15 Proper Facts About Downton Abbey

Masterpiece
Masterpiece

Like Upstairs, Downstairs for the Twitter generation, Downton Abbey brought a bit of British history into the homes of millions of viewers for six seasons, and reinvigorated interest in 20th-century propriety. Though the series ended its small-screen run in March 2016, it's still garnering a lot of buzz thanks to repeated viewings on PBS and today's official announcement that the Crawley family will be making its way back into viewer's lives via a new movie featuring the original cast.

“When the television series drew to a close it was our dream to bring the millions of global fans a movie and now, after getting many stars aligned, we are shortly to go into production," producer Gareth Neame said of the upcoming film, which was written by original creator Julian Fellowes and will begin production this summer. "Julian’s script charms, thrills and entertains and in Brian Percival’s hands we aim to deliver everything that one would hope for as Downton comes to the big screen."

Though fans will likely need to wait until 2019 to see the big-screen version, here are 15 fascinating facts about the lords and ladies of Downton Abbey to tide you over.

1. E.R. AND CHICAGO HOPE INSPIRED ITS STRUCTURE.

In developing the structure for Downton Abbey, creator Julian Fellowes found inspiration in some unexpected places. “Constructing Downton, I was consciously thinking in terms of those American structures,” Fellowes said in Rebecca Eaton’s book, Making Masterpiece: 25 Years Behind the Scenes at Sherlock, Downton Abbey, Prime Suspect, Cranford, Upstairs Downstairs, and Other Great Shows. “I had liked E.R. There was something called Chicago Hope that I liked very much, and thirtysomething, with all these stories going at once.”

2. HUGH BONNEVILLE THINKS IT’S MORE LIKE BREAKING BAD.

When asked to sum up the series’ appeal at a party for Downton Abbey’s third season premiere, star Hugh Bonneville (Robert Crawley) joked that, “It’s Breaking Bad with tea instead of meth.”

3. GILLIAN ANDERSON COULD HAVE BEEN THE COUNTESS OF GRANTHAM.

While promoting her role in Masterpiece’s 2012 version of Great Expectations, The X-Files star Gillian Anderson expressed her hope that, “people will embrace [Great Expectations] with the same love that flowed toward Downton Abbey," then shared that she was offered the role of Cora Crawley.

4. ELIZABETH MCGOVERN AND HUGH BONNEVILLE HAVE BEEN MARRIED BEFORE.

Elizabeth McGovern and Hugh Bonneville in 'Downton Abbey'
Masterpiece

On screen, that is. The actors played husband and wife on the 2008 BBC series Freezing.

5. CORA WASN’T CREATED FOR AMERICAN AUDIENCES.

Some critics of the show have questioned Fellowes’s motive in developing a British series around an American character, with some assuming it was a strategic creative move in order to attract American audiences. “We weren’t thinking in those terms about foreign sales,” Fellowes told the Independent. “The advantage for me of having the American wife was it gave me a central character who was not dyed in the wool of the upper middle class upbringing, so you could have one of the principal characters who didn’t take all that stuff for granted, and questioned it, as Cora did. She was not consciously written for America. The fact that we would have a central character for American sales was much more clever than we were really.”

6. DOWNTON ABBEY IS REALLY HIGHCLERE CASTLE.

The cast of 'Downton Abbey'
Masterpiece

Much of the series is filmed at Highclere Castle, an estate in Hampshire, England that is home to the Earl and Countess of Carnarvon. In addition to being open to the public, the home can be rented for weddings and parties and occasionally operates as a hotel. In addition to its iconic exterior, the library, dining room, drawing room, and grand hallway seen in Downton Abbey belong to the real-life Highclere Castle.

7. THE SERVANTS’ QUARTERS ARE IN LONDON.

Because the servants’ quarters at Highclere Castle have been modernized, the series' downstairs kitchen and attic living quarters were built at London’s Ealing Studios. Which means that the show’s producers needed to pay particularly close attention to continuity. “For example,” explained The World of Downton Abbey author (and niece of the show’s creator) Jessica Fellowes, “Thomas might be filmed leaving the kitchen with a plate of food for upstairs and would then appear two weeks later in the dining room!”

8. ANDREW LLOYD WEBBER TRIED TO PURCHASE HIGHCLERE CASTLE … FOR HIS ART COLLECTION.

In 2010, composer Andrew Lloyd Webber (who lives in a neighboring estate) made an offer to purchase Highclere Castle, apparently as a home for his art collection. The Carnarvons kindly let Webber know that the property was not for sale. “I think it has more to do to Andrew Lloyd Webber’s desire to hang his art collection somewhere,” Lady Carnarvon told the Los Angeles Times. “Maybe it might help with his estate duties. He was not a friend and, therefore, might not be aware of our own art collection.” FYI: The estate is valued at approximately $240 million.

9. THE CASTLE REALLY DID OPERATE AS A HOSPITAL DURING WORLD WAR I.

During season two, Downton Abbey was turned into a convalescent home for soldiers. In real life, during World War I, the 5th Countess of Carnarvon did turn Highclere Castle into a recovery hospital for soldiers.

