in a major role, who was played by Brian Cox in Manhunter—before Hopkins made the role his own. Got that?

6. The Godfather: Part III (1990)

Though it’s often considered the far inferior film in The Godfather trilogy, The Godfather: Part III received seven Academy Award nominations in 1991, including Best Picture and Best Director for Francis Ford Coppola. Ultimately, it lost to Kevin Costner’s Dances with Wolves, making it the only installment in The Godfather Saga not to win a Best Picture Oscar.

7. The Godfather: Part II (1974)

Al Pacino in 'The Godfather: Part II' (1974)
Paramount Pictures

In 1975, The Godfather: Part II became the first sequel in Oscar history to win the Academy Award for Best Picture. It won the coveted award two years after the original film was named Best Picture. The sequel was nominated for a total of 11 Oscars, with three separate nominations in the Best Supporting Actor category alone: one for Michael Vincenzo Gazzo (who played Frankie Pentangeli) and Lee Strasberg (as Hyman Roth), and one for Robert De Niro, who took home the statuette for playing the younger version of Vito Corleone.

8. The Bells of St. Mary's (1945)

Though it lost Best Picture to Billy Wilder’s The Lost Weekend at the 1946 Oscars, The Bells of St. Mary’s is the first movie sequel to be nominated for the Academy’s biggest prize. The film is a sequel to Leo McCarey’s previous film, 1944’s Going My Way, which won the Oscar for Best Picture a year earlier. While Going My Way and The Bells of St. Mary’s feature different stories and casts, Bing Crosby stars in both movies as Father Chuck O'Malley.

An earlier version of this article ran in 2016.

James Cameron Directed Entourage's Aquaman, But He Could Never Direct the Real One

Tommaso Boddi, Getty Images for AMC
Tommaso Boddi, Getty Images for AMC

Oscar-winning director James Cameron is no stranger to CGI. With movies like Avatar under his belt, you’d expect Cameron to find a particular sort of enjoyment in special effects-heavy movies like James Wan's Aquaman. But Cameron—who directed the fictional version of Aquaman featuring fictional movie star Vinnie Chase in the very real HBO series Entourage—has a little trouble with suspension of disbelief.

In a recent interview with Yahoo!, Cameron said that while he did enjoy Aquaman, he would never have been able to direct the movie itself because of its lack of realism.

"I think it’s great fun,” Cameron said. “I never could have made that film, because it requires this kind of total dreamlike disconnection from any sense of physics or reality. People just kind of zoom around underwater, because they propel themselves mentally, I guess, I don’t know. But it’s cool! You buy it on its own terms.”

"I’ve spent thousands of hours underwater," the Titanic director went on to say. "While I can enjoy that film, I don’t resonate with it because it doesn’t look real.”

While Aquaman was shot on a soundstage, Cameron will be employing state-of-the-art technology that will allow him to actually be underwater while shooting underwater scenes for his upcoming Avatar sequels.

[h/t Yahoo!]

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