10. EACH EPISODE COSTS MORE THAN $1 MILLION TO PRODUCE.

Given the show’s strict attention to detail and authenticity, it’s probably unsurprising that it was an expensive series to shoot. According to The World of Downton Abbey, each episode costs about £1 million (or about $1.5 million) to produce.

11. THE COSTUMES COULD USE A CLEANING.

Lesley Nicol, Sophie McShera, and Jessica Brown Findlay in 'Downton Abbey'
Masterpiece

In keeping with the show’s dedication to authenticity, the producers maintained a “no-wash” policy with some of its costumes in order to keep within the period look. “We do stink, as they don’t wash our costumes,” Sophie McShera (who played kitchen maid-turned-assistant cook Daisy) told The Daily Mail. “They have these weird patches, which are sewn into the armpits and which they wash separately.”

12. IT’S THE MOST SUCCESSFUL SHOW IN MASTERPIECE’S MORE THAN 40-YEAR HISTORY.

“Nobody in their right mind could have predicted what happened, when it sort of went viral,” Julian Fellowes told The New York Times in 2013 of Downton Abbey's unprecedented popularity. It’s estimated that more than 120 million people around the world have watched the series at one point. The show was broadcast in 250 territories worldwide, and became a major hit in Russia, South Korea, and the Middle East.

13. ISIS WAS NOT KILLED OFF BECAUSE OF HER NAME.

One of the show’s most beloved stars was its faithful pooch, Isis, who passed away in season five. Though many thought the Labrador got the boot because of her name, star Hugh Bonneville set the record straight on that matter. “To clarify recent speculation, the Labrador that appeared in Series One (1912-14) was a dog called Pharaoh,” wrote Bonneville. “From Series Two (1916-1920) onwards, the Labrador has been a bitch named—in keeping with the Egyptian theme—Isis. Anyone who genuinely believes the Series 5 storyline (1924) involving the animal was a reaction to recent world news is a complete berk.”

The “Egyptian theme” that Bonneville refers to is a nod to George Herbert, the 5th Earl of Carnarvon, who was one of the individuals who discovered King Tut’s tomb.

14. IT RECEIVED A RECORD NUMBER OF EMMY NOMINATIONS.

Maggie Smith in 'Downton Abbey'
Masterpiece

With a total of 69 nominations and 15 wins, Downton Abbey is the most nominated non-U.S. series in Emmy history.

15. THE QUEEN LOVED IT, AND LIKED TO LOOK FOR ANACHRONISMS.

Among the show’s many famous fans are several members of the British royal family, including Queen Elizabeth, who “loves to pick out the mistakes,” said At Home with the Queen author Brian Hoey. “They do tend to get it right. However, the Queen did notice on one episode that there was a young so-called British officer wearing medals which had not been awarded when he was supposed to be alive. He was fighting in the First World War and the medals on his chest did not come in until the Second World War.”

8 Haunting Horror Movie Gimmicks

Universal Pictures Home Entertainment
Universal Pictures Home Entertainment

In the 1950s and 1960s, horror movies were making studios huge profits on shoestring budgets. But after the market hit horror overload, directors and studios had to be extra creative to get people to flock to theaters. That's when a flood of different gimmicks were introduced at movie theaters across the country to make a film stand out from the crowd. From hypnotists to life insurance policies and free vomit bags, here's a brief history of some of the most memorable horror movie gimmicks.

1. PSYCHO-RAMA // MY WORLD DIES SCREAMING (1958)

In order to truly become a classic, a horror movie can't just work on the surface; it has to get deep inside of your head. That's what Psycho-Rama tried to achieve when it was first conceived for My World Dies Screaming, later renamed Terror in the Haunted House. Psycho-Rama introduced audiences to subliminal imagery in order to let the scares sink in more than any traditional film could.

Skulls, snakes, ghoulish faces, and the word "Death" would all appear onscreen for a fraction of a second—not long enough for an audience member to consciously notice it, but it was enough to get them uneasy. Obviously Psycho-Rama didn't really catch on with the public or the film industry, but horror directors, like William Friedkin in The Exorcist, have since gone on to use this quick imagery technique to enhance their own movies.

2. FRIGHT INSURANCE // MACABRE (1958)

Director William Castle didn't make a name for himself in the film industry by directing cinematic classics; instead, he relied on shock and schlock to help fill movie theater seats. His movies were full of what audiences craved at the time: horror, gore, terror, suspense, and a heaping helping of camp. But his true genius came from marketing—and the gimmicks he brought to every movie, which have since become legendary among horrorphiles.

His most famous stunt was the life insurance policy he purchased for every member of an audience that paid to see Macabre. This was a real policy backed by Lloyd's of London, so if you died of fright in your seat, your family would receive $1000. Now who wouldn't want to roll the dice on that type of deal? Of course, the policy didn't cover anyone with a preexisting medical condition or an audience member who committed suicide during the screening. Lloyd's had to draw the line somewhere, right?

3. HYPNO-VISTA // HORRORS OF THE BLACK MUSEUM (1959)

How do you make your routine horror movie stand out from the crowd? Hypnotize your audience, of course. Thus Hypno-Vista was born. For this gimmick, James Nicholson, president of American International Pictures, suggested that a lecture by a hypnotist, Dr. Emile Franchel, should precede Horrors of the Black Museum, which had a plot focusing on a hypnotizing killer.

For 13 minutes, Dr. Franchel talked to the audience about the science behind hypnotism, before attempting to hypnotize them himself in order to feel more immersed in the story. Nowadays it comes off as overlong and dry, but it was a gimmick that got people into theaters back in 1959. Plus, writer Herman Cohen said that eventually the lecture had to be removed whenever the movie re-aired on TV because it did, in fact, hypnotize some people.

4. NO LATE ADMISSION // PSYCHO (1960)

Though this isn't the most gimmickiest of gimmicks, Alfred Hitchcock's insistence that no audience member be admitted into Psycho once the movie started got a lot of publicity at the time. The Master of Suspense's reasoning is less about drumming up publicity and more about audience satisfaction, though. Because Janet Leigh gets killed so early into the movie, he didn't want people to miss her part and feel misled by the movie's marketing.

This publicity tactic wasn't completely novel, though, as the groundbreaking French horror movie Les Diaboliques (1955) had a similar policy in place. This was at a time when people would simply stroll into movie screenings whenever they wanted, so to see a director—especially one so masterful at the art of publicity—who was adamant about showing up on time was a great way to pique some interest.

5. FRIGHT BREAK // HOMICIDAL (1961)

Another classic William Castle gimmick was the "fright break" he offered to audience members during his 1961 movie, Homicidal. Here, a timer would appear on the screen just as the film was hurtling toward its gruesome climax. Frightened audience members had 45 seconds to leave the theater and still get a full refund on their ticket. There was a catch, though.

Frightened audience members who decided to take the easy way out were shamed into the "coward's corner," which was a yellow cardboard booth supervised by some poor sap theater employee. Then, they were forced to sign a paper reading "I'm a bona-fide coward," before getting their money back. Obviously, at the risk of such humiliation, most people decided to just grit their teeth and experience the horror on the screen instead.

6. THE PUNISHMENT POLL // MR. SARDONICUS (1961)

The most interactive of William Castle's schlocky horror gimmicks put the fate of the film itself into the hands of the audience. Dubbed the "punishment poll," Castle devised a way to let viewers vote on the fate of the characters in the movie Mr. Sardonicus. Upon entering the theater, people were given a card with a picture of a thumb on it that would glow when a special light was placed on it. "Thumbs up" meant that Mr. Sardonicus would be given mercy, and "thumbs down" meant … well, you get the idea.

Apparently audiences never gave ol' Sardonicus the thumbs up, despite Castle's claims that the happier ending was filmed and ready to go. However, no alternative ending has ever surfaced, leaving many to doubt his claims. Chances are, there was only one way out for Mr. Sardonicus.

7. FREE VOMIT BAGS // MARK OF THE DEVIL (1970)

Horror fans are mostly masochists at heart. They don't want to be entertained—they want to be terrified. So when the folks behind 1970's Mark of the Devil gave out free vomit bags to the audience due to the film's grotesque nature, how could any self-respecting horror fan not be intrigued? It wasn't just the bags that the studio was advertising; it also claimed the film was rated V, for violence—and maybe some vomit?

8. DUO-VISION // WICKED, WICKED (1973)

Duo-Vision was hyped as the new storytelling technique in cinema—offering two times the terror for the price of one ticket. Of course Duo-Vision is just fancy marketing lingo for split-screen, meaning audiences see a film from two completely different perspectives side-by-side. In the 1973 horror film Wicked, Wicked, that meant watching the movie from the points of view of both the killer and his victims.

Seems like a perfect concept for the horror genre, right? Well, Duo-Vision wasn't just employed during the movie's most horrific moments; it was used for the movie's entire 95-minute runtime. The technique had been used sparingly in other films—most notably in Brian De Palma's much better film Sisters (1973)—but it had never been implemented to this extent. A little bit of Duo-Vision apparently goes a long way, because it fell out of favor soon after.

John Carpenter May Be Planning a They Live Sequel

Universal Studios Home Video
Universal Studios Home Video

John Carpenter is one of the horror genre's biggest names. The man behind the original Halloween, The Fog, Escape from New York, and The Thing, ​Carpenter has had a long enough career to see many of his most popular creations be remade, including this year's new Halloween film, which features some of the original actors returning to their iconic roles to continue a decades-long story.

But in a recent interview with ​Den of Geek, when Carpenter was questioned about whether his cult classic They Live might he ripe for revisiting, Carpenter teased: "Well, I’m not gonna tell you about that, because it might be closer to reality than you think."

​They Live, which came out in 1988, featured the late professional wrestler 'Rowdy' Roddy Piper in his signature role as a man who finds a pair of sunglasses that allow him to see the true state of the world and uncover an alien invasion. Like so many of Carpenter's other films, it has continued to amass a cult following in the decades since its release—especially among those viewers who understood and appreciated its underlying political metaphor.

Today's highly divisive political climate makes it a perfect time for a sequel/reboot/reimagining of They Live, and it sounds as if Carpenter might agree.

